Review: ‘James and the Giant Peach’
Movie technology needed to catch up to the imagination of author Roald Dahl. By the time that occurred in the 1980s Dahl was in his final years and barely got to enjoy proper adaptations of his works. His imaginative fiction was incredibly vivid and picturesque while also having a dark undercurrent, an edge that set them apart from other children’s literature.
His widow, Liccy, finally allowed his 1961 novel, [[[James and the Giant Peach]]], to be adapted by the team of producers Denise Di Novi and Tom Burton and director Henry Selick. They had previously proven their mettle as a team with the delightful [[[A Nightmare Before Christmas]]] and were seeking something else to do with their stop-motion wizardry. The results in 1996 were a stripped down adaptation, but one that Liccy and children around the world embraced.
Walt Disney Home Entertainment is finally releasing the movie on Blu-ray this Tuesday. The Special Edition comes complete with both Blu-ray and DVD, but no digital copy, so this is a littler less special than other releases.
The story of young James Henry Trotter is told here with some substantive changes from the novel including his age and whereabouts when his parents are killed by a rhinoceros (in the film, a thunder storm of horrific proportions, in the book, the real animal). He comes to live with his vile and cruel aunts, Sponge and Spiker, who delight in tormenting him. Through it all, James’ optimism never wavers and he’s a model child, keeping his dreams of visiting New York City to himself.
His behavior and nature is rewarded when a Mysterious Stranger approaches him with a bag full of magic. Accidentally spilling some of the glowing objects, a dead tree soon after reveals a growing peach, which becomes mammoth in proportion. As the aunts profit from displaying the object to the curious, James is left to clean up after the tourists. That is, until he finds a tunnel and burrows deep within the fruit and encounters a hardy band of insects and an arachnid. Together, they take the peach on a journey, heading towards the Big Apple.
The rest of the film is a romp as they go from adventure to adventure en route to Manhattan and then finally arrive. Inexplicably, the aunts arrive soon thereafter, only to receive an overdue comeuppance, one far less interesting than their prose fate.
Selick interestingly begins and ends the film with a live action James (Paul Terry) but once he enters the peach, the film shifts into fantasy land with stop-motion figures. As a result, we get nicely detailed and designed ensemble including Mr. Old Green Grasshopper (Simon Callow), Mr. Centipede (Richard Dreyfuss), Mr. Earthworm (David Thewlis), Miss Spider Susan Sarandon), Mrs. Ladybug (Jane Leeves), and Glowworm (Miriam Margolyes, who is also Aunt Sponge).
Things move along briskly although things do stop for some unmemorable and unnecessary songs. Randy Newman’s Oscar-nominated score was all we ever needed and the pacing does stop even though the songs are at least plot or character specific.
Being remastered for Blu-ray, the visuals are sharp and wonderful to watch, with excellent sound.
The only new extra on the Blu-ray disc is an interactive Spike the Aunts game, which takes nice advantage of the technology. The original extras: a short Making Of featurette, a Newman music video, “Good New”, still gallery can be found on the standard DVD.
At an online press conference preceding this month’s Licensing Show, Walt Disney outlined their plans for 2011 and the future. Andy Mooney, president of Disney Consumer Products, hosted the event and emphasized that the company’s properties were all being evaluated for exploitation in all forms, using the phrase “newness” to cover technology and “value” to explain multi-figure packaging.
We call this to the attention of those living on the west coast because it sounds kind of neat:
Now that the Robin Hood legend has been mined once more for the screen, attention has pivoted from England to France as director Paul W.S. Anderson has begun casting for The Three Musketeers, a 3-D extravaganza.
With the summer 2010 film season officially underway, calendars for 2011 and 2012 are rapidly filling up with eagerly anticipated fare. The latest juggernaut to claim a weekend is Columbia Pictures’ Men in Black III, which staked out May 25, 2012. Jumping on the bandwagon, the film was also announced as a 3-D production.
With [[[Iron Man 2]]] opening on Friday, everyone has decided to jump on the comics bandwagon and is flooding the shelves this week with Marvel-related fare. Walt Disney Studios Home Entertainment joins in the fun with the two-disc[[[ X-Men]]] Volume 5, completing the classic 1990s animated collection.
Ralph Bakshi has been a visionary filmmaker and animator, whose ambitions always seemed larger than his talent. After cutting his teeth at Terry Toons, he talked his way into running Paramount’s dying animation arm before moving on to work such as the ABC Saturday morning [[[Spider-Man]]] series. He finally gained recognition when he set out to make feature-length films, beginning with the X-rated [[[Fritz the Cat]]].
In a move some consider surprising, Disney announced their first musical to hit Broadway since acquiring Marvel Comics will be Ghost Rider, complete with motorcycle, flames, and song and dance.
I think it’s fairly safe to begin talking about 
by stipulating that they’re amazing. Most, if not all, of you have no doubt seen these Pixar films in the movie theaters if not on cable or DVD.
