Tagged: comics

Top ten videogames announced

  • News
  • March 13, 2007

spacewar-4155375Now that comics have earned mainstream respectability, can videogames be far behind?  Henry Lowood, curator of the History of Science and Technology Collections at Stanford University, is at the forefront of gaining recognition of this hobby and industry as having "a history worth preserving and a culture worth studying."

So last Thursday at the annual Game Developers Conference in San Francisco, Lowood, along with game designers Warren Spector and Steve Meretzky, academic researcher Matteo Bittanti and game journalist Christopher Grant, announced the committee’s list of the 10 most important videogames of all time.  For the final list, see below.

The list ranges chronologically from 1962 (!) through 1994, and was closely modeled on the work of the National Film Preservation Board, which every year compiles a list of films to be added to the National Film Registry.  So expect a lot more additions in the future of this still-nascent industry — a future that looks brighter and more competitive every day, reports the BBC in this article about the stiff competition of talent trying to break into game designing.  And you thought getting into comics was hard!

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Sopranos’ Frankie Valli sings to ComicMix!

We’ve got the low-down on The Boys, Batman gets a swell new squeeze, comics and DVD new releases get revealed, Tom DeFalco gets previewed (?), and Timeline gets out in 1963, and we interview the Sopranos‘ most famous singing dead guy thus far,  Mister Frankie Valli!

All this and, as we always say, even more… at ComicMix Podcast #13.

It’s all yours, if you just click here:

Dennis O’Neil: The Fanatic Conclave, part two

  • News
  • March 13, 2007

About 370 million years ago, give or take, swimmy little critters biologists now call lobefish developed appendages that were helpful in getting around the bottoms of the ponds and lakes where they lived. Their descendants eventually flopped onto land and those appendages evolved into things that are useful for tap-dancing, kicking field goals and, attached to the likes of Jessica Alba, drawing admiring glances.

Comic books began as a low-common-denominator, novelty entertainment and became an industry and, arguably, an art form. Lobefish spawned, among other phenomona, karate and Ms. Alba’s thighs and comic books spawned, among other phenomona, comic book conventions. These were, at first, quite modest affairs, as described in last week’s installment of this feature, but, like the lobey appendages, have evolved into quite something else. They’re, some of them, held in gigantic auditoriums – the San Diego Convention Center and New York’s Javits Center, to name two – and attended by tens of thousands of participants. And people far more knowledgeable regarding showbiz than I am say that anyone wanting to launch a fantasy or science fiction-themed movie or television show is well-advised, if not required, to do so at one of these mega-soirees.

They have become an integral part of the huge modern monster media and I wonder if they’re not more influential as that than as places for hobbyists to gather and share enthusiasms. Further – I wonder if some folks forget that the “comi” in comicon refers to these visual narratives still being published in glorified pamphlet form.

A lot more entertainment seekers will see the forthcoming Fantastic Four movie (starring our friend Jessica, by the way) than will read any years’ worth of Marvel’s Fantastic Four comic books. And how many of the millions of ticket buyers who made Ghost Rider the box office champ for two weeks running, despite iffy reviews, even realized that the character had been born as a Marvel superhero?

I think it’s clear that the term comic book is in the process of redefinition, though what it will mean in 10 years I don’t know. It certainly won’t be merely a noun referring to the aforementioned pamphleted narratives. Nor will it any longer be a modifier meaning low, dumb, semi-literate, borderline immoral, as it has been until recently, and might still be in some venues. Probably it’ll describe a genre, or combination of multi-media genres. Or, could be, it’ll be entirely forgotten. After all, we don’t call legs lobes, do we?

And now, in the spirit of Jon Stewart, who on The Daily Show has his moment of Zen, we have our Recommended Reading: Superhero: The Secret Origin of a Genre, by Peter Coogan. Full disclosure: I wrote the book’s introduction. But I won’t profit if you buy it. I recommend it because it is, quite simply, the best treatment of the subject I’ve encountered.

Comics take on statutory rape

  • News
  • March 12, 2007

To help combat a growing trend, the Virginia health department has commissioned a "fotonovela" – a comic book that uses photographs instead of art, also known as fumetti – to educate Spanish-speaking girls younger than 18 about how they can avoid being coerced into unwanted sex.

Citing cultural tradition, the Center for Disease Control and Prevention told CNN Latinas lead the nation in teen births with a birth rate more than double the national norm. Young mothers are extremely reticent to name the fathers of their children.

According Paz Ochs, the Richmond VA Hispanic liason who helped create the fotonovela, "We wanted something that would be appealing. There’s some people that might not realize that this is even against the law." Health care workers in Illinois, Arizona, Pennsylvania, Tennessee, Indiana and Florda have contacted the Virginia Department of Health for more information.

Mike Gold: It’s about time

  • News
  • March 12, 2007

mikegold100-4129572I was listening with keen interest to Mike Raub’s interview with my old friend, DC publisher and president Paul Levitz, available on the current (#12) ComicMix Podcast. Back in the days of papyrus scrolls, Mike, Paul and I were in an a.p.a. (amateur press association; a forerunner of the Internet) called Interlac. It was great fun, and if I’m not mistaken it’s still around in the more capable hands of those who still own staplers.

Anyway, Mike asked Paul for his opinion as to the single greatest change in the comics medium in the 35 years since he ran a massively influential fanzine called The Comic Reader. Without dropping a beat, Paul talked about the acceptance of the comic art medium.

A couple hours later I found myself debating which would be the least expensive way to see the movie 300: my AARP card or the first-showing matinee. Linda and I piled into the car and drove up I-95 to watch the carnage. I’m referring to the movie, and not I-95.

Later on TiVo showed us the latest episode of Ebert and Roeper, where 300 lead the discussion. Mind you, I regretted the passing of the show’s original co-host, Gene Siskel. Unbeknownst to much of humanity, Gene was a serious fan of Roy Thomas’s Conan work and at one time had at least three complete collections. But then again, he might have reviewed the movie through the eyes of a comics’ fan. I doubt that, but roll with me for a while longer.

Roeper reviewed the movie and loved it. He commented at length about the evolution of the graphic novel-based movie without once referring to costumes and capes (oddly, 300 had both – but you get my drift) and Frank Miller’s influence on comics, film, and our culture in general. He spoke of Miller’s work the way arts critics speak of Martin Scorsese, John Lennon and Philip Roth. Not a single word was condescending. Not one.

And it’s about time. Paul’s perception is right on the money. In earlier days we would look to the movies as justification for our four-color passions, as if to say “see, somebody else is taking us seriously.” That played a big, big part in our enthusiasm for Richard Donner’s Superman – The Movie. Today, we no longer need to prove anything to anybody.

Previously, I stated in this column that respectability might be the death of us. I still feel that’s a possibility: I’d hate to see the comic art medium be taken as seriously by its fans as those many rock’n’roll enthusiasts who lost their sense of humor and perspective a long time ago.

But if respectability is the death of comics, at least we’ll get a well-written obituary.

captaction1-3415444

Moonstone soliciting Captain Action pitches

  • News
  • March 11, 2007

captaction1-3415444While we’re on the subject of Moonstone Books, Johanna Draper-Carlson reports that they’re looking for pitches for Captain Action, the toy figure from the 60’s best known for being other heroes, as well as a short lived comic book in the 60s from DC.

Quoth Johanna: "Moonstone wants to give CAP his due in comics! We’re looking for proposals of no more than two pages. The premise is entirely up to you! Create a NEW “back story” as well as set CAP on a course for new adventures! We’re looking for that one GREAT IDEA, and we know it’s out there! (Please remember that CAP is a licensed property, and as such, if approved, would be considered “work for hire”.) All proposals will be subject to review. You can e-mail proposals to contact_us@moonstonebooks.com."

Pulps and pulp comics

  • News
  • March 11, 2007

moonstonelogo2-5237012There has been quite a revival of interest in the old pulp heroes over the last year or two. Moonstone Books launched with the pulp-like exploits of Kolchak the Night-Stalker before adding characters such as The Phantom and The Spider, while Anthony Tollin has relaunched The Shadow and Doc Savage in two lines of facsimile reprint editions. In Hollywood, Sam Raimi has signed on to produce a movie about Doc Savage, the Man of Bronze. With so much renewed interest, we here at ComicMix thought we should dig a little deeper.

The energetic Joe Gentile has been running Moonstone Books for a decade now and has grown the line from a one or two comic books a month outfit to a burgeoning publisher of not only comic books but prose works. I chatted with him by e-mail to learn what’s been going on.

In the interests of full disclosure, I have written one story for Moonstone’s anthologies, with work beginning on a second, and ComicMix columnist John Ostrander has contributed a story to the recently released Kolchak prose anthology.

Robert: Joe, for those not in the know, what is Moonstone’s mission?

Joe: Well, we thought there were some niches that weren’t being filled in comics. We thought that if we could fill some of those, perhaps (with promotion and advertising, which we did a lot of at the beginning) we could bring either new people or readers who left the hobby, to come back to the comic shops. Great stories was always our #1 priority, all things else aside.

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Just another MoCCA Monday

  • News
  • March 10, 2007

luluberty-9615143Friends of Lulu has been a visible player in the comics world for about fifteen years now.  Like many organizations, it’s had its share of controversy.  It’s also helped give visibility and voice to a lot of talented writers and artists in an industry where, until very recently, one of the most frequently asked questions seemed to be "where are all the women comics creators?"

In the interest of full disclosure, I was very active in FoL for a number of years, and helped nurture some of its successful ventures dealing with women’s visibility like the Women Doing Comics list on the national website and the Women in Comics discussion series hosted by the New York chapter (see logo at right, created for the FoL/NY t-shirts by my best friend, the late Leah Adezio).  So I feel a bit like a mother hen when noting that the latter is still going strong, currently in association with the Museum of Comic and Cartoon Art in Manhattan’s SoHo district, which hosts what it calls their "MoCCA Mondays."

This coming Monday, March 12, MoCCA and FoL/NY present a panel called The Big Picture, as artist Marion Vitus moderates a discussion with a group of four diverse professionals — Del Rey Manga’s Trisha Narwani, NYPL Teen Central’s Melissa Jenvey, artist Christine Norrie, and Friends of Lulu cofounder Heidi McDonald — as they look ahead in the comic book world.  The program begins at 6:30 PM and is absolutely free.  Tell them the mother hen sent ya.

The Onion on Captain America’s death

  • News
  • March 9, 2007
Captain America, the comic book character created during World War II as a patriotic opponent of the Nazis, was killed by sniper bullets in a recent comic. What do you think?
 
Monica Chan,
Systems Analyst

"But who will avenge him? If only there were a group of ‘avengers,’ if you will, organized for that purpose."

(Copyright 2007 The Onion)

Tintin heads to the big screen

  • News
  • March 9, 2007

Tintin, one of the most popular comic book creations on the international scene, is headed to the movie theaters coutesy of Dreamworks and producer Steven Spielberg. The movie has a projected budget near $100 million, according to The Hollywood Reporter.

George Hermi, better known as Herge, created 23 Tintin graphic novels before he died in 1983. Spielberg has been sitting on the rights since shortly before Herge’s death. Tintin already has appeared in five movies — two live action and three animated — and two animated teevee series. The classic Tintin in Tibet graphic novel was adapted into a London musical last year.

 

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