Tagged: comics

DARK HORSE ANNOUNCES SEQUENTIAL PULP IMPRINT!

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  • August 3, 2011

Sequential Pulp Comics Launch in September

           
pulp-5839984Sequential Pulp Comics, a highly anticipated new graphic-novel line distributed by Dark Horse, will launch in September!
This new line will bring to life works of classic literature, 1950s paperbacks, and other stories. The series comes out of the gates with Victor Hugo’s classic literary work The Hunchback of Notre Dame, a forty-four-page graphic novella that marks Tim Conrad’s first new work in twenty years!
“Michael and I share a love for great stories, no matter where they come from. I grew up with these great works of science fiction, adventure, the supernatural, and crime noir,” said Dark Horse president Mike Richardson. “I can’t wait to see how Michael and his talented teams of artists and writers will breathe new life into them in this exciting new series of graphic novels.”
“We intend to simplify matters by foregoing single-issue comics, at least at first, and going straight to the graphic novel. In doing this we reach all markets including digital at the same time, and I believe the modern comics audience is hungry for complete stories,” said Sequential Pulp president Michael Hudson. “Our goal is to tell great stories and accentuate them with excellent art.” He concluded by saying, “Mike Richardson is a personal mentor and his vision has been one of greatness for Dark Horse for twenty-five years. I like surrounding myself with successful people, and with his help I know this can be a success.”
With titles scheduled into 2013, this new line is sure to please modern comics fans, as well as others who remember these classic works of fiction. Other upcoming titles include Dick Briefer and Mary Shelley’s The Monster of Frankenstein, Harry Whittington’s noir masterpiece A Night for Screaming, and many others.

Dylan Dog

I first encountered the legend of Dylan Dog back when I was trying to cover foreign comics while at Comics Scene and then wrote about the film adaptation a while back over at Famous Monster of Filmland. A PI in the world of things that go bump in the night sounded like a lot of fun. That the Italian comic has been running for decades also spoke to its creative spark and the genius of Tiziano Sclavi. Then I saw that this was going to Brandon Routh’s third film based on a comic book and figured he was 1 for 2 so far (entertaining in Scott Pilgrim, not served well by Superman Return’s lousy script) and might improve his average. He had certainly improved as an actor, as witnessed by Fear Itself and his recurring role on Chuck.

The trailers certainly made the movie look lighthearted and wonky, much like the comic source material so there was reason to be encouraged. The movie then opened and closed so fast there was little time to determine what went wrong (and if anything went right). 20th Century Home Entertainment pulled out all the stops (including a fun, interactive Facebook page) to promote the DVD, which arrived last week, making you think maybe this was some sort of overlook gem that just needed better marketing.

Nope. The film is still a creative misfire that pays the barest lip-service to the comics and carved its own niche of awfulness. Set in a supernatural New Orleans, the film features Routh as Dylan Dog, a former PI specializing in monsters but now just down on his luck. He’s lured back in to the world of vampires, werewolves, and zombies by those who wish to keep their existence low key so angry mobs don’t show up on a weekly basis. He’s hired by Elizabeth (Anita Briem), who saw a werewolf murder her father and steal the movie’s McGuffin, the Heart of Belial. Yes, rather than your typical investigation, Dylan immediately gets dragged back into the monster realm in time to prevent the end of the world. (more…)

Dylan Dog: A Background Primer

  • News
  • July 22, 2011

Dylan Dog has sold over 60 million copies all over the world making it one of the most popular comic books around.  Courtesy of 20th Century Fox Home Entertainment, we examine the history behind Dylan Dog and the Italian comic series that was created by and originated in 1986.  We will give fans background information on Dylan’s character and adventures, as well as educate fans of the flick to explain differences between the film and comic version.

Brandon Routh (Superman Returns) stars as Dylan Dog, a supernatural detective who will go where the living dare not — facing friend and foe alike in the monster infested backstreets of New Orleans. Armed with an edgy wit and an arsenal of silver and wood-tipped bullets, Dylan must solve a series of murders before an epic war ensues between his werewolf, vampire and zombie clients. Based on one of the world’s most popular comic books (over 60 million copies sold), this inventive horror comedy will slay you with humor and genuine frights.
Acclaimed horror director Kevin Munroe (TMNT) guides this comedic cast, which also includes Taye Diggs (Private Practice), Peter Stormare (Minority Report), Sam Huntington (Being Human) and (Kurt Angle (Death From Above). (more…)

SDCC Dating Ettiquite

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  • July 22, 2011

It’s the first night of the convention proper…

…which means it’s the start of all the parties…

…which means it’s the start of free booze flowing…

…which means a lot of people think that they’re the Doctor’s, ahem, companion…

…which means it’s time for Comic-Con Hookup Bingo!

Special points if you find “The Chosen One”.

Sadly, there seems to be no squares for getting it on with either comics pros or wannabes.

Certainly not for people who just blog about comics… because anybody can be a blogger.

 

DENNIS O’NEIL: Universal Upheaval!

So the universe upheaved and a gap appeared in time and here we are, at the far end of that gap. (Or the near end, if we’re looking backwards. But never mind.) We’ve again grubbed residence in Comicmixland and vowed to deliver weekly blather.

But, with a deep bow to Bill Maher, we have new rules—or to be exact, just rules, since when I last did this nobody mentioned rules, though I did promise Mike Gold and myself to do at least 500 words per installment, lest I be mistaken for a carbuncle. The 500 word deal still holds, but Mike has added a new proviso; subject matter should be somehow related to comics.

Pretty draconian, huh?

Actually, Mike’s edict doesn’t much close any doors. First, a lot is happening in comics and related media per se and, second, virtually everything in our media-drenched, perpetual-news-cycling global civilization is connected. Always has been. Really. Remember the butterfly effect: The sumbitch flapping around a garden in Tokyo today will cause your hat to blow off next Tuesday and the breath I just took may have contained an atom that was once part of Cleopatra. (And, more painfully, the monetary crisis in Greece may bump your mortgage.) And we all come from the same place, out there among the stars in the baby cosmos.

So yeah, the world is a vast network of interconnections, and it’s a lot easier to see that now that it was a century ago. It shouldn’t be much of a rhetorical trick to write about comics and still acknowledge that other things exist, and are worthy our notice.

(I wonder: could you have a comprehensive knowledge of comics, beginning with [[[The Yellow Kid]]] and ending with…oh, I dunno – Chris Claremont’s run on [[[X-Men]]]? – could you know that and be ignorant of the history of the United States in the Twentieth Century? Maybe not.)

But where to begin?

Well, this week, nowhere. I’ve already burned away 329 of those 500 words and unless I want to content myself with knocking off a few haiku, there isn’t much room left for pontificating. But next week? Hey, this has been called the summer of the superhero movie, hasn’t it? And although I haven’t seen all of the films in question, and probably won’t in the next seven days (Thor has already hammered back to Asgard, which I think is somewhere just off Sunset Boulevard, and is not available for viewing) but doesn’t utter ignorance of my subject qualify me as a pundit? Darn right! And what’s happening behind the cameras—the changes in management—is worth a bit of uninformed opinionating, too.

A final note: In the previous incarnation of this feature, and in a comic book that the aforementioned Mike Gold and I worked on a couple of decades past, we recommended books we thought might amuse our readers. I’d like to continue recommending reading, but not every week, just when I come across something I think will be of particular interest to y’all.

Happy trails…

FRIDAY… Martha Thomases

GUEST REVIEW AND INTERVIEW-MYSTERY MEN FROM MARVEL COMICS!

  • News
  • July 12, 2011
ALL PULP thanks Peter Miller – docsavagetales.blogspot.com – very much for providing this Guest Review AND a Creator Interview to go with It!
Mystery Men #1 and #2 of 5
Written by David Liss
Art by Patrick Zircher
Published by Marvel Comics

 
 
DC comics made a big splash when the First Wave Universe premiered. They were making pulp comics in a new way. Not set in the past, not set in the DC Universe, but set in their own universe. They hyped it as cel phones and airships. What they created, combining pieces of the past—Doc Savage, the Avenger, The Spirit—with non-super-powered DC characters like Batman and the Blackhawks, was a failed mess. In most of the books the world seemed just like our own except for an extra airship or two. The best book was the Spirit, but even Spirit fans didn’t seem to love it.

Now Marvel has taken a stab at New Pulp and I think they are on to something great. Mystery Men takes place in New York in the regular Marvel Universe in 1932. As far as I know, this is the earliest a series has been set in the MU. The heroes (thus far) are not super-powered. The villain, however, is another story. He exudes occult mystical powers.

Mystery Men follows a millionaire playboy with a Robin Hood complex. He puts on a mask and calls himself the Operative. The Operative is trying to unravel a criminal conspiracy among the New York elite that is led by a frightening occult powered character called the General. The Operative is trying to find a killer.

Also involved in the case is another masked hero, the Revenant. He looks a bit like Moonknight and acts like the Shadow. He seems to have gotten the corrupt NYPD on his case and after crossing paths with the Operative, he decides they should work together.

The Operative doesn’t want the help and the fact that the Revenant is black doesn’t make it any easier, but we know they’re getting together. Issue #2 introduces the Rockettrix (not her real name, but the best description) with ties to the murder.

David Liss has nicely tied together a trio of pulp characters that I want to see more of. The story is good so far and the characters are charming, crude, tough, fascinating, and believable. I like the book a lot so far. Hopefully sales will be good enough to have the title continue.

I haven’t mentioned the art yet. The art is GREAT. Patrick Zircher’s style feels right for the period, but is modern at the same time. The entire first issue is done with horizontal panels, giving it a very cinematic style. The art is clear and direct and reminds me a little bit of Steve Bryant (Athena Voltaire). That is a compliment, by the way.

The second issue continues with the horizontal panels, but does break them up a bit. The colors by Andy Troy are also excellent, clean and subdued, but with color motifs to help define locations.

The final page of each issue so far has been an essay. Issue One’s article is by the writer, David Liss, and he discusses the thrill of adding to the beginning of the Marvel canon. He relates how he decided that the social issues of the 1930s would not be glossed over—that racism, sexism, poverty, and worker’s rights would play a part in the narrative. They do, and I think he has used them in his story well.

In the second issue, artist Patrick Zircher discusses the design path of the character’s looks.

I really hope these essays continue.

Go out and buy this great bit of New Pulp, you won’t be disappointed.

Interview with David Liss

mystery-men-2_1308796982-3390572
The first two issues of Mystery Men are out and they are terrific. The essay at the back of the first issue tells a bit about the genesis of the project, but I was wondering about your background with pulp and the history of the 1930s. Had you studied the era or was this an excuse to do just that?

It really was more of an excuse to learn about the 1930s. Over the years I’ve read various things from and about the period, and, of course, there are films. Like anyone who enjoys comics, I have always found a lot to love in the pulp era, but this was my first serious creative engagement with the period.

Have you read much original pulp of the era? If so, what titles or characters are you familiar with?

I’ve read a lot of pulp crime over the years, and I’ve read most of Robert E. Howard’s Conan stories. I have not actually read that much of the primary heroic pulp, though I have read the original stories of some characters like Doc Savage and the Spider. And then, of course, many of these characters have ongoing legacies in comics and other media that I’ve read.

Are you aware of the “New Pulp” movement – contemporary authors writing new stories set in the classic pulp era?

Yes, I have several friends who have contributed to some of these new pulp anthologies, and I have another new pulp project of my own in the works, though I can’t yet talk about it. I love the revival.

So far it seems that the 3 main characters – The Operative, The Revenant, and Sarah Starr have no innate super-powers. The villains do. Will we be seeing super-powered heroes in Mystery Men?

Hmm. Best to stay away from spoilers, but I will say that the amulet the General is after is packed with all kinds of surprises.

How did you go from writing historical mystery novels to comics?

I was asked! Marvel editor, and pulp-enthusiast, Bill Rosemann read one of my books and contacted me to ask if I liked comics and would I be interested in writing them. The answer was yes & yes. My first project for Marvel featured the pulp hero, the Phantom Reporter.

Are you a long time comics reader or are you new to the genre?

I was away from comics for the period of time I was in graduate school, when I lacked the time and money for comics — or just about any leisure activity — but otherwise I’m a lifelong fan.

What titles or characters are your favorites?

Some of my long-time faves include Daredevil, Spider-Man, Punisher, Captain America, Batman, Superman, Legion of Super-Heroes & Martian Manhunter, but I’ve always followed the story more than the character. My investment has always been less in titles and individual heroes than which creators are putting together good comics, so I’ll read just about anything with a cool story.

What writers or artists excite you?


On the writing side, these days my favorite creators are probably Robert Kirkman, Mark Millar, Brian Bendis and Ed Brubaker. I feel like I’ve been very lucky, because in my projects at Marvel I’ve been paired with some of the best artists out there. Francesco Francavilla and Jefte Palo, who have been doing the art for Black Panther, are both fantastic. And then, of course, there’s Patrick Zircher’s phenomenal work on Mystery Men. In terms of detail and beauty, as well as art that advances character and story, Patrick’s work on this book is about as good as it gets.

LANCE STAR’S ORIGINAL PUBLISHER TALKS ABOUT IPULP VERSIONS!

  • News
  • July 10, 2011

The Lance Star: Sky Ranger interviews – Author/Publisher Ron Fortier

Ron Fortier

With the announcement of Lance Star: Sky Ranger joining the iPulp Fiction Library, we wanted to introduce readers to some of the Honorary Sky Rangers involved with making these stories happen. Next up is Lance star: Sky Ranger Publisher Ron Fortier.

LSSR: Tell us a little about yourself and where readers can find out more about you, your work, and Airship 27 Productions?

RF: Okay, Reader’s Digest version here. Been writing professionally for past thirty-five years, mostly comics and now pulps. Folks can visit my website (www.airship27.com) to see what I’m up to on a weekly basis and learn more about Airship 27 Productions etc.

Airship 27 Productions

LSSR: How did you become involved with the Lance Star: Sky Ranger series?

RF: Having been a fan of the old pulp aviation heroes, we wanted to do our own series and Lance Star was the answer. He and his Star Rangers are classic aviation heroes with tons of adventures to tell.

LSSR: Who is Lance Star? What makes pulp characters like Lance and the Sky Rangers appeal to you as a writer, a reader, and a publisher?

Lance Star: Sky Ranger Vol. 1

RF: Lance Star is an flying adventurer and veteran of World War One. He and his crew travel the globe of the 1930s and setting them against this ear as historical background is always fun.

LSSR: Digital content has changed the publishing landscape. As a creator and publisher, what excites you about digital content? As a reader?

RF: Obviously the ability to get our books out to a much larger audience, folks who own Kindles and Nooks, is the biggest attractions. We want lots of people to have the fun of reading our books and the digital market has opened that possibility far beyond our wildest dreams.

Lance Star: Sky Ranger Vol. 2

LSSR: Airship 27 currently has two Lance Star: Sky Ranger anthologies in print and available as eBooks with several of those stories soon to be released individually at iPulp Fiction. What’s next for these pulp heroes?

RF: Simply more of the same. We have a third Lance Star anthology in production and hope to follow it up with his first ever full blown novel.

And I’m told there are more shot comics in the works. We plan on keeping Lance and the Sky Rangers flying high for a long time to come.

Damballa

LSSR: Any upcoming projects you would like to plug?

RF: Airship 27 Production just released its third SHERLOCK HOLMES – CONSULTING DETECTIVE anthology and will soon be releasing the first ever African American 1930s avenger, DAMBALLA by novelist, Charles Saunders. It’s a book we’re damn proud of.

LSSR: Thanks, Ron.

Sherlock Holmes Vol. 3

For more information on Airship 27 Productions, please visit http://www.gopulp.info/
For more information on iPulp Fiction, please visit http://www.ipulpfiction.com/

AUTHOR SPANGLER, LANCE STAR, AND IPULP!!

  • News
  • July 10, 2011

The Lance Star: Sky Ranger interviews – Author Bill Spangler

Bill Spangler

With the announcement of Lance Star: Sky Ranger joining the iPulp Fiction Library, we wanted to introduce readers to some of the Honorary Sky Rangers involved with making these stories happen. Next up is Lance star: Sky Ranger Author Bill Spangler.

LSSR: Tell us a little about yourself and where readers can find out more about you and your work?

BS: I’ve been selling fiction for a number of years now. Primarily my work has appeared in comic books, but I’ve been selling prose short stories—such as “Talons Of the Red Condors”—too. My most recent credits are a graphic novel based on Tom Corbett, Space Cadet, the classic sf TV series from the 1950s, and “Mutual Assured Destruction,” a prose story featuring the Green Hornet. The latter is in the first volume of The Green Hornet Chronicles, published by Moonstone Books.

The Green Hornet Chronicles

You can order either of those through your local comics shop, or through Amazon.

My comic book work also includes The Argonauts, a pulp-adventure series in the tradition of Doc Savage and Buckaroo Banzai, and several series based on the animated TV show Robotech. Frankly, the best place to find them is probably in the three-for-a-dollar box at your local comics shop.

LSSR: How did you become involved with the Lance Star: Sky Ranger series?

BS: I wish I had an interesting story to tell you here, but the truth is I just don’t. Ron Fortier graciously asked me to participate, and I said, “Sure!” Ron and I have been corresponding since the late 1980s or the early ‘90s—you know, back when you actually sent paper letters to people—but, now that I think about it, I don’t think we’ve actually been in the same room together more than two or three times.

Talons Of The Red Condors

LSSR: Who is Lance Star? What makes pulp characters like Lance and the Sky Rangers appeal to you as a writer and a reader?

BS: Lance is an inventor, a pilot and an adventurer. From time to time, he and his team help out the government. You could say he’s part Doc Savage, part Indiana Jones and part Blackhawk. When I wrote “Talons,” I started to visualize Lance as a young Jimmy Stewart…or, his modern analog, Tom Hanks. He’s smart and competent, but a bit of a dreamer.

Personally, I’ve always found that to be an appealing mix. Some of my favorite characters fall into that tradition, like Tom Swift Jr., for instance, and the Tracy family from the Thunderbirds TV show. And I think some of the exotic airplanes in these stories are the ancestors of the gadgetry and vehicles in anime.

LSSR: Digital content has changed the publishing landscape. As a creator, what excites you about digital content? As a reader?

BS: I’m hoping that the minimal overhead of doing digital books will encourage publishers to take chances on stories and authors that you don’t see often in the big book store chains. With a little luck, publishers will be more willing to give authors the time to develop an audience or not demand that every title make Steven-King level profits. I guess that applies to me both as a creator and a reader because, in general, the stuff I want to write is the stuff I want to read.

Lance Star: Sky Ranger

LSSR: Your Lance Star: Sky Ranger story, “Talons Of The Red Condors” is currently available in print, as an eBook, and soon to be released individually at iPulp Fiction. What can you tell us about this story?

BS: Basically, I started out with the idea of wanting to do a big springboard, a big McGuffin, and I wanted to set it in a foreign country. So, “Talons” is set in Panama, and the bad guys perform an audacious…well, let’s call it a hijacking. There’s a lost city and a woman who changes sides during the course of the story, along with some other pulp riffs. I had a lot of fun researching it, and a lot of fun writing it.

LSSR: Thanks, Bill.

http://www.ipulpfiction.com/

Release schedule for Lance Star: Sky Ranger tales on iPulp:
06/17: Lance Star: Sky Ranger – Vol.1 #1: Attack of the Bird Man by Frank Dirsherl (now available)
07/07: Lance Star: Sky Ranger – Vol.1 #2: Where the Sea Meets the Sky by Bobby Nash
07/27: Lance Star: Sky Ranger – Vol.1 #3: Talons of the Red Condors by Bill Spangler

For more information on iPulp Fiction’s offerings, please visit http://www.ipulpfiction.com/
For more information on Airship 27 Productions’ offerings, please visit http://www.gopulp.info/

BIG BANG IS BACK THANKS TO PULP 2.0 PRESS!

FOR IMMEDIATE RELEASE:
July
5th, 2011
        
                                                                                                                    Pulp
2.0 Press


Pulp 2.0 Press Acquires Publishing Rights to Big Bang Universe


Pulp Publisher to reprint classic Big Bang Comics as Collector’s Volumes




Los Angeles, CA – Pulp 2.0 Press CEO Bill Cunningham today announced that the company has acquired the publishing and media licensing rights to the library of work by creators Gary Carlson and Chris Ecker under their Big Bang Comics imprint.  This deal signals another expansion for the company’s library of graphic novels. “I’ve always loved the history and the classic sensibility of the Big Bang Comics characters like Knight Watchman, Ultiman, Thunder Girl and others that Gary and Chris have created.  I’m very pleased we have a chance to bring their work and the work of celebrated giants like Curt Swan, Murphy Anderson, Shelly Moldoff, and Marty Nodell out in collector’s editions that capture that four color fun we all enjoyed when we were kids.”

The company plans to issue their editions as showcases to each individual Big Bang Comics character by collecting all of that character’s work under one cover, and adding historical reference, essays and rare, behind-the-scenes photos, sketches, covers, and memorabilia.  Formerly published by Image comics, Big Bang made a reputation for itself as the place where comics were fun again by creating the classic comics work of BB giants like Tom King and Jack Kingler.
“Big Bang Comics is an example of the kind of of fun we want to inject back into book publishing,” said Cunningham.  “I grew up reading books like The Great Comic Book Heroes and Batman:
From the 30’s to the 70’s. Each Big Bang character deserves the same sort of presentation so fans old and new can read and appreciate both the comics and the history behind the company just
like I did.”

“Big Bang Comics began in 1992 when Chris Ecker told me that he was tired of comic book publishers and art directors telling him that he drew like an “old guy” and that he was going to sit down and draw an old style comic book story and that I was going to write it.  We talked his ideaover at a small comic convention in Elgin, Illinois where we both lived. Then we got Gary Reed  at Caliber Press involved as our first publisher and the rest is history. With Big Bang I got to write stories about the characters I had loved and even got to work with some of my favorite creators: Shelly Moldoff, Mart Nodell, Curt Swan and Murphy Anderson (they even signed it “Swanderson”!), Dave Cockrum and Rich Buckler,” said Big Bang Creator Gary Carlson.
Big Bang Co-Creator Chris Ecker adds, “If the Golden Age and Silver Age creators had the opportunity to see their work available on “space aged” digital devices (like, say a Kindle or Nook), they’d have jumped at it. With Pulp2.0, we’re able to do things with our “vintage” comic universe that they could only dream–and write or draw–about. I also think there’s an untapped group of potential fans that aren’t familiar with Big Bang out there, and the digital and print on demand capabilities that our Pulp 2.0 partnership presents will allow them total access. “

Individual editions in Pulp 2.0’s Big Bang Comics Collector’s series will be announced as they become available.  The first editions are scheduled for 2nd quarter 2012. For more information on Big Bang go to: www.bigbangcomics.com

About Pulp 2.0:
Pulp 2.0 is a publishing and media company that creates and distributes quality pulp entertainment media in every manner possible for its audience all over the world to enjoy. The company licenses, redesigns and republishes classic pulp, exploitation paperbacks and magazines through a variety of print and digital media; breathing new life into many of these ‘lost’ properties.

The company also creates new pulp entertainment for its target audience including the original vampire blaxploitation novel Brother Blood by Donald F. Glut, the internet radio adventure serial   “The Murder Legion Strikes at Midnight” (produced in association with Toronto’s  Decoder Ring Theater), and the tribute to legendary radio adventure historian Jim Harmon, Radio Western Adventures that features a lost western tale by Doc Savage creator Lester Dent.  In addition, the company is developing the re-release of Glut’s widely acclaimed horror-adventure book series The
New Adventures of Frankenstein in collectible editions for print and digital.  For more information go to: www.pulp2ohpress.com




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