Dennis O’Neil: Heroes and Villains
When writer John Broome, artist Gil Kane, and the real villain, editor Julius Schwartz, reinvented the Green Lantern in 1959, they were corrupting the youth of America, or at least the comics reading segment thereof, by promoting authoritarian attitudes and glorifying barely disguised fascism.
Weren’t they?
I mean, didn’t we agree, in last week’s installment of this feature, that Green Lantern was changed from a guy with magical powers derived from a lantern and a ring, a bit of a loner, not unlike Aladdin, into a guy with superscientific gimmickry who gave unquestioning obedience to his masters, the self-styled Guardians of the Galaxy? A member of a uniformed corps?
Well, maybe not.

Jessa from Bookslut
Great Caesar’s Ghost, my first comic convention actually was 38 and one-half years ago. I thought about that a lot this past weekend. I recall hearing about 300 people attended that show; we were completely astonished by the huge turnout.

Metronome is described as "a 64-page graphic novel by Véronique Tanaka: a ‘silent,’ erotically-charged visual poem, an experimental non-linear story using a palette of iconic
For as long as there has been a comics’ press, people have been wondering why there aren’t more women reading comics. And often those people wondering are, themselves, women: Maggie Thompson (who in 1960 co-published Harbinger, one of the first comics-themed fanzines back),
I said in my
