Tagged: Disney

Pulp 2.0 Press Opens up The Agent 13 Dossier
Pulp Publisher to Collect the AGENT 13 Novels by Flint Dille and David Marconi

agent13-4382766

Los Angeles, CA – Pulp 2.0 Press CEO Bill Cunningham today announced that the company has signed an agreement to redesign and republish the adventures of the classic pulp character, Agent 13, created and written by Flint Dille (Transformers G1) and David Marconi (Enemy of the State). This Pulp 2.0 collector’ edition titled The Agent 13 Dossier will be exclusively in print, and will collect all three of the original Agent 13 novels as well as exclusive features disclosing the secrets behind the mysterious Midnight Avenger.

Agent 13 was originally published in 1986 by TSR in a trilogy of novels – The Invisible Empire, The Serpentine Assassin and Acolytes of Darkness. The character spawned a set of graphic novels drawn by artist Dan Spiegle (with covers by Jeff Butler) as well as a role-playing game and comic. Kidnapped as a young child in 1907, a gifted boy was brought to The Shrine, the hidden headquarters of the ancient organization known as The Brotherhood. His past memories were erased, he was assigned the title Agent 13 and trained as an assassin and agent in clandestine operations. He became the best disciple and would have risen high in the ranks of the Brotherhood, until he discovered its true evil nature under its cadaverous leader, Itsu – The Hand Sinister. Fleeing The Brotherhood he is hunted by their ninja-like agents, and begins a deadly cat-and-mouse contest against the organization. He fights back, forming his own group of allies against the Brotherhood who dare to plunge the world toward war.

“Agent 13 is Dille and Marconi’s love letter to the pulps, cliffhanger serials and comics. We at Pulp 2.0 are ecstatic to present our readers with these great pulp adventures in an exclusive collector’s print edition,” said Pulp 2.0 CEO Bill Cunningham. “I remember reading… okay devouring these books when they first came out, and I’ve always loved the world and characters that Flint and David created. To be able to design a new edition to share these rare novels and the secrets behind Agent 13 is an honor.”

“We were sitting in Flint’s living room one day, and we started jamming ideas back and forth. Flint was a big fan of the pulps and he showed me some of the old materials he had. He had a book featuring the old pulp covers that we looked at that was very inspiring. I had just written some screenplays for Warner Brothers and had good relationships there, and said that if we came up with an interesting story/pitch about this stuff, we can possibly set it up as a screenplay to write.’ So we originally developed AGENT 13 as a studio pitch to set up as a film, and spent quite a lot of time developing the story and characters as we pitched it around to the various producer/buyers around town,” said co-creator David Marconi.

“Then, when the movie wasn’t getting set up as quickly as we hoped, but the story had progressed to the level where we had all the characters and everything else worked out, we decided to just write the book. Flint had access to Random House through Gary Gygax and TSR, so we were able to get a publishing deal, and dove straight into Agent 13 novel world. Which at the end of the day, was more fun in that it allowed us to go much deeper into the characters and backstory which can’t be explored in great detail in a 2 hour script format.”

More details will be forthcoming as the project progresses. The Agent 13 contract was negotiated on behalf of the creators by Howard Bliss of Union Entertainment.

About Flint Dille:

Flint Dille is a living embodiment of Transmedia. His career started by turning toys into TV Shows with G1 Transformers, G.I. Joe, Inhumanoids and Visionaries. He has designed games with Gary Gygax and written movies for Steven Spielberg. Flint has sold game design documents as feature films – Venom (Dimension 2006) and Agent In Place (Lionsgate 2010). Flint directed the interactive movie Terror T.R.A.X., Track of the Vampyre which became a television pilot for Fox as well as Dragonstrike, one of the first hybrid film projects.

Flint has twice won ‘Game Script of the Year’ (Riddick: Escape from Butcher Bay (with JZP) and Dead to Rights and was nominated for Ghostbusters and Dark Athena. He has worked on crown jewel franchises including James Bond, Mission: Impossible, Tiny Toons, Batman: Rise of Sin Tsu (Guiness Book of Videogame Records for creating the first Batman villain outside of the comics), Superman, Dungeons & Dragons, Teen Titans and Scooby-Doo.

He has a degree in Ancient History from U.C. Berkeley and an MFA from USC. Currently, Flint is teaching a class on Alternate Reality Games at UCLA. His follow up book to The Ultimate Guide to Video Game Writing and Design is about Transmedia.

About David Marconi:

A native of Highland Park, Ill., Marconi was passionate about film making from an early age. After winning several high-school film making competitions, Marconi was awarded an Alumni Merit Scholarship to attend the University of Southern California’s Film School. Upon graduation, landed his first job as Francis Ford Coppola’s assistant on The Outsiders.

Working closely with Coppola, Marconi “cut his directing teeth” watching Francis direct both The Outsiders and Rumblefish. In 1993, Marconi wrote and directed his first feature, The Harvest, (Columbia TriStar). The film premiered in the ‘official selection’ of the San Sebastian Film Festival and went on to win numerous awards in International Film festivals.

The success of The Harvest brought Marconi to the attention of Simpson/Bruckheimer who commissioned Marconi to write his original screenplay Enemy of the State (Disney) starring Will Smith and Gene Hackman. Marconi continued creating tent-pole action films for the major studios; WW3.com (which served as the basis for the Die Hard sequel; Live Free or Die Hard ) (Twentieth Century Fox,) Perfect Suspect for Chris Rock (Twentieth Century Fox,) and the high-tech., science fiction epic; No Man’s Land. (Dreamworks.)

Most recently, Marconi was a featured guest speaker for IADC, International Attorney’s Defense Council, and the Department of Defense Cyber-Crime Conference where he lectured on his film Enemy of the State and how it relates to privacy concerns and cyber-warfare in a post 9-11 world. 2011 will mark Marconi’s second foray behind the lens as a writer/director with his new feature film; INTERSECTION, a gritty thriller currently in pre-production being produced by Luc Besson, the director of THE PROFESSIONAL, FIFTH ELEMENT and Europa Corp. Holding duel citizenship for the US and EU (Italy,) Marconi divides his time between Los Angeles and Europe.

ComicMix Quick Picks: June 15, 2011

300px-natalie_portman_at_the_tiff_2009-01-1911023

Image via Wikipedia

Boy, migrate one server, and a lot of links can pile up while waiting for your computers to reboot. Here’s some of the stuff we have to do before we get to the stuff we didn’t get around to covering yet…

Anything else? Consider this an open thread.

Spy Cars Like Us

Cars 2, revving up for release later this month, has sent us this cool new featurette:

Here are the rest of the film’s details:

U.S. Release Date: June 24, 2011

Voice Talent: Owen Wilson, Larry the Cable Guy, Michael Caine, Emily Mortimer, Bonnie Hunt, Tony Shalhoub, Cheech Marin, Jason Isaacs, Joe Mantegna, Peter Jacobson, Thomas Kretschmann, Guido Quaroni, Lloyd Sherr, Paul Dooley, John Ratzenberger, Jenifer Lewis, Michael Wallis, Katherine Helmond, John Turturro, Franco Nero, Vanessa Redgrave, Eddie Izzard, Bruce Campbell, Michel Michelis, Jeff Gordon, Darrell Waltrip, Lewis Hamilton, David Hobbs

Director: John Lasseter

Co-Director: Brad Lewis

Producer: Denise Ream

Story By: John Lasseter, Brad Lewis and Dan Fogelman

Screenplay By: Ben Queen

Composer: Michael Giacchino

Star racecar Lightning McQueen (voice of Owen Wilson) and the incomparable tow truck Mater (voice of Larry the Cable Guy) take their friendship to exciting new places in “Cars 2” when they head overseas to compete in the first-ever World Grand Prix to determine the world’s fastest car. But the road to the championship is filled with plenty of potholes, detours and hilarious surprises when Mater gets caught up in an intriguing adventure of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and towing the line in a top-secret mission orchestrated by master British super spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer). Mater’s action-packed journey leads him on an explosive chase through the streets of Japan and Europe, trailed by his friends and watched by the whole world. The fast-paced fun includes a colorful new all-car cast, complete with menacing villains and international racing competitors.

 

 

 

John Lasseter returns to the driver’s seat to direct this follow-up to his 2006 Golden Globe®-winning “Cars.” “Cars 2” is co-directed by Brad Lewis, producer of the Oscar®-winning film “Ratatouille,” and produced by visual effects industry veteran Denise Ream (associate producer, “Up”; visual effects executive producer, “Star Wars: Episode III – Revenge of the Sith”). The film hits the track on June 24, 2011, and will be presented in Disney Digital 3D™ and IMAX® 3D in select theaters.

 

 

 

Notes:

 

· John Lasseter made his feature film directing debut with “Toy Story” in 1995. He has since directed such Disney•Pixar classics as “A Bug’s Life,” “Toy Story 2” and “Cars” and served as executive producer of all other Pixar films to date. He is currently the chief creative officer of Walt Disney and Pixar Animation Studios and principal creative advisor of Walt Disney Imagineering.

 

· “Cars 2” is the 12th feature-length animated film from Pixar Animation Studios (its first 11 have earned $6.5 billion at the global box office). Pixar, which has earned 29 Academy Awards® and seven Golden Globes®, celebrates its 25th Anniversary in 2011.

 

· “Cars” originally released on June 9, 2006, and grossed nearly $462 million worldwide. It was nominated for two Oscars® and one Golden Globe®, winning the first ever Golden Globe for Best Animated Feature Film.

 

When star racecar Lightning McQueen (voice of Owen Wilson) and the incomparable tow truck Mater (voice of Larry the Cable Guy) head overseas to compete in the first-ever World Grand Prix, Mater gets caught up in an intriguing adventure of his own: international espionage.

The Lion King Arrives in Blu-ray and 3-D

229529k1b_lk3d_br_dvda-sm-e1306432744769-1732054Disney has done such a spectacular job with their upgraded high definition releases of their classics through the years so each announcement is most welcome. Personally, I question the value of a 3-D home video release but it’s nice they have the option for those interested. Here’s the official release:

BURBANK, Calif. (May 26, 2011) — Simba, Mufasa, Nala, Timon and Pumbaa are back and better than ever this fall when Disney’s The Lion King roars into theaters and homes in breathtaking 3D. A special two-week theatrical extravaganza kicks off Sept. 16, 2011, showcasing the Oscar®- and Golden Globe®-winning film on the big screen in Disney Digital 3D™ for the first time ever, and its highly anticipated home entertainment debut kicks off October 4, celebrating the Diamond Edition release of the epic movie “The Lion King” in high-definition Blu-ray™ and Blu-ray 3DThe Lion King is the best-selling home entertainment release of all time—and this is The Lion King like never before,” said Bob Chapek, president of distribution, The Walt Disney Studios. “The all-new 3D format immerses viewers in the epic settings and puts them face-to-face with these beloved characters. We’re showcasing one of the all-time favorite Disney movies in theaters and making it available in Blu-ray hi-def and in Blu-ray 3D—it’s the must-see, must-own title for everyone.”

Nearly a decade since The Lion King last appeared on the big screen, the upcoming theatrical release invites new generations into the “Circle of Life.” The two-week, 3D-only presentation is a planned wide domestic release—the biggest since the film’s 1994 debut—and the film’s first-ever 3D release.

(more…)

Alex Pettyfer Discusses Being Number Four

Alex Pettyfer was director D.J. Caruso’s first pick for the title role in DreamWorks’ adaptation of I am Number Four. The film, coming to home video tomorrow from Walt Disney Home Entertainment, the role propelled the 20-year-old actor onto the global stage. Here, he talks about the film’s production and his life up to now.

What can you tell us about your new movie?

I Am Number Four is an action-packed adventure entwined with a romantic story – and I play the role of John Smith. John wants to be a normal kid, but he is from a different planet and he has been given this destiny of becoming a warrior. John tries to find out who he is and what he wants to do with his life, but he has a bit of a tough time with it all. I think a lot of people are going to relate to what he goes through in the story because it’s about an outsider trying to fit in. We’ve all been there.

When were you an outsider?

Well, I think we’ve all been in that scenario where we’ve felt like we were alone or different. Everyone goes through that.

What was it like to work with Dianna Agron on the movie?

It was great. Dianna has an old-school movie star quality to her and I had an amazing time working with her, but I also had a great time working with the rest of the cast. Everyone on the set was amazing.

Who else stars in the movie with you?

An actress called Teresa Palmer is a young ball of energy and we also have a guy called Callan McAuliffe who is great. Working with everyone on the movie was phenomenal. We all fit together really well. (more…)

Glee’s Dianna Agron Woos Number Four

Dianna Agron has been television’s perpetual high school cheerleader, attending classes with Veronica Mars or dissing Clarie on Heroes. Now a junior at William McKinley High, she has achieved national fame on Glee. Argon can be bitchy or catty or flirty but can be incredibly symapthetic when she lets her guard down as seen on the small screen. Her work in DreamWork’s I am Number Four, out on video next week, puts her on a path for a screen career. Here, she answers some questions courtesy of Walt Disney Home Entertainment.

Was it fun to leave the Glee gang behind for some big-screen action with your new movie, I Am Number Four?

It was a lot of fun to try something new, but I knew I was going back to Glee after we finished filming I Am Number Four. It was only a brief change for me, but it was great to step into a whole new world.

When did you discover that you clicked so well with your co-star, Alex Pettyfer?

When I was cast on I Am Number Four, I hadn’t met Alex. I had dinner with the movie’s director, D.J. Caruso, a couple of nights before our first table read with the big studio executives and that’s when D.J. said to me, “Perhaps you should meet Alex before the table read?” I thought that was a really good idea.

Alex has described you as an actress with an old-school movie star quality. How does that make you feel?

That’s very nice of him. It’s pretty hard to accept that compliment because I grew up watching and loving old-school actresses like Audrey Hepburn, Sophia Loren and Katharine Hepburn. They were always effortless to watch, but I’m growing and trying to challenge myself to get to that place. If I do get to where they are it would be amazing. That’s my goal.

Your character in the new movie is very romantic. Are you similar in real life?

I think so. I really love the character of Sarah because there are a lot of similarities to how I was at school. Sarah loves photography, and so do I. I really started to get into it at school. I have about 10 cameras now and they all have different purposes.

What else do you like to get up to in your spare time?

I love cooking. In fact, my favorite thing to do on a weekend is to have friends over and cook dinner. We’ll sit around, talk and play board games. I love doing things like that, although I also love to be outside and travel. I have such wanderlust. I try to go somewhere new for every vacation and there are so many places that I have yet to visit.

Are you into Twitter and the internet?

Computers are not a huge part of my life. I write, so I use a computer daily for that – but I’m not a big web surfer. I surf the internet every now and then, but it’s not like a two-hour a day, three-hour a day obsession of mine. (more…)

A Glimpse Behind the Scenes of I am Number Four

Walt Disney is releasing I am Number Four on Blu-ray & DVD this coming May 24th. The adaptation of the acclaimed young adult novel kind of came and went in February so you may have missed it. In anticipation of the home video release, we have been provided with a slideshow for your entertainment.

Behind-the-Scenes Slideshow

Heavenly Heroes - Supergirl, Mary Marvel, Dark Supergirl

Weekend Window Closing Wrap Up: April 22, 2010

167647_134993413231021_100001610898855_223035_2619390_n-300x383-4269055Closing windows on my computer so you can open them on yours:

Ugh– and I still have dozens of tabs open. But this should do for a start.

Disney Promises 15 3-D Blu-ray Releases in 2011

Personally, I could care less about 3-D movies let along 3-D television, but as this technology rolls out and we’ll be hearing more about 3-D TV during this week’s Consumer Electronics Show, expect more announcement such as the one below.

BURBANK, Calif. — January 3, 2011 — Continuing its leadership in the advancement of 3D entertainment and marking the most significant title commitment to the growing Blu-ray 3DTM market, The Walt Disney Studios today announced plans to release at least 15 of its films for in-home viewing on Blu- ray 3D in 2011.

Among the stellar list of films to debut on 3D include beloved and celebrated animated classics THE LION KING and BEAUTY AND THE BEAST, recent theatrical releases including the visually stunning high tech adventure TRON: LEGACY and acclaimed box-office smash hit TANGLED, plus many others to be announced that will release day-and-date and packaged with the Blu-ray 2DTM version.

“As our contemporary library of 3D content continues to grow, and the original artists and filmmakers meticulously „dimensionalize‟ their work for release on the Blu-ray 3D format, we will be offering movie- lovers the most incredible in-home entertainment experience they will ever have,” noted Lori MacPherson, Executive Vice President and General Manager, Walt Disney Studios Home Entertainment. “In addition to offering new releases day-and-date in 3D and further cementing our leadership in the marketplace, we‟re thrilled that consumers will have the exclusive Blu-ray 3D experience of two of the most celebrated Disney animated features, THE LION KING and BEAUTY AND THE BEAST, in their homes.”

Also included among the titles slated for release in 2011 are BOLT, MEET THE ROBINSONS, TIM BURTON’S THE NIGHTMARE BEFORE CHRISTMAS, G-FORCE and CHICKEN LITTLE. These titles will join Walt Disney Studios‟ recent 2010 Blu-ray 3D releases ALICE IN WONDERLAND, DISNEY’S A CHRISTMAS CAROL and STEP UP 3, bringing Disney‟s list of available Blu-ray 3D titles for the home to nearly 20 in all.In addition to the film being in 3D, each disc will include thematically linked 3D menus, 3D previews of coming-attractions trailers and an introduction to the eye-popping world of Disney Blu-ray 3D featuring beloved characters Timon and Pumbaa from THE LION KING.

Marvel Boosts Disney TV Ratings To All Time High

mickey-mouse-marvelman-6946452Here’s yet more tangible proof that the Disney/Marvel merger was a good thing from a money-making POV: with help from various Marvel properties such as The Avengers: Earth’s Mightiest Heroes, Fantastic Four, The Incredible Hulk, Iron Man, Silver Surfer, Spider-ManX-Men, and X-Men Evolution, 2010 became Disney XD’s most watched year ever (including as Toon Disney) in Total Day and Primetime with Total Viewers and kid demos.

In Total Day the network hit all time highs with Total Viewers (270,000) and K6-11 (107,000) and Boys 6-11 (69,000), the latter two demos up +14% and +17% respectively.

In Primetime Disney XD set records in Total Viewers (325,000) and among K6-11 (136,000) and Boys 6-11 (89,000), the latter two demos up by +21% and +24%, as well as with Tweens 9-14 (105,000) and Boys 9-14 (71,000), increasing by +28% and +29% respectively.

These were exactly the demographics that Disney was purported to be targeting, and it looks like they got them. In addition, of course, Disney saves lots of money by not paying outside licenses.

2010 was also the Disney Channel’s most-watched year in its history in Total
Day (6a-6a) with Total Viewers (1.72 million) and K6-11 (623,000) and
Tweens 9-14 (533,000).  Disney Channel was also the top TV network in
2010 in Total Day with Tweens 9-14.  In primetime for 2010, the network
was tops with K6-11 (1.06 million) and Tweens 9-14 (878,000).

Makes you wonder what will ever happen with DC and Cartoon Network, doesn’t it?