Tagged: Dark Horse

ComicMix Exclusive Interview: Joe Lansdale on ‘Pigeons from Hell’

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  • March 25, 2008

Joe Lansdale is a prolific author of horror stories, both short and novel-length, including Drive In and Bubba Ho-Tep.  He’s also no stranger to comics, having partnered with Timothy Truman for projects featuring  such characters as Jonah Hex and The Lone Ranger, and has even written for Batman: The Animated Series and other television series.

This spring, Dark Horse Comics is releasing his four-part miniseries, Pigeons from Hell, adapting a story by Robert E. Howard.  It’s Lansdale’s first time working with artist Nathan Fox, and he recently sat down for a brief chat with ComicMix and a preview of the first issue.

COMICMIX: Thanks for agreeing to chat, Joe.  This is not your first work with Robert E. Howard.  You previously wrote a Conan miniseries. So tell me, what is it about Howard that you like?

JOE LANSDALE: Howard has always appealed to me because there is a raw storytelling talent at work, and he has a Texas background, and like me, he lived in a small town where the sort of profession he pursued was not entirely understood. I always thought he appealed to the little boy in all of us, and by that, I mean that part of us that loves a good raw story. He appeals to that aspect in all of us. Like Jack London, The Call of the Wild is eternal. I don’t think Howard had the same depth that some of London‘s work had, but it has the same primal element, if not the social element. Thing is, I don’t consider that bad or lesser, just different.

CMix: Did you ask to write Pigeons from Hell, or was it an assignment?

JL: I think it was mentioned to me by the film company that has Howard’s work, because I had written the Conan miniseries. It had been well-received, and I mentioned Pigeons From Hell, and it was thought an update might be fun, since Dark Horse had already done a literal adaptation, so, it just sort of snowballed from there and Dark Horse was for it. [It was] kind of an accident.

CMix: How did you approach expanding and adapting a prose work into a four-issue miniseries?

JL: I tried to use the original story as the frame, and I tried to bring younger contemporary characters into it. Howard’s work was of its time, and it could be casually racist, so I wanted to avoid that. I also added more mystical elements. Again, a perfect adaptation had already been done for the comics before, and there was a really good Thriller episode of the story years ago, though now it seems a little dated, so I wanted to approach it in a different manner. I think the story is still true to the original in most ways.

CMix: What is it about Howard’s work that you think still makes it relevant today?

JL: I think it’s the pure storytelling. You can learn to be a better writer with effort and time, but that is something that seems almost inborn, though I’m not sure how to explain it. But he has it, and the work is recyclable and constant. (more…)

Dark Horse Offers ‘Making Of’ for ‘Serenity: Better Days’ #1

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  • March 24, 2008

If you’re reading ComicMix, chances are you’re a fan of sci-fi, movies, TV and, of course, you probably read comic books on a regular basis. Being a fan and reader of comics, perhaps you’ve wondered how all the elements from script to art to color to lettering come together to form the finished comic you hold in your hands and read each week?

If you have wondered about this magical process, the folks at Dark Horse Comics have got something for you. At their website, they’ve put up a "How-To" guide which takes you through the steps from script to finished page of their brand-new Serenity: Better Days comic book.

Clicking through the guide you can see the original script pages written by Joss Whedon and Brett Matthews, rough sketches of the panel placement, art and pencils by Will Conrad, colors by Michele Madsen and letters by Michael Heisler — all the elements that go into a finished comic book page.

It’s an interesting look at how things go from normal-looking words on a page to a colorful and exciting final product. Check it out.

Interview: Jeffrey Rowland on TopatoCo and ‘Overcompensating’

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Jeffrey Rowland, the creator behind popular webcomics Wigu and OverCompensating, has a new, full-time job these days — and it just might make him one of the most important people to watch in the world of webcomics.

Late last year, Rowland officially expanded TopatoCo, the online store where he sold shirts, stickers and other merchandise related to his webcomics, bringing several other popular webcomics’ stores under the TopatoCo banner and consolidating their merchandise operations. By doing so, fans of many of the most popular webcomics are now able to mix and match their orders among different creators’ designs, and TopatoCo has evolved from a basement business to a staffed, international operation Rowland runs out of an office building in Easthampton, MA.

According to Wikipedia, Rowland "can be considered one of the small number of professional webcartoonists, as running Overcompensating and Wigu, in addition to his merchandise company TopatoCo, is his full time job and source of income."

I spoke with Rowland about the growth of TopatoCo and the first few months of becoming a webcomic merchandising hub, as well as the status of his own webcomics, OverCompensating and Wigu. From the lure of running off to Mexico on a motorcycle to the Snakes on A Plane experience, Rowland shares his thoughts on making a living in the world of webcomics.

COMICMIX: You sound busy, Jeff. What’s going on at TopatoCo HQ today?

JEFFREY ROWLAND: Well, I’m just trying to get a handle on this whole business arrangement here.

CMix: Yeah, it sounds like you’re pretty deep into it these days…

JR: Well, the way we were doing it before was, everyone had their own individual sites up. Dinosaur Comics would have its little store, and then [Dinosaur creator Ryan North] would collect the orders throughout the week and send them to us in a file once a week or so. It wasn’t that bad, because everyone was doing a pretty good amount of business, but when I put them all together… Well, all of a sudden, it just exploded. It was bigger than I thought it was going to be. I think we’ve been up for about a month now, and we’re over 2000 products sold. Over 1000 transactions. Basically, it’s just two of us here working – sometimes three. I have one full-time employee — she’s "Tallahassee" in OverCompensating.

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The Story Of O, by Michael Davis

  • News
  • March 21, 2008
 
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This was going to be an article about the sheer stupidly of the former Governor of New York and other idiots who say one thing and do another. Then I listened to Senator Obama’s speech on race. I was going to write about that speech but at another time. Then I received the following text message on my cell phone:

U and denys r no talent racist lying frauds. What kind of monster abuses positive accomplished young black men? Michael Davis PhD Player Hating Dickhead.

The denys he is writing about is my best friend Denys Cowan. He also left a voice mail on Denys’ business phone where he called Denys a “Faggot,” among other things.

Who is this person? Let’s call him O. If I really wanted to “playa hate” I would give up who he was, thus ending any chance of this guy ever working with any major entertainment companies. I don’t out him because there is still a small chance that he will try and clean up his act.

A very small chance.

Why is he so upset? More than a year ago he submitted a project to me which I thought showed promise. The project has not moved fast enough for him and O wanted to know why. I told him what I tell everyone about selling in the entertainment business…

A deal takes the time a deal takes.

(more…)

Faith Based Economics, by John Ostrander

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  • March 20, 2008

333832254_1bdb784010-8275717I don’t know much about economics. It’s all voodoo to me. Unfortunately, the same appears to be true of the corporate bosses of Bear Stearns, the “hallowed” investment bank that was sold over the weekend for pennies on the dollar to JPMorgan Chase. That was made possible by a thirty billion (“B” billion, not “M” million) dollar hand-out from the United States Federal Reserve Bank to cover Bear Stearns assets that would be “difficult” to sell off, meaning the U.S taxpayer will be stuck holding that bag.

“How could this happen?!” Actually, how could it not? Bear Stearns, along with a lot of other investment banks, were using “mortgage based securities.” Essentially, as I understand it, they lent the money to the guys lending the money to the people who were buying homes. Mortgages. They issued and traded bonds that used these mortgages to secure the money for the people who bought the securities. So long as those mortgages were prudent, it was not necessarily a bad idea.

However, the guys making the mortgages invented a new category – sub-prime mortgages. Many of those mortgages were given to people who didn’t have the funds really to make the payments and weren’t going to have them. That’s okay. Just re-finance! And the “worth” of the houses being bought kept going up and up. Anyone with half a brain knew that the housing market was WAAAAAY over-priced. It was crazy.

The reason the houses and land were worth that much was because everyone agreed they were. They believed it as deeply as any Born Again Christian grabs hold of the Bible. The loaves and the fishes with which Jesus fed the multitude didn’t multiply as much or as fast as some of the housing prices. It had to be true. Shout down the un-believers and naysayers. Except, of course, it all wasn’t true.

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ComicMix Radio: Darwyn Cooke Looks Back at ‘The Spirit’

It was the job everyone admired, but no one wanted to try: following in the footsteps of Will Eisner on The Spirit. For over a year, Darwyn Cooke stepped up to take on the task and in an exclusive ComicMix Radio interview, he talks about the good — and bad — moments, plus:

— DC finally makes a move with Manhunter

— Spectacular Spider-Man blows up the ratings

—  Dark Horse partners with Universal

—  Sure – there’s another trivia question  and another chance to grab an exclusive Graham Crackers Comics variant by e-mailing us at: podcast [at] comicmix.com

It’s a click away – so just press the button:

 

 

And remember, you can always subscribe to ComicMix Radio podcasts via badgeitunes61x15dark-5437125 or RSS!

Dark Horse and Universal Announce Production Deal

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  • March 15, 2008

According to The Hollywood Reporter, Universal Pictures and Dark Horse Entertainment today announced an exclusive production and distribution agreement which effectively makes Universal the new home for all of Dark Horse’s film, television and comics properties for the next three years.

Specifically, this deal gives Universal the rights to all of the properties currently held by Dark Horse as well as anything that the company may want to aquire or develop in the future. It’s not a one-way street, however, as Dark Horse is able to tap into Universal’s vast financial and development resources to develop, finance and distribute projects of its own.

Of course, many of Dark Horse’s properties have already been made into films including The Mask, Barb Wire, Timecop and Mystery Men. In addition, Universal is currently behind the latest Dark Horse comic book project: Hellboy 2: The Golden Army.

Given this new deal one wonders if we might end up seeing feature film version of some of the most popular Dark Horse titles like Angel: After the Fall or or even Buffy: Season Eight? As a fan of both of those comics, I hope so.

Sex and the Citizens, by John Ostrander

  • News
  • March 13, 2008

 

There are those of you out there who don’t regard politics as necessarily pop culture. And then there are those of us born in Chicago.

When you get down to it, is there anything more politically entertaining than a sex scandal? It appeals to our prurient interest; we get to be “shocked, shocked that this sort of thing is going on” while, at the same time, seeking out the really juicy details. They’re death to a politician’s career all around the world except, of course, in France where the lack of a mistress may be cause for impeachment.

The latest sex scandal, of course, is New York Gov. Elliot Spitzer’s consorting with prostitutes and paying big money to do it. He spent more money for two hours with one “escort” than a lot of us make in a month. (“Shocked, shocked.”) That loses him sympathy points right there, especially with a recession going on. Bill Clinton got his jollies for free from an intern but Spitzer paid big bucks via bank transfer, supposedly to keep from leaving a paper trail. That worked real good, didn’t it, Gov?

You know, of course, that as I write this there has to be a big hunt going on right now for that call girl, Kristen, named as the woman Spitzer spent over four grand for about two hours worth of whoopee. Whatever newspaper or book or magazine publisher that finds her had better have a checkbook because I guarantee she’ll have an agent by then because, damn it, the details she knows are the ones we all really want to hear. She sold her body to a privileged few for some big bucks; she won’t sell the story that everyone wants to hear for chump change. She’s a businesswoman; one high priced call girl in a TV interview called herself a “hofessional.” I like a woman who has a way with. . . words.

 

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Dark Horse to Publish ‘Herbie’ Archive

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  • March 11, 2008

My previously documented fascination with Herbie, "The Fat Fury," received a shot in the arm yesterday, courtesy of this observation by Tom Spurgeon: Apparently, Dark Horse Comics has quietly announced plans to collect the Ogden Whitney series in a new print edition.

The Dark Horse Comics product profile for the edition had this to say about what it will contain:

Herbie Archives Volume 1 collects the earliest appearances of Herbie, as he battles monsters, bends time and space, and gets the better of Fidel Castro! Herbie is a delightfully weird, all-ages barrel of laughs!

The collection will feature 224 pages of full-color, lollipop-sucking action in hardcover form, and carries a $49.95 pricetag.

While I’m excited about the collection, I can’t help but wish for a cheaper, softcover version that I won’t feel so bad about lending out. Nevertheless, it goes on sale August 20, 2008 — just a few weeks after my birthday. How convenient, eh?

‘Rocketeer’ Creator Dave Stevens: 1955-2008

  • News
  • March 11, 2008

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A variety of sources are reporting that Dave Stevens, creator of The Rocketeer, passed away yesterday after a long battle with leukemia.

Stevens’ resume also included work on the Russ Manning Tarzan comics and newspaper strip, as well as Marvel Comics’ Star Wars series in the mid-’80s. Stevens provided storyboards and layouts for the Super Friends and Godzilla cartoon series while working at Hanna-Barbera, but is best-known for his work on The Rocketeer, which he created. The series was published at various points by Eclipse Comics, Comico Comics and later by Dark Horse Comics, and eventually made into a feature film by Disney.

His widely praised style of pin-up art, featuring 1950s-era models such as Bettie Page, is credited as igniting a renewed interest in the fashion and beauty of the period.

Mark Evanier, who reported on Stevens’ passing, had this to say about the illustrator:

Dave was truly one of the nicest people I have ever met in my life…and was certainly among the most gifted. Our first encounter was at Jack Kirby’s house around 1971 when he came to visit and show Jack some of his work. As I said, Kirby was very encouraging and he urged Dave not to try and draw like anyone else but to follow his own passions. This was advice Dave took to heart, which probably explains why he took so long with every drawing. They were rarely just jobs to Dave. Most of the time, what emerged from his drawing board or easel was a deeply personal effort. He was truly in love with every beautiful woman he drew, at least insofar as the paper versions were concerned.

 

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