Tagged: comics

DENNIS O’NEIL: One Upon A Time

dennyoneil10017-7473629Once upon a time, way back, I was just a tiny bit afraid that the stepchild of American publishing wherein I labored, comics, would not be properly documented – that the right people weren’t being interviewed, the right information preserved. I needn’t have worried. Thanks largely to an army of scholars-without-portfolios – we called them fans – I think comics are likely to be the best documented art form in history. These people, and more recently the academics that involve themselves with popular culture, must have found sources of information completely unknown to me, and I applaud them for it.

Among my current sprinkling of projects is writing introductions for a collection of essays concerning what I guess we can unblushingly call the Batman mythos. More documentation and, I’d like to believe, welcome. The next intro I’ll do will be for a piece by Paul Lytle on Arkham Asylum. That name – Arkham Asylum – is familiar to Batman devotees and maybe to some folk not quite so devoted because it played a prominent part in the last mega-budget Batman movie. It is, for you who are not devotees and those who weren’t paying attention while you watched Batman Begins, the place where the criminally insane of Batman’s rollicking home town, Gotham City, are sent for incarceration and rehabilitation though, judging from results, the staff of the institution aren’t very good at either task.

But – here comes our big reveal, and I’m mostly addressing devotees, though the rest of you can stay – have you ever wondered where that distinctive name came from? Oh sure, the better read among you will recognize the word “Arkham” from H.P. Lovecraft’s tales – Arkham was the spooky burg where Lovecraft’s things went bump in the night. But who had the inspiration to associate it with the residence of Gotham’s host of loonies? I was pretty sure I knew, but, as you may remember, a couple of columns ago I trusted my memory and erred. So I sent an email. Here, in part, is the reply:

Our original conversation regarding where criminals such as the Joker and Two-Face should be incarcerated took place in March of 1974, when you and Len Wein were guest speakers at Jim Dever’s and my comics history course at the Philadelphia College of Art (now the University of the Arts). The first mention of Arkham was in your Two-Face story that appeared in Batman #258, which was cover dated September, 1974.

 

 – JCH

 

The JCH that signs the letter stands for Jack C. Harris, a veteran writer, editor, historian and, for the past decade, give or take, a comics writing teacher at the School of Visual Arts in lower Manhattan. Credit where it’s due – where it’s long overdue.

If Jack were here, I’d ask him to take a bow.

RECOMMENDED READING: Awareness, by Anthony de Mello. Those of you who look at this blather every week may have guessed that I’m not a huge fan of organized religion these days, largely because of the misuses to which it’s currently being put, and the book recommended above is by a Jesuit. Well, if the Jebbies who presided over my university years were like de Mello, I might lay some bucks on the alumni fund once in a while.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

The Big ComicMix Broadcast’s Home Game!

The Big ComicMix Broadcast for the weekend offers up news on getting AC/DC on your phone, the comic character who is headed to the big screen before he shows up in the comic stores and the start of another round of sold-out comics. Then there is the artist who shares his story of getting his dream job in comics just by watching TV, plus that little girl from New Jersey who took on The Beatles.

Want to know the Truth? Then Press The Button!

MICHAEL DAVIS: I’m a Believer

michael-davis100-1596076Last week at the San Diego Comic-Con I was hosting a forum called “The Black Panel.” The panel was filled with heavy hitters from comics, film, television and animation. At one point during the Q&A a young man asked that more creators recognize and do stories about black atheists. I made a joke that the characters battle cry would be, ‘I don’t believe!’

It got a laugh and I went on to the next person with a question. I happened to look into the young man’s face who asked the atheist question and realized he was not kidding; he was very serious.

I hope that he reads this, or that someone he knows reads this and tells him that I am truly sorry for making light of his belief. I thought he was kidding but the look on his face said otherwise, so in all seriousness I apologize.

That young man has every right to believe what he wants. This brings up an interesting question: Do creators who have a voice in the industry have an obligation to recognize fan beliefs and/or pay attention to them?

My answer with all due respect to the young atheist is no.

I can only speak for myself, but what anyone else believes is not my concern. That said, I do believe that you respect people’s belief.

I’ll say that again so there is no misunderstanding and so I don’t get any nutty comments: I believe that you respect people’s belief.

My former wife had a religious belief that frankly freaked me out. She never tried to convert me and I never tried to talk her out of it. We were two people who met, fell in love and got married. We broke up not because of her beliefs but because I was stupid.

I frankly couldn’t care less what you believe or practice. It’s your right in a free society to do what you want. As long as you do not harm other people or animals you can live in the woods and eat bark for breakfast for all I care. If you want to believe that Richie Rich is the one and only true God then have at it, buddy. What you do with your life is really nobody’s business but yours. How you live, what you think and why you think it is all you, my friend.

The last comic book universe I created was The Guardian Line. A Christian publisher publishes those books and, ironically, we do have a black atheist character. I did not think to mention it at the Black Panel but, yes, we have one. The character is important to a storyline which deals with belief. That storyline makes the point that even if you do not believe in God that you respect each other. I created that character for that story line not because I think black atheists have a right to be represented in The Guardian Line. (more…)

Warren Ellis pontificates

Overheard at my local comics shop this week:

"Yeah, I saw Warren Ellis at San Diego — I don’t know what it was, but he reminded me of Santa Claus."

"You mean fat, bearded, and with millions of underage children under constant surveillance?"

Which is as good an intro as any to Carla Hewitt’s 44 things said at the Spotlight on Warren Ellis panel. Probably not safe for work, and let’s face it, you’d be disappointed if it was.

JOHN OSTRANDER: Pros and Cons

ostrander100-7982546Well, seeing as last weekend was Spam Diego, I suppose it’s time to do my Convention wrap-up.

Not that I was at SD. Not this year. But I’ve been to quite a few over the years. In fact, I’ve been at any number of comic conventions, both as a fan and as a professional. Actually, always as a fan and, for the past 25 years, as a professional as well. But something can happen and I can turn back into a drooly mouthed fan boy at a moment’s notice. Some cases in point:

During my early years in the biz, my sometimes partner in crime and often evil twin Timothy Truman and I were at a Con together. Will Eisner was in attendance and neither Tim nor I could summon up the nerve to go say hello to him. We finally got on the courtesy bus taking us from the hotel out to the airport as said convention ended and the only other passenger was – Will Eisner. So he strikes up a conversation with us and we had a really great trip out to the airport. Will got off the shuttle first and Tim and I looked at each other and decided we were such idiots because we could have spent the entire weekend with him.

I think I’ve told the story elsewhere how at a Chicago Con I had to get Julie Schwartz (who I already knew and was a legend himself) to get me to introduce me to Jack Kirby because I was completely and utterly incapable of doing it myself because this was the goddam KING of comics, goddamit!

Likewise, at a San Diego Con, I had to get Murphy Anderson (another legend who I already knew) to introduce me to John Broome, the legendary writer. Mr. Broome, on being introduced, gives me the eye, looks me up and down and said, with mock severity, “Ah, the competition, eh?” No, Mr. Broome, I’d have to be in your league first.

Yes, there are others who can make me like that and, no, I’m NOT telling you who they are.

I’ve also met any number of friends at conventions. I think Michael Davis has talked about our first meeting; I know he wound up in the suite with Mike Grell and myself (and a few others) as Iron Mike watched the first episode of the Jon Sable, Freelance TV series that wound up being on for about two minutes one season. The TV show hasn’t lasted but I’m glad to say that my relationship with Michael has.

Another friend met at a Con was Aussie writer, Dave DeVries, who we designated “that mad Australian” as a result of that weekend. We keep in touch still and he’s a good mate. Dave’s also been a pal and a bane to Brother Grell and has one of the best bar stories about him I’ve ever heard. Dave, if you see this, get on the comment line and tell it. Or maybe we can get Grell to do it.

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Scott Shaw! Did you hear me? I said, “Scott Shaw!”

picture-parade-1028720Now, more than ever, do we need Scott Shaw!’s Oddball Comics.

 

He has followed his bliss and ours to the last swap meet, the dustiest quarter box of mixed comics to save the comics that no one else would save.  We all know about the great comics that everyone’s mom threw out.  These are the comics that every self-respecting kid threw out.  The ones even our kid siblings wouldn’t save from the trash.

 

These are the comics that put the funny in funny book, both “ha-ha” and “peculiar.”  And fewer are the howlers put out as advertising tools than you’d think.  Most of the show are comics put out by entertainment professionals.  They’re just wrong.  For every genuinely, intentionally funny comic book cover over the years there must be a hundred that are so stupid, so venal, so slapdash as to be the dictionary illustration for “laughingstock.”

 

brain-boy-7118936Being in the hands of a seasoned performer like Shaw! is a relaxing pleasure.  You pick up the rhythm and laugh along as long as the schedule will allow.  He is the king of the slideshow side shows, a wonderful reminder of the great heights we attempt and the depths to which we can fall.  Here are freaks for geeks.

 

This is the first, maybe decisive verdict of history on these comics.  One look and the specialists in the field, that is, the entire audience, can’t help but laugh out loud.  There are fewer professionals in attendance these days, but that’s because they’ve all seen it, some since they’ve been in middle school. (more…)

Hot Comics Linkage

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Last thoughts on the San Diego Comic-Con:

Adventures in SciFi Publishing has some Comic-Con pictures.

Fantasy Book Critic has a wrap-up of Comic-Con, with some pictures and thoughts, and yet more links.

The Bat Segundo show flutters back for a second podcast about this year’s Alternative Press Expo.

Ned Beauman is now blogging about comics for the Guardian, but he thinks it’s hard out there for a non-misogynist.

Sequential Tart reviews a couple of Minxes.

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Dark Tower’s Marvel Future?

The Big ComicMix Broadcast is back home and wait until you hear about the new comics and DVDs we had waiting for us! Plus, we talk to one of the creators of Dark Tower on the future of the Marvel series, DC explains why they feel weekly comics are cool and the Watchmen director spills how is going to make a movie that even Alan Moore might like! We’ve got the news on the relaunch of Reboot, ABC’s PrimeTime plans and a trip back to an artist whose one big hit came just a year after a similar trip to the top from her husband!

You’ll miss ALL of this unless you Press The Button!

GRAPHIC NOVEL REVIEW: Spent

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Joe Matt is a lazy, pornography-obsessed cartoonist whose main (or possibly only) subject is his own miserable life. If you’ve heard of Matt’s work before, you’re probably wondering why I’m restating the obvious. If you’ve never heard of Matt before, you’re probably wondering how much of a career one can get out of that – well, it’s not a deep well, but he’s been at it for nearly twenty years.

Spent collects four issues of Matt’s comic Peepshow; it’s essentially a sequel to his first full-length graphic novel, The Poor Bastard. Poor Bastard was mostly about his rocky relationship with his girlfriend Trish in the early ‘90s, and Spent’s four issues take place in 1994, 1996, 1998, and 2002, respectively. (And the really sad and pathetic thing is that Matt’s depicted life didn’t change in the slightest between ’94 and ’02; these issues read almost as if they’re four successive days.) Matt is seen either in company with his two cartoonist friends, Seth and Chester Brown, or (generally alone) in his room, obsessing about himself and talking to the reader.

Now, what I say from here on applies to the “Joe Matt” who is the main character of Spent; it may or may not precisely describe the real-world Joe Matt, though, to all appearances, he does document his life quite honestly. (And a tip of the hat to my fellow comics reviewer Jeff VanderMeer, with whom I spent several enjoyable months last year debating such things as how much of the “Bret Easton Ellis” in Lunar Park can be mapped onto the man of the same name who wrote that novel.) (more…)

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DENNIS O’NEIL: Saturday Noon

dennyoneil100-7400785Saturday noon, and it still hadn’t arrived. Voldemort’s work? Or the machinations of something a bit more prosaic – book ninjas, maybe, or gremlins? But no. We fretted in vain. At about three, the doorbell rang, and there he was – Mr. Delivery Man, bearing our own copy of Harry Potter and the Deathly Hallows.

(I don’t think a spoiler warning is really necessary at this point – is there anyone who doesn‘t know Harry’s fate? – but what the hell, consider yourself warned.)

Soon, Marifran was in bed, reading – yes – the end of the novel. I asked her if Harry survives and she said that he does. Whew. The next evening, daughter Meg phoned from Seattle. She’s already finished it, all 759 pages. Do all bank vice-presidents spend their weekends reading?

What kind of people are these? What sort of mutated family did I marry into?

Me, I plan to wait for the movie. But I’m glad the book’s doing well. Better that gobs of money go to J.K. Rowling, who comports herself with some dignity, than to yet another deluded, sad young woman who calls attention to her desperate self by displaying what, in gentler times, would be seen only by her mate or her gynecologist.

Of course, not everyone is profiting by Ms. Rowling’s success. Independent bookshops, in order to compete with chains and on-line venues, are selling the book at such steep discounts that their profit is slim to none. And news reports tell us that just because a lot of kids are reading the Potter series doesn’t mean that they’ll read anything else. Apparently, Harry’s sui generis and after Deathly Hallows, it’s back to the tube for many.

But surely some kids will try other printed entertainment, once Harry teaches them that what’s printed can, in fact, be entertaining. Or so those of us who worry about the future of these United States can hope. Al Gore’s new and excellent book, The Assault on Reason (which I recommended last week) tells us that “…the parts of the human brain that are central to the reasoning process are continually activated by the very act of reading printed words…the passivity associated with watching television is at the expense of activity in parts of the brain associated with abstract thought, logic, and the reasoning process…An individual who spends four and a half hours a day watching television is likely to have a very different pattern of brain activity from an individual who spends four and a half hours reading.”

So, my understanding of Mr. Gore is, reading is not virtuous because it’s what grandma and grandpa did for fun, but because it stimulates a part of the brain that may be both underused and useful.

Is Harry Potter our new, albeit fictional, messiah? Well, no. We don’t want to take it that far. But given the current crop of wannabe saviors, we could do worse.

RECOMMENDED READING: Understanding McLuhan, by W. Terrence Gordon, illustrations by Susan Willmarth.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.