Tagged: Detective Comics

Hero Initiative membership drive

  • News
  • January 5, 2009

Stan Lee's Hero Initiative membershipA press release from the Hero Initiative:

The Hero Initiative announced today that annual memberships for the organization are now available for purchase. There are four levels of membership: Bronze, Silver, Gold and Excelsior!

A Bronze membership costs $29 and includes: a personalized membership card (which will arrive approximately 4-5 weeks after you sign up), a quarterly newsletter and a Hero Initiative sketch card from a randomly selected artist. Artists include Mike Bencic, Dan Brereton, Dick Giordano, Bob Hall, Dan Jurgens, Mike Mayhew, George Pérez, Joe Quesada, John Romita Sr., Dave Simons, Jim Valentino, Carly Wagner, Bob Wiacek, Richard Zajac and more!

A Silver membership costs $99 and includes: all of the Bronze perks, plus a Hero Initiative T-shirt (your choice of Dawn or Hero Hand), a copy of the Marvel Then and Now DVD and a copy of The Unusual Suspects graphic novel.

A Gold membership costs $250 and includes: all of the Silver perks, plus invitations to Hero Initiative VIP Members-Only parties at 2009’s Wizard World Los Angeles and Wizard World Chicago.

An Excelsior! membership costs $500 and includes: all of the Gold perks, plus your flat item (maximum size 11” x 17”), signed and personalized by the one and only Stan Lee.

“I’m always amazed and happy to see the support that fans have shown Hero,” said Hero Initiative President Jim McLauchlin. “Hopefully, this will be a new way they can show affinity, and get some nice goodies in the process.”

This is the first time memberships to The Hero Initiative have been offered. It was put into place with the fans foremost in mind and on consultation with GeekInTheCity.com, a website that covers all things geek, from comics to movies to games. As such, GeekInTheCity’s Aaron Duran is member #1, Jen Duran is member #2 and Stan Lee is member #3. Creator Paul Dini (Detective Comics, Madame Mirage) is also a member already, as is Mid-Ohio Con promoter Roger Price.

The Hero Initiative does more than help people in need,” said Aaron Duran, explaining why he was eager to help start this membership drive. “They give back to those that inspired our hopes and dreams. They help artists and writers in need, artists and writers that inspired all our tomorrows. Please help the Hero Initiative protect theirs.”

To become a member of The Hero Initiative, fans can sign up at www.atomiccomicsstore.com/heroinitiative.html or on-site at The Hero Initiative booth at the following upcoming comic book conventions: Phoenix Cactus Comic-Con, Jan. 23-25; New York Comic Con, Feb. 6-8; WonderCon, Feb. 27 – March 1; Orlando MegaCon, Feb. 27 – March 1; and Wizard World Los Angeles, March 13-15.

More info at their blog: http://heroinitiative.blogspot.com/

The Stories That Informed ‘Batman R.I.P.’

  • News
  • November 26, 2008

batman-076-2-1186780“Criminals are a superstitious cowardly lot. So my disguise must be able to strike terror into their hearts. I must be a creature of the night, black, terrible …a…a…”
 
As if in answer, a huge image of a Caped Crusader flashed across a movie screen. Across monitors throughout space and time and other dimensions.
 
“It’s an omen!” each man, alien and other-dimensional imp declared. “I shall become a Batman!”
 
One of the attractions of Batman was, it’s often been said, the fact that a kid could actually imagine growing up to be the Caped Crusader. No one was ever going to grow up to be Superman but with an extensive training regimen (and a hefty bank account) …well, anything’s possible. Overlay that with the spirit of mainstreaming and conformity of the 1950s and you end up with a universe where there seemed to be a Batman knock-off on every corner and planet.
 
In 1964, editor Julius Schwartz found his arm twisted into taking over the flagging Batman titles. He immediately ditched the extended Batman family and the increasingly prevalent space alien stories for a more contemporary angle grounded in the real world. And as the years rolled on, Schwartz and company refined their approach and gradually, permanently put the Dark back in their Knight.
 

(more…)

Batman to Sue Warner Bros.

  • News
  • November 6, 2008

batman-road-sign-7272613Batman, the small subdistrict of Ankara, Turkey announced on Wednesday their attention to sue Warner Bros. for its Batman movie franchise.  According to the story at India’s Top News, Batman mayor Huseyin Kalkan feels permission should have been obtained prior to filming. The very first filmed Batman was the 1943 serial with the first full-length feature being the 1966 movie with the television cast. More recently, The Dark Knight amassed $992,764,009 in global box office receipts according to Box Office Mojo.

Batman became a distinct subdistrict in 1937, two years before the character’s debut in Detective Comics #27. The name comes from the Batman River and as it prospered it first became a town of Siirt in 1957, and in 1990 was made its own province.

"There is only one Batman in this world," said Kalkan. "Without telling us, the US makers of the films have taken the name of our region."

The mayor confirmed for the press that he would file suit in the United States if it came to that.

ComicMix Six: Batman’s Super-Powers

  • News
  • August 26, 2008

green-lantern-batman-6452727There’s an upcoming story in the Superman/Batman title that will involve our long-eared Dark Knight getting superhuman abilities (albeit, temporarily). Writers Michael Green and Mike Johnson have been doing great work on the title, so this promises to be an entertaining tale.

But did you know that this won’t be the first time Batman has been given super-human talents? Here are just some of the more interesting adventures that have occurred when Bruce Wayne wound up gifted with "power and abilities far beyond those of mortal men."

PLEASE NOTE: I am not including times where Batman used technology to help him out, such as a suit of armor or a rocket pack or New God weapons. Nor am I including times when he got powers for only a few pages, such as when he borrowed Hawkman’s wing-harness and Nth metal belt or the time that Hal Jordan let him try on his Green Lantern power ring for a minute. Those times may have been cool, but they lasted for only a scene rather than a fully story. Likewise, I am not including any Elseworlds tales, so deal with it.

 

(more…)

Review: ‘The Joker: The Greatest Stories Ever Told’

This summer is a big one for Batman’s deadliest foe, the Joker, with the deceased Heath Ledger giving an apparently mesmerizing take on the clown prince of crime in [[[The Dark Knight]]].

And just in time comes the latest printing from DC of The Joker: The Greatest Stories Ever Told ($19.99), which offers some of the character’s legendary moments from his debut in 1940 in Batman #1 to last year’s macabre Christmas tale from Paul Dini.

First, lets dispense with the hyperbole of the title. There are some great Joker moments here, but several of the character’s biggest aren’t included. There’s nothing from [[[The Killing Joke]]],[[[ A Death in the Family]]] or [[[Dark Knight Returns]]], for example.

More than anything, this is a great primer on the Joker, charting his characterizations over his six-plus decades of existence as he became quite likely the most recognizable evil-doer in comics.

(more…)

Happy Birthday: Mike W. Barr

Born in 1952, Mike W. Barr’s first comic book story was an eight-page backup in Detective Comics #444 in 1974.

In 1980, he started doing semi-regular backup stories in both Detective Comics and House of Mystery. He also wrote an issue of Captain America, which led to regular work with Marvel as well.

The following year, Barr picked up some editorial duties at DC and also started writing Star Trek for Marvel. In 1982, he wrote Camelot 3000, one of the first so-called “maxi-series.”

August 1983 saw the debut of Batman and the Outsiders, probably Barr’s best-known creation, and in 1987 he wrote Batman: Son of the Demon, which is often credited as singlehandedly restoring DC’s fortunes.

Since then Barr has done many more comic book projects, including more Batman stories, a two-parter for JLA: Classified, a relaunch of his Maze Agency series, and a piece for Star Trek: The Manga.

He also wrote a Star Trek novel, Gemini, which included some of the characters he created in the Star Trek comic book series.

Captain America Creator Joe Simon: ‘We Wuz Robbed’

  • News
  • April 18, 2008

simon_joe_captainamerica-2154505Speaking to The New York Times, Captain America co-creator Joe Simon reflected on the character and his struggle to gain some of the rights to the Captain America franchise. Simon will be one of the speakers at this weekend’s New York Comic Con.

Simon and Jack Kirby ended up leaving the franchise after fighting with publisher Martin Freeman over royalties, and they ended up at Detective Comics. Simon recalled that skirmish:

“We always felt ‘we wuz robbed,’ as Joe Jacobs, the boxing promoter, used to say,” Mr. Simon said of his dispute over the ownership of Captain America, which he settled out of court with Marvel in 2003. He said his royalties for merchandising and licensing use of the hero now help pay his legal bills from the case.

But copyright was not on Mr. Simon’s mind when he was conceiving Captain America. He didn’t even begin with the hero. “Villains were the whole thing,” he said. And there was no better foil than Hitler. Who better to take him on than a supersoldier draped in the American flag?

(via Doomkopf)

Happy Birthday: Chuck Dixon

  • News
  • April 13, 2008

Born in 1954 in Philadelphia, Charles “Chuck” Dixon grew up reading comic books. He did his first comic book writing, on Evangeline for Comico, in 1984—his wife (since divorced) Judith Hunt drew the book.

A year later, Marvel editor Larry Hama hired Dixon to write back-up stories for The Savage Sword of Conan. In 1986 Dixon added Eclipse to his list of employers, writing for their Tales of Terror anthology and then for Airboy. The following year he started Alien Legion for Marvel’s Epic line.

In 1990, Dixon caught the eye of DC editor Denny O’Neil, who invited him to write a Robin mini-series. That led to more work within the Batman group, and Dixon wrote Detective Comics #644-738, including several major Batman story arcs.

To this day Dixon is considered one of the most prolific Batman writers in the character’s history.

A Few of My Favorite Things, by Elayne Riggs

  • News
  • November 7, 2007

elayne100-1811653Back in the days of Usenet, I used to hear a lot of variations of “Why are there so many negative reviews and so few positive ones?” As one of those reviewers who not only discussed the art half of comic books but who also wrote a lot of positive reviews in my 4½ years of doing Pen-Elayne For Your Thoughts, I would see this manifest more as “Why are the threads responding to the few negative reviews so long, as opposed to those on the far more numerous positive reviews?”

The answer was pretty self-evident to most of us reviewers. In general it’s much easier for people to perpetuate clever putdowns, or to pile on a negative thread, than it is to engage in the vocabulary of positive discussion. One of the things we would identify as a next-to-useless post would be someone merely typing “Me too” or “Ditto.” It added nothing of substance to the online dialogue, it just took up bandwidth. But it had the opposite effect of the real-life etiquette advice that “If you can’t say something nice, don’t say anything at all.” It became “If you can’t add something of substance to a discussion rather than just agreeing with the original poster, you’re better off not contributing at all.” I suspect that what some of them actually meant was “Bored now. You’re being too nice; throw us some raw meat.

And of course, that was a shame. I’ve never found it that hard to say good things about comic books. I love comic books. I buy and read quite a wide variety of graphic literature, and as I’m generally not in the assumed demographic for much of it I’ve learned to adjust my tastes accordingly — that is to say, there’s still some subject matter that doesn’t appeal to me, but I’ll generally try to give most of my chosen reading a fair chance, and I think I tend to be easily pleased. Nitpicking details, while worth noting in a review, has never weighed as important to me as how the work made me feel, whether it held together as a whole and moved me during the time it took me to read it.

(more…)

Ontogeny Recapitulates Phylogeny, by Dennis O’Neil

  • News
  • November 6, 2007

Before we get to this week’s official topic, a continuation of our discussion of how superheroes have been evolving, I’d like to remind you all that ontogeny recapitulates phylogeny. I’m sure all you fans of the late 19th century biologist Ernst Haeckel – and I know you’re legion – remember that this means that the development of an organism exactly mirrors the evolutionary development of the species.

Okay, now that that’s settled…consider any given story genre the organism and storytelling as a whole the species. The first stories, maybe told around campfires, were not long on characterization. According to some anthropologists, they were basically religious, an effort to give an identity to the forces that shaped people’s lives, the forces they were already acknowledging, maybe, with rituals. Not much characterization in these yarns. They were more about what happened – some deity decides to create the world – than the nuances of the protagonists’ personalities. As storytelling evolved, from an element of religion to entertainment, the characters began to have personalities, sort of, until by the time Homer smote ‘is bloomin’ lyre the good guys and bad guys were acting for reasons peculiar to who they were. And by the time of Greek drama, which, again, was part of religious festivals, they were pretty individualized.

Shoot forward about 2,500 years…Along came comic book superheroes (as opposed to all the other kinds of superdoers, who are a bit outside our boundaries, though I’m sure they’re very nice) and…well, they weren’t quite as uncharacterized as those campfire deities. But we do find ontogeny-recapitulating phylogeny, sort of. Clark Kent was, after all, “mild mannered” and Lois Lane was ambitious, but the stories were plot driven – the stuff was more about what the heroes did rather than why they did it. (Batman comes close to being an exception; a few issues into his initial run in Detective Comics, writer Bill Finger actually motivated him. But unless there are a lot of stories I haven’t read, the emphasis on what makes Bruce Wayne tick came later.)

(more…)

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks