Amazing what a difference (less than) a year can make in comics
I wrote this a year ago last Friday. Amazing how time flies, doesn’t it?
Tagged: comics
Happy Rosh Hashanah!
L’shana tova, ComicMixers! As we enter the year 5771, may you stay healthy, wealthy, and grow all the wiser.
May your blessings be bountiful, your crops remain unspoiled, and your comic books stay relevant and interesting.
Let this new year bring fewer company wide crossovers, unnecessary mini-series, and character revamps that skew towards the dark and macabre.
May the brightest days and heroic ages in which we live stay bright and heroic.
May Superman finish his walk across America and realize he should have flown.
May Wonder Woman remember she’s better off in a one piece and boots, sans jacket.
May all 350 X-Men and Avengers Teams maintain a roster for longer than 2 months.
And may all comic book movies fare better than Scott Pilgrim.
Without further adieu… a lil’ mashup for all our Jewish brethren. Tip of the hat to Lisa Sullivan.
Review: ‘Lost in Space’
I should have loved Lost in Space
I think I would have preferred the Irwin Allen series had the villainous aspect of Dr. Zachary Smith (Jonathan Harris) remained, rather than using him as a comic foil. Regardless, the series had its following which has led to various revivals as an animated series and even a Bill Mumy-scripted comic during the 1990s. A feature film adaptation seemed inevitable and that’s what we received in 1998. Now, the movie is making its blu-ray debut this week from Warner Home Video.
The film’s themes are certainly high-minded ones as they postulate that in 2058 mankind has so ruined the Earth that a new world has to be found or humanity is doomed to extinction. The Jupiter 2 is sent to find salvation complications ensue when Smith’s treachery sends them off course and they wind up on several strange, new worlds. Then you add in a field of energy that is revealed to be a time distortion bubble with an adult Will Robinson (Jared Stevens) as an antagonist, and well, things get messy.
The movie looks really smart, with over 700 visual effects and some thoughtful set and costume design. There are no real visual cues to the source material with the exception of the robot, which is probably for the best.
Instead, the film fails on two levels. The first is the script that didn’t need to drag in temporal complications while they were already lost in space. It was as if Akiva Goldsman had no faith in the one problem. He also neglected to make any of the characters really engaging or interesting, complicated by a cast that never brings the material to life. While William Hurt makes an interesting scientist in Dr. John Robinson, you never get the feeling he loves Mimi Rogers’ Maureen or is a good father to Judy (Heather Graham), Penny (Lacey Chabert) or Will (Jack Johnson). Matt LeBlanc is amiable but bland as Don West while Gary Oldman seems bored as Dr. Smith.
In reviewing the film years later, it’s interesting to note Penny was vlogging before it was fashionable. Overall, though, the Earth we’re in today is nowhere close to the trajectory seen in the movie’s 2058. Like its predecessor, it is aimed at families and has enough thrills to justify the PG-13 rating but is devoid of the quirky details that people loved in the original. Those fans, though, can look for cameos from original series stars June Lockhart, Mark Goddard, Angela Cartwright, Marta Kristen (Judy Robinson) along with the welcome tones of Dick Tufeld as the voice of the Robot.
The transfer to blu-ray is acceptable although the special features from the standard DVD are carried over without upgrading. We get the deleted scenes, along with caption explanations of what they were. There are two featurettes — “Building the Special Effects” and “The Future of Space Travel” – which are fairly dry. “The Television Years” includes interviews with original cast members Lockhart, Kristen, and Cartwright but the original series synopses are missing. We do get the “Apollo Four Forty” music video and the original dual commentaries.
If you own the original DVD, there’s little recommend buying this outright as opposed to using Warner’s upgrade program.
Cleveland is Krypton– The True Birthplace of Superman
Tip of the hat to Anne Trubek at the Smithsonian online magazine for her nifty article on Cleveland, the true birthplace of Superman. For those not in the know, the myth of comicdom’s biggest hero began in suburban Cleveland. While many are familiar with the names Jerry Siegel and Joe Shuster, many don’t know much about their humble beginnings. Back in 1933, two sons of Jewish immigrants conceived the origins of the Man of Steel. Living in Glenville, minutes from the bustling city (as Trubek notes, Cleveland at the time was the fifth most populous city in the country!), these two funnies-addicted men built what would become perhaps the single most recognized icon in comic books.
However, the fine folks of Cleveland have done little in the way of promoting their city as the birthplace of the Last Son of Krypton. In fact, when Joanne Siegel wanted to donate her husband’s typewriter, among other artifacts, to the city, not a single Cleveland-ite stepped up to accept. The home of Joe Shuster was torn down. If not for the hard work of comic critic Michael Sangiacomo and comic/novel scribe Brad Meltzer, Siegel’s home might not even be standing today. With much of the home in disrepair, the remaining legacy of Siegel and Shuster was seemingly doomed, much like Krypton. Meltzer and Sangiacomo formed the Siegel and Shuster Society, and raised over 100,000 dollars to help restore the home to its former glory. But since then, not much else has been done. The now-restored home is still used as a residence, and Cleveland has done little in the way of homage to the men who gave us the world’s first superhero.
No need for us to rewrite Anne’s thoughts, though. Click on the link above, and follow the continuing Superman saga. We must say we agree wholeheartedly that the city of “King James” should be reclaimed for Kal-El.
Mark Waid’s speech and the Napsterization of comics
Mark Waid’s planned Harvey speech on copyright, piracy, digital distribution, and the like is now posted at CBR. Please note that this is his Platonic ideal speech, not what I heard in the room– as I recall it and he himself noted, the speech he gave was significantly, shall we say, rougher. Sadly, no one has posted an actual transcript or video yet, which is a shame as I think that may have been even more important. (And yes, I have a lead on a copy.)
A while back, I wrote about a meeting I had with DC Legal talking about comics piracy, and I talked about how comics were being Napsterized. In the light of Mark’s call to start a dialogue on these topics, I’d like to revisit that topic– sadly, five years on, the issues are still with us.
Seth Godin recently talked about what publishing should have learned from the music industry:
1) We have a fresh slate at HarperStudio. What’s your advice?
The huge opportunity for book publishers is to get unstuck. You’re not in the printing business. The life and death of trees is not your concern. You’re in the business of leveraging the big ideas authors have. There are a hundred ways to do that, yet book publishers obsess about just one or two of them. Here’s the news flash: that’s not what authors care about. Authors don’t care about units sold. They care about ideas spread. If you can help them do that, we’re delighted to share our profits with you. But one (broken) sales channel–bookstores–and one broken model (guaranteed sale of slow-to-market books) is not the way to get there. If you free yourself up enough to throw that out, you’ll figure out dozens of ways to leverage and spread and profit from ideas worth spreading.
2) If everything is free, how is anyone going to make any money?
First, the market and the internet don’t care if you make money. That’s important to say. You have no right to make money from every development in media, and the humility that comes from approaching the market that way matters. It’s not “how can the market make me money” it’s “how can I do things for this market.” Because generally, when you do something for an audience, they repay you. The Grateful Dead made plenty of money. Tom Peters makes many millions of dollars a year giving speeches, while books are a tiny fraction of that. Barack Obama used ideas to get elected, book royalties are just a nice side effect. There are doctors and consultants who profit from spreading ideas. Novelists and musicians can make money with bespoke work and appearances and interactions. And you know what? It’s entirely likely that many people in the chain WON’T make any money. That’s okay. That’s the way change works.
3) How do you think publishers and authors could work more productively together?
Publishing is far too focused on the pub day. The event of the publication. This is a tiny drip, perhaps the least important moment in a long timeline. As soon as publishers see themselves as marketers and agents and managers and developers of content, things change.
4) What’s the most important lesson the book publishing industry can learn from the music industry?
The market doesn’t care a whit about maintaining your industry. The lesson from Napster and iTunes is that there’s even MORE music than there was before. What got hurt was Tower and the guys in the suits and the unlimited budgets for groupies and drugs. The music will keep coming. Same thing is true with books. So you can decide to hassle your readers (oh, I mean your customers) and you can decide that a book on a Kindle SHOULD cost $15 because it replaces a $15 book, and if you do, we (the readers) will just walk away. Or, you could say, “if books on the Kindle were $1, perhaps we could create a vast audience of people who buy books like candy, all the time, and read more and don’t pirate stuff cause it’s convenient and cheap…” I’m a pessimist that the book industry will learn from music. How are you betting?
So let’s think about the state of the industries– where music’s been the last few years, and where comics could be heading.
Recession? Check.
Screwed up and weakened distribution channels? Check.
High studio costs? Check.
Nearly free, widespread distribution system that the fans use? Check.
Major industry execs and creators that are either clueless about the Internet, or are years late to the party? Check.
A newly empowered bunch of creators doing it themselves and distributing online? Check, check, check.
So is there a solution? Yes, but there are some big hurdles to overcome. Start discussing it in the comment threads, and we’ll be back in a bit with more.
Chicago Comicon: A Tale of Two Cons (Part Three)
Hello again, one and all. I’m back for this final day to wrap up my thoughts on the 2010 Chicago Comic Con, as presented by Wizard. See what they did there? Fooled you. Same way we all don’t know Xfiniity is actually Comcast, and Fox News is actually Satan’s News Network. When we last left off, I’d given a fairly positive review of the dealer floor. While it feels like the Swap-O-Rama had a child with that creepy guy who shows up at the comic store in sweatpants and an original 1978 Incredible Hulk shirt stained with brown mustard… the dealer floor offers a plethora of deals, steals, and hard-to-find collectibles that you’d just not find if not for the gaping square footage of a convention hall. With that said, it’s time we wrap up this little tour of the “Big-Con-That-Could… but didn’t.”
I want to start this final day’s wrap up with a little pull-quote from Wizard concerning former Illinois Governor Rod “1 count of fraud is better than 24” Blagojevich, and his attendance on Saturday.
“Wizard
World Chicago Comic Con is all about pop culture, and Rod Blagojevich is
as relevant to today’s news as it gets,” said Gareb Shamus, CEO of
Wizard Entertainment. “We think the court of public opinion will show
him to be a popular figure at the show.”
I couldn’t state it any better folks. Wizard World Chicago Comic Con is all about ‘pop culture’. Never mind that COMIC is in the title. Never mind that a SINGLE comic book publisher showed on the “exhibitor floor”. Never mind that the same floor was dominated by C, D, and Z level celebrities. Gareb Shamus has turned a show that once was the San Diego Comic Con of the Mid-West into a glorified flea market and three ring circus. I lamented earlier that for me, the meat and potatoes of a convention comes in it’s programming and exhibitors. At this con, the main floor boasted booths for everything BUT comics. In fact, aside from Avatar’s presence, a con goer walking into the show floor may not even reach an actual book until the dealer room. And with panels ranging from iPhone game demos to a “celebration of die-cast car collecting” … they might as well do themselves a favor and take COMIC out of the title. In all honesty, as a comic book fan, I resent that a casual con goer would think what they saw in that hall was a representation of what comic fans like.
Chicago Comic Con: A Tale of Two Cons (Part Two)
When I last left you, gentile reader, my malaise for the Chicago Comic had permeated my very being. The deep sadness that seeped under my skin upon seeing my “home show” turn into a visceral flea market truly left me bitter after day one. But, I went to bed, telling myself “tomorrow is another day…”. I awoke with a rekindled spirit of optimism. I mean, yes, the major players of the comic book publishing industry weren’t gonna be there. The panels announced for Saturday were even less interesting than they were for Friday. And on top of all that, they’d announced at the end of Friday that former Illinois Governor, turned convicted fellon, Rod Blagojevich, would be on the show floor signed autographs for $50 a pop. But, I told myself… “It’s a new day. And you should be happy.” Thus, I slapped a smile on my face and I exited my car to boldly walk into the 2010 Chicago Comic Con once more.
Yup. That smile lasted until I took the escalator down to the main floor, with my group in tow. With us, both my wife and my Unshaven Cohort, Matt’s wife, Amy, joined us for our Saturday adventure. The girls, who needed passes, waited through a semi-long line in order to drop $30 on day passes. They were of course penalized for not purchasing their tickets online. For shame. Now, as we’d covered before, I’ve long been a goer to this show. In the past, with the purchase of a pass came a bag of schwag. Generally filled with a heroclix figure or two, a limited edition comic, advertisements and postcards of show vendors, and a few freebie books and posters. This year? Our wives returned to us with nothing more than alternatively colored cheap wristbands. Since we didn’t to leave our loves behind, we stood with them in a long snaked line, trying to get into the show. We were told “people were cutting” and apparently some skipped in without bands the day prior. In order to combat this, they simply slowed the line down to an inhuman crawl, and allowed us time to mill about like bank customers on payday… in an endless sea of costume cladded fans, and folks all confused at the speed at which the line was moving. “What are we all waiting for? Tickets to see Shatner?” (more…)
Wizard World Chicago: The Photos! (Day 1)
Whilst walking the show floor today at the 2010 Chicago Comic Con, we Unshaven lads did our duty to bring you the shots you know you love to see. So, enjoy the cavalcade of comic enthusiasts who went that extra mile… and brought delight to all those on the floor who were looking around for DC, Marvel, Image, Dark Horse, IDW, or Dynamite. While they weren’t there for this COMIC convention, at least these awesome cosplayers were. Kudos to them for being the bright spot in an ever dimming convention.
Crazy Sexy Geeks: New Episodes and More to Come
Due to Comic-Con and, frankly, the economy, “Crazy Sexy Geeks: The Series” has been on hiatus for a short while. But thanks to a few fan donations, the show is coming back with new episodes.
These episodes will cover such topics as “gays in mainstream comics”, more on “women superheroes”, a look at “what you should be reading” featuring author Victoria Laurie and comic writer Jimmy Palmiotti, and chats with celebrities such as Paul Wesley of “The Vampire Diaries” and Emma Caulfield of the recent movie Timer and “Buffy the Vampire Slayer.”
Tim Gunn has also promised to come back for further fashion discussions on superheroes, due to the high positive response of his last visit to the show that got rave reviews from many, including NPR. If you didn’t catch that special two-part discussion on the fashion of Superman, Robin, the Hulk, Power Girl, Black Canary, Catwoman and others, <a title=”Tim Gunn Discusses Superhero Fashion!” href=”
check them out!
For those of you who missed the last couple of episodes of Crazy Sexy Geeks, we’ve got them for you right here. (more…)
#SDCC: Overheard, Part 2
The concept that a comic book convention, which should be a wonderful
introduction for kids to the dazzling and varied world of comics
collecting–where a kid can meet and greet the creators he’s always
admired and ask questions and feel that much closer to the (to him)
magical process that brings super-hero adventures to him every month,
and perhaps even fantasize about a time when he’ll be on the other side
of that table, signing autographs or drawing sketches for kids that are
the age that he is right then–the concept that such a convention should
ever become a dangerous place, where young fans risk life and limb and
might be trampled by alleged “adults” trying to get a hundred copies of
the latest “hot” comic book signed so that they can tack on a few more
bucks to the selling price–
It is intolerable.
Intolerable.
And we should not suffer it to continue.
—Peter David, writing not about the stabbing in 2010, but about the Great Eastern Convention near-riot in 1993.
“Thanks, Comic Con. Show the Machete trailer after the stabbing. Very classy.” —Cole Abaius
“It was FREE, and I wanted it more than I’ve ever wanted anything in my entire LIFE.” –overheard by Scott McCloud in the last minutes of the con
“I’m sorry I was late. I’m rooming with six slave Leias and they
needed help with their bikinis.” –Bellechere, the Avatar Lady Death
model (Hat tip: Rich Johnston)
And the photo was brought to us by the ironically named FunnyOrDie.com.
