Tagged: DC

Wonder-ing no more

  • News
  • April 13, 2007

wonderwoman4ws-2825807Following up on the speculation we mentioned last Saturday, Newsarama is reporting that it’s official: DC’s Bob Wayne confirmed at the Comics Pro Membership Meeting in Las Vegas yesterday that fan favorite Gail Simone will be taking over the writing chores on Wonder Woman starting with issue #13.

Naturally, Matt Brady (who has been over this story like white on rice) gets a hold of Gail for a follow-up interview, wherein she teases, "Finally, about the art team. I can’t say who it is yet. But if the readers all made a list of who the best possible Wonder Woman art team would be, I bet this would be the number one choice. It’s that good."

If readers actually made such a list, we suspect it would contain as many different names as there were readers.  My choice, for instance, is at right…

Ghost Rider goes to court

  • News
  • April 10, 2007

marvel-spotlight-05-6300116Long-time comics writer Gary Friedrich has sued Marvel Comics, Sony Pictures and their Columbia TriStar Motion Picture Group, Relativity Media, Crystal Sky Pictures, Michael De Luca Productions, Hasbro Inc. and Take-Two Interactive for copyright infringement over his version of Ghost Rider.

Filed last week in Illinois, Friedrich claims 21 separate copyright and trademark violations based upon the “production and marketing” of the recent blockbuster motion picture. He claims the copyrights used by the defendants reverted from Marvel to him in 2001.

According to Reuters, Friedrich alleges copyright infringement and accuses Marvel of waste for failing “to properly utilize and capitalize” on his character. Marvel’s attempts to do so, Friedrich claims, have only damaged the value of his work by failing to properly promote and protect the characters and by accepting inadequate royalties from co-defendants. Friedrich also claims that toymaker Hasbro and videogame firm Take-Two have improperly created merchandise based on the characters.

Even though Marvel has published this version of Ghost Rider off-and-on since 1971, it’s predecessor company, Magazine Management, failed to register the work with the Copyright Office, according to Friedrich’s complaint.  He states that, following federal law, he regained the copyrights to Ghost Rider in 2001.

As of this writing, neither Marvel nor Sony has responded to the suit. It is expected they will adopt the initial position that the complaint “bares no merit,” as if it did, the crack of the whip could severely undermine the profitability of both Marvel and DC Comics and their parent companies.

An August primer

  • News
  • April 8, 2007

Writer John August notes, "Ever since I announced that I’m writing Shazam!/Captain Marvel, I’ve gotten some great questions and comments from longtime fans of the character, many with detailed pleas to include a specific cherished piece of the mythology. But when I tell people face-to-face that I’m writing a Captain Marvel movie…their eyes go up and to the left as they try to remember, who the hell is Captain Marvel?…

"So, in the interest of spreading general knowledge about Captain Marvel and why he kicks ass, I thought I’d share a reading list. Don’t worry; there’s no test. In fact, consider this a gentle education (or re-education) on why some of the best writing today is inked and colored."  And he goes on to recommend in detail a step-by-step list for folks new to comics, new to the DC Universe, and new to the specific character.  It’s always a good sign when a writer’s done his homework!

For the Birds

  • News
  • April 7, 2007

90bop2-5856713Sean McKeever notes, regarding his takeover of writing chores on DC ‘s popular Birds of Prey series with the departure of long-time writer and fan favorite Gail Simone: "My first issue will be #112, and the commitment is open-ended."  He also links to his latest interview with Newsarama’s Vaneta Rogers.  For her part, Simone says she’s leaving the book because "I was simply offered a project I couldn’t turn down. A dream book with a dream art team, and a real chance to reshape comics’ history."  Let the speculation commence!

(Full disclosure: My husband inked Birds of Prey for about a year.)

MARTHA THOMASES: Why I love the Legion

  • News
  • April 6, 2007

legiona2-3909744

It was in early 1980 when I realized what I geek I had turned into. The night before, I had a dream. My dream was not the inspirational kind like Martin Luther King, Jr., nor the poetic kind that Neil Gaiman would later spin into a career that brings happiness to millions.

I had a geek dream.

In my dream, the Ramones tried out for the Legion of Super-Heroes, and were turned down because Legion rules didn’t allow for more than one person to have the same super-power, which, in this case, was being a Ramone. I no longer remember precisely who turned them down, but I do remember Bouncing Boy suggesting they join the Legion of Substitute Heroes. Joey wanted to, but Dee Dee refused.

Then I woke up.

I read my first Legion story in Jamestown, New York, visiting my grandparents in the late 1950s or early 1960s. I had what must have been an Adventure comic, with a story about the adult Legion of Super-Villains fighting Superman, and the adult Legion of Super-Heroes joining in. My grandparents, while lovely people, were very boring, and I dove into that comic as a way of avoiding Lawrence Welk on television. Luckily, this eight-page story had plenty to mesmerize a young girl. Cosmic King versus Cosmic Man! Lightning Lord versus Lightning Man! Saturn Queen versus Saturn Woman! The villains had regal names while the heroes had descriptive names. Clearly, ego and a class system must be what turned people bad.

Over the next several decades, I read as many Legion stories as I could. I loved the variety of powers these kids had (Matter-Eater Lad!), and that they had a meetings where they could gather and sit behind desks, with title cards that explained their abilities, in case they forgot. (“I’m Invisible Kid, but I don’t know what I do. Oh, here it says on my name-plate. I can turn invisible!”)

But mostly, I loved that they had a clubhouse.

(more…)

Jimmy Palmiotti speaks to ComicMix!

This time we talk about ComicMix a bit (!!!) and troll for some comments and we offer the lowdown on Marvel’s special Captain America convention edition (???), connect the music of Coheed & Cambria to Image Comics (Star Wars meets the Matrix?), uncover one of DC’s best kept secrets (no snitching!), we hear from writer/artist Jimmy Palmiotti and do a little kung fu jive and sing together for world peace – all in 10 exciting minutes.

All you’ve got to do is press the button:

ROBERT GREENBERGER: Death be not proud

  • News
  • April 4, 2007

bobgreenberger100-9668217The rule of thumb used to be that the only characters that stayed dead are Uncle Ben, Bucky and Barry Allen.

Some version of Uncle Ben is running around in Friendly Neighborhood Spider-Man; Bucky turns out to have survived and is now the Winter Solider; and if you believe Dan DiDio’s “slip” of the tongue, Barry Allen may be here soon.

It used to be a big deal when a character died. Amazing Spider-Man #121’s cover, as Spidey faced those nearest and dearest to him with a cover blurb promising one was going to die compelled us to buy that month’s issue. It worked, sales spiked, the status quo was different and people were buzzing.

In 1985, I participated in the planning and, ahem, execution of Crisis on Infinite Earths. One of the key housecleaning elements had to be the elimination of both major and minor figures, heroes and villains, civilians and loved ones. The hit list, as seen in the Absolute edition, evolved as editors and management weighed in. Killing the Flash and Supergirl were the shockers while few cared if the Bug-Eyed Bandit survived or not. Still, these deaths were supposed to be permanent changes to the DC Universe, although few of them have remained dead 20 years later.

By the time Superman died in 1992, the freshness had long since worn off as deaths had been faked (Professor X, Foggy Nelson), undone (Jean Grey, Iris Allen), or were too minor to care (I Ching).

Since then, characters have continued to die and come back with stunning regularity. As a result, the death of a major figure has been more of a blip than a major event, making one wonder what it will take to get people really stirred up.

Much has been made of Captain America’s death and I was among those scoffing at the permanence of his condition. Less has been said about the return of their first Captain Marvel, plucked out of the time stream before his death from cancer (as wonderfully told in a Jim Starlin graphic novel), an altogether new kind of cheat.

Marvel isn’t the only company wheeling and dealing with the Grim Reaper.

(more…)

DENNIS O’NEIL: Who knows what evil lurks…? Part 1

  • News
  • April 3, 2007

Meet Anthony Tollin.

I did, more than 30 years ago, at DC Comics. Anthony was tall, friendly, didn’t look like a New Yorker, and wasn’t. He came to Manhattan from Minneapolis in 1973, worked a couple of jobs, and then landed at DC, where he stayed for 20 years, proofreading, color-coordinating, helping Jack Adler manage the production department – necessary chores, done well away from the spotlight, that transform the raw materials of artwork and script into a printed artifact. Along the way, Anthony got married, and divorced, moved to another state, and when he retired from DC, settled in Texas, where he lives and single-parents his lovely and gifted daughter, Katrina.

If you talked to Anthony much, you soon discovered that he had a number of pop cultch enthusiasms, not the least of which was comic books. But his real passions – I don’t think the word is too strong – were always The Shadow novels, mostly written by Walter Gibson under the pseudonym Maxwell Grant and published in the 30s and 40s in the pulp magazine format, and old radio shows, particularly the crime and adventure programs that were the first cousins of the pulps and comics. If ever I had a question about either of these subjects, Mr. Tollin was always my first go-to guy. I never needed a second.

Those passions are still part of the Tollin gestalt, and now he’s found a new way to both share and make a living from at least one of them. Since July, a company Anthony started has, in partnership with something called Nostalgia Ventures, been issuing reprints of The Shadow books. The price is $12.95, quite modest considering that in one volume you get two novels and reprints of the original illustrations, a feature that’s both unusual and, I think, a real value-adder. The book that’s on the desk next to my computer would certainly be mistaken for one of the old pulps – same size, same kind of cover and font – until you picked it up and found that, in fact, both the cover stock and the interior stock are considerably better than anything that bore the original work. Inside, there are the novels, plus a couple of pieces by Will Murray, another expert and go-to guy, and an adaption of a Shadow radio show.

And as a comics fan you should care… why?

(more…)

MIKE GOLD: You say you want an evolution…

  • News
  • April 2, 2007

wonder-woman-6594318I like Martha Thomases’ idea of 365, as reported on ComicMix yesterday. A full-length comic book story each and every day for a year. Now that would be an event.

Sadly, most such comic book events aren’t worth the effort, let alone the price. The stories are overblown, their effects on their “universe” temporary – either in the sense that they will be countermanded or, at best, castrated in the next such event.

(Hmmm. There’s a phrase I’ve never written before. “At best, castrated.”)

By the time they’re over, most events turn out to be nothing more than marketing gimmicks, and an endless sea of marketing gimmicks doth not a universe make. As of this writing Captain America is dead but Bucky is alive – something he’d managed to avoid for over 40 years. As Denny O’Neil pointed out in his recent ComicMix column, death has no permanence in comics. As a plot point, it is hackneyed: it may have collectibility, but it has no credibility.

Wonder Woman has been redefined, resurrected, rebooted, and retold differently so many times since 1965 (arguably her first real reboot) that I’m surprised she doesn’t bump into Tony Soprano at her shrink’s office.

Of the two major universes, Marvel’s is the most consistent – but only by comparison to DC, whose universe had to be cobbled together retroactively by combining the efforts of five publishing houses over 70 years: DC, All-American, Quality, Fawcett and Charlton – and maybe Fox, depending how you, ahhh, look at Phantom Lady. But by and large, in the past couple decades Marvel’s change has been evolutionary and not stop-and-start-over. Spider-Man went step by step from being a four-eyed high school wallflower with a secret identity to becoming a publicly known married-to-an-actress superhero and, oh yeah, menace to his nation. Marvel never stopped and said “Oh, now everything you know is wrong; this is the way it is and the way it will be until we need to burrow into your pockets again.”

(more…)

Marvel to Launch 365

  • News
  • April 1, 2007

Saying, "Anything DC can do, we can do better," Marvel Editor-in-Chief Joe Quesada today announced plans for next summer’s big event.  "365 will be a daily comic," he said.  "Every single day, including weekends and holidays."

Like 52, the new series will have a team of writers and artists.  Twenty-eight writers, including Marvel All-Stars Ed Brubaker, Garth Ennis, Mark Millar, Chris Claremont, Tom DeFalco, Peter David, Brian Bendis, Mike Carey, Robert Kirkman, Paul Jenkins and Roy Thomas, among others.  All will follow the direction of "show runner," Andrew Helfer, who is coming on board to see that all the deadlines are met.

"We have everything in place," Quesada said.  "Andy lined up Bill Sienkiewicz and George Perez to alternate covers." 

The first issue of 365 will go on sale on a year from today.  Cover price will be $10.00 each issue.  "That’s what it took for Diamond to handle the shipping," Quesada said.

In retaliation, Dan DiDio announced that DC would launch The Hundred Years War.  "Superman, Batman,  Wonder Woman and other super-heroes get stuck in a line at the Motor Vehicles Bureau,"  he explained.  "It’s up to the rest of the DC Universe to fight  the universe-threatening evil.  Can Comet the Super-Horse and Ambush Bug save the day?  Will someone die?  Will anyone live?  You might think you don’t care, but you will."

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