Tagged: comics

“The Stand” Trailer Premieres on Marvel.com

Marvel.com recently posted a new video "trailer" for their upcoming five-issue series based on Stephen King’s The Stand. While I’m not sure how I feel about the whole movie-style "trailer" as a promotional tool for comics, the video does show some previously unseen art from the series. I was really impressed with the way the two previous King stories were handled by the Marvel crew (Dark Tower: The Gunslinger Born and Dark Tower: The Long Road Home), so I have high hopes for this project.

The Stand: Captain Trips #1, written by Roberto Aguirre-Sacasa with art by Mike Perkins, goes on sale September 10.

You can also read an interview with Aguirre-Sacasa about the project on Marvel, as well as a video interview with Perkins. Both are fairly standard promotional material, but worth the time for anyone interested in the publisher’s latest collaboration with Stephen King.

Last Week’s Best: Batman, Wil Wheaton, Earthquakes and Marijuana

  • News
  • August 4, 2008

batman-00-2535110There are a lot of features coming at ComicMix readers these days, so in the interest of making sure you don’t miss the articles everyone’s talking about, here’s a quick rundown of some of last week’s most popular articles posted on the site:

Who Will Be The Next Batman Villain? — This blog post by Van Jensen generated quite a bit of reader response last week, as the comment section filled with people pondering clues that might indicate the identity of the next Batman bad guy in the film franchise.

Interview: Wil Wheaton on Storytelling, Technology and the Internet — Last week’s finale to Chris Ullrich‘s three-part interview with writer/actor/publisher Wil Wheaton was the week’s most-read original feature, providing a testament to the comics cred of the Just a Geek author. The Wheaton interview narrowly edged out Jami Philbrick‘s interview with Geoff Johns about his work on this month’s Final Crisis: Legion of Three Worlds.

Our Own Private Gotham — According to last week’s traffic, the success of The Dark Knight in theaters is a popular topic here on ComicMix, as readers were all over John Ostrander‘s Batman-focused column. In the column, the veteran comics scribe theorizes that there’s a lot to glean about the popularity of the grim-and-gritty hero given today’s political and cultural climates. On a side note, readers also had a high opinion (pun intended) of the most recent column by veteran comics scribe Dennis O’Neil, in which he opined on marijuana legalization and the greater availability of information about this and other controversial topics for current and future generations.

The Day the Earth Moved — While John Ostrander and Dennis O’Neil’s columns received a heaping helping of readers, it was Michael Davis’ latest column that had the comment crowd chatting. As it so often does, the media mogul’s column received the most comments of any article here on ComicMix that week!

Hammer of the Gods: Back From the Dead #3, by Mike Oeming and Mark Wheatley, was the most popular issue of any ComicMix comic released on the site this week, narrowly edging out Erin Holroyd and Dick Giordano’s White Viper #8.

Review: ‘Batman: The Killing Joke’ Deluxe Edition — Batman mania continued to be a driving force in the week’s traffic, with Van Jensen’s review (originally posted back in March) of the hardcover edition of Batman: The Killing Joke popping up as the most-read review of the week. Everything old is new again, apparently!

ng-kistler_new_god_breakdown-6890502

New Gods Breakdown: An Illustrated Guide to Jack Kirby’s Creations

  • News
  • August 4, 2008

[EDITOR’S NOTE: Back in June, comic book historian Alan Kistler provided ComicMix readers with a Countdown Breakdown, an illustrated guide to the 52-part event that preceded the Final Crisis storyline currently unfolding in the DC Universe. This feature was so popular that we convinced him to flex his creative muscles once again, and provide an analysis of one of the key groups of characters receiving the spotlight in Final Crisis: the Jack Kirby-created New Gods. Where do they fit in and what should you know ng-kistler_new_god_breakdown-6890502about them in order to understand Final Crisis? Read on and find out! -RM]

Well, readers, some of you have no doubt been checking out DC’s crossover Final Crisis. Personally, I’ve been enjoying the heck out of it. But I can understand that some of it might not have as much impact if you’re relatively new to the DC Universe.

For instance, a major part of the crossover revolves around those Jack Kirby creations known as the "New Gods of the Fourth World."

So who are these New Gods? How are they related to the Greek gods who speak to Wonder Woman on a regular basis? What do they have to do with that powerful giant called Gog who’s been appearing in the pages of Justice Society of America? Why does Darkseid say he’s from the “Fourth World,” whereas Gog claims he’s from the “Third World?"

Well, look no further, faithful fans! ComixMix is here to oblige! So, because you folks requested it after seeing our illustrated Countdown Breakdown, here are the New Gods in a nutshell:

(more…)

Forward… Into The Past, by Mike Gold

  • News
  • August 4, 2008

Typically, birthdays are a time for self-reflection and so, in this spirit, I am today changing the name of my column to “Brainiac On Banjo.” I have come to accept the likelihood that few, if any other than Mark Waid, got the “Whizzy’s Wazoo” reference. “Brainiac On Banjo” is a bit easier.

In fact, both are titles of APAzines I used to produce. In today’s age of blogging and Twittering and other ways to avoid actual physical contact while maintaining the ability to be instantly obnoxious, APAzines are the buggy whips of comics fandom. They’re still around, although I suspect the average age of the APA participant is over a half-century.

APA stands for “amateur press association” and it’s a holdover from science-fiction fandom from whence comics fandom came. What it is is this: you, as a member of a specific association, write up your fanzine. You write all kinds of stuff: what comics you like, which ones you hated, which movies are great, which comics creator(s) has his head so far up his ass he can get a haircut by swallowing… you know, blogging. You comment on all the other ‘zines in your APA. Said association may or may not be based around a common theme, and said theme may or may not be addressed on every page of your ‘zine. Things tend to wander a bit.

You know, blogging.

APAs require far more work: you mimeograph or photocopy your ‘zine, collate the pages, staple them, mail them off to the Central Mailer (a guy named Norman) who then collates all the other APAs and mails the package out to each member. The roster is usually around 25 or 35 members, so there’s often a waitlist for membership. Waitlisters can participate and might get the overage ‘zines, but there’s no guarantees.

A lot of people were involved in the production of their own APAzines and I had established many of my most enduring and wondrous friendships through this vehicle, including many folks in the media like Richard Pachter and Mike Valerio and folks in comics like Paul Levitz, Kurt Busiak and Carol Kalish. I met my closest buddy, ComicMix’s podcast producer Mike Raub, through a Legion of Super-Heroes themed APA back when Gutenberg was a kid. (more…)

SDCC: The (Maybe) Imminent Demise of Monthly Comics

  • News
  • August 2, 2008

I know, I know. More news from San Diego? A full week later?

Apologies all around, but this is too interesting to pass up. Newsarama has a recap of a panel where a few industry folks discuss the potential demise of comics in their monthly, floppy form.

Douglas Wolk and Joe Keatinge are the headliners, and everyone has a different opinion with plenty of insight to back up their thoughts. Things went toward the chicken and egg argument, as illustrated by this quote from retailer Carr D’Angelo:

Wolk asked D’Angelo about difference between the return on investment between monthly comics and graphic novel.

“We call them our perennials,” he said, about graphic novels that always seem to sell. “If we can find a new product we can turn endlessly, it’s like what Scrooge McDuck wants, a machine that turns lead into gold.” He named Persepolis and Blankets as examples, saying his investment was virtually guaranteed when he ordered them – unlike with monthly comics.

“I can never have too many Y the Last Man trades,” D’Angelo said. “It’s an endless supply of business. But I couldn’t do that if there weren’t 60 issues in the first place, building up goodwill, and building up an audience, and building up reviews.”

Comics Heal Poland-Israel Relations

  • News
  • August 2, 2008

There’s a neat story in the Jerusalem Post about a comic book exhibit that’s aimed at easing the sometimes strained relationship between Israeli and Polish citizens.

Lingering anger from the Holocaust apparently has left something of a schism between the two peoples, and comic books are seen as one way of healing those old wounds.

If you didn’t know, 2008-2009 is Israel-Poland year. One of the many events taking place in this framework is the launching of Polisra, the first Israeli-Polish comic book – to be featured at an exhibition at Holon’s Israeli Cartoon Museum and at the Tel Aviv comic books festival. The Polish Mickiewicz Institute, which initiated the book, hopes it will be a channel in creating dialogue on topics considered taboo in the two nations’ histories. …

[Publisher Amital] Sandy views Polisra as an opportunity to deal with history and the stereotypes connected to it. One story in the book, for instance, portrays a Polish woman who buys a picture of a Jew counting money for her new house. According to Polish tradition, such a picture brings prosperity to a new home. When no such prosperity arrives, the woman complains of the picture’s failure to the salesman. The next frame depicts the salesman in his villa, surrounded by such pictures, exclaiming that, "It works for me!"

"Humor is a great method to examine our values. It takes a situation, flips it upside down, and gives the viewer a whole new perspective on it," Sandy says.

 

Universal Studios Options “2 Guns”

  • News
  • August 1, 2008

twoguns_uni_press-00-8589552Boom! Studios announced today that Universal Studios and Wanted producer Marc Platt have optioned the Steven Grant graphic novel 2 Guns for big-screen adaptation. Boom! co-founders Andrew Cosby and Ross Richie are attached to produce via their Boom Entertainment banner.

2 GUNS was created and written by Steven Grant, a veteran comic book scribe well known for developing Marvel Comics’ THE PUNISHER into a franchise character. Story follows two thieves targeting a mob bank – unknown to either, they’re both undercover agents. They pull off their heist, only to find out they’ve stolen cash from a CIA black bag operation, not the mob, and are now in over their heads. Project is targeted to be a throwback to classic 80s buddy movies in the vein of LETHAL WEAPON and 48 HOURS, but with a modern spin. Grant is well known to comic book fans for his online Comic Book Resources column Permanent Damage as well as his work on the Dark Horse Comics character "X" and the Marvel series X-MAN.

Boom! is currently posting pages from 2 Guns on their website as part of the publisher’s free webcomic initiative.

The full press release is posted after the jump.

 

(more…)

Manga Friday: Who Are You?

  • News
  • August 1, 2008

This week we’ll be looking at three books with main characters who look like one thing, but are something else.

Nephilim, Vol. 1
By Anna Hanamaki
Aurora, May 2008, $10.95

On a continent with the unlikely name of Elwestland, two political powers – with the is-it-quitting-time-on-Friday-already? names of “The Empire” and “The Federation” – are in a long cold war, having split the land right down the middle. Oh, no, wait! There’s also a nearly impassable jungle right in that middle, conveniently separating the Empire from the Federation. And in that jungle live the mysterious, nomadic Nephilim.

Nephilim appear in one form by day and another by night – this may simply be swapping gender, but the text of the book doesn’t quite say that – and their night-form is the true one. (They’re fertile in that form, among other things.) But if an outsider sees a Nephilim in his/her true form – possibly only if the Nephilim is naked, but that doesn’t seem to be the important bit – The Curse declares that Nephilim must kill that outsider personally, or start to die slowly.

And our plot begins when the dashing Imperial soldier Colonel Sir Guyfeis S. Northenfield, who is also a top bounty hunter, a master of unarmed combat, and probably a deft hand at Parcheesi, too, is charging through that not-nearly-impassable-enough jungle on a mission to retrieve the fair Lady Lia, who has been kidnapped by perfidious Federal agents. He avoids or kills Federals by day, and has a quick run-in with a wandering Nephilim named Abel. (Rolling a fifteen or higher on the Random Encounter table, clearly.) That night, Abel is bathing in a stream, so Guy sneaks up to catch an eyeful – either unaware of the curse, secretly hot for the cute boy he thought Abel was, or just terminally nosy. He discovers Abel is “truly” (by night, at least) female, and she then tries, very badly, to kill him.

(more…)

IDW Says “No More Comic-Con?”

  • News
  • July 31, 2008

idwlogo-3678262There’s been no shortage of discussion, complaints and analysis to be found around the ‘Net the last few months with regard to the changing focus of San Diego’s Comic-Con International, but the recent suggestion that this year’s show could be the last for publisher IDW still created quite a stir. Tom Spurgeon recently spoke with IDW’s president, Ted Adams, about his buzz-worthy proclamation, and the interview is must-read material for anyone interested in the evolution of comics’ place in both Comic-Con and the convention scene as a whole.

 

SPURGEON: How much has the way the show’s transformed itself the last half-decade had an impact on your decision?

ADAMS: It’s part of it.

I should make a point of saying that the people that put on San Diego Comic-Con are pretty extraordinary. This show, what they do every year is I think is flat-out unbelievable. You couldn’t pay me enough money to take on any of their jobs. They’ve done nothing but treat us with respect. The decisions I’m weighing have nothing to do with the way we’ve been treated by San Diego or really this sort of perceived — I see these things on-line about the perception that Comic-Con is getting away from comics and becoming an entertainment show, and there’s no question that’s true. But I don’t have the angst over those things. I think we’re just seeing the free market at work here with San Diego Comic-Con. The market is saying "We want to see Hugh Jackman." [laughter] I don’t know how Comic-Con could make that not be. What are you going to do, go to Fox and say, "You can’t have Hugh Jackman here"? [Spurgeon laughs] You’re going to disappoint the tens of thousands of people that want to see that.

 

Head over to The Comics Reporter for the rest of the interview.

Review: ‘Slow Storm’ by Danica Novgorodoff

slow-storm-2943298Slow Storm
By Danica Novgorodoff
First Second, September 2008, $19.95

This is Novgorodoff’s first full-length graphic novel; she was an Eisner nominee last year for the one-shot [[[A Late Freeze]]]. She’s got an assured, pseudo-outsider art style, with big blocks of color and slablike faces, but her writing isn’t quite up to the same level yet. [[[Slow Storm]]] will be in stores in September, but comics stores and online retailers are, as always, already taking pre-orders.

Ursa Crain is a firefighter in Kentucky’s rural Oldham County who has a very confrontational, unpleasant relationship with her brother and coworker, the very thuddingly named Grim. (What kind of family names their two kids Ursa and Grim, anyway? Did they know their kids would be characters in a story with heavy symbolism?) These two siblings clearly don’t get along, but we don’t know why – and their sniping and digs don’t give us much of a clue. Grim also complains that his sister “looks like a moose,” as if he wants her to increase her sexual attractiveness – which doesn’t sound like any brother-sister relationship I know. (Particularly since the other firefighters – the ones not related to her – are already sexually harassing Ursa in their mild, Southern, good-ol-boy way.)

Rafael Jose Herrera Sifuentes (Rafi) is a stableboy from Mexico, living in Kentucky illegally upstairs in the stable where he works. He comes from horse country himself, but he could only live hand-to-mouth there, and so he got himself smuggled into the US to be able to send money back to his family. He had the usual bad experiences on the way – robbed by the coyotes taking him over the border, shot at by a racist rancher – and somehow settled into this Kentucky stable.

(more…)

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks