OK, we don’t know what Grant really thinks. But it’s fun to pretend, isn’t it? Here you go kids… Your big shot to impress the big shots over at DC. A chance to put the words right in Bat’s big, square pie hole. Just type to your hearts content, and create your master piece.
Build your own Bat-comic right here.
And after you make the perfect panel? Why, do us a favor, comment below with a link.
Though covered point-by-point by Marvel’s EIC here, faithful followers of Ed Brubaker’s amazing run in the pages of Captain America
saw a wee bit of controversy spring up and out of the pages of issue #602 recently.
For those not in the know (SPOILER ALERT) the issue in question features the current Cap, Bucky Barnes, and former Cap Sidekick, Sam Wilson (Falcon) on an undercover mission in Idaho. As they make their way through the state that’s truly ‘More Than Just Potatoes‘, they happen to come across a group of protestors. Bucky makes a comment that the rally appears to be an “Anti-Tax thing”, and Sam remarks that he (“A black man from Harlem”) wouldn’t fit it with “a bunch of angry white folks.” And, due largely to a tight deadline, and slight error on the letterer’s part… the rally signs declared things like “Tea Bag Libs Before They Tea Bag You!” and “Stop the Socialists!”… This in turn ruffled the feathers of members in Nationwide Tea Party Coalition; and the anger-inducing Kool-Aid was thus passed out for the national media circus.
As explained by Joe Quesada, this wasn’t an intentional jab at a political entity, rather, it was a simple mistake. As the books’ deadline loomed, the editor noted missing slogans on the final press ready art. Marvel asked the letterer to quickly photoshop in some slogans to make it in before deadline. Quickly googling protest signs to add a ‘layer of reality’ to the book led to the aforementioned slogans being dumped into the artwork, which was quickly green-lit for the presses. When the error was eventually caught, Marvel apologized, and fixed the art files; ensuring reprints of the issue, as well the eventual printing of the trade paperback, would not perpetuate the mistake. This of course did not stop ‘Tea Drinker’ Warner Todd Huston from starting a flame war. Of course it didn’t.
But, gentle Comicmixers… this begs the question to be asked. While both Ed Brubaker and Marvel Comics have made it clear they opt to stay away from being overtly political in their books… what if they decided not to be. Comic books, especially of the Marvel or DC sort, are fiction. Doesn’t fiction (even starring widely recognized figures like Captain America and Superman) have the right to be as political as they want to be? While Joey Q. made the admission of guilt, and has done his job to quell the issues raised by the Hulk-like Tea Party Gang… What could they do, if the next issue did feature the Tea Party? What it Sam Wilson decided to join the Black Panthers? What if Bucky decided he was a Socialist (I mean they did save his butt from obliteration, no?)… The question really is: what right does any group have to say when it comes to works of fiction, comic or not?
Consider this an invitation to tell us how you feel.
Warner Home Video, Newsarama.com and The Paley Center for Media proudly present the bi-coastal World Premieres of Justice League: Crisis on Two Earths, the highly anticipated next entry in the ongoing series of DC Universe animated original PG-13 movies, in New York on February 16 and in Beverly Hills on February 18. Filmmakers and members of the voice cast are expected to attend both events.
On February 16, Justice League: Crisis on Two Earths will screen at The Paley Center in New York City (25 West 52nd Street) with a media interviews starting at 5:30 p.m. and screening commencing at 6:30 p.m. A panel discussion with filmmakers and voice cast will follow the screening.
On February 18, Justice League: Crisis on Two Earths will screen at The Paley Center in Beverly Hills (465 North Beverly Drive) with media interviews starting at 6:00 p.m. and screening commencing at 7:00 p.m. A panel discussion with filmmakers and voice cast will follow the screening.
Media wishing to attend the premieres must RSVP via email to WHVRSVP@gmail.com.
A limited number of free tickets are available for the general public. Fans in New York City wishing to receive free tickets to the NY event on Feb. 16 must RSVP via email to justiceleagueNY@newsarama.com. Fans in the Los Angeles area wishing to receive free tickets to the Beverly Hills event on Feb. 18 must RSVP via email to justiceleagueLA@newsarama.com. Tickets to both events will be distributed on a “first come, first served” basis.
In Justice League: Crisis on Two Earths, a “good” Lex Luthor arrives from an alternate universe to recruit the Justice League to help save his Earth from the Crime Syndicate, a gang of villainous characters with virtually identical super powers to the Justice League. What ensues is the ultimate battle of good versus evil in a war that threatens both planets and, through a diabolical plan launched by Owlman, puts the balance of all existence in peril.
A star-studded cast provides the voices behind the super heroes and villains, led by Mark Harmon (NCIS) as Superman, James Woods (Mississippi Burning) as Owlman, Chris Noth (Law & Order, Sex and the City) as Lex Luthor, William Baldwin (Dirty Sexy Money) as Batman, Gina Torres (Firefly/Serenity) as Superwoman and Bruce Davison (X-Men) as President Wilson. Other cast members include Josh Keaton (The Spectacular Spider-Man) as The Flash, Vanessa Marshall (Grim & Evil) as Wonder Woman and Jonathan Adams (Bones) as Martian Manhunter.
Justice League: Crisis on Two Earths is an original story from award-winning animation/comics writer Dwayne McDuffie (Justice League). Animation legend Bruce Timm (Superman Doomsday) is executive producer, and Lauren Montgomery (Wonder Woman, Green Lantern: First Flight) and Sam Liu (Superman/Batman: Public Enemies) are co-directors.
At the Grammys this past Sunday evening, Neil Portnow, the Academy President and CEO, delivered some interesting and important words. Before the amassed crowd of celebrities, recording artists, and self-important rich people, Neil said words that hit this comic lover right in the bread basket.
“Now, what if someone told you they really appreciated your work but didn’t think they should have to pay you for it anymore. What would you do? How would you pay your bills, support your family? How would you survive?
This evening, you’ve seen performances by the most successful artists today. And you know about their generosity and giving back. But standing right behind them are thousands of unknown and up-and-coming music makers who face the question of survival every day. In the coming decade, unless they can make a living at their craft, the quality and creativity of the music will be at risk.
Well tonight, we’re all fans and music lovers who want to ensure that the future of music is a bright one. New technologies will bring music whenever and wherever you want it.”
The “up-and-coming” musicians he speaks of… the thousands upon thousands of twenty and thirty somethings working night after night in dingy clubs playing for measly covers? It got me thinking… are are they any different than the twenty and thirty somethings slaving over their computers and drawing boards, putting out small press and indie comics? Nope. And just as the indie bands’ survival is questioned based on the continuing movement to an all digital format… so too we must ask about the future of our medium. (more…)
Remember about a month back, we posted an article about Fox Networks and Time Warner Cable playing hardball over being carried?
Well, as of Friday books from Macmillan, including all sub-imprints like Tor books and St. Martin’s Press, have vanished from Amazon.com. According to the New York Times, the disappearance is the result of a disagreement
between Amazon.com
and book publishers that has been brewing for the last year. Macmillan,
like other publishers, has asked Amazon to raise the price of
electronic books from $9.99 to around $15. Amazon is expressing its
strong disagreement by temporarily removing Macmillan books.
Now with this as a precedent, let’s take it to the next level:
“Hello, DC Comics? Jeff Bezos here. Hey, how come we don’t have Batman: Black & White available for the Kindle yet?”
“Oh really? Do you know how many thousands of copies of Watchmen we sold for you last year? How many Batman and Sandman graphic novels? Don’t even get me started on Smallville DVD sets.”
“Let me spell it out for you. If we don’t start getting files for the Kindle by the end of this month, we’re going to stop selling the print editions of your books.”
Think it can’t happen? Are you sure?
Over the last year or two, the more engaging dramatic series have been popping up on TNT, USA and even AMC. They run from the gravitas of[[[ Mad Men]]] to the lightweight entertainment that is [[[Psych]]]. An increasing proportion of my viewing time seems to be focused on these networks and I’m happier for the variety.
John Rogers, who used to write [[[Blue Beetle]]] for DC Comics, co-created Leverage
TNT kindly provided us with the first two episodes of the second half season, which debuts tonight at 10 p.m. Spoilers ahead…
Now that 2009 is officially over, we can do a year in review. This is by no means a definitive list of “the best of the year” as we’d never come to a consensus, just think of it as our varied and individual take on what stuck out in the minds of everybody here at the Mix. After all, as the song says, it’s a mixed-up, muddled-up, shook-up world. Onward!
Shortest Death of the Year: Kyle Rayner. Green Lantern Corps #42/43 (DC)
For those who know me well, I was offered quick condolences when I picked up Peter Tomasi’s Green Lantern Corps
#42. Kyle Rayner, my personal favorite ‘Super Hero’ was given a
decidedly trite death; sacrificing himself with an exploding Alpha
Lantern Core in order to blow up a smattering of not-so-easy-to-kill
black lanterns and their Nekron inspired construct. Gaping plot hole be
damned! Sure Mr. Rayner was one of two honor guardsmen, who we’d
‘assume’ knew how to wield the emerald light with a little flair, might
figure that the ring could make a nice bubble to contain the
aforementioned big-bada-boom, and NOT include himself… But it was far
sappier dramatic
for Kyle to tell Natu (his current, non-refrigerator-bound-beau) and
Guy (his best-buddy-with-a-bygone-bowlcut) that he ‘wuved them. And
guess what? Not twenty pages later, Kyle was resurrected by Star
Sapphire Miri Riam, who showed us yet another unknown power from the
crystal spewing pink ring club. It seems that ‘True Love’ allows a Star
Sapphire to combine hearts, and save a dead lover. I guess Miri wished
she could have done that when he husband died, a few issues ago.
Whoopsie! –Marc Alan Fishman
Most overlooked of the year: Final Crisis Aftermath: Run (DC)
It’s easy to hate event books–especially one as polarizing as Final Crisis–but it’s hard to deny that sometimes damn fine things come out of them. Zero Hour gave us James Robinson’s Starman, Secret Wars gave us Spider-Man’s black costume (even if it was retroactive), and now Final Crisis has given us Run, a tale of the Human Flame, the most unrepentant bastard in the DC Universe, on the run from the Justice League following the death of the Martian Manhunter. It’s funny, it’s fast-moving, and it’s smart as a whip, thanks in equal measure to Matt Sturges’ (Blue Beetle, JSA All-Stars) script and the perennially underrated pencils of Freddie E. Williams II (Robin). Besides, it has the Condiment King. Who can say no to the Condiment King? –Matthew Weinberger
Favorite dialogue of the year: from Irredeemable #5 (BOOM!), written by Mark Waid, when the winged Gilgamos meets the black super-hero Volt:
“I know you! You’re Black V—“
“That’s the other guy.”
“From Philadelphia?”
“That’s the other other guy. Look, I am solidly aware that an electromagnetic African-American super is a total cliché. My apologies. I didn’t order this power off the menu, I swear.”
–Howard Margolin
Everybody’s waiting for the tablet computer to see what it could do to the comics industry. Thanks to Time and Sports Illustrated, we have a potential preview:
Boy, wouldn’t it be great if DC Comics were published by Time Warner?
No?
Wouldn’t it be nice to think that DC was thinking about this stuff, at least?
More in this New York Times article.
Batman: Arkham Asylum was one of the best games of 2009. Only four months after its release, Rocksteady and DC Comics are already giving us a teaser trailer and a new website for the sequel.
Color me excited, but aren’t we at least a couple years away from a sequel?
Today is December 7th, a day that will live in infamy as the anniversary of the attack on Pearl Harbor that ushered the United States into the second World War.
During the war, almost every comic shifted to a wartime footing, with covers of our heroes kicking the crap out of Nazis and fighting saboteurs in the pages within. But in at least one case, superheroes did a lot more.
See that cover to the right? That’s the cover of a special edition of Superman, based on issue #33 of the regular series that was produced for the U.S. Army.
The Army had a problem at the time — they were drafting thousands of men a year, but many of them had no education to speak of, with large swaths of them functionally illiterate, and they were expected to operate complex machinery pretty quickly. They had to learn how to read, and fast. The troops also needed cheap and portable entertainment, something that could be carried through the battlefields of Europe and Asia.
So with the cooperation of National Periodical Publications, the forerunner to DC Comics, this edition was produced by the War Department with simplified dialogue and word balloons. Hundreds of thousands of copies were distributed to GIs, and it helped them learn to read and to pass the time. And of course, copies of the comics were handed out to kids in faraway lands, as gestures of goodwill.
A total of 23 issues were produced in this manner and these rare variants are among the first examples of using comic books to teach, not just entertain.
So we weren’t surprised when a study came out last week showing that comics can be used to improve literacy. The United States government has known it for decades.
Columns / Glenn Hauman / News
Stephen Colbert, we have your writer for “The Chronicles of Amber”!
January 20, 2023
The Law Is A Ass #460: Those “For Life” Sentences Are Nonsense
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