Tagged: Disney

Disney and Pixar Go Boom

Boom! Studios has announced they’ll be publishing comic book adaptations of Pixar cartoon properties, with the first announced being an Incredibles project.

The news comes as an early announcement from Comic-Con International, which is just getting underway. Boom EiC Mark Waid will be writing the Incredibles series, featuring covert art from Darwyn Cooke.

"Today, American comic books are aimed primarily at an older readership. Comics produced for an upcoming generation of readers are scarce – and BOOM! Studios aims to do something about that," said Waid. "There will be comics for kids again!"

To commemorate this historic partnership, BOOM! will be releasing a special preview book featuring sneak previews of upcoming projects using the characters from TOY STORY, FINDING NEMO, and MONSTERS, INC. Featuring commentary by Waid, this preview will give comic fans and interested parents a look at the quality comics BOOM! will be producing for a younger audience by the end of the year.

According to the release, these won’t be straight adaptations, but rather all-new stories set in the world of various Pixar films.

Boom also is going to be doing a Muppets book, Waid told CBR.

It was also announced Wednesday night that Waid will be writing "The Muppet Show." Given the Muppets’ long and varied history in television and film, CBR asked Waid about the particular form this series would take. He was able to reveal that the first thing to appear would be a four-issue miniseries, but future series are "something that’s more in flux." "We’re talking about doing a couple one-shots that could be collected into a trade paperback, we’re talking about doing series that are based on ‘The Muppet Show‘ itself," Waid explained, "and then we’re also talking–with Disney’s heavy encouragement–to do things like Muppet Robin Hood, or the Three Muppeteers or whatever. They’re talking to us about following sort of the paradigm they set up in the movies about classic stories retold with the Muppets."

Interview: Jane Espenson on “Buffy” and “Battlestar Galactica”

  • News
  • July 23, 2008

Writer and producer Jane Espenson has written, or co-written, episodes of some of the most popular and successful TV shows in recent memory. From her first writing work on Star Trek: The Next Generation through stints on the hugely popular Buffy: The Vampire Slayer and Angel, to one of the most celebrated series currently on TV, Battlestar Galactica, Espenson’s career is certainly one which fans of quality writing, humor and storytelling can appreciate.

In addition to her continued professional writing accomplishments, Espenson also finds time to offer inspiration to fledgling writers by providing advice on the craft of writing, breaking into the businesss and what makes a good spec script via her personal website. Recently, I caught up with Espenson to talk about, among other things, how writers can break into "the business," her love of sci-fi and fantasy, and what episodes of Buffy are her favorites.

COMICMIX: Jane, thanks for taking the time to talk with me. For those who may not know, can you talk a bit about your background? Did you always know you wanted to write?

JANE ESPENSON: I grew up in a small town in the Midwest where I watched a heck of a lot of television — good and bad.  For every MAS*H, there’s an Enos. You don’t remember Enos?  The Dukes of Hazzard spin-off?  Well, I was watching. I always knew I wanted to write for television. 

I read an article once about spec MAS*H scripts that were submitted to the show, and I wrote one myself. I wrote "PUT COMMERCIAL HERE" after every scene. I never sent it to anyone. It’s just as well.
 
CMix: Were there any particular writers you admired when you were growing up? Anyone influence your work today?

JE: I didn’t notice the names of individual television writers back then, although all those shows certainly influenced me.  My mother introduced me to the books of Jane Austen, which I love.  Austen had that wonderful observational sense of humor rooted in character.  I’d love to think that influenced me. 

But I’m most strongly affected by the writers I’ve worked with and for.  So much of this job is about seamlessly emulating the "voice" of the show’s creator, that I’ve spent years mastering how to write like Joss Whedon and Ron Moore.

There are worse influences to have!
 
CMix: How did you first break into the business? Was there someone who gave you your first break? (more…)

Interview: Greg Weisman Talks ‘Gargoyles’

  • News
  • July 17, 2008

gargoyles-t-shirt-2166293When I was younger, there was a Disney cartoon that my friends and I loved and which impressed our parents with its maturity and layered story-telling. The series was called Gargoyles, and it told the story of a clan of warrior creatures from 10th Century Scotland who are brought to modern-day New York City via magical manipulation. Led by the noble gargoyle Goliath, the creatures find themselves to be strangers in a strange land, forced to hide while trying to find their new place in the 20th century. Soon enough, they wind up becoming superheroes, protecting the same humans who either fear them or don’t believe they exist.

Although the series lasted only two seasons (followed by the short-lived Goliath Chronicles series, which is considered apocryphal), its fan base remains extremely loyal — so much so, in fact, that a convention for Gargoyles fans, called the Gathering of the Gargoyles, has been held each year for more than a decade now. In recent years, we’ve seen much of the television series finally released on DVD, and Slave Labor Graphics has begun publishing an ongoing Gargoyles comic book series and spin-off miniseries, Bad Guys, headed up by series creator Greg Weisman and picking up where season 2 left off.

I spoke with Weisman (who also serves as story editor for the new Spectacular Spider-Man animated series) during the most recent Gathering of the Gargoyles event, and we chatted about the clan of winged Scottish warriors that he created so long ago and what the future holds for them. 

COMICMIX: So, we’re at the 12th annual Gathering of the Gargoyles convention. You have the new comic book series from SLG and the Bad Guys spin-off coming out now. You’re even talking about future spin-offs. All of this says there’s a decent fan base. So what’s happening that we still only have the first 26 episodes of season 2 on DVD?

GREG WEISMAN: Well, there’s a lot of turnover at Buena Vista Home Entertainment. You’ll have people there who are interested in the project and then you’ll have new people come in who aren’t so much. The ugly truth of it is that Season One sold very well, and the Season Two, Vol. 1 DVD did not sell so well. Even if, ultimately, it sold as well as the first season, we sort of lost Disney’s attention. So we need to get their attention all over again, and the best way to do that is by making sure that we continue to sell the DVDs that exist, show them that the comics are selling well. Gargoyles is SLG’s best-selling comic.

(more…)

New York Times Profiles Comics Art Collectors

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  • June 30, 2008

batmankillingjokespecialalanmoorebr-4924521Comics have long been a haven for collectors, that niche of consumers who’ll drop six figures on an old Disney issue or a near-mint of a Golden Age superhero.

As comics are becoming less of a disposable form of entertainment, the issues are increasingly common. So individual issues are no longer a hot commodity.

I don’t see it as a new trend, but The New York Times saw fit to devote a lengthy story to the new target of comics collectors — original artwork. The article mentions how originals were once used to sop up ink stains, but they’ve gradually become more and more valuable, to the point that they’re now selling for inordinately high prices.

Collectors of original comic-book art sound like a subculture within a subculture, and that’s fine with many aficionados. “There was a thrill in finding something nerdier than collecting comics,” said David Mandel, 37, an executive producer of the HBO series “Curb Your Enthusiasm,” who first bought original art during a visit to the San Diego Comic-Con in 1995.

Mr. Mandel has pieces that would make many fans drool, like the cover, by Gil Kane and Dave Cockrum, of Giant-Size X-Men from 1975, which trumpeted Wolverine, Storm and others as the new incarnation of the mutant team, and the 1982 cover of Daredevil No. 181, by Frank Miller, depicting the death of Elektra, the title hero’s girlfriend.

His collection also includes the last four pages from “The Killing Joke,” a seminal 1988 story that helped usher in a new level of maturity for comic books. That Batman tale chronicles a possible origin for the hero’s nemesis, and was written by Alan Moore and illustrated by Brian Bolland. In November the last page of the story became available at Heritage Auction Galleries in Dallas. Mr. Mandel landed it for just over $31,000.

It would’ve been nice if the reporter had talked to Scott Dunbier, currently an IDW editor and formerly one of the better known art dealers. If you want to hear some great stories about buying and selling comics art, I highly recommend Scott’s blog.

‘Wanted’ to Hit $50 Million Opening Weekend

  • News
  • June 29, 2008

According to Variety, Wanted, the feature film released Friday that is based on the Mark Millar and J.G Jones graphic novel of the same name, is going to have a pretty good opening weekend. In spite of some less-than-stellar reviews, including one from our very own Matt Raub, the film seems poised to be a hit and according to the trade, should take in just over $50 Million at the weekend box office — earning it the number two spot behind Disney/Pixar’s Wall-E.

As this is Wizard World Chicago weekend and Top Cow, the publisher of the original Wanted graphic novel, is at the show, I decided to check in on them and bring their VP of Marketing, Mel Caylo, the good news about the film’s perfomance and get his reaction.

COMIC MIX: Hey Mel, I just heard that Wanted may do over $50 million this weekend at the box office. How do you feel about that?

MEL CAYLO: Really? Where did you hear that? If its true, we’re obviously thrilled.

CMix: Variety is projecting it. Wanted will be number two behind Wall-E.

MC: Well, that’s great. And I think we’re on fewer screens, too, so that’s great.

CMix: Those are pretty good numbers. What do you think is responsible for them?

MC: Well, Universal did some really great marketing for the film so that’s a big part of it. They really pushed it hard and got the word out beyond those people that just knew the comic.

And, of course, Angelena Jolie is a big draw. Also, some of it comes from the comic as well, of course. And, the director Timur Bekmambetov did a great job.

CMix: Where you a fan of the director’s other films?

MC: Yeah, I really liked Nightwatch. I thought it was great.

CMix: So, if the film continues to do this well, should we expect a sequel?

MC: It’s too early to say, but I would think if it becomes a huge success than a sequel could happen.

CMix: Can you tell us if any of the creative team has signed up for multiple films?

MC: Not really. I did read that the writers of the film had signed up for a sequel but I can’t comment on that. Or, on who else might have signed up.

CMix: So, some people have signed up but not others?

MC: Again, I can’t really say for sure but obviously, some people wouldn’t be back because they didn’t make it through the film.

CMix: I’m just going to guess and say that probably James McAvoy would be coming back?

MC: I can’t confirm that at all but if there was a sequel, that would make sense.

CMix: Okay, Mel, I won’t put you on the spot any more. Thanks and congratulations.

Heroes Con Roundup: Capes Dominate, Wieringo Remembered, DC Dishes

  • News
  • June 23, 2008

As I’m writing this, Heroes Con 2008 hasn’t quite wrapped up. I had to shuttle back to Atlanta to get ready for the day job Monday morning, so I missed out on a handful of interesting-sounding Sunday panels.

Friday and Saturday held plenty of excitement, intrigue and interest, though, so let’s go through what went down:

In case you didn’t read the update in my coverage of Friday’s State of the Industry panel, Mark Waid and Erik Larsen were just joking about bringing John Byrne on for Boom! Studios’ Farscape book. I didn’t make that clear enough, as it started a short-lived rumor around the ‘Net.

That panel had a few other moments of interest, including Waid saying the comics delivery system "sucks" and is "catastrophic." Dan DiDio also admitted to "cannibalizing" current comics readers through variant covers and the like.

But the line of the day came when Erik Larsen said webcomics "look like crap." Waid responded: "You’re 45. I don’t care what you think. I care what a 12-year-old thinks." Still, no one offered any good ideas on making the jump to electronically delivered comics.

Saturday had a lot of good panels. Too many, in fact, as I missed out on Disney’s panel on The Kingdom, its new comics publishing venture. Anyone attend that?

(more…)

Review: ‘Popeye’ on DVD

Next January, E.C. Segar’s cartoon creation Popeye turns 80. That’s a good run, especially for a character who still wasn’t showing many signs of his age in the 2004 TV special Popeye’s Voyage: The Quest for Pappy.

While Popeye might not have aged over the years, he certainly has changed, which is clearly evident in the contrast between two new DVD collections of [[[Popeye]]] cartoons recently released from Warner Bros. Video.

The first, as mentioned in Michael H. Price’s latest column here at ComicMix is Popeye the Sailor 1938-1940 Vol. 2 ($34.98), which contains 31 remastered theater shorts. Created by the Fleischer family’s studio, these are some of the earliest animated Popeye adventures.

One can quickly see why the shorts became a phenomenon, as big or bigger than Disney’s toons (pointed out in an excellent documentary on the Fleischers that’s included). Popeye and the gang are essentially Vaudevillians, pinwheeling through one pratfall after another.

While that means there’s not much narrative richness and little language-based humor (most the characters are unintelligible), the Fleischers were masters of the gags, setting them up as curvaceous rows of dominoes, one slapping down another in orchestrated patterns.

(more…)

My Week Without Comics, by Martha Thomases

You may have noticed that my quick wit and adorable charm were missing from this site for a few days last week. From May 11 through May 19, I was away on vacation. It was the first time my sweetie and I have been away alone together for more than a few days since our son was born.

Not that we haven’t been on any vacations. We’ve had great times with the boy (who, riding horses with Holly Gaiman at Walt Disney World, sang the entire soundtrack to The Lion King), and with family and friends. But I hadn’t had any time alone to roll in my sweet baby’s arms, and we needed it.

To be a real vacation, a trip should totally take you away from your regular life. It should provide experiences that are different from the day-to-day, and that help you look at the world anew. We had a few days to ourselves on our tenth wedding anniversary, in 1990, when we biked through the Finger Lakes area in New York. It was so much fun that we explored doing something like that again. Spending a week on a bicycle, riding through small towns and countryside with a group of strangers, seemed about as foreign to crowded Manhattan as it was possible to get. We decided to take the train back and forth, so we kept our energy use down and kept the money in the USA. Less guilt! (more…)

Piling It On, by Mike Gold

With great power comes… bloggers.

One of the first lessons I learned writing an Internet column – both here and on my soon-to-be-revived political rant Weird Scenes Inside The Gold Mind – is also the first lesson I learned when I started on radio shortly after Marconi found the electricity outlet: if you say it, some people will buy it. Either way, if it’s big enough people will debate it.

Joey Goebbels had some success with this concept… for a while.

We here at ComicMix strive for responsibility, and in that spirit I’ve had a great many column ideas that I rejected simply because they weren’t true. Oh, sure, I thought about selling them to Michael Davis, but then it dawned on me I can squeeze this column out of my spiked copy. Ergo, without further ado, here’s a bunch of columns I won’t get around to writing.

•     •     •     •     •

Oh, sure, Marvel rebooted Spidey to much loathing, but the reboot sells and if there’s one concept in comics that is engraved in stone it’s this: “Fool ‘em once, make big money. Fool ‘em twice and they’ll double-bag it.” In this spirit, Marvel has announced two exciting new projects. (more…)

ComicMix Columns for the Week Ending May 18, 2008

According to The Google, today marks the anniversary of the birth of Walter Gropius, founder of the Bauhaus School of Design, whose influence can still be felt daily by urban workers every time they look up at a skyscraper featuring way too much glass.  Meanwhile, here’s what our designer columnists have created for you this past week:

Sure to keep your eyes from glazing over!

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