Tagged: DC Comics

Truthiness in Advertising, by Elayne Riggs

The 2008 Democratic convention is currently well underway. It being the Age of Reality Shows That Aren’t Real, every bit of spontaneity is of course tightly scripted to allow for maximum media control, not unlike all those Beijing Olympics stories that practically write themselves. What you see is pretty much what they tell you you’ll get.

As a society, we seem to have inured ourselves to accepting style over substance as the norm. We judge books by their covers all the time — even more so when we look at comics. First impressions are the lasting ones. We expect what’s on the cover to reflect what’s inside, often because we’ve been assured that it will. When the cover artist’s style doesn’t jibe with the interior art, the result can be a bit jarring. When the cover art misrepresents the story within, we can feel cheated or used.

And that’s all well and good when it comes to consumer entertainment. We’re used to being lied to, it’s all part of the advertising fake-out. If a certain type of cover art moves product, the actual interior content is irrelevant from the seller’s point of view. We accept (some more grudgingly than others) that we’re going to be subjected to this little dance every time we buy, and buy into, our culture of mass-produced entertainment.

The problem arises, as it usually does, when this mentality shifts from the fictional to the real, and we find ourselves judging people by their “covers.” (more…)

If You’re Not There, You Just Won’t Get It, Part 2, by Michael Davis

milestone-hat-6156711This is part two of the Milestone Media story I began last week. What follows is a brief overview of last’s week article.

Read last week’s article. End of overview.

Denys Cowan, Christopher Priest, Dwayne McDuffie, Derrick Dingle and myself started meeting about building Milestone a few days after Denys rallied the troops. I remember that Priest was a freakin dynamo! This guy would show up with reams of information at every meeting. He was also very inpatient, if we were stalled on something Priest would present a variety of different ways something could work, just to move the process along.

I loved his energy. I loved how he saw the importance in every detail and even when we butted heads (which was often) I respected his point of view. Dwayne wanted to make sure that our books were the best they could be. He stressed professionalism and excellence over everything. He dismissed with respect what was being done in comics then as “What they are doing. Not what we should do.” Derrick was all about the business; he wanted to make sure that we were protected and smart about our business plan. Denys was focused on the magnitude of Milestone – what we could be and our sense of history. Me? I wanted to make sure that we brought new talent into the industry that included people of color.

Yes, Derrick wanted the business to work on a grand scale. Dwayne wanted excellence in everything we did. Denys to make history. Priest to create a dynasty. I wanted to find talent that could make Milestone the absolute best place to be. All of these made up Milestone. Notice that none of these objectives had anything to do with keeping the company black or excluding anybody with regards to race. Shit, we were too busy trying to make this a GREAT company to worry about it being a black company.

Oh, and there was a non-black member (although unofficial) to Milestone. Her name was Chantal d’Aulnis. Chantal was a V.P. at DC Comics and a friend who gave us invaluable advice in the beginning. No, she did not create any characters, or write any (creative) bibles, her advice was along the lines of. “Look at the way that deal was done.” Or “Maybe you should ask that question of so and so.”

This was important because she gave us a matter-of-fact look at who we were. One of the BIG misconceptions about Milestone is that we were owned, created by or part of DC Comics. Over the years we have tried to answer that clearly but somehow it never quite took, so I’ll try and say it clearly here. MILESTONE WAS NEVER OWNED OR CREATED BY DC COMICS.

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Movie-Style Trailer for DC Comics’ Trinity

Imagine if comic books had trailers like movies and TV shows to build up buzz and get mainstream audiences excited. Now imagine no more! DC Comics released a movie-style trailer for the new weekly comic Trinity. Starring Batman, Superman, and Wonder Woman, the series is being written by Kurt Busiek and drawn by Mark Bagley. Check out the video for yourself below.

 

Video: Trinity Animation

Review: Creepy Archives Volume 1

Pretty soon, this is going to turn into a review of Dark Horse’s [[[Creepy Archives Volume 1]]]. Hang in there; I’ll get to it, I promise.

I miss Archie Goodwin, particularly this time of year. He died 10 years ago from cancer at the ridiculously young age of 60. He was one of the best writers this medium has ever seen. In a field that sports the talents of Harvey Kurtzman, Will Eisner, Jules Feiffer, and Dennis O’Neil, Archie was of that highest caliber. If Archie ghosted bible tracks for Jack Chick, I would have read them. He was that good.

As a human being, he was even better. A life-long EC Comics fan (you could see it in his work, as well as in those with whom he chose to associate), for a couple years Archie and I had adjoining offices at DC Comics. We used to go out to lunch and talk about, oh, [[[Tales From The Crypt]]] and Ronald Reagan. Did I mention Archie was very politically aware? Read his [[[Blazing Combat]]] stories. Anyway, sometimes our conversations scared the Manhattan businessmen who sat near us.

Archie enjoyed that. I enjoyed those conversations immensely; I wish I could relive them.

So why do miss Archie “particularly this time of year”? This is convention season. No matter where we were, we would run into each other a couple times each year at various airport gates. He could be leaving from New York and I from Chicago and we’d run into each other on connecting flights in Denver. We could both be at a show in, oh, his native Kansas City and we could be flying to two different places, but we’d still share the first leg of our respective flights. At first it was uncanny; quickly, it became another fact of life.

I haven’t met all 6,500,000,000 people on this planet, but based upon my unscientific sampling I can state with complete confidence that there are few people with greater wit, charm, and intelligence. So there.

This brings us to Dark Horse’s Creepy Archives Volume 1. Archie started writing for Jim Warren’s Creepy with the first issue; by issue two he was story editor and issue four he was the sole credited editor. He wrote most of the stories and, therefore, did a lot to define the 1960s horror story while working with a lot of EC greats like Reed Crandall, Jack Davis, Al Williamson, Alex Toth, George Evans, Joe Orlando, Wally Wood and Frank Frazetta. As time progressed, he added younger talent like Gray Morrow, Neal Adams, and Steve Ditko.

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ComicMix Quick Picks: 8/8/08

The collection of posts that may not warrant a full entry of their own. Excelsio — er, onward and upward:

Billionaire financier Ronald O. Perelman has agreed pay $80 million to settle a lawsuit accusing him of helping to divert $553.5 million in notes when he controlled Marvel. I’ll do a better run-down of the financials after I have a chance to slog through them. Ironically, Perelman had always wanted to turn Marvel into an intellectual property powerhouse in the mold of Disney, but it only happened after he drove Marvel into bankruptcy and bolted.

And speaking of legal matters, Gordon vs. Gordon. It’s a shame when things go bad. I wonder what will happen at the custody hearings.

And speaking of Gotham City going-ons (what a segue!) somebody else has built a working Tumbler. No word on what else he keeps in his basement or his belfry.

Don Heck’s Lovecraft work to finally see the light of day. Ai! Ai! P’tagh i’dw ryall!

Tom Brevoort is attempting to take over DC Comics. Watch out, Paul…

And just because some of you might want to know how to give yourself pointed ears… well, here you are. We’re not responsible for any pon farr, though.

ComicMix Quick Picks: 8/7/08

The collection of posts that may not warrant a full entry of their own. Excelsio — er, onward and upward:

When I saw this bit about Franklin turning 40, I have to admit that wasn’t the Franklin I was thinking of… yes, Franklin Richards is 40 years old too. And people complain about Bart Simpson never aging?

The Skiffy Channel’s top 10 brilliant but cancelled sci-fi shows. Also known as their regular line-up.

Lost in all the San Diego shuffle, MTV of all people have started a comics/movies blog called Splash Page, and have gone so far as to hire former Wizard and DC Comics staffer Casey Seijas. We welcome them to the blogosphere, but would like to remind them that hiring ex-DC and Wizard employees to run a weblog is our shtick.

Paul Levitz interviewed in the Wall Street Journal. Surprise note: yes, he’s another alumni of Frank McCourt’s english classes. I always wondered where Paul picked up the Irish brogue.

Robert Downey Jr. trying to keep his ego in check for Iron Man II:

"Suddenly, for a minute, I felt like everyone needed to take a knee and listen to what I had to say, because I f–kin’ made it, and my way works and all this stuff. Then I go home and I go, ‘Oh my God, what’s happening to me? I gotta get grounded here.’ "

Downey got Tropic cowriter and actor Justin Theroux the gig writing Iron Man 2. Theroux is just crawling out from under the pile of Iron Man comics as we speak.

"I’ve just stopped marinating in all the Iron Man lore that I didn’t know, and I’m sort of firing up the chainsaw and ready to attack it," said Theroux. "You’re writing for Robert Downey Jr., so, at the end of the day, that’s an enormous amount of fun."

“Resident Evil” and “Devil May Cry” Comics Coming

7beb793509a0a5d3feea1110-_aa280_-l-4151943Having previously announced Bionic Commando and Lost Planet comics coming from Devil’s Due, Capcom is bringing even more of their hit games to comic books. In a joint press release with DC Comics, they announced that the WildStorm imprint will publish comics based on Resident Evil and Devil May Cry. Details, like who’s writing and drawing it, or when it will be announced at a later date.

Devil May Cry follows demon fighter Dante in a gothic anime influenced world with over-the-top weapons. It’s been previously released as best-selling manga from Tokyopop, but this will be the first time content has been created by American comic artists.

Jim Lee must really like playing Resident Evil. Back in the pre-DC Comics era, WildStorm published a pretty successful comic/fan magazine based on the horror survival game. If you’re living a sheltered life, Resident Evil tells the story of pseudo-law enforcement officers battling the amoral Umbrella Corporation and their continual involvement in zombie plagues.

On a side note, have you seen the trailer for the Capcom-produced CGI movie Resident Evil: Degeneration that was shown at San Diego Comic-Con? You’ll never travel through an airport the same way again. (Video posted after the jump.)
 

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DC Comics Relaunches Website

DC Comics’ boring old Web site saw a big relaunch over the weekend, perhaps coinciding with the record-breaking debut of The Dark Knight film.

Not a ton of new features on the site, which you can view right here, but it’s a whole lot prettier than the previous incarnation.

There is a nice feature called "30 Essential," which lists 30 of what DC views as it’s can’t miss graphic novels. That’s sure to be useful for new readers, though it’s old ground for long-time readers.

You can find that feature right here.

Review: New ‘Fables’ & ‘Jack of Fables’ Volumes

[[[Fables]]] is one of the big successes of the current version of the Vertigo line, where every book has a Hollywood-style high concept: all males on Earth are killed – except one!; New York’s mayor can talk to machines!; Refugee fairytales live in the modern world! And, in another Hollywood-esque twist, Fables even has a spin-off of its own, like Diff’rent Strokes begat The Facts of Life.

Last month, both the parent and spin-off series had new collections, with titles that implied a connection. So let’s look at the two of those books together:

Fables, Vol. 10: The Good Prince
By Bill Willingham, Mark Buckingham, and others
DC Comics, June 2008, $17.99

Fables, as you might know, is a series in which all of the folkloric and fairy-tale characters that you’ve ever heard of are real, and originally lived in an array of alternate worlds. But “the Adversary” – whose identity was revealed a few volumes ago – led huge goblin armies to conquer nearly all of those worlds, sending a few (but mostly very well-known) Fables to our world, to live in secrecy in an enclave in New York City.

More recently, the cold war with the Adversary is beginning to heat up, with Fabletown’s leadership striking alliances with the “Cloud Kingdoms” (you know, where the beanstalk led?) and with the as-yet-unconquered world of the [[[Arabian Knights]]]. (There’s also an unsubtle parallel between Fabletown and Israel that Willingham is a bit too fond of.) As we hit this tenth volume, we know that the Adversary is building for a major attack three years from now, and the characters of Fables learn that quickly as well.

The last storyline, [[[Sons of Empire]]], served to ratchet up tension, but [[[The Good Prince]]] goes the other way; Flycatcher – Prince Ambrose, the Frog Prince – has finally regained his memory, and is grieving over the loss of his family centuries before. But Red Riding Hood goads him out of his misery, and he rushes off to get fighting lessons from Boy Blue.

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E3 2008: Mortal Kombat Vs DC Universe Gameplay

The 2008 Electronic Entertainment Expo is underway. Just to start us off right, Midway released the first gameplay footage from the upcoming Mortal Kombat Vs DC Universe videogame. Since we’ve seen the Mortal Kombatants before, the video wisely focused on the DC Comics characters. Superman, Batman, Catwoman, and Flash were shown in some exciting footage using their unique abilities. For instance, the Flash smashed his enemy through several walls while going through rooms in a few seconds.

But the Mortal Kombat characters got the last laugh as the final moment shown was Scorpion unmasking to perform his famous fire fatality on the Scarlet Speedster. Mercifully, the camera cut away before that happened. Flashes always seem to die in these multiverse crossovers, don’t they?

See the video for yourself below:

 



Video: E3 2008: Mortal Kombat VS DC Universe