Tagged: Disney

MATT RAUB: The Pirates 3peat

johnny_depp3-1402989So here we are, smack-dab in the middle of the unforgiving Summer Blockbuster Land of 2007, we’ve already got 300 Spartans, a few talking turtles, a spider, an ogre, and a whiney Kurt Russell under our collective belts, and we still have so much more to get to. But here we are with the culmination of the summer in Disney’s third installment to their Pirates of the Caribbean franchise entitled World’s End.

Now, going into this film I had pretty high expectations, which I normally don’t, but this film had enough build up in the first two films to get just about anybody excited for an outcome. So with that said, I had a few issues with the movie as a whole, but before we get to that, so as not to ruin tradition, lets break down the film into the specified categories.

Starting off with the best element of the film, the acting, I was more than pleased with the performances of the cast. Geoffrey Rush returns as Captain Barbosa and did an amazing job playing off of Depp’s Captain Jack. His performance is full of creepy glances and pirate lingo which I had completely no idea what it meant, but it still sounded awesome. Knightley was impressive in stark comparison to her role in the first film, this film was meant as the “all grown up” point in her life where she’s no longer the dainty, naïve Governor’s daughter, and has embraced the pirate way of life. Orlando Blooms role, while large in the last 20 minutes of the film, was somewhat lacking in the other 2 hours and 40 minutes. There seemed to be way too many different parties to give enough screen time to each of them. Bill Nighy did an amazing job, of course.

Which brings us to the final member of our massive leading cast, Captain Jack Sparrow. I only had two major problems with this film, we’ll get to number two later, but the biggest one was the unnecessary, force fed comic relief in this film. It isn’t even considered to be comic relief because it consumes 90% of the movie, which just makes the other 10% well needed dramatic relief. I was happy in the first two films where our comedy came mostly from our two would be pirates Pantel and Ragetti, and the occasional wackiness from Depp’s Sparrow, but in this film, Captain Jack ends up going crazy in Davey Jones’ locker, which apparently makes everything, yes everything he says sound like it was written by Larry David. Now normally I’m the first one to complain that a movie is taking itself too seriously, but this became ridiculous after three hours of zany one liners and slapstick visual jokes. I was rooting for the major death at the end of the movie, only because the audience needed a shellshock to help us realize that it wasn’t a Night at the Apollo.

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Happy Anniversary, Mickey’s voice!

karnivalkidmickey-1205451Seventy-eight years ago today, Mickey Mosue uttered his first words, "Hot Dog!", in the short The Karnival Kid. Although it was Mickey’s ninth short, it was the first in which he actually spoke.

Mickey’s voice, of course, was that of his creator, Walt Disney.

Mickey Mouse Welcomed Back to School

73_4_004-4872858Comic books have had a love/hate relationship with teachers ever since the first titles were published 70 years ago.  These days, with graphic novels and manga filling school and public libraries, they have become a staple in children’s reading.

As a result, Maryland is now formally bringing them back into the classroom.  Superintendent of Schools Nancy Grasmick entered into a relationship with Disney Publishing Worldwide publishing’s education division to craft teaching aids using Mickey Mouse and friends.  Activities include creating their own comic books, something that has captured the kids’ imaginations.

According to reports from Associated Press, the pilot program was begun last year and is being used in eight third grade classes in the state.  Disney was presented Maryland’s reading standards for the grade and then tailored comic book material to meet the guidelines. The program includes lesson plans for the teachers and comic book activities for the students.  Mickey’s adventures will now help children learn how to craft a plot and understand characterization.

"Reading is such an important activity for all children, and using comic book-related lessons offers teachers an important new tool to draw students into the world of words," Grasmick said in a statement. "This project enhances other work that goes on in the reading class. Comic books and graphic novels cannot replace other forms of literature, but they can be an entry point for some reluctant readers."

Teachers interviewed have been supportive and with the program now underway, Disney and Maryland are looking at more modern characters and materials to supplement the curriculum.

"I don’t think that is where I want my 9- or 10-year-old child spending their time in school," Timothy Shanahan, president of the International Reading Association told Maryland’s The Daily Times. "It might be a choice of reading 1,000 words versus 300 words. You don’t want it to replace more substantial reading."

With Disney now owning the CrossGen properties, including Abadazad and Meridian, there are plenty of age-appropriate characters beyond the legendary Mouseketeers to pick from.  It’s also interesting to note that the program is being launched in Maryland, home to Diamond Comics and owner Steve Geppi, who holds the domestic license for the classic Disney comic books.

(Artwork copyright Disney Corporation. All Rights Reserved.)

Blades of More Box Office Gold

For the second week in a row  Will Ferrell is the top box-office draw as Blades of Glory remained the highest-grossing picture of the holiday weekend, according to the Associated Press.  The film took in $23 million, followed by Disney’s animated Meet the Robinsons with $17 million.  Ice Cube’s Are We Done Yet was third, with $15 million.

Grindhouse, the hilarious send-up of B-movies made by Quentin Tarantino and Robert Rodriguez, earned $11.6 million, according to early estimates.  This is considered to be a disappointing showing, as it was expected to top the box office with grosses in the $27 million range. 

"With these two filmmakers’ pedigree and the overall cool factor that this film had going for it, you would have figured it would have done a lot more business," said Paul Dergarabedian, president of box-office tracker Media By Numbers.  However, with a three-hour-plus length, the movie could be shown only half as often as the other films.

Grindhouse played to big crowds on the East and West coasts but failed to click with audiences in the Midwest and South, Weinstein said.

With theatrical receipts, overseas sales, television and home-video revenues, Grindhouse"will turn a profit on its $53 million budget, Weinstein said. The company hoped that word of mouth from those who did see it would sustain it at theaters in coming weeks, he said.

Movie Auction sets record

The auction we told you last Friday (http://comicmix.com//news/2007/03/30/to-do-april-5-buy-superman-oz-props/) is over,and sold more than $2 million in props.  Among the highlights of interest to ComicMix:

— SOLD $ 31,625.00  Lot 376.  Original car from Mr. Toad’s Wild Ride at Disneyland.

— SOLD $ 34,500.00  Lot 384.  Illuminating model of the Nautilus submarine from 20,000 Leagues Under the Sea.

— SOLD $ 23,000.00  Lot 413.  Hero costume w/rocket pack from The Rocketeer.

— SOLD $ 31,625.00  Lot 525.  Yvonne Blake costume sketch of Superman from Superman: The Movie.

— SOLD $115,000.00  Lot 537.  Christopher Reeve hero ‘Superman’ costume from Superman:  The Movie.

— SOLD $ 26,560.00  Lot 545.  Screen-used Kryptonite crystal from   Superman III.

— SOLD $ 63,250.00  Lot 560.  Val Kilmer ‘Batman’ costume from Batman Forever.

— SOLD $ 48,875.00  Lot 561.  Alicia Silverstone ‘Batgirl’ costume from  the Ice Cave battle in Batman Forever.

— SOLD $ 40,250.00  Lot 566.  Wolverine hero claws worn by Hugh Jackman in X2: X-Men United.

— SOLD $ 34,500.00  Lot 591.  Early Leonard Nimoy "Spock" tunic from the first season of Star Trek.

— SOLD $126,500.00  Lot 631.  H.R. Giger Alien creature suit on display from Alien.

— SOLD $ 40,250.00  Lot 640.  Jedi Master stunt fighting lightsaber from SW: Episode II – Attack of the Clones.

— SOLD $ 69,000.00  Lot 641.  Golden headpiece of "Staff of Ra" from Raiders of the Lost Ark.

Depp’s daddy Disney disaster?

pirates3os-4672365

As you may have heard, earlier this week rock legend Keith Richards acknowledged snorting the ashen remains of his father. Within 24 hours, his publicist issued a retraction. April Fools, she said, a few days late.

O.K. Fine. I believed the former, I don’t want to believe the latter, but what the hell it wasn’t my dad.

But it was said by Johnny Depp’s dad – as in, "Keith Richards plays Johnny Depp’s father in Pirates of the Caribbean At World’s End."

There’s a wonderful opportunity for an exciting new ending here. Otherwise, Disney’s spin-meisters are going to have quite a tangled web to weave.

Pirates of the Caribbean At World’s End opens May 25th.

Blades of Box Office Gold

Blades of Glory was the number one film for the April Fool’s weekend, with an estimated take of $33 million.  Disney’s Meet The Robinsons came in second, with $25.1 million.

300 came in next, with $11.2 million, followed by TMNT with $9.2 million.  If  Hollywood realizes that both films owe their existance to Frank Miller (whose graphic novel, Ronin, was the inspiration to Eastman and Laird back in the 1980s), no one admits it.

Wild Hogs, Shooter, Premonition, The Last Mimzy, The Hills Have Eyes 2 and Reign Over Me rounded out the list.

Hugos for Who?

hugoaward-8543783The 2007 Hugo Awards, most prized of the science-fiction awards, just might wind up in the hands of longest running s-f teevee series of all time

Three episodes of Doctor Who from the past season were nominated in the best dramatic presentation – short form category: "School Reunion," the episode that reintroduced Sarah Jane Smith and written by Toby Whithouse,  Steven Moffatt’s "The Girl in the Fireplace," where the Doctor saves Madame de Pompadour from really neat looking robots, and the season’s two-part finale, "Army of Ghosts" and "Doomsday," written by executive producer Russell T. Davies and featuring the Cybermen and the Daleks in a battle scene that made 300 look like a Disney flick.

These three shows are up against an episode of Battlestar Galactica ("Downloaded) and an episode of Stargate SG-1 ("200."). As usual, the winner will be announced at the World Science Fiction Convention, to be held in Yokohama, Japan from August 30th to September 3rd.

The new season of Doctor Who begins in England this Saturday.

Song of the South to rise again?

 

Disney’s first live-action motion picture (well, mostly), Song of the South, just might see the light of day once again. Locked up tight in their well-promoted archives since 1986 and never released on video tape, LaserDisc or DVD in the United States, the subject once again was raised at their annual shareholders meeting, this time in acknowledgement of a petition drive demanding the movie’s release. The petition has attained 115,000 signatures thus far.

It should be pointed out that Disney’s fear they might be seen as actively racist has not deterred them from releasing the movie overseas, and these prints have served as the basis of the great many bootleg editions that are commonly found in this country.

“The question of Song of the South comes up periodically,” Disney CEO Robert Iger told the Associated Press. “We’ve decided to take a look at it again because we’ve had numerous requests about bringing it out. Our concern was that a film that was made so many decades ago being brought out today perhaps could be either misinterpreted or that it would be somewhat challenging in terms of providing the appropriate context.”

The movie is historically important, and, of course, there’s that annoying First Amendment thing. It stars James Baskett as Uncle Remus and Hattie McDaniel as Aunt Tempy. Ironically, there weren’t a lot of starring roles given to blacks in 1946. Baskett was quite the star in the black movie circuit.

The song Zip-a-Dee-Doo-Dah won an Oscar as best picture, and the Splash Mountain rides at the Disney theme parks were inspired by the movie.

It is believed a DVD release will make a great deal of money for the House of Mouse.

JOHN OSTRANDER: Scattershot – TV Spots

ostrander100-7307154When I and Mary, my sweetie, sit around doing the couch potato thing, it’s always best to head for the commercial free stuff because it’s guaranteed that a high percentage of the commercials are going to offend her to the point of a rant. Not that the rants aren’t entertaining but I have to keep reminding her, “It isn’t supposed to make sense; it’s trying to sell something.” Or “It doesn’t work for you because you’re not the target audience.”

Generally, I try to let the commercials just wash over me without really registering them but every so often some do. On rare occasion, such as with the Mac/PC commercials, it’s because I genuinely enjoy them. More often, something sticks like tar in my mind because either a) it is incomparably stupid and/or b) my brain, warped by years of pop culture, does something with it the makers of the commercial never intended. Such as our first scattershot target.

LUNESTRA. It’s a prescription sleep aid and, in the commercial, restless people in their beds at night are visited by a luminescent green luna moths after which they close their eyes. The ad-makers, of course, want us to interpret this as Lunestra bringing gentle, natural sleep. Given the moths’ glowing green nature, however, I’ve become convinced it’s stealing their souls and that the people shown are dying. To Mary’s vast amusement (and my own) I’ve taken to screaming at the TV when these commercials come on as if it were a horror film. “LOOK OUT! IT’S STEALING YOUR SOUUUUUULLLL! FOR GOD’S SAKE – WAKE UP! OH NO! IT GOT THAT WOMAN, TOO! CAN NOTHING STOP IT?!?” Try it the next time you see the commercial; great fun.

THE CLONE OF ORVILLE REDENBACHER. When Orville Redenbacher first brought out his own line of popcorn decades ago, he also made himself the company spokesman, always telling us his popcorn was better than these others yadda yadda yadda “. . . or my name isn’t Orville Redenbacher.” Well, Orville was no spring chicken when this all started and eventually died. Recently, they brought back some of the old commercials and that was all right. Kind of a nice retro feel; I thought they worked nicely. That evolved, however, so that they got somebody made up to look like him with a make-up job that makes him look more like a Disney animatronic. And they use the same tag – “. . . or my name isn’t Orville Redenbacher.” It isn’t. We know it isn’t. This Orville has an embalmed look that makes him really creepy.

THE BURGER KING. The only creepier company spokesman on TV right now is the Burger King. You’ve seen him. Human body and an oversized plastic head that seems modeled after a young Henry VIII. The effect is like one of these licensed characters you see walking in a parade or in a theme park. Then they put him into situations that frankly make my flesh crawl. One of the commercials for BK’s breakfast line-up had a guy waking up in the morning and the Burger King was there in bed with him. The tag was “Have breakfast with the King.” The only thing I could think of was, “Dude, I don’t care how much you drank last night or how late their late night window is open, this is just wrong.” Not because the BK might be gay; it’s because he’s not human. Note to commercial makers: I don’t buy products where the commercials creep me out.

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