Tagged: DC

If You’re Not There, You Just Won’t Get It, Part 2, by Michael Davis

milestone-hat-6156711This is part two of the Milestone Media story I began last week. What follows is a brief overview of last’s week article.

Read last week’s article. End of overview.

Denys Cowan, Christopher Priest, Dwayne McDuffie, Derrick Dingle and myself started meeting about building Milestone a few days after Denys rallied the troops. I remember that Priest was a freakin dynamo! This guy would show up with reams of information at every meeting. He was also very inpatient, if we were stalled on something Priest would present a variety of different ways something could work, just to move the process along.

I loved his energy. I loved how he saw the importance in every detail and even when we butted heads (which was often) I respected his point of view. Dwayne wanted to make sure that our books were the best they could be. He stressed professionalism and excellence over everything. He dismissed with respect what was being done in comics then as “What they are doing. Not what we should do.” Derrick was all about the business; he wanted to make sure that we were protected and smart about our business plan. Denys was focused on the magnitude of Milestone – what we could be and our sense of history. Me? I wanted to make sure that we brought new talent into the industry that included people of color.

Yes, Derrick wanted the business to work on a grand scale. Dwayne wanted excellence in everything we did. Denys to make history. Priest to create a dynasty. I wanted to find talent that could make Milestone the absolute best place to be. All of these made up Milestone. Notice that none of these objectives had anything to do with keeping the company black or excluding anybody with regards to race. Shit, we were too busy trying to make this a GREAT company to worry about it being a black company.

Oh, and there was a non-black member (although unofficial) to Milestone. Her name was Chantal d’Aulnis. Chantal was a V.P. at DC Comics and a friend who gave us invaluable advice in the beginning. No, she did not create any characters, or write any (creative) bibles, her advice was along the lines of. “Look at the way that deal was done.” Or “Maybe you should ask that question of so and so.”

This was important because she gave us a matter-of-fact look at who we were. One of the BIG misconceptions about Milestone is that we were owned, created by or part of DC Comics. Over the years we have tried to answer that clearly but somehow it never quite took, so I’ll try and say it clearly here. MILESTONE WAS NEVER OWNED OR CREATED BY DC COMICS.

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Movie-Style Trailer for DC Comics’ Trinity

Imagine if comic books had trailers like movies and TV shows to build up buzz and get mainstream audiences excited. Now imagine no more! DC Comics released a movie-style trailer for the new weekly comic Trinity. Starring Batman, Superman, and Wonder Woman, the series is being written by Kurt Busiek and drawn by Mark Bagley. Check out the video for yourself below.

 

Video: Trinity Animation

Comics Out Of The Closet, by Mike Gold

My old pal Joe Staton, one of the most brilliant graphic storytellers in the history of this medium, is currently enjoying a long-overdue exhibition of his work at the Storefront Artist Project in Pittsfield, MA. Peculiarly titled The Art of Joe Staton, it runs through August 31. We talked about this here at ComicMix a while ago; click-through and read to your heart’s content. Better still, go there and check it out.

This could have been the shortest column I’ve ever written, but no, I aim towards broader context. We’re seeing more and more of this sort of thing. Mark Wheatley and Marc Hempel’s Breathtaker was among the dozen or so graphic novels recently honored at the Norman Rockwell Museum, and that exhibit is now touring the nation. There have been many theme-based exhibits of comic art all over the country – too many to mention.

Oh, boy. We’ve been accepted as a real art medium. Not to look a gift horse in the mouth (for a change), I just wish this happened a couple decades ago.

Will Eisner and Stan Lee lived long enough to feel the full brunt of public acceptance; Jack Kirby really didn’t. He was honored as the ABC News Man of the Week after he died, but I’m sure that didn’t massage his ego any. Wally Wood got bubkis. The fact is, the first generation of comics creators is almost entirely gone, and most died with a stigma attached to their names. Sure, Stan and Joe Kubert are still around (thankfully) and are still producing stuff (also thankfully), but that’s because they entered this craft while still pre-pubescent. (more…)

Hey! Where is our ‘Dark Knight’ Video Game?

Since the birth of Tim Burton’s movie Batman in 1989, there has been a video game tie-in with every incarnation of the Batman film franchise. So why is it that we haven’t seen one for one of the most popular (and profitable) films for the character, if not for comic book films in general? It’s not as if there wasn’t a plan for a digitized Batman during the film’s production. Game publisher Electronic Arts had the rights to make a game for the Dark Knight film, according to an unnamed developer for the EA-owned Pandemic Studios. Speculation says that the lack of a game caused up to $100 million in missing sales, and would be the first time that the caped crusader didn’t have a game.

 
Speculation ranges from missing deadlines to Heath Ledger’s death, and even to the fear of success due to the poor quality of the last tie-in game with Batman Begins. Sales of movie-based games often parallel their box-office brethren. Last year’s Transformers games sold 2.6 million copies while the Spider-Man III games sold 2.1 million, according to sales data from NPD Group market research analyst Anita Frazier. Even the Iron Man games have sold 697,000 units following their release at the same time as the film in May.
 
If a Dark Knight game is still in the works, Batman could take a cue from Superman. Because of delays, the EA console games based on 2006’s Superman Returns didn’t take flight until the DVD release — and only then sold 705,000 copies. However, a Dark Knight game isn’t on EA’s release slate through March 2009, according an EA press release.
 
This is all not to say that there will be a shortage of Batman and his foes in the world of video games. You can catch them all on your console in September for Warner’s Lego Batman: The Video Game, then in November for Midway’s Mortal Kombat vs DC Universe, and finally later this year for Sony’s DC Universe Online.

Review: Creepy Archives Volume 1

Pretty soon, this is going to turn into a review of Dark Horse’s [[[Creepy Archives Volume 1]]]. Hang in there; I’ll get to it, I promise.

I miss Archie Goodwin, particularly this time of year. He died 10 years ago from cancer at the ridiculously young age of 60. He was one of the best writers this medium has ever seen. In a field that sports the talents of Harvey Kurtzman, Will Eisner, Jules Feiffer, and Dennis O’Neil, Archie was of that highest caliber. If Archie ghosted bible tracks for Jack Chick, I would have read them. He was that good.

As a human being, he was even better. A life-long EC Comics fan (you could see it in his work, as well as in those with whom he chose to associate), for a couple years Archie and I had adjoining offices at DC Comics. We used to go out to lunch and talk about, oh, [[[Tales From The Crypt]]] and Ronald Reagan. Did I mention Archie was very politically aware? Read his [[[Blazing Combat]]] stories. Anyway, sometimes our conversations scared the Manhattan businessmen who sat near us.

Archie enjoyed that. I enjoyed those conversations immensely; I wish I could relive them.

So why do miss Archie “particularly this time of year”? This is convention season. No matter where we were, we would run into each other a couple times each year at various airport gates. He could be leaving from New York and I from Chicago and we’d run into each other on connecting flights in Denver. We could both be at a show in, oh, his native Kansas City and we could be flying to two different places, but we’d still share the first leg of our respective flights. At first it was uncanny; quickly, it became another fact of life.

I haven’t met all 6,500,000,000 people on this planet, but based upon my unscientific sampling I can state with complete confidence that there are few people with greater wit, charm, and intelligence. So there.

This brings us to Dark Horse’s Creepy Archives Volume 1. Archie started writing for Jim Warren’s Creepy with the first issue; by issue two he was story editor and issue four he was the sole credited editor. He wrote most of the stories and, therefore, did a lot to define the 1960s horror story while working with a lot of EC greats like Reed Crandall, Jack Davis, Al Williamson, Alex Toth, George Evans, Joe Orlando, Wally Wood and Frank Frazetta. As time progressed, he added younger talent like Gray Morrow, Neal Adams, and Steve Ditko.

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ComicMix Quick Picks: 8/8/08

The collection of posts that may not warrant a full entry of their own. Excelsio — er, onward and upward:

Billionaire financier Ronald O. Perelman has agreed pay $80 million to settle a lawsuit accusing him of helping to divert $553.5 million in notes when he controlled Marvel. I’ll do a better run-down of the financials after I have a chance to slog through them. Ironically, Perelman had always wanted to turn Marvel into an intellectual property powerhouse in the mold of Disney, but it only happened after he drove Marvel into bankruptcy and bolted.

And speaking of legal matters, Gordon vs. Gordon. It’s a shame when things go bad. I wonder what will happen at the custody hearings.

And speaking of Gotham City going-ons (what a segue!) somebody else has built a working Tumbler. No word on what else he keeps in his basement or his belfry.

Don Heck’s Lovecraft work to finally see the light of day. Ai! Ai! P’tagh i’dw ryall!

Tom Brevoort is attempting to take over DC Comics. Watch out, Paul…

And just because some of you might want to know how to give yourself pointed ears… well, here you are. We’re not responsible for any pon farr, though.

m-invite-1-1308510

Milestone: If You’re Not There, You Just Won’t Get It, by Michael Davis

m-invite-1-1308510Denys Cowan and I were hanging out watching the crowds inside the convention center at the San Diego Comic Con. It’s 1991. As we walked the floor we were kidding around as always. Kidding around and looking at girls. Hey, that’s what we did when we walked the floor at conventions. We joked and looked at girls. We tried looking at guys but we both agreed that made us look pretty… gay.

We were having a pretty good time when Denys got quiet. I thought it was because of this real fine Asian girl we were looking at. Denys turned to me and said “We should start a comic book company that will create some characters of color.” I said, “That’s the stupidest idea I have ever heard. Will you look at that girl?” Denys did not look. That’s when I realized that he was being serious. I said “That’s a great idea.” After that we spent most of the rest of that day and evening talking about what the company could be and whom we should include. This is the first time I have really talked about Milestone outside of a VERY few interviews over the last 15 years. Milestone is the story of five – that’s right FIVE black creators and we all have a story tell.

This is my Milestone story…

Denys and I spent the rest of that day and evening talking about what the company could be and whom we should include. In 1991 there were ample black creators we could have included but we wanted to make sure we got this right. It’s important to note that we were not trying to be exclusive by only inviting black creators – we wanted to create black superheroes and wanted to do so with black creators first. If you really look at Milestone you will soon realize that we were never a black company, we were a black owned company. In truth we were a true multicultural company that counted among our talent many, many different races. We went out of our way to include talent from many different walks of life.

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ComicMix Quick Picks: 8/7/08

The collection of posts that may not warrant a full entry of their own. Excelsio — er, onward and upward:

When I saw this bit about Franklin turning 40, I have to admit that wasn’t the Franklin I was thinking of… yes, Franklin Richards is 40 years old too. And people complain about Bart Simpson never aging?

The Skiffy Channel’s top 10 brilliant but cancelled sci-fi shows. Also known as their regular line-up.

Lost in all the San Diego shuffle, MTV of all people have started a comics/movies blog called Splash Page, and have gone so far as to hire former Wizard and DC Comics staffer Casey Seijas. We welcome them to the blogosphere, but would like to remind them that hiring ex-DC and Wizard employees to run a weblog is our shtick.

Paul Levitz interviewed in the Wall Street Journal. Surprise note: yes, he’s another alumni of Frank McCourt’s english classes. I always wondered where Paul picked up the Irish brogue.

Robert Downey Jr. trying to keep his ego in check for Iron Man II:

"Suddenly, for a minute, I felt like everyone needed to take a knee and listen to what I had to say, because I f–kin’ made it, and my way works and all this stuff. Then I go home and I go, ‘Oh my God, what’s happening to me? I gotta get grounded here.’ "

Downey got Tropic cowriter and actor Justin Theroux the gig writing Iron Man 2. Theroux is just crawling out from under the pile of Iron Man comics as we speak.

"I’ve just stopped marinating in all the Iron Man lore that I didn’t know, and I’m sort of firing up the chainsaw and ready to attack it," said Theroux. "You’re writing for Robert Downey Jr., so, at the end of the day, that’s an enormous amount of fun."

New Gods Breakdown: An Illustrated Guide to Jack Kirby’s Creations

[EDITOR’S NOTE: Back in June, comic book historian Alan Kistler provided ComicMix readers with a Countdown Breakdown, an illustrated guide to the 52-part event that preceded the Final Crisis storyline currently unfolding in the DC Universe. This feature was so popular that we convinced him to flex his creative muscles once again, and provide an analysis of one of the key groups of characters receiving the spotlight in Final Crisis: the Jack Kirby-created New Gods. Where do they fit in and what should you know ng-kistler_new_god_breakdown-6890502about them in order to understand Final Crisis? Read on and find out! -RM]

Well, readers, some of you have no doubt been checking out DC’s crossover Final Crisis. Personally, I’ve been enjoying the heck out of it. But I can understand that some of it might not have as much impact if you’re relatively new to the DC Universe.

For instance, a major part of the crossover revolves around those Jack Kirby creations known as the "New Gods of the Fourth World."

So who are these New Gods? How are they related to the Greek gods who speak to Wonder Woman on a regular basis? What do they have to do with that powerful giant called Gog who’s been appearing in the pages of Justice Society of America? Why does Darkseid say he’s from the “Fourth World,” whereas Gog claims he’s from the “Third World?"

Well, look no further, faithful fans! ComixMix is here to oblige! So, because you folks requested it after seeing our illustrated Countdown Breakdown, here are the New Gods in a nutshell:

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Review: This Week in ‘Trinity’ – Part 9

This ridiculous villain thing has officially gone too far.

First, we have the “evil trinity” of Despero, Morgaine Le Fey and Enigma. Then there’s been Howlers galore and a trio of baddies headlined by the Eraser or White Out or whatever his name is.

And now? Swashbuckler!

He shows up amid the chaos of the bombed mall and lays a kiss on Diana’s gubmint pal (also stealing her ID), and then later fails to steal Nightwing’s mask. Both while offering B-movie banter.

He’s apparently another villain in league with Le Fey, who along with her cronies is amassing more goodies that “define the essence” of key people. It goes back to the continued theme in this series of objects being instilled with a mysterious energy force of the earth.

Elsewhere, Bruce fights off attacking Howlers with Clark’s help. They apprehend a few without being branded like Diana, but we don’t know what happens with that yet.

As Clark is inner-monologuing about Bruce forgetting an earlier encounter with the Howlers, Diana comes over the shortwave to let them know the Crime Syndicate was responsible for mass kidnappings.

Two things here: The Crime Syndicate? And, wait a second, when did these kidnappings happen? Off-panel, I guess.

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