Tagged: Disney

REVIEW: The Muppets

When The Muppets opened in November, I wrote the following on my blog and it holds up now that the film is out this week on home video from Walt Disney.

There has been a tremendous amount of talk in our world about reboots, successful or not, and I just got back from experiencing the year’s single best relaunch of a tired property. Deb, Kate, her guy Mike, and I saw The Muppets and pretty much smiled all the way through, guffawing with pleasantly regularity and wiping away a tear every now and then.

Ladies and gentlemen, please pay attention, because this is how it’s done.

It starts with understanding the property, what has worked in the past and what has not. More than that, though, it is loving the property and all it is about. No one at Disney had the first clue what to do with the property since buying the characters from Jim Henson’s heirs. Yes, Henson wanted the House of Mouse to take care of his people after he was gone, and they’ve held on to them without really having anyone loving them. (more…)

REVIEW: The Three Musketeers

Like most Americans, I learned about Alexander Dumas’ Three Musketeers from their countless adaptations on screen and in print. For me, it was probably Sheldon Mayer’s Three Mouseketeers reprints along with the rallying cry of “One for all, and all for one” shouted by just about every cartoon, sitcom and prime time drama at one point or another. Sure, there was the delightful two film adaptation made by Ilya Salkind that was instrumental in their approach to Superman the Movie and my kids grew up adoring the somewhat boiled down, tongue-slightly-in-cheek version from Disney with a great cast (Oliver Platt, Kiefer Sutherland, Tim Curry, etc.). It wasn’t until last year that I actually read the book in its entirety and it was a revelation.

Billed as a modern retelling, The Three Musketeers  from Summit Entertainment, was therefore eagerly awaited. It had been over a decade since the Disney film so the time must have felt right and director Paul W.S. Anderson, certainly knew how to make commercial fare to appeal to today’s younger audiences. Screenwriter Alex Litvak certainly knows how to handle action given his work on Predators and the casting sounded right: Athos (Matthew Macfadyen), Aramis (Luke Evans), Porthos (Ray Stevenson) and D’Artagnan (Logan Lerman) versus Cardinal Richelieu (Christoph Waltz) and Rochefort (Mads Mikkelsen). There was the sex appeal of Milady (Milla Jovovich) and her would-be lover Duke of Buckingham (Orlando Bloom). (more…)

Derrick Ferguson Gets Himself To Mars To See JOHN CARTER

Walt Disney Pictures
2012
Directed by Andrew Stanton
Produced by Jim Morris and Colin Wilson
Screenplay by Andrew Stanton, Mark Andrews and Michael Chabon
Based on “A Princess of Mars” by Edgar Rice Burroughs
It was while waiting in the theater lobby for my wife after we had just seen JOHN CARTER that I heard a snatch of conversation that most likely was duplicated in one way or another in movie theater lobbies all across the country.  It went something like this; “It would have been a better movie if it didn’t try to rip off so many other movies.”
If I was not the sweet, gentle soul you all know and love I would have put that worthy in a serious headlock and informed him that the book the movie JOHN CARTER is based on, “A Princess of Mars” was written back in 1912 by Edgar Rice Burroughs who just about created the sub-genre of science fiction which could well be termed “Sword and Planet.”  With his series of novels set on the Red Planet, Mr. Burroughs also created a template for heroic adventure fiction that has has been homaged, borrowed, copied and downright stolen from then until now.  John Carter is the great-great grandfather of dozens, if not hundreds of heroes in comic books, novels, movies and television.  Not to mention the influence the books has had on writers, artists and scientists.  Most American astronauts will claim “A Princess of Mars” along with “Star Trek” as the major influence in them wanting to be an astronaut.  The importance of Edgar Rice Burroughs, his creation of John Carter and his vision of Mars simply cannot be overstated.
But that’s enough of the history lesson.  You’re here to find out if I think JOHN CARTER is worth your time and money.  Okay, for a change I won’t make you read the whole review to find out.  Yes.  JOHN CARTER is most definitely worth your time and your money.  Not having read the book in quite some time I’m not going to swear to the faithfulness of the adaptation but most of the major scenes rang true to me and they’re what I wanted to see and I wasn’t disappointed.
John Carter (Taylor Kitsch) is a former Confederate Army soldier who goes west to prospect for gold after The Civil War and finds a whole cave full of the stuff.  He also finds trouble from a Union Captain (Bryan Cranston) and some bloodthirsty Apaches.  This leads to Carter being trapped in the cave and transported to Barsoom, which is what the inhabitants of that planet call Mars.
The bewildered Carter is captured by Tars Tarkus (Willem Dafoe) the Jeddak (king) of the Tharks, the fierce Green Warriors of Barsoom.  Standing some seven feet tall with tusks, and a double torso with four arms, they are the first clue to the bewildered Earthman that he isn’t in Virginia anymore.  But it’s not as if Carter is entirely helpless.  Due to the lesser gravity of Barsoom and his denser bone/muscular structure he has the strength of a hundred men and is able to leap incredible distances.
Meanwhile, over in Helium which is home to the human looking Red Martians, they are realizing that they cannot win their long war with their hereditary enemies, the Zodanga.  Arraignments are made to marry the Princess of Helium, Dejah Thoris (Lynn Collins) to Zodanga’s ruler, Sab Than (Dominic West).
However, Dejah Thoris doesn’t think much of this at all and runs away, an act which leads her to being captured by the Tharks and meeting John Carter.  Once she sees his extraordinary abilities, combined with his exceptional swordsmanship, she sees a way out of her marriage and a way for Helium to win the war.  However, unknown to all, there is a third faction at work in this conflict.  The Holy Therns, led by Matai Shang (Mark Strong) have been secretly manipulating conflict between the various tribes and races of Barsoom for thousands of years for their own hidden purposes.  And they’re not about to let a wild card like John Carter interfere in the plans they have for Barsoom.  Or Earth…
The sheer joy of seeing a major motion picture based on anything written by Edgar Rice Burroughs probably prevents me from seeing any flaws in the movie.  Taylor Kitsch wouldn’t have been my first choice for John Carter but after seeing him I don’t know who else could have played the role so well.  He commits himself fully to the story and the character and there was never a moment he wasn’t convincing. 
As Dejah Thoris, Lynn Collins has a lot to live up to as Burroughs described her in the books as being so impossibly beautiful that any real woman would have a hard time fulfilling that description but she does the job admirably.  And her role in the story is fleshed out considerably by having her be a scientist/swordswoman  as well and not just a princess to be rescued.
Willem Dafoe as Tars Tarkus and Thomas Haden Church as Tal Hajus, a rival Thark warrior do a superb job of giving the giant green warriors personality but Dominic West’s character could have been a better villain.  He’s little more than the errand boy for the Holy Tharns but West is such a good actor, I’m willing to let it go.
And maybe it’s just my thing, but when a movie costs as much as JOHN CARTER, I appreciate seeing it up on the screen and I certainly did.  This is a big-budget movie that actually does look like a big-budget movie with some really astonishing sets and eye-popping locations.  This is how a larger than life movie with larger than life characters is supposed to look.  Not like a TV movie on steroids.
Bottom line: I liked JOHN CARTER a lot.  It’s a movie made by talented folks who respect the source material and delivered what I was looking for and that’s more than enough for me.  Enjoy.
132 minutes
Rated PG-13

Production Finally Begins on Disney’s The Lone Ranger

lone-ranger_clayton-moore-mask1-300x178-1762115BURBANK, Calif. (February 28, 2012) — Production has commenced on location in New Mexico, Arizona, Utah and Colorado on Disney and Jerry Bruckheimer Films’ epic adventure “The Lone Ranger.” The film reunites the filmmaking team of the first three “Pirates of the Caribbean” blockbusters—producer Jerry Bruckheimer and director Gore Verbinski—with Johnny Depp, who created Captain Jack Sparrow in his iconic, Academy Award®-nominated performance and contributed the voice of the title character of Verbinski’s Academy Award-winning “Rango.”

Depp plays spirit warrior Tonto in “The Lone Ranger,” with Armie Hammer (“The Social Network,” “J. Edgar”) starring in the title role. Depp and Hammer are joined by a prestigious international cast which includes Tom Wilkinson, two-time Academy Award nominee (“Michael Clayton,” “In the Bedroom”) and Golden Globe® and Emmy® winner (“John Adams”); William Fichtner (Jerry Bruckheimer’s productions of “Armageddon,” “Pearl Harbor” and “Black Hawk Down”); Emmy Award-winner Barry Pepper (TV’s “The Kennedys,” “True Grit,” “Saving Private Ryan”); James Badge Dale (“The Grey,” TV’s “The Pacific” and “Rubicon”); Ruth Wilson (television’s “Jane Eyre” and “Luther”); and two-time Academy Award nominee and six-time Golden Globe nominee Helena Bonham Carter (“The King’s Speech,” “Alice in Wonderland”). The film is slated to open on May 31, 2013.

disney-logo-300x72-7170628“The Lone Ranger” is a thrilling adventure infused with action and humor, in which the famed masked hero is brought to life through new eyes. Native American spirit warrior Tonto (Johnny Depp) recounts the untold tales that transformed John Reid (Armie Hammer), a man of the law, into a legend of justice—taking the audience on a runaway train of epic surprises and humorous friction as the two unlikely heroes must learn to work together and fight against greed and corruption.

“The Lone Ranger” is written by Ted Elliott & Terry Rossio of “Pirates of the Caribbean,” Eric Aronson and Justin Haythe. The executive producers are Mike Stenson, Chad Oman, Ted Elliott, Terry Rossio, Eric Ellenbogen and Eric McLeod.

Jerry Bruckheimer and Gore Verbinski are joined by a remarkable team of behind-the-scenes artists, including director of photography Bojan Bazelli (Verbinski’s “The Ring,” “Mr. and Mrs. Smith”); visual consultant Mark “Crash” McCreery (production designer of Verbinski’s “Rango); costume designer Penny Rose (“Pirates of the Caribbean” films); film editor James Haygood (“Panic Room,” “Fight Club”); visual effects supervisor Tim Alexander (“Rango,” three “Harry Potter” films); Academy Award®-winning special effects supervisor John Frazier, a 10-time nominee whose previous collaborations with Jerry Bruckheimer have included “Armageddon,” “Pearl Harbor” and, with Verbinski as well, “Pirates of the Caribbean: At World’s End”; and stunt coordinator Tommy Harper (“Iron Man,” “Iron Man 2”).

Academy Award®-winning filmmaker Gore Verbinski has enjoyed tremendous box office success as the innovative director of both character-driven franchises and thoughtful genre-bending fare.  Most recently, Verbinski released his first animated film, the smash hit “Rango,” starring Johnny Depp. Grossing over $240 million worldwide, the film won the Academy Award for Best Animated Feature Film, as well as BAFTA and Annie awards, and received Golden Globe® and PGA nominations. Verbinski previously helmed the hit franchise “Pirates of the Caribbean,” directing the first three films starring Johnny Depp and Keira Knightley. The films have collectively grossed nearly $3 billion worldwide since release. He made his directorial debut with “Mouse Hunt,” starring Nathan Lane, followed by the road movie “The Mexican,” starring Julia Roberts, Brad Pitt and James Gandolfini. He also directed the smash horror film “The Ring,” starring Naomi Watts.

Verbinski is also a successful award-winning commercial director, having been honored with four Clio Awards and a Cannes Silver Lion Award for his work on an assortment of memorable advertising spots. In addition, he directed music videos for bands including Bad Religion and Crystal Method.

First in partnership with Don Simpson, and then as the chief of Jerry Bruckheimer Films, Bruckheimer has produced an unprecedented string of worldwide smashes, impacting not only the industry, but mass culture as well. Bruckheimer’s films include (producing with Don Simpson) “Top Gun,” “Beverly Hills Cop,” “Beverly Hills Cop 2,” “American Gigolo,” “Flashdance,” “Bad Boys,” “Dangerous Minds,” “Crimson Tide,” “The Rock,” and (producing solo) “Con Air,” “Armageddon,” “Enemy of the State,” “Gone in 60 Seconds,” “Coyote Ugly,” “Remember the Titans,” “Pearl Harbor,” “Black Hawk Down,” “Pirates of the Caribbean: The Curse of the Black Pearl,” “Bad Boys II,” “Veronica Guerin,” “King Arthur,” “National Treasure,” “Pirates of the Caribbean: Dead Man’s Chest,” “Pirates of the Caribbean: At World’s End,” “National Treasure: Book of Secrets” and the 2011 blockbuster “Pirates of the Caribbean: On Stranger Tides.”

On television, Bruckheimer had an unprecedented 10 television series airing in the 2005-6 season, a record in the medium for an individual producer. JBTV’s series include “C.S.I.: Crime Scene Investigation” and its spinoffs “C.S.I.: Miami,” “C.S.I.: NY” and “Without a Trace,” “Cold Case” and the eight-time Emmy® Award-winner “The Amazing Race.”

Jerry Bruckheimer Films and Television have been honored with 41 Academy Award® nominations, six wins, eight GRAMMY® Award nominations, five wins, 23 Golden Globe® nominations, four wins, 105 Emmy® Award nominations, 21 wins, 30 People’s Choice nominations, 15 wins, numerous MTV Awards, including one for Best Picture of the Decade for “Beverly Hills Cop.”

“The Lone Ranger” will film exteriors and studio work in New Mexico, followed by locations in Arizona, Utah and Colorado.

Real Steel’s Hugh Jackman Talks Boxing Bots

charlie-coaching-300x200-1649725Hugh Jackman stars in Real Steel, out on home video this week, and the native Australian is best known to ComicMix fans for his work as Wolverine in  X-Men, X2 and X-Men: The Last Stand before spinning off into X-Men Origins: Wolverine and cameoing as the canucklehead in X-Men First Class.

In the fall of 2009, Jackman made a return to Broadway in the Keith Huff-penned A Steady Rain.

On February 22, 2009, Jackman took on the prestigious role of hosting the 81st Annual Academy Awards live from the Kodak Theater, he wowed those in attendance and helped ABC score a 13% increase in viewership from the previous year. Previously, Jackman served as host of the Tony Awards three years in a row, from 2003-2005, earning an Emmy Award for his 2004 duties at the 58th annual ceremony and a nomination for his 2005 appearance at the 59th annual ceremony.

In 2008, Jackman was seen in Twentieth Century Fox’s Deception opposite Ewan McGregor and the romantic action-adventure epic Australia, directed by Baz Luhrmann.

Jackman has also starred in Darren Aronofsky’s The Fountain, Christopher Nolan’s The Prestige and Woody Allen’s Scoop. He has lent his voice to the animated features Happy Feet and Flushed Away. Other films in which he has had leading roles include Someone Like You, Swordfish, Van Helsing and Kate and Leopold, for which he received a 2002 Golden Globe nomination.

For his portrayal of the 1970s singer-songwriter Peter Allen in The Boy From Oz, Jackman received the 2004 Tony Award® for Best Actor in a musical as well as Drama Desk, Drama League, Outer Critics Circle and Theatre World awards.

Previous theater credits include Carousel at Carnegie Hall, Oklahoma! at the National Theater in London (Olivier Award nomination), “Sunset Boulevard” (for which he won a Mo Award, Australia’s Tony Award) and Disney’s Beauty and the Beast (Mo Award nomination). (more…)

The Muppets Comes to DVD on March 20

If you missed seeing the return of The Muppets in, well, The Muppets, then you get another chance when the movie is released on video this March.

Director James Bobin revealed all the Easter Egg inspirations found throughout the delightful film in an interview and it’s worth a look.

Here’s the press release:

BURBANK, Calif., January 20, 2012 –– One of the year’s best-loved family comedies and among the best reviewed films of 2011, Disney’s The Muppets, starring Jason Segel, Academy Award®-nominee Amy Adams, and favorite celebrity couple Kermit the Frog and Miss Piggy — debuts March 20 on Blu-ray™ Combo Pack, DVD, Digital Download and On-Demand formats. A must-own movie the entire family can enjoy, Disney’s The Muppets in-home release includes the DVD and music soundtrack packaged together and also offered as the ultimate Muppets experience, a ‘Wocka-Wocka Value Pack,’ which contains the movie on Blu-ray high definition, DVD and Digital Copy (three discs), plus a download card which allows fans to own all the songs from the film’s hugely popular soundtrack.

Disney’s The Muppets Blu-ray Combo Pack, with its flawless picture and pitch perfect sound, comes with a fantastic slate of bonus content including the laugh out loud “The Longest Blooper Reel Ever Made (In Muppet History––We Think).” The exciting release also includes the hilarious featurette “A Little Screen Test on the Way to the Read Through,” which follows Jason Segel, Kermit, The Great Gonzo, Fozzie Bear, Miss Piggy and others as they get ready for the first day of production, and much more fun. (more…)

Disney XD Launches Marvel Universe Block on April 1

Disney XD will launch Marvel Universe, a dedicated Marvel programming block, with the new series Ultimate Spider-Man as its centerpiece, on SUNDAY, APRIL 1, it was announced today by Gary Marsh, President and Chief Creative Officer, Disney Channels Worldwide at the Television Critics Association Press Tour in Pasadena, California. Marvel Universe on Disney XD will be the ultimate place for fans to find exclusive Marvel content, including new animated short-form series, live-action interstitials and the series return of The Avengers: Earth’s Mightiest Heroes.  The block will be home to Marvel’s biggest superstars, such as Spider-Man, Iron Man, Hulk, Thor, Captain America and many more to introduce dynamic stories of action, adventure and heroism to a whole new generation.

Marsh said, “Iconic Marvel heroes and villains and stories with core values of accomplishment, discovery and growth make Marvel Universe a perfect complement to Disney XD and a destination for parents and kids to experience together.” (more…)

“John Carter” Trailer Convinces Us

We admit it, we’re hooked by this trailer. Edgar Rice Burroughs’ John Carter of Mars has a look and feel that separates it from our previous visual incarnations while remaining faithful to the source material. With this and The Hunger Games in March, suddenly that month is starting to feel like summer.

http://www.youtube.com/watch?v=nlvYKl1fjBI (more…)

All Marvel Digital Comics Will Be Available Same Day as Print

300px-marvellogo-svg_2-3947043

And the other shoe drops…

Marvel is taking its entire line of comics “day-and-date” digitally, meaning you’ll be able to download all of the company’s comics on the its mobile app just as soon as they’re available in physical stores. That polishes off one of the few downsides to digital comics: Having to wait for the latest and greatest.

The line-wide rollout will be finished by the end of March, 2012, and unlike DC’s 52-title relaunch, day-and-date will be coming to individual titles on a staggered basis, mostly to coincide with new story arcs. The move covers all of Marvel’s comics except third-party licensed works—like the Stephen King The Stand books—and its sex-and-violence-riddled MAX imprint.

via Gizmodo.

Well, it certainly hasn’t hurt DC any. And considering that Apple is still heavily invested in Disney/Marvel, it was inevitably going to happen, it was just a question of timing.

But again, I have to repeat: we still don’t know what digital sales figures for comics are like. And until we know that, we can’t tell if it’s working, if it’s helping or hurting comics stores, and so on. Data, people… we need data.

Review: “Cars 2”

For whatever reason, my kids didn’t want to see Cars and we even missed it on cable and home video. When word spread that it was good but not Pixar’s best feature, there wasn’t a lot of desire among the family to check it out. The same feeling arrived this June when the inevitable sequel, spurred by enough box office revenues and massive merchandise success, arrived. We empty-nesters just couldn’t muster the desire to go see the film, despite an engaging trailer and a love for all things Pixar.

The home video release of the movie this coming week remedied this void in my Pixar knowledge. The movie is entertaining enough, moving at, appropriately enough, a racing clip; it reintroduces the established characters, moves them to a new setting and gives audiences (and merchandisers) some new players. Hilarity ensues for 106 minutes and the film itself is entertaining but it felt cookie cutter in its approach with little in the way of either heart or surprise. Where I found Up too implausible to make me suspend my disbelief, this felt far more like pure kiddie fare than the usual family friendly feature that offers something for everyone.

I suppose the espionage angle was for the adults in the crowd and yes, Michael Caine was a perfect choice for the automotive version of James Bond. Still, it felt unnecessarily tacked on, although his contrast with Mater (Larry the Cable Guy) was a nice idea. Mater is a supporting character uncomfortably thrust into the spotlight and much like a television sitcom spinoff written around a supporting character (Joey anyone?), Mater just isn’t a strong enough personality to handle the lead.

(more…)