Tagged: creators

Dennis O’Neil: Touch

O'Neil Art 130321Young and mostly silent Jake, the enigmatic hero of the television program Touch, doesn’t look ancient. Nor does he look particularly Greek. But ah – might he be a reincarnation of Pythagoras? Or at least a fictional character inspired by Pythagoras?

Who?

Okay, for you hordes of non-philosophy majors pit there: Pythagoras was probably the first guy who called himself a “philosopher.” He lived about 2500 years ago and he taught that all things were connected, that what he called the One was at the base of everything and that this One expressed itself in numbers. Or such is my admittedly sketchy understanding of Py’s riff.

And Jake? Well, Jake is this kid, about ten, who doesn’t speak but writes or otherwise communicates numbers to his father and eventually, after exciting adventures, Jake’s numbers tie diverse things/people/events together and provide the solution to that episode’s problem.

How does Jake manage his feats? Well…in short, he seems to be a superhero. No costume, no flamboyant displays of abnormal prowess. But we know that Jake has some kind of metahuman ability – he’s a mutant, maybe? – and that there are others like him, and finally that some person or organization has dispatched a geeky assassin to exterminate them.

Though there are echoes of earlier superhero sagas here – Watchmen and the X-Men titles come immediately to mind – Touch is a novel iteration of the superhero concept, and as original as anything in our story-saturated culture is likely to be. That it’s also well-written and acted is a nice bonus.

But what really pleases me about it is what I understand to be its central metaphor. Unlike most of our televised mind-gum, Touch is not extolling the essentiality of family, though Jake’s relationship to his father is important, nor does it glorify the Individual, nor assure us that right makes might, which is why the good guys inevitably out-bash the bad guys. Instead, it displays a notion common to ol’ Py and modern quantum physicists – the Higgs boson crowd – and Buddhists and feel free to add some examples of your own. That notion: everything is connected.

Which is obvious when you think about it, despite the political howls when our current president observed that, sorry, nobody accomplishes anything without some kind of help. You wouldn’t be reading this without the biosphere and the biosphere depends of interaction of gravity with mass and particle and millions of years ago a lobe fish crawled onto land and began the evolutionary journey toward becoming Justin Bieber and and and…and some thirteen-point-seven billion years ago the Big Bang happened and here we are, watching teevee, and passing the popcorn.

I doubt that Touch’s creators are in the business of teaching us cosmology. Their job is to entertain, and in my living room, they do. But they do so without lading on dramatic tropes whose overuse has given them cliché status, and since you and I are united, maybe you’ll join me in being grateful to them.

FRIDAY: Martha Thomases

SATURDAY: Marc Alan Fishman

 

Cast Your Vote in Round 3 of the Mix March Madness 2013 Webcomics Tournament!

comicmixmarchmadnesssquare20133-9162355UPDATE: Round 3 of the Mix March Madness 2013 Webcomics Tournament has ended! Vote in the Round 4 Sweet 16 now!

We started with over 300 webcomics, and we’re down to 32, while we’ve exposed thousands of people to new webcomics and raised over $750 for the Hero Initiative. Voting for this round lasts until 9PM EDT on Saturday, March 16, so get your votes in.

And now you can log in using Twitter to vote!

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Harvey Awards 2013 Nomination Ballot now online!

harvey-logo-2010-brown-300x2852-3807129The ballot for the 2013 Harvey Awards is now available. Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. The 26th Annual Harvey Awards will be presented Saturday, September 7th, 2013 as part of the Baltimore Comic-Con.

For the first time, Harvey Awards nomination ballots may be submitted using an online form.  If you are a comics professional, you can vote online at harveyawards.org/2013-nomination-ballot/.  This will enable easier and faster methods for the professional community to submit their nominees. Ballots are due for submission by Monday, May 6th, 2013.

Nominations for the Harvey Awards are selected exclusively by creators: those who write, draw, ink, letter, color, design, edit or are otherwise involved in a creative capacity in the comics field. The Harvey Awards are the only industry awards both nominated and selected by the full body of comic book professionals.

In addition to being available on the website, ballots will be sent to all major publishers and distributed at comic conventions. We look forward to your participation and input in this process, and we look forward to seeing you at the Baltimore Comic-Con and the Harvey Awards.

The Harveys would not be possible without the generous sponsors of the Awards.  Sponsors for the last year’s 2012 Harvey Awards included The Baltimore Comic-Con; Boom! Studios; Captain Bluehen Comics; Cards, Comics, and Collectibles; ComicMix; ComicWOW!; ComiXology; DC Entertainment; Geppis’s Entertainment Museum; Insight Studios Group; Painted Visions Comics, Cards, & Games; Richmond Comix and Games; Steve Conley’s Bloop; and Write Brothers Inc.

Companies and individuals interested in sponsoring the 2013 Harvey Awards can contact harveys@baltimorecomiccon.com

This year’s Baltimore Comic-Con will be held September 7-8, 2013.  The ceremony and banquet for the Harvey Awards will be held Saturday night, September 8th.  Additional details about the Harvey Awards and the awards ceremony will be released over the next few months.

With a history of over 26 years, the last 8 in conjunction with the Baltimore Comic-Con, the Harveys recognize outstanding achievements in 22 categories. They are the only industry awards nominated and selected by the full body of comic book professionals.  For more information, please visit http://www.harveyawards.org

The Baltimore Comic-Con is celebrating its 14th year of bringing the comic book industry to the Baltimore and Washington D.C. area.  With a guest list unequaled in the industry, the Baltimore Comic-Con will be held September 7-8, 2013.  For more information, please visit http://www.baltimorecomiccon.com.

Mike Gold: Commuters Are A Superstitious and Cowardly Lot

gold-art-130220-4388534Last week I had the distinct honor and privilege of dining with my fellow ComicMix columnist Martha Thomases. Whereas I’d love to squawk on and on about the finest fried chicken I’ve ever eaten in Manhattan, it was after I left to go home when things got interesting, weird, surreal… and dangerous.

I got to my commuter train just in time to make the 9:07. I’d be home by 10:15. Not bad. We arrived on time in Harlem at 9:17 and proceeded up to the Bronx… where we came to a dead halt at approximately 178th Street and Park Avenue. After a few minutes we were told we were being delayed by a “police action.” OK; that’s life in the big city. I commenced to read the latest issue of Futurama Comics on my iPad. Then another announcement: oh, geez, they were mistaken. No police activity. The train broke down. It was a brand-new train, built by the Canadian company Bombardier. They set about to fix it.

Then the power went out. The emergency lighting was fine and my iPad had its own luminosity, but there was no air circulation and the temperature started to rise – quickly. People began to look at those emergency windows; you know, the ones that you can pop out in case the train is derailed and Bruce Campbell is walking around with a machete.

Some time later they said they power pads that draw the juice from the third rail had been ripped off, probably due to debris on the track. They’re working on it. Yeah, right. I started wondering if a texted last will and testament would hold up in court. Then they announced the train was, in fact, broken, and they were awaiting a diesel engine to tow us back to Harlem where, “hopefully,” there would soon be a train to which we could transfer.

The crowd started getting testy. Perhaps hypoglycemic shock is communicable.

Later still we were rammed by a coupling engine and it was announced all they had to do was hook up the air brakes and we’d be Harlem bound. A half hour later, they admitted they couldn’t get the brakes to work. Plan B: they’d find another train, bring it alongside mine, shut down the third rail and we’d bridge over to the new train. A few people who had been around that block said that would take at least an hour because they only open two doors for the bridge and everybody would have to walk through all the cars to get to the transfer point, then walk through the new train to find a seat. A few people started to freak.

Two ladies who evidently flunked out of their Connecticut finishing school started swearing profusely. Aside: why is it women are not very creative in their choice of curse words? “Fucking liars” is simply not sufficient. The situation called for something like “Jesus fuck a shit soufflé, these in-bread assholes couldn’t stack a pile of Ritz Crackers without a goddamned schematic.” Note to self: look into conducting training sessions for the malediction impaired.

Before long one of my comrades-in-boredom started screaming. Another started wailing. The lady sitting next to me kept on tossing her used Kleenex on the floor, along with her half-eaten food. I looked around to see if anybody had grown a Joker smile.

Eventually a train pulled alongside and maybe 15 minutes later the train bridge was in place and the third-rail was powered down. We made the long march to our new magic carpet ride. Of course, the new train was two cars shorter. The third rail was powered up and the air brake checks started.

And… they didn’t work.

And people went nuts. Remember the “preparing for crash landing” scene in Airplane?

I reconsidered my attitude towards zombies. Finally, after a platoon of train people manually pumped the air brakes into action (and yes, that looks as obscene as it sounds), we slowly moved forward. They apologized and said the next stop was Stamford. I said to myself “yeah, but will we be able to stop?” Then some guy made that very same statement out loud. Nobody laughed.

As we picked up speed, I noticed that one of my fellow travelers was Green Arrow.

No shit. Look carefully at the photo atop this column. This was not Photoshopped.

I got home just before 1 AM. One of our cats was waiting in the window, tapping his watch. Yes, he’s got a Mickey Mouse watch. You need a sense of humor to make it through the day in my house.

Of course, this was a fart in a blizzard next to the horrors of those riding that Carnival cruise ship, but my respect for my fellow Connecticuttians hit a new low, as my enthusiasm for the creators of Futurama Comics grew proportionately.

THURSDAY: Dennis O’Neil

FRIDAY: Martha Thomases

 

WEIRD WESTERN COMIC IN THE WORKS-WELCOME TO PARIAH, MISSOURI

Pariah, Missouri: The Graphic Novel Press Release

FOR IMMEDIATE RELEASE:

Local Man Uses Kickstarter to Realize His Hollywood Dreams


Ventura, California – December 7, 2012 – Doing something creative that you love is a challenge.  Finding an audience for your work and getting paid for it is even harder.   Andres Salazar understands those struggles.  Andres is a stand-up comedian,  has directed and produced short films, written screenplays even sells his paintings at craft fairs.  Most recently Andres has turned to the crowdfunding website, Kickstarter.com to find an audience and realize his dream of being a creator.

His latest project is a graphic novel titled Pariah, Missouri–a supernatural story set in pre-civil war.  He wrote it originally as a television pilot script in hopes to get attention from the cable networks.  “I pitched it as Deadwood meets Buffy the Vampire Slayer, but nowadays you gotta have the script, a cast and director attached and half of it shot before they will look at you, and that’s only if you have an agent, manager and have previously worked on three shows,” says Andres. 

So instead of beating his head against Hollywood’s doors, he turned to other mediums to tell the tale.  “When I conceived Pariah, I wanted something that I could tell graphically since comics have been my love as a kid.  It’s much cheaper of course to generate a comic and this is a good way to build a fan-base and that is always something that Hollywood wants to see,” says Andres.  Turning an hour drama script into a comic book is not without it’s challenges.  An artist needed to be found so Andres turned to sites such as Deviantart.com to find affordable and dependable artists. 

“That was a challenge.  I mean, I could have drawn it myself, but comic book art takes an incredible amount of time, plus there is value in adding others creative juices to the mix.  I was lucky to find a great artist like Jose,” says Andres.  Jose Luis Pescador is no stranger to the comic book world.  He studied at the National Autonomous University of Mexico and has worked on a number of independent graphic novels and has shown fine art in galleries across the country. 

His super-team was assembled, but Andres still needed funding.  Enter Kickstarter.com  Kickstarter is a new phenomenon in what is dubbed crowdfunding which gives creators a chance realize their ambitions by asking others to “back” their project.  From films, music albums to food, Kickstarter generates hundreds of projects daily in the hopes that they meet their funding goal.  If the goal is achieved, backers then receive rewards according to their pledge amount.

Having worked for Howard Chaykin as an assistant, Andres learned much of the business from his mentor.  Andres also wrote and directed SAG short film After Cheri and stated , “We are very excited about our Kickstarter for Pariah, Missouri!  It will be an exciting story for the next 30 days to see how we progress through the campaign.  I will be posting videos and updates often so backers really get a sense of the “behind the scenes” of what it takes to make a comic book.  Please check us out.”

For a 23 page preview of Pariah, Missouri- go HERE.

To see the Pariah, Missouri Kickstarter campaign to go: http://www.kickstarter.com/projects/andresjsalazar/pariah-missouri-the-graphic-novel

###

If you’d like more information about the Pariah, MO graphic novel or to schedule interviews with Andres

Salazar please email andresjsalazar@gmail.com or call 805-746-6884

Pariah, Missouri: The Graphic Novel Press Release

FOR IMMEDIATE RELEASE:

Local Man Uses Kickstarter to Realize His Hollywood Dreams

Ventura, California – December 7, 2012 – Doing something creative that you love is a challenge.  Finding an audience for your work and getting paid for it is even harder.   Andres Salazar understands those struggles.  Andres is a stand-up comedian,  has directed and produced short films, written screenplays even sells his paintings at craft fairs.  Most recently Andres has turned to the crowdfunding website, Kickstarter.com to find an audience and realize his dream of being a creator.

His latest project is a graphic novel titled Pariah, Missouri–a supernatural story set in pre-civil war.  He wrote it originally as a television pilot script in hopes to get attention from the cable networks.  “I pitched it as Deadwood meets Buffy the Vampire Slayer, but nowadays you gotta have the script, a cast and director attached and half of it shot before they will look at you, and that’s only if you have an agent, manager and have previously worked on three shows,” says Andres. 

So instead of beating his head against Hollywood’s doors, he turned to other mediums to tell the tale.  “When I conceived Pariah, I wanted something that I could tell graphically since comics have been my love as a kid.  It’s much cheaper of course to generate a comic and this is a good way to build a fan-base and that is always something that Hollywood wants to see,” says Andres.  Turning an hour drama script into a comic book is not without it’s challenges.  An artist needed to be found so Andres turned to sites such as Deviantart.com to find affordable and dependable artists. 

“That was a challenge.  I mean, I could have drawn it myself, but comic book art takes an incredible amount of time, plus there is value in adding others creative juices to the mix.  I was lucky to find a great artist like Jose,” says Andres.  Jose Luis Pescador is no stranger to the comic book world.  He studied at the National Autonomous University of Mexico and has worked on a number of independent graphic novels and has shown fine art in galleries across the country. 

His super-team was assembled, but Andres still needed funding.  Enter Kickstarter.com  Kickstarter is a new phenomenon in what is dubbed crowdfunding which gives creators a chance realize their ambitions by asking others to “back” their project.  From films, music albums to food, Kickstarter generates hundreds of projects daily in the hopes that they meet their funding goal.  If the goal is achieved, backers then receive rewards according to their pledge amount.

Having worked for Howard Chaykin as an assistant, Andres learned much of the business from his mentor.  Andres also wrote and directed SAG short film After Cheri and stated , “We are very excited about our Kickstarter for Pariah, Missouri!  It will be an exciting story for the next 30 days to see how we progress through the campaign.  I will be posting videos and updates often so backers really get a sense of the “behind the scenes” of what it takes to make a comic book.  Please check us out.”

To see the Pariah, Missouri Kickstarter campaign to go: http://www.kickstarter.com/projects/andresjsalazar/pariah-missouri-the-graphic-novel

###

If you’d like more information about the Pariah, MO graphic novel or to schedule interviews with Andres

Salazar please email andresjsalazar@gmail.com or call 805-746-6884

RICHARD STARK’S PARKER GOES SOFT!

New softcover cover by Darwyn Cooke

Softcover that is.

IDW’s adaptation of Richard Stark’s Parker: The Hunter by Darwyn Cooke is now available in softcover.

The Hunter, the first book in the Parker series, is the story of a man who hits New York head-on like a shotgun blast to the chest. Betrayed by the woman he loved and double-crossed by his partner in crime, Parker makes his way cross-country with only one thought burning in his mind-to coldly exact his revenge and reclaim what was taken from him!

HC art by Darwyn Cooke

Richard Stark (AKA Donald Westlake) was a master writer of crime fiction and Parker is arguably his greatest Creation-having been featured in more than a dozen novels and several well-regarded films (including Point Blank with Lee Marvin and Payback with Mel Gibson), and an upcoming one starring Jason Statham and Jennifer Lopez that will be released this fall.

Master storyteller Darwyn Cooke has won nearly every award available to comics creators. His DC: The New Frontier was turned into an Emmy-nominated animated feature. The Hunter is the first in a series of Parker graphic novels that Cooke is adapting, the first two earning the comics Auteur more Eisner and Harvey awards for his already crowded mantle.

Parker: The Hunter is now available in 6×9 softcover.

160 pages
Full Color
Retail price: $17.99

Read a free preview of IDW’s Parker: The Hunter by Darwyn Cooke here.

LEADING NEW PULP PUBLISHER LICENSES PIONEERING INDEPENDENT COMIC PUBLISHER’S CHARACTERS!

Two Companies known for independent creations and innovative storytelling in two different media combine their ideas and creators together for one fantastic series of books!  Pro Se Productions, a leader in New Pulp and Action/Adventure Fiction, and Heroic Publishing, a force in independent comics since the mid-1980s, have announced that beginning in 2013, new adventures as well as adaptations of past comic books featuring Heroic flagship characters Liberty Girl, Flare, and Eternity Smith will be written and published by Pro Se!
Tommy Hancock, Partner and Editor in Chief of Pro Se stated, “Pro Se is always interested in crafting new tales of concepts that deserve them and the universe that Heroic Publishing has created more than qualifies.   Eternity Smith is a character that has always occupied a space in my comic collection, and one of those that I’ve always wanted to take a crack at writing.   Thanks to the effort of Pro Se Submissions Editor Barry Reese and the man behind Heroic, Dennis Mallonee, that dream is coming true.   Not only with Eternity Smith, but with two stellar heroines from Heroic:-Flare and the Liberty Girl!”
Liberty Girl, a World War II heroine ripped from her glory days and rocketed forward in time to today, where she’s needed more than ever!   Flare, fashion model and brightly shining super heroine!  Eternity Smith, time-tossed scientific genius fighting against a future full of horror!  These legendary characters from Heroic will be featured in prose novels and anthologies, both adapting past comic work into prose as well as new stories, written by some of today’s newest and best talents in New Pulp!
“Some writers,” Hancock said, “have already been attached to specific projects.  Others have been approached.  There will also be opportunities for open calls as well, to bring in writers who have an interest in these characters.   And after the first year, there exists the possibility of bringing even more Heroic characters into HEROIC PROSE!, the Pro Se/Heroic line , such as the Champions and other popular characters.”
The first Heroic Prose book is scheduled for early 2013, an adaptation of the first Liberty Girl comic book by noted author Barry Reese.  Hancock will be helming an adaptation of as well as new tales of Eternity Smith.  Other titles will be announced as they become reality for 2013 and beyond.

Pro Se Productions-www.prosepulp.com

Heroic Publishing- www.heroicmultiverse.com

NIGHTBEAT: NIGHT STORIES GETS PULPED!

In a very special episode, Tommy Hancock invites four writers- Paul Bishop, Bobby Nash, Mark Squirek and Will Murray- who participated in a very special project with Hancock as a fellow writer and editor- the first originally produced audiobook and ebook from Pulp leader Radio Archives- NIGHTBEAT: NIGHT STORIES!  Based on the classic 1950s radio show, this collection follows Reporter Randy Stone on brand new adventures penned by modern writers.  Also in this special episode, Tommy interviews noted actor Michael C. Gwynne, the voice of the NIGHTBEAT: NIGHT STORIES audiobook!  Join Tommy and this exceptional crew of creators as they talk Old Time Radio, modern takes on classic tales, and more as NIGHTBEAT: NIGHT STORIES gets PULPED!
LISTEN HERE!

WHITE ROCKET LOOKS AT SUPERHEROES IN NOVELS AND BEYOND

On this week’s episode of the White Rocket Podcast (now part of the ESO Network), Author Van Allen Plexico is joined by his longtime friend and collaborative partner, Robert J. Politte for a wide-ranging discussion of superheroes in various media–especially including the new and growing field of independent superhero novels. They also discuss influences from their favorite comic book stories and creators of the past. Find The white Rocket Podcast episode 3 on iTunes or at: http://whiterocket.podbean.com/

Plus, Van introduces the White Rocket Podcast on episode 136 of the Earth Station One podcast this week.