Tagged: creators

Michael Davis: Negro, please.

Over the years I’ve had quite a few young black creators insist they should be invited to sit on the Black Panel. For the record, that has never worked and most likely never will. I say “most likely” for two reasons: I try to never say never and I would be happy as a mofo to find someone so damn talented that I put them on the panel at first sight.

The Black Panel, for those unaware, is the African American pop culture forum I founded more than 20 years ago (when I was five, Jean) and for over a decade it has been a mainstay at Comic Con International. One of my pet peeves with some young black creators is they think they are owed something.

The following is typical of how I’m approached…

A few months ago I was walking the floor at Wonder Con with Denys Cowan and a young black artist noticed my nametag, came up to me and insisted he should be on the Black Panel. After he spent a good five minutes or more telling me how good he was I asked him if he felt he was good enough and established enough to be on a panel with Denys Cowan.

He had no idea who Denys Cowan was.

I told him he was not ready and he asked how could I make that decision without looking at his work. I said when he figured that out then maybe he would be good enough for The Black Panel.

A young African American artist who does not know who Denys Cowan is?

Negro, please.

The Black Panel is a forum of truly extraordinary people who have done extraordinary things within the African American media space. The panel is set up so these amazing professionals can share their insights with their fans and with young creators.

This year I expect more asshole haters on the net because there are two white people on the panel. The Black Panel is not just for black people. It’s for people who have done noticeable work within the African American media space. Over the years I’ve had plenty of blue-eyed soul brothers on the panel. This year will be a first as we welcome our first blue-eyed soul sister to The Black Panel.

I’ll see if I can let my ComicMix readers in on the panel participants before Comic Con releases the info on their website. If they won’t mind I’ll post the names here. The panelists are some of the coolest I’ve ever had and I’ve had some cool ass panelists.

Check them out for yourself at theblackpanel.com.

If by chance you are the young artist I spoke to at Wonder Con and you still can’t figure out what I meant when I said you were not ready, here’s some clues:

  1. Know your industry.
  2. Do your homework.
  3. Show some respect.
  4. Shut the fuck up and listen.

If you do that, come find me after the Black Panel and I’ll spend some time telling you how to get to the next level.

Oh and one last thing. Don’t suck.

TUESDAY AFTERNOON: Emily S. Whitten and that Deadpool Thing

WEDNESDAY MORNING: Mike Gold Grabs The Kids

 

REVIEW: Superman vs. the Elite

1000256214-w370-300x300-4442412In the 1940s, Jerry Siegel and Joe Shuster produced a two-pager for Life that showed if the Man of Steel were alive, he’d grab Hitler and Mussolini and bring them to justice, saving countless millions of lives. A nice bit of wish fulfillment during World War II.

In the 1970s, comic book writers began exploring what it really means to have someone as powerful as Superman operating in a world much like ours. Writer Elliot S! Maggin was among the first to bring up this theme more than once and was followed in subsequent years by a variety of others, reflecting the different perspectives of the creators and tastes of the audiences.

Just in time for Action Comics’ 775th issue in 2001, Joe Kelly became the latest writer to tackle the concept. After all, the world’s problems — ethnic strife, religious warriors, belligerent regimes, and destruction of the eco-system – could be easily handled by someone with the powers and abilities far beyond those of mortal men. But, does any one person be he human or Kryptonian actually have the right to impose a singular will on billions? As the problems appear to multiple, the need for a simpler solution can be awfully appealing.

Enter the powerful telepath Manchester Black. Accompanied by three others, his Elite appeared to be the heroes a stressed world population desired, offering a clear alternative to the hands-off employed by the World’s Greatest Super-Hero. With Doug Mahnke’s powerful artwork, the story was a nice, modern day take on the recurring theme.

Now, Kelly has adapted that well-regarded story into a 72-minute animated film, the latest from Warner Premiere’s direct-to-video series based on the DC Universe. Superman vs. the Elite, coming Tuesday, breezily handles the themes with heavy doses of action and wanton destruction. The film more or less follows the comic although there are changes for the format including the early appearance of Dr. Light to show this is a DCU tale. The Atomic Skull is also used as the recurring threat that practically begs for an ultimate solution and is a nice thread carried through the tale.

The story moves well, thanks to director Michael Chang who demonstrated a great facility for action with the wonderful Batman: The Brave and the Bold. And for a change, I found the score, from Robert J. Kral, to be exceptionally good. I tend not to notice the animated scores but this one stood out which is more than I can say for the lousy character design work. For a story based on the ultra-realistic work from Mahnke, this is overly cartoony for the subject matter. Superman looks like he has a broken nose and every character, save Lois Lane, is just too cartoony for their own good. For some unknown reason, the producers seem to think they need to redesign the look of the characters for each feature, a decision I strongly disagree with.

A saving grace, though, is the dialogue. The characters demonstrate real personality with affection, snark, humor, and a distinct point of view and it makes me miss Kelly’s work on mainstream superheroics. As delivered by George Newbern and Pauley Parrette, you feel the love that binds Superman and Lois. Robin Atkin Downes as Black and Melissa Disney as Menagerie are also terrific.

In a world where Superman is the premier hero, but not the sole super-powered figure, the arguments on the central theme is incomplete. At one point he says to Lois that Black targeted him alone, obviously because he was first and is the most powerful of the bunch, but it’s a discussion that should be held between the JLA (representing the full heroic community) and the world, maybe via the United Nations. As a result, the final arguments between Superman and the angry, power-mad Black fall flat and feel incomplete.

The animated adventure comes complete with the usual assortment of extras, although I’ve come to miss the DC Showcase shorts, often better than the lead feature. The commentary from Kelly and Eddie Berganza, the editor of the original story, is interesting, especially when Berganza questions Kelly about some of the choices he made in writing the animated script. There’s a 15 minute as Kelly discusses the Elite’s in-print appearances which is vaguely interesting but also incomplete as it doesn’t really give you a sense of their flash-in-the-pan role in the DCU (in fact, the two volumes collecting their Justice League Elite maxiseries are currently out of print). A variety of talking heads, including a soldier, academics, and animation exec Mike Carlin also explore the themes raised by the story, making for an interesting, if a little dry, featurette. The original comic is on hand in digital form although it’s a little tough to read and navigate but it reminds me of how powerful the art was, emphasizing the story’s point. Finally, there are some selected Superman Adventure cartoons from producer Alan Burnett and a 15 minute preview of this fall’s The Dark Knight Returns Part 1. Given the timing, it’s interesting to see a photo gallery for next month’s The Dark Knight Rises but no trailer for it.

Overall, this is an above average offering, the fourteenth from Warner Animation, and makes for entertaining viewing. The distracting character designs should be forgiven since it tells a story with a strong narrative point of view, something missing from too many of the others.

CBLDF: Protect Yourself at International Borders

by Betsy Gomez

protect-yourself-at-international-borders-6236265The Toronto Comic Arts Festival takes place this weekend, and CBLDF wants to make comics fans and creators crossing the border into Canada aware of their rights. Last year, several creators were subject to intrusive search on their way to TCAF, and creators Tom Neely and Dylan Williams had books seized by Canada Customs. In 2010, comics fan Ryan Matheson was arrested when he crossed the Canadian border with what Canada Customs thought were objectionable comic books on his laptop. You need to know your rights when crossing international borders with comic books.

In an interview with CBLDF, Neely and Williams described the search that led to the seizure before last year’s TCAF:

Neely: They asked us to stand by the wall of the building and asked for the keys to our car. They opened up our suitcases and pulled out a random sampling of about 5 comic books we had in our bags. Those included Blaise Larmee’s Young Lions and the Black Eye anthology published by Rotland Press, of which I’m a contributor. The security guy asked us what the books were. We described them as “art comics,” and he said he was going to take them inside for review. While we waited, two other security guards came out, opened the car and proceeded to pull out everything in the entire vehicle, pulled out a copy every book, and then went back inside.

Williams: The customs people pulled us over because we were importing merchandise. One agent went through our bags and pulled out a sample of books. He then came back out with Black Eye and Young Lions and asked us about them. Then two more agents came out and searched every bag in our car. They damaged some books. They were all really nice however, especially the first agent who talked with us about the content of the book.

Neely and Williams’ experience with Canada Customs agents doesn’t align with the experience faced by Matheson:

“I believe my treatment throughout the entire ordeal was unfair and unjust. I was abused by the police. The police station jail cell was kept unreasonably cold, and I was given a freezing cold slab of concrete as a bed. I asked for blankets or a pillow but was denied. I asked for food but was denied even after asking at least five times. I politely asked an officer at the police station if I could speak to the U.S. embassy, but she replied, “Are you serious? I don’t think we have that here,” and walked away. I was never able to talk to the embassy, and even when my brother arrived for my bail, he too was denied from seeing me at all. Police officers who transported me would slam metal doors on my head and laugh at me, saying “This one’s easy!” And finally, after being transported to the long-term detention center, guards would torment me with phrases like, “You know, if you get raped in here it doesn’t count!”  I was jailed for five days before bail, longer than most people. These are the horrible things I had to go through when I was simply accused of something.”

The good news is that Matheson’s ordeal is now over, and Neely and Williams were never accused of wrongdoing or arrested, even if they didn’t have the confiscated books to sell during TCAF. The bad news is that this kind of persecution can happen again.

CBLDF is pleased to offer important resources that you should read before you cross a foreign border. These tools aren’t designed to take the place of your lawyer. Nothing in them is intended as legal advice. But they are important overviews of the concerns travelers now face when crossing borders with comic art in printed form and on digital devices. These resources are must-reads for anyone crossing international borders with comic books.

Legal Hazards of Crossing International Borders With Comic Art — Prepared by Davis Wright Tremaine, this general advisory addresses issues concerning entering the United States with expressive materials, provides an overview of the phenomenon of border searches of expressive materials, describes the basic legal framework governing such searches, and offers some general suggestions for international travelers planning to transport expressive materials.

Pornographic Anime and Manga Under Canadian Law — Prepared by Edelson, Clifford, and D’Angelo, in light of the issues faced in R. v. Matheson, this memo addresses the disposition of Canadian law towards anime and manga, outlines the powers of Canada Border Services Agency, and provides a detailed discussion of the definition of child pornography under Canadian law, alongside the related sentencing guidelines and defenses for that offense.

Electronic Devices Privacy Handbook: A Guide To Your Rights — Prepared and hosted by the British Columbia Civil Liberties Association, this handbook is focused on privacy issues concerning travelers crossing the Canadian border with electronic devices. This tool addresses your rights at the Canadian border, including a discussion of the Customs Act, an overview of CBSA policies, best practices when crossing the Canadian border, and information on what to do if you’ve been searched.

Defending Privacy At The U.S. Border — Prepared and hosted by the Electronic Frontier Foundation, this resource provides an overview of privacy issues at the U.S. border, and detailed tips on how to protect your privacy and data, and what to do when interacting with border agents.

CBLDF Advisory: Crossing International Borders — Compiled by CBLDF in conjunction with our initial announcement about the Canada Customs Case and an increasing number of searches and seizures at international borders, this document discusses US Customs policies, the lack of legal protections during border searches, and suggestions for avoiding border searches.

In the event of a First Amendment emergency, call CBLDF at 1-800-99-CBLDF or send us an email at info@cbldf.org. We’re here to help!

Please help support CBLDF’s important First Amendment work and provision of resources such as this by making a donation or becoming a member of the CBLDF!

MEET LANCE STAR: SKY RANGER AND THE RUBY FILES CREATORS

  • News
  • April 16, 2012

New pages were added to the official Lance Star: Sky Ranger website at http://www.lance-star.com/ and the official The Ruby Files website at http://rickruby.blogspot.com/, which gives links to shows, conventions, signing and other appearances made by creators who worked on those title.

Meet The Ruby Files Creators. New Appearances page added.

Meet Lance Star: Sky Ranger Creators. New Appearances page added.

If you’re at any of these shows, please stop by and say hello. These creators would love to meet you. Tell them All Pulp sent ya!
www.lance-star.com/p/creator-appearances.htmlhttp://rickruby.blogspot.com/p/appearances.html

New Pulp’s Table Talk – Turning the Table

  • Uncategorized
  • February 15, 2012
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Those of you who follow this column know we run a regular “Questions from the Reader” segment every few weeks. Well, the guys like the interaction so much (let’s face it, sitting in an office with nothing but you and your imaginary friends can make a writer very lonely) they decided to try a new spin on it.

This week, Barry Reese, Bobby Nash, and Mike Bullock decided to turn the tables on you, the reader, and pose questions for you to answer. Please pick one (or more) question(s) and respond in the comment field at http://www.newpulpfiction.com/2012/02/table-talk-turning-table.html. When responding, please let the guys know to which question you’re replying so as to avoid confusing them more than life in general already has.

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Question #1 (Bobby Nash): There has been a lot of discussion lately on the appeal of pulp and new pulp to modern audiences? What makes you, the reader, want to pick up a classic pulp or new pulp book? Is it characters, publisher, creators, cover art, or something else? What are you looking for in your pulp tales?

Question #2 (Mike Bullock): What do you prefer reading, existing characters in all new stories, or all new characters in new adventures? Or, a mixture of both? Please explain why.

Question #3 (Barry Reese): Are there any genres you feel are currently being neglected in New Pulp? If so, what would you like to see and in what format?

New Pulp’s Table Talk – Turning the Table is now available at http://www.newpulpfiction.com/ or at the direct link: http://www.newpulpfiction.com/2012/02/table-talk-turning-table.html

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Join the conversation. Leave us a comment on the blog and let us know your thoughts on this topic. We’d love to hear your thoughts and questions.

Have a question you want the Table Talk Trio to answer? Send it to newpulpfiction@gmail.com with “Table Talk Question” in the subject line. Also, let us know if you want attribution for the question, or you’d rather remain anonymous. Please, keep the questions pertinent to the creation of New Pulp and/or writing speculative fiction in general. We’ll get the questions worked into future columns.

Follow the Table Talk Trio on Twitter @BarryReesePulp @BobbyNash @MikeABullock and Facebook.

FORTIER TAKES ON DOC VOODOO!

  • News
  • February 5, 2012

ALL PULP REVIEWS by Ron Fortier
DOC VOODOO
Aces & Eights
By Dale Lucas
Beating Windward Press
201 pages
Last year well known fantasy author Charles Saunders delighted the new pulp community by releasing his novel DAMBALLA, making it the very first pulp novel set in the 1930s to feature an African American hero.  Just this week that same book has been nominated for the Pulp Factory Awards of 2011 for Best Pulp Novel.
Of course good ideas often emerge simultaneously amongst multiple creators and this was the case here.  While DAMBALLA was making its big splash from its widely respected new pulp publisher, Airship 27 Productions, another hard hitting new pulp thriller was debuting from a little known outfit called Beating Windward Press.  This one also featured an African American avenger operating in Harlem, only this one was set in 1926, the heart of the Roaring Twenties.  Written by California based Dale Lucas, “Doc Voodoo” shares several iconic similarities with Damballa to be sure, yet there are also enough differences to define each hero as unique and original in the world of pulpdom.
The hero is a World War One veteran of the famous Harlem Hellfighters 369th Infantry Division named Booker Dubois Butler Corveaux, a practicing M.D. known in his community as Doc Dub Corveaux.  Raised in Haiti and  having traveled the globe during his service years, Doc Corveaux is well versed in the Voodoo Religion and has become the physical agent of three  powerful entities who, when possessing his physical body, imbue it with supernatural abilities that make him virtually indestructible.  Thus in this state, he dons the garb of the Cemetery Man, black clothes, twin .45 automatics, magical clay bombs, a top hat and white painted face to resemble a skull. This frightening entity has assumed the mantle of Harlem’s protector and as we learn in this first book, she needs one desperately.
Two rival gangs are battle for control of the streets and the action is focused on a tough minded woman known as Queen Bee attempting to open a posh speakeasy called Aces & Eights.  Her opponent is a sadistic gang lord called Papa House who will do anything to ruin her plans even if it means unleashing a terrifying magic to corrupt the entire neighborhood and bring about untold suffering and misery.  Into this vicious contest comes the Cemetery Man, guns blazing, determined to thwart that black magic and save the innocent souls caught in the crossfire.
Dale Lucas is a superb writer with an eye for period detail. His research is meticulous and he knows New York from one end to the other, painting a virtual setting that is truly authentic for its period.  His command of slang and mood of the times pulls the reader into a world in flux, a world caught between the past horrors of the first world conflict and the heady exuberance of a social order challenging the mores of the future.
And like any classic pulp tale, the pacing is fast, the characters brilliantly etched and the action non-stop.  This is a true page-turner that will have you cheering with each new gun battle, from this new pulp hero’s first appearance to his last.  And Lucas wisely leaves the finale open ended for many more sequels, all of which we eagerly await.
“Aces & Eights” is as good a pulp actioner as any other there on the market today.  It’s one and only flaw is its packaging.  Most new pulp publishers are aware of the demands of the genre in regards to marketing.  True, one cannot judge the contents of a book by its cover, but then again, one can’t sell a good book with a bad cover.  “Aces & Eights” isn’t so much a bad cover as a non-existent one.  The tiny image of a white skull and a little color design manipulation do not make a great pulp cover.  I would argue this book would have won lots more attention had it sported a traditional pulp painted front, visually debuting Doc Voodoo in full regalia, guns firing away.  So please, Dale Lucas, if you do indeed have more of his wonderful adventures in store for us, give your packaging the extra attention it really deserves.

Martheus Wade on Ninjas, Fate and Free Will

  • News
  • January 17, 2012
I fell in love with Martheus Wade’s work when I visited his website.  The series Jetta:  Tales of the Toshigawa at first glance just looks like superhot ninja babes battling, which while in itself is a fun guilty pleasure, the book is deep
Shianndrea Toshigawa, codenamed Jetta is the chosen one.  She is the one that has to beat Terminus and his demonic horde.  To make matters interesting, Terminus is her father but perhaps the clincher for me is that the last thing Jetta and she doesn’t want to be that person. 
Questions of free will and fate, the natural conflicts of wanting to be your own person over being a person you’re supposed to be is just an intriguing story to tell.  There is a depth and sophistication to the graphic novel that engages in ways few stories dare to tread. 
Martheus Wade has written a tale nearly as engaging as he is.  We discuss Jetta, and his other series Turra – Gun Angel as well as some of life’s great questions.
All Pulp:   How did you get into comics? Who were your influences?
Martheus Wade:  I got into comics when I was really young. Comics were my gateway into reading when I was a kid. It was also my gateway into art itself.   George Perez, Masamune Shirow, Jim Lee, Marc Silvestri, Adam Hughes and Adam Warren were all huge influences on me. But also early on, animation really guided my artistic eye. Anime was a heavy influence on me. Speed Racer, Voltron, Robotech. Tranzor Z. It all made me stop and take real notice.

AP: Tell me a little about Jetta: Tales of the Toshigawa. What’s it all about?
MW:  Jetta: Tales of the Toshighawa is my creator owned graphic novel series that centers on Shianndrea Toshigawa. Code named “Jetta”, she is the chosen one of the Toshigawa ninja clan who is meant to defend the world from the demonic army known as the Knave. The leader of the Knave is the godlike Terminus, Emperor of Japan and the father of Jetta. In order to defeat this demon army, Jetta has been forced to leave her family and friends in order to train for the day she will be forced to face her father in combat. However, she only wants to lead a normal life away from the clan and far from any prophesied destiny.
But, she is always forced back into a fight that she does not want; fight where friends die and her hope for happiness continues to slip away.
The story is full of martial arts action. Jetta is a super powered  ninja that learns to use new and exciting powers almost every volume. She also has to deal with her on-again off-again relationship with her fellow ninja, Kim Shibata. The two of them have polar opposite ideas of what they should hold important in their lives. Kim is very much into his duty and believes in fate while Jetta believes in free will.
Even though they love each other deeply, their butting heads has dire consequences. The story also revolves around Turra Shibata, Jetta’s best friend and Kim’s sister.
Turra has rejected the ways of the Toshigawa and has gone off on her own. As the “Black sheep” of the clan, Turra is happy living her own life away from her duty. However, things take a turn when she is
forced back into action. The theme of fate verse free will runs throughout the series.
AP: To date, what is your favorite scene in Jetta?
MW: There are a couple of scenes. One scene is in Jetta: Tales of the Toshigawa – Revelations when Jetta confronts her father, Terminus for the first time in the bullet train station. This is the first time that Terminus is seen as the all powerful character that he is. Another of my favorites is a slower scene from Jetta: Tales of the Toshigawa – Defiance where Jetta is on a date with her new boyfriend, Dan, and the two are talking about their outlook on life and what they want out of it. Still another scene in Jetta: Tales of the Toshigawa – Rain is when Turra sees her father for the first time in over a year just before he dies. There are so many great moments in this series. It’s really hard to try to pick only a few.
AP:  What is it about fate and free will that fascinate you?

MW: That battle between fate verses free will has always been a very real conflict in my own head. As a creative person, there have been moments in my career (as well as personal life) where I found myself working upstream. When I let go and went with the flow, things seemed to work out with less of a struggle. However, doing so meant that I had to let go of preconceived notions of where I should be or what I should be doing. My life and career took turns that I hadn’t thought of before and I ended up a completely different person than I thought I would be.
Is that “fate”? I would think so. I don’t have all of the answers to that. However, in realizing that it could be fate, I also realized that the life I wanted to lead when I was younger was not the life I was supposed to lead. That’s a hard pill to swallow and (whether it’s right or wrong) I still struggle with that concept on many different things. I want to believe in free will. I want the ability to say that, “If I walk out this door and put my best foot forward, I will get to where I’m intending to go”. But, as we know, that’s not always the case.

This is the basic idea of Jetta: Tales of the Toshigawa. Through all of the attractive women, the martial arts action and scifi, the story is about Fate verses Free will.

AP:  Would you have been happy with the life you wanted?  They that the grass is always greener on the other side…
MW: That’s a good question. I don’t know. There would have been so many things that would be vastly different. Not better, just different. There are a lot of things that would change like my family that I could not envision living without now. Knowing me, if things did go exactly as I planned, I would still feel like something was missing.

 AP: Is it too early to ask you about Turra: Gun Angel?

MW: Absolutely not. Turra: Gun Angel – Bombs and Betrayal is a spin-off graphic novel that takes place in the Toshigawa universe. The lead character is Turra Shibata. She is the sword sister to Jetta and fellow Toshigawa ninja.
In Jetta: Tales of the Toshigawa – Rain (The second book in the Toshigawa series), Turra gets her own assignment and is ordered to return to Japan in order to help organize the splintered ninja clan. But when she gets home, she quickly finds that she on the most wanted lists of, not only the Knave, but the police, the Yakuza and a rival ninja clan. All of this and she still has to deal with her boyfriend, Cyan, and his wandering eyes.

Bombs and Betrayal is a bit lighter than the main Jetta series. Turra, as a character, is a lot more relaxed than her sword sister. She is a lot more comfortable with being an attractive ninja bad ass. In the
main Toshigawa story, she was a bit of a wildcard and this story has more tongue in cheek comedy because of the interaction of the characters involved. Cat (one of the main characters of the series and
this spin-off story) is an African American kickboxer who finds himself faced with culture shock when he makes it to Japan. Cyan is a charismatic pyrotechnic who flirts with other women just to get under
Turra’s skin. And Nica, is a young Toshigawa ninja who is just learning the ropes and idolizes the “legend” that Turra has become.

However, the story is still a serious one and Turra finds herself faced with the difficult task of being called upon by duty to lead this ragtag group in hopes of saving the Toshigawa clan from certain death. It’s a fun read and ties perfectly into the main graphic novels.

AP: Anything else forthcoming we can look forward to?
MW: There is a HUGE announcement and a sort of partnership that will be revealed coming up really soon that I wish I could spill the beans on. That will be hitting in the next month or so. I am also working with Sean Taylor (writer for IDW) on the further adventures of Turra Shibata. The first issue of the miniseries will be out later in 2012. The next Jetta GN will be out at the end of 2012 and marks the end of this story arc. It also closes this chapter on Jetta’s life so I’m excited (and a little saddened) to see what readers think of the close of our story.
AP:  You get the final say here.  Plug your books.  Where can I find them.
MW: All of our books are found at www.toshigawa.com. That is where we have every book on sale as well as art prints and specialty items. Right now, we have two new books that are available, Turra: Bombs and Betrayal and Jetta: Tales of the Toshigawa -Full Circle. These books intertwine these two beautiful ninja into two halfs of the same coin! Seamlessly follow Turra’s adventures and see where and how they effect the greater Toshigawa Universe in Full Circle. We are offering these two books together in one pack. For a limited time only ( as an added added bonus ) if you grab Jetta: Tales of the Toshigawa – Full Circle and Turra: Bombs and Betrayal together in this Ultimate Combo pack, I provide a free sketch of one of the characters in the series. That’s over 150 pages of action packed content plus a free sketch. I invite everyone to try these books and I can assure you that you will not be disappointed.
Also you can follow us on facebook under MAW Productions. Join our page and every friday at 9:00 pm, we have a live chat where the other creators and myself get together and talk about the Toshigawa Universe of characters, the comic book industry, and entertainment in general. It’s a lot of fun and I hope you join us!

WOLD NEWTON DAY 2011-HANCOCK’S TIPS HIS HAT TO MYTHS OF THE MODERN AGE

  • News
  • December 13, 2011

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
MYTHS FOR THE MODERN AGE:  PHILIP JOSE FARMER’S WOLD NEWTON UNIVERSE
Various Authors
Edited by Win Scott Eckert
Monkeybrain Books
2005

This is the first review of three today in recognition of Wold Newton Day.   What is Wold Newton Day?  In short, it commemorates the date in 1795 when a meteor crashed into the small English village of Wold Newton.  According to iconic Author Philip Jose Farmer, this meteor crashed as a group of people were passing through the village and radiation from the space borne rock affected the genes of these already mostly fantastic specimens in such a way that their descendants became both the Heroes and Villains of Fiction via mediums of all sorts.  This posit by Farmer led to Sherlock Holmes and Tarzan sharing family as well as hundreds of thousands of others being tangled together in the Wold Newton Family Tree.  Other writers and scholars have taken up the cause of Wold Newton and have developed fantastic tales as well as scholarly works about both Farmer and the wonderful universe he brought into existence.

MYTHS FOR THE MODERN AGE is a wonderful piece of scholarship, a grand escapade into imagination, and a fitting remembrance of a man who with words and ideas literally captivated creators both while he lived and will likely for centuries to come.  In his introduction to the volume, Mr. Eckert, the editor, poses several questions, queries about Holmes, Moriarty, Mowgli, Doc Savage, The Scarlet Pimpernel, and more and although he states that the essays that follow do not answer every question, they prove a good place to start.

Counting the introduction, MYTHS contains 29 works, essays focused on Farmer, his work, and on Wold Newton.   Authors such as Rick Lai, Brad Mengel, Matthew Baugh, Dennis E. Power, Jess Nevins, Farmer himself, and many others fill these pages.  Names like Tarzan, Captain Nemo, Rick Blaine, Lord Rufton, Charlie Chan, Zorro, Chtulhu, Fu Manchu, Joh Carter, and oh so many more dot these pages like spectacular plumage of a grand bird.    Although not a Wold Newton Scholar, I do have a background as a historian and can say that the research and effort to be academic that went into each article is impressive and notable.   These are not people sitting around having fanboy chats, although I’m sure they all have and would do that.  This is instead a serious endeavor to bring true study to Wold Newton as a concept, to Farmer as a Man, and to the duty of imagination in furthering our society.

FIVE OUT OF FIVE TIPS OF THE HAT-You need to know what Wold Newton is?  You want to know more than just the basics?  This is as close to a Wold Newton Textbook as we may ever get.

PULP OBSCURA ANNOUNCES WRITERS AND FIRST QUARTER PUBLISHING SCHEDULE!

  • News
  • December 2, 2011
Pro Se Productions, a leading Publisher in the New Pulp Movement, and Altus Press, the foremost Publisher of quality Pulp reprints and new works such as THE WILD ADVENTURES OF DOC SAVAGE, announced a partnership in November and revealed today specifics to what has become known as the PULP OBSCURA Imprint. 

The concept behind Pulp Obscura is that Altus Press and Pro Se Press will work in conjunction to produce related products.   When Altus Press publishes specially selected titles featuring rare and largely forgotten Pulp characters’ original stories, Pro Se will bring together the best writers of New Pulp today and simultaneously release a collection of newly written tales starring the same character. This stunning partnership will showcase both the classic adventures of some of pulp’s lost treasures while simultaneously allowing New Pulp’s finest to bring those characters back to life.


“This,” Tommy Hancock, Partner in and Editor-in-Chief of Pro Se Productions, “is no easy task.  First to provide New Pulp stories, brand new exciting adventures of rare classic Pulp Characters and to coordinate that with Altus Press.  But then finding the right creators, the authors who can breathe new life into these concepts and on top of that, deciding and planning which books will come out in the coming year.  It’s a heck of a task and one that has been rewarding on so many levels.”


Thirteen books in the Pulp Obscura line from Pro Se have been planned.   At least eight of these will be timed to release simultaneously with the reprinted adventures of the same characters as produced by Altus Press.  Five more will be published by Pro Se that will feature characters Altus Press has already published the available adventures of in the past. 


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“We are extremely proud,” Hancock stated, “to be able to announce a fantastic line up of writers for Pulp Obscura.  Some of the creators involved are well known figures in the Pulp Community, others are prestigious in other genres and literary fields, and there’s even a blossoming new author or two thrown in the mix.  It shows a project has great promise when you as a Publisher simply put a call out for authors who might be interested in participating and you get not only a flood of interest, but also writers who stay on through the selection process of what will be written and who will write it.   Pulp Obscura could not have a better line up of creators for both their skill and their commitment.”


 “It’s going to be great to see this new material. Interest in the series has been huge and the enthusiasm by the writers will certainly result in plenty of enjoyable reads,” added Matt Moring, publisher of Altus Press. “I cannot recall such a publishing plan ever in the history of the pulp community.”


The writers involved in the Pulp Obscura Line in 2012 are-


Howard Hopkins                        Allan Gilbreath             Barry Reese

Derrick Ferguson                        Joshua Reynolds          Andrew Salmon

Nick Ahlhelm                               Jon Edward Klement   Bobby Nash

I.A. Watson                                 Teel James Glenn         Nancy Hansen

Lee Houston, Jr.                        Chuck Miller                 R. P. Steeves

Don Thomas                              Adam L. Garcia           Van Allen Plexico

Frank Schildiner                        Mike Bullock                Sean Taylor

Andrea Judy                              C. William Russette      Phil Bledsoe

Ashley Mangin                          Russ Anderson             Brad Mengel

Terry Alexander                        BC Bell                        James Palmer

Andrew Hind                            Stefan Dogaru              Kevin Noel Olson




Just as exciting and important as the lineup of writers involved in PULP OBSCURA is the list of characters and volumes that the Imprint will have in 2012.  There are 13 planned volumes from Pro Se for the first year of PULP OBSCURA and the books, along with the writers contributing to them for the first quarter of the year include-

THE NEW ADVENTURES OF RICHARD KNIGHT VOLUME ONE-Adventures of a daring pilot/detective who encounters lost worlds and oddities galore!
Writers- Josh Reynolds

  Barry Reese

  Adam Garcia

  I.A. Watson

  Frank Schildiner

  Terry Alexander


THE NEW ADVENTURES OF THE EAGLE VOLUME ONE-Classic Two Fisted Spy Stories! Pulpy Espionage and Intrigue!
Writers- Rich Steeves

  Bobby Nash

  Teel James Glenn

  Lee Houston, Jr.

  Ashley Mangin

  Nick Ahlhelm


PRICE OF THE MISSIONARY’S GOLD: THE NEW ADVENTURES OF ARMLESS ONEIL VOLUME ONE- Classic Pulp Adventure in Exotic Lands seeking Treasure and Action! And with a Tough as Nails Hook Handed Hero!

Writers- Sean Taylor

  Rich Steeves

  I.A. Watson

  Chuck Miller

  Andrew Hind

  Nick Ahlhelm


THE NEW ADVENTURES OF THE GRIFFON VOLUME ONE-Thrill to the adventures of Kerry Keen, the masked hero known as The Griffon! High Flying Escapades in the Pursuit of Justice!

Writers-Don Thomas

 Rich Steeves

 Chuck Miller

 Van Plexico

 Phil Bledsoe

 Stefan Dogaru


THE NEW ADVENTURES OF THUNDER JIM WADE VOLUME ONE-Globe Spanning Adventures into the Darkest, Strangest Corners of the World with A Hero Like No Other!

Writers- Barry Reese

  Andrew Salmon

  Ashley Mangin

  Nick Ahlhelm

  Andrew Hind

  Frank Schildiner


THE CASES OF MAJOR LACY VOLUME ONE –Follow The Major and his intrepid team of men as they take on crimes and criminals No One Else Can Stop!

Writers-C. William Russette

             Andrew Salmon

             Bobby Nash

             Andrew Hind

             Don Thomas

             Rich Steeves



“At least seven more titles will follow later in 2012 in the Pulp Obscura line,” Hancock stated.  “We are immensely excited not only to be a part of something so great, but also because of the fantastic response this concept has received. We hope everyone joins Altus and Pro Se for the wild roller coaster ride into Pulp Obscura!”


For more information on Altus Press, go to www.altuspress.com


To learn more about Pro Se Productions, check out www.prosepulp.com


Press packets and further information can be provided upon request at

proseproductions@earthlink.net

NOMINATIONS NOW OPEN FOR PULP ARK 2012 AWARDS!

  • News
  • November 8, 2011
Nominations for the PULP ARK Awards are now open and will close January 15th, 2012. The awards are given in conjunction with Pulp Ark, the convention/creators’ conference and the official New Pulp Convention to be held in Batesville, AR, April 20-22, 2012!  The Awards are given for excellence in the field of Pulp, including books, stories, comic books, magazines, and characters as well as creators. 
To determine if a work or creator qualifies for these awards the definition for works that qualify is as follows-New Pulp is fast-paced, plot-oriented storytelling of a linear nature with clearly defined, larger than life protagonists and antagonists, creative descriptions, clever use of turns of phrase and other aspects of writing that add to the intensity and pacing of the story.
Tommy Hancock, Coordinator of Pulp Ark explains additions to the Awards this year.  “We have,” Hancock stated, “added two awards, both by popular requests and thanks to our donor who supports and provides the awards.  Best Book has now been broken into two separate awards-Best Novel and Best Collection/Anthology.  Also, there is now a category for Best New Character.  This can include any New Pulp character created in 2011.”
Hancock also states, “We will also give a Lifetime Achievement Award again this year as well.  A Ten Person committee selected from well-known Creators in New Pulp currently will decide the recipient of this award.  This award is given to someone who has contributed to Pulp, not simply New Pulp, but to the continuation of the interest and promotion of Pulp in all its forms.” Last year’s winners of the first Pulp Ark Lifetime Achievement Award were Tom and Ginger Johnson.
The only works eligible for the Pulp Ark 2012 Awards are those produced between January 1, 2011 and December 31, 2011. Anyone can make a nomination and anyone that makes a nomination will receive a ballot. The only people voting in these eleven awards will be those who made a minimum of one nomination. Also, each individual is allowed only ONE NOMINATION PER CATEGORY. A person may nominate someone in all nine categories, but may only nominate once in each category. All nominations are confidential and sources of nominations will not be revealed. All nominations should be mailed to Tommy Hancock at proseproductions@earthlink.net.The categories open for nomination are (in no particular order and this can be cut and pasted for your nominations ballot):
1. Best Novel (This includes E-books as well as print books)
2. Best Collection/Anthology (This includes single author story collections and multi author anthologies.  This includes E-publications as well as print books)
3. Best short story (this includes stories that appear in short story collections, anthologies, magazines, and e magazines. If from an e-mag, the story must appear on a site identified as an e-magazine, not simply be posted on a site or blog. It includes e-publications as well as traditionally printed works.
4. Best Cover Art (This is restricted to prose book publications, including e-books)
5. Best Interior Art (This is restricted to prose book publications, including e-books)
6. Best Pulp Related Comic (This refers to a series, complete run, one shot, etc. This award is for art, writing, and all other work associated with the nominated comics and the winner. This includes e-publications as well. )
7. Best Pulp Magazine (This award is for art, writing, and all other work associated with the nominated comics and the winner. This includes e-publications as well, but the e-publication must be identified as an e-magazine on the site supporting it. )
8. Best Pulp Revival (The Revival nominated must be published within the calendar year of 2010. This includes epublications as well.)
9.  Best New Character (This must be a character that debuts in a New Pulp work published in 2011.  This included e-publications as well)
10. Best Author (This reward refers to the author and any published author is eligible, including novels, short stories, etc. This includes e-publications as well).
11. Best New Writer (To be nominated, a writer must have been published for the first time in the pulp field in the calendar year of 2011. This includes e-publications as well).

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