Tagged: Doctor Who

Review: “Joker” HC one-shot

joker21-8422230On October 22, DC will be releasing the hardcover graphic novel Joker (originally titled [[[Joker: The Dark Knight]]]), presented to you by writer Brian Azzarello and artist Lee Bermejo. This is the same creative team who were behind the mini-series [[[Lex Luthor: Man of Steel]]], which explored the mind-set of the Metropolis multi-millionaire and touched on his justifications for why he sees himself as the necessary anti-thesis to the Last Son of Krypton.

[[[Joker]]] is a story of roughly the same note, though not narrated by the villain as Lex Luthor: Man of Steel was. In this hardcover graphic novel, the story is narrated by Jonny Frost, a two-bit hood. In an interview with Newsarama, Azzarello said that the reason for this was because the Joker’s narration couldn’t be trusted, given that he was insane, and so it was important to see it from the point of view of someone close to him.

As the tale begins, the Joker has been in Arkham for some time now and has only just now been released, legally and by the book (though how is never explained). This book plays the Joker as a gangster rather than a mass murdering psycho constantly trying to prove there is no point to life. As such, one of the major plot elements is that the Joker had several criminal operations going on when he went in and now he’s found that they have been taken over by others. To regain his criminal power and his money, the Joker begins hunting down the Gotham mobsters who have dared to dip into his operations, telling them, “I want what’s mine back.”

To help him on this quest, he grabs Killer Croc and Harley Quinn (who seems to be a mute in this story), as well as new assistant Jonny Frost, our narrator, a small-timer who admires the Joker and wants to be just like him. As the story goes on, the Joker directly challenges Two-Face, who has taken control of Gotham’s underworld while the Clown Prince of Killers has been away. And with each passing day, Jonny Frost realizes that the Joker is not a person to admire at all.

Not a bad idea. How was the execution?

(more…)

The Man of the day After Tomorrow, by John Ostrander

  • News
  • October 16, 2008

And every fair from fair sometime declines / By chance or nature’s changing course untrimm’d

Shakespeare, Sonnet 18

smallville-2-figures-8099962

 

The Superman of today is not the Superman of the Thirties, nor of the Eighties, nor the Superman that will be. At some point the Man of Tomorrow becomes the Man of the Day After Tomorrow. He will evolve and change as he has since his creation. Everything changes, everything evolves. The alternative is death and extinction.

The principal problem (IMO) with the most recent Superman film, Superman Returns, is that director Brian Singer wanted to go back and make the Superman 3 film that he felt should have been made. However, that interpretation of Superman belonged to the era in which the original Christopher Reeve Superman was created. Say what you want about Smallville, it at least re-interpreted Superman as if he had come to Earth recently and was a young man today. Sure, at the start it was a little Superman 90210, but so what? It translated the mythos into something recognizable for our era. In fact, in this its supposedly last season, after losing two of the lead supporting cast members, I think the show has gotten better. It borrows heavily from the comic book mythos that spawned it but has consistently thrown a new spin on that mythos. Superman Returns didn’t.

It’s not just Superman; comics as a medium needs to re-invent itself, to adapt to changing times. I love, honor, and respect the comic book retailers but they are in hard times and its going to get harder. Comics are a niche market and the retailers are part of that niche.  There’s x amount of fans buying the books and they have y amount of cash to spend on them. DC and Marvel play the same games from the Eighties with continuity heavy crossovers and attempts to crowd one another off the shelves. None of this grows the market.

One of the things I like about ComicMix and other sites like it is that we are where the eyeballs are, where the future of comics is going to lie – here on the Internet. This is where you can grow the market. It’s cheaper to produce stories on the Internet – no cost for printing or shipping, no distribution or retailer percentages – and you can still package the material for trade paperbacks which is where the real money is in comics anyway. Most of all, it has the potential to reach people who don’t go to comic book stores.

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G.I. JOE Relaunches with IDW

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  • October 9, 2008

Back in the 1960s, the first doll to be called an "action figure" was created. The "G.I. Joe" line (named after a term used to describe a generic soldier) was a popular toy and depicted soldiers from different U.S. armed forces. In the 1970s, it was re-tooled as the Super Joe Action Team.

In the 1980s, the line was re-launched by Hasbro as "G.I. JOE: A Real American Hero" and now there was a story wrapped around the action figures. It was said that the different characters were all part of a group called G.I. JOE, essentially a counter-terrorist strike force involving the best agents from all branches of the military. Their primary enemy was said to be Cobra, an organization bent on world domination, led by the vicious Cobra Commander and aided by the Scottish war profiteer James McCullen Destro.

This new storyline ignited an interest among fans that has continued for years, inspiring multiple cartoon series, a new live-action movie coming out next year, and a comic published by Marvel and written by Larry Hama (Wolverine), who also wrote the "history files" of the characters for their trading cards and who was no doubt aided by his own experience in the military.

The series spanned 155 issues from 1984 to 1994, along with a few spin-off titles, all of which added deep layers of history and characterization to the JOEs and veered heavily away from the more light-hearted cartoons. Stories ranged from flashbacks to Vietnam to high-flying action in exotic locales to epic struggles between ninjas and battles with science fiction super-villains. In 2001, Devil’s Due Publishing began their own G.I. Joe series, picking up years after the Larry Hama series had ended and lasting over 130 issues, not including spin-offs.

Now IDW has taken the property and has new plans for their own G.I. JOE comics. But rather than continuing the original series and dealing with years of history, they’ve decided to reboot the entire universe from scratch, re-imagining the world and introducing the players to a brand new audience. And this isn’t just one new series. IDW is actually launching three titles under the G.I. JOE banner: G.I. JOE, G.I. JOE: Cobra and G.I. JOE: Origins. The third title will be written by Larry Hama himself.

The three titles will be edited under the direction of Andy Schmidt, who was Marvel’s editor for the cosmic crossover Annihilation. Schmidt spoke to CBR about the new titles and how they will relate to each other. Although each title will reflect the same people and occasionally reference events featured in the other books, the intention is to keep them separate so that readers can follow just one line if they so wish without feeling like they’re only getting part of a story. Likewise, a story that begins in one will not directly continue into one of the other titles.

Andy Schmidt remarked, “[G.I. JOE] has a large cast and will focus on characters and character beats but it’s more the ‘big action movie’ style title. If you really want to get to know Duke, Stalker and the other JOES, then Origins is the book for you. If you’re looking for more of a suspense-thriller feel then Cobra is the way to go. None of the titles is the lead book. Together they all form a strong foundation." Schmidt added, "Obviously, I’m hoping fans will want to try all three and I think those that do will be very happy, but I don’t want to twist anybody’s arm. Each book can be read on its own, but if you’re reading all three you’re going to get some extra layers."

To kick-start the relaunch, IDW is releasing G.I. JOE #0 this month to the tune of one dollar. "It’s not preview pages," Schmidt assured. "There’s actual story content in the issue, so you can see which one or two or three of the books you want to buy.” (more…)

The Big D, by Elayne Riggs

  • News
  • October 8, 2008

diabetes-2266515Back in the spring during my job hunt, I took care of my annual checkup. I’d gotten fed up with my New Rochelle physician who’d kept up a steady drumbeat of “you need to lose weight” as the answer for everything from my heart scare to high blood pressure to allergies (the allergy advice seemed to always be supplemented by free samples of Flonase, from which she was doubtless getting a kickback), and heck if I wanted to schlep into New Rochelle again anyway. So I went to a local doctor who was listed as a fat-friendly health professional. But while this local doc was certainly friendly, she turned out not to be terribly fat-accepting, especially considering the results of my first workup.

Her office called me when the test numbers arrived, asking me to return, which I did, shortly before I was offered my current position. Nobody said why I had to come in again, but I was misled to believe it was because they needed to retake the blood test since I hadn’t fasted prior to the first test (not that they’d reminded me I should have). Well, as it turns out, I was greeted with the kind of news that pretty much rocked my life in a dramatically deeper way than did my atrial fibrillation scare of Aught-5. That was the overnight hospital stay which gave me a wake-up call at age 48 that I could no longer eat anything I wanted and not suffer the consequences. So I commenced with a salt-restricted lifestyle, missed potato chips and pickles for awhile, but could more or less deal with it just fine.

This one was different. The diagnosis was diabetes.

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Review: ‘Toupydoops’

toupydoops-a1-6856244A large portion of America is all about Hollywood. Who’s the new big star? What new movie is coming out? Which director will blow us away this year? Understandably, we have so many struggling artists – actors, singers, writers, directors all trying to find their big break – that it’s become cliche.

Likewise, we comic fans have similar feelings towards our books. Who’s the new big writer? What artist is going to knock or socks off with photo-realistic work? What new title is going to give us a new reason to love comics? How many more teams will Wolverine join before people realize there must be at least three of him?

But what if … what if these two paradigms were merged? What if strange beings with exotic looks and super-human abilities made their way to California and waited on tables while they auditioned to star in a comic book? What if a lad who was born with blue-skin and antennae was able to be an extra in an Image comic while he dreamt of one day starring in his own on-going series?

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Robin in Media

  • News
  • October 2, 2008

nightwing-reflections-3881831So if you checked our site yesterday faithful readers, you know that the CW has given the green light to a new live action series to replace Smallville (or join it if it continues for a ninth season). This series, The Graysons, woud focus on the life of young Richard John Grayson (called DJ in the show), who many of us know will grow up to become the first hero called Robin.

Whether you think such a show can work or not, it’s undeniable that Robin is a household name, partly due to his contant appearances in various media.  And that’s not even considering the fact that he’s gone through quite an evolution in comics, uniquely so compared to many other super-heroes.

In DC Comics, Richard John Grayson, known to everyone as "Dick", was a circus acrobat along with his parents. The Flying Graysons were a famous act in the traveling Haley Circus. But during a stay in Gotham City, a protection racket organized by mobster Tony Zucco tried to get money out of the circus owner. When he refused, the trapeze was sabotaged and Dick’s parents fell to their deaths in front of a live audience. The audience included Bruce Wayne, secretly the Batman, who took in the adolescent boy and aided him in bringing Zucco to justice.

Dick was a natural due to his inherent talen and years of training in athletics and acrobatics. This, along with his heart and determination, allowed him to pursuade the Batman that he was worthy of staying on as a full-time apprentice and, later, a partner. Wearing a costume that emulated his old circus outfit, Dick called himself "Robin." Originally, it was said this was because he was styling himself on Robin Hood. In later years, it would be said that "Robin" had actually been his mother’s nickname for him, either because he was born on the first day of spring or because as a child he never sat still and was constantly  "bop-bop-boppin’ around." Part of the reason he was called Robin and not given a serious super-hero name was because back in the 1940s, sidekicks were only given nicknames so that the writers would be able to save any cooler titles only for more serious super-heroes.

Over the years, Dick proved himself to be a formidable hero and a gifted detective, becoming leader of the original Teen Titans. As he entered adulthood, he was no longer satisfied being viewed as Batman’s kid sidekick and believing that the Dark Knight did not give him enough credit, he left Gotham to carve out his own life. Eventually, inspired by a story Superman had told him of a Kryptonian hero, Dick returned to his super-hero role under the new name of "Nightwing", an identity he has kept for nearly twenty five years now. He is well-respected in the hero community and was even made leader of the Justice League for a short time. And whenever Batman needs him, this black-clad acrobatic avenger is willing to return to Gotham to help out.

That’s the comics. What about his appearances in film and television?

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The Many Lives of Supergirl

  • News
  • October 1, 2008

supergirl-35-5013179There’s been a lot of confusion about Supergirl recently. Since her re-introduction by Jeph Loeb in the pages of Superman/Batman, she has had a few conflicting stories concerning her nature and origins. And even then, she (and readers) had to deal with the fact that she wasn’t the first to bear that name. Today, Supergirl #34 was released, featuring the new creative team of writer by Sterling Gates and artist Jamal Igle, who promised they would start a new, interesting direction with the character, clearly establishing who she is and what she’s all about.

People, listen to me. The hype is true. This issue is a fantastic jumping-on point. It is written in a way that if you have never read a Supergirl comic before, you will understand what’s going on and who is up to what. There is a small blurb on the title page explaining that Kara Zor-El is Superman’s teenage cousin who came to Earth and tries to fight for "truth, justice and the Kryptonian way." There is an editor’s foot-note by Matt Idleson telling you exactly when this issue takes place in relation to Supergirl’s appearances in other comics (God bless you, Matt).

And for anyone who hasn’t been reading the comic so far, there are quick conversations characters that bring you up to speed on Kara Zor-El and how, ever since she arrived on Earth not too long ago, she has been making a lot of mistakes and stumbling in her journey to become a hero worthy of the legacy of her cousin Superman. To compliment the impressive writing, Jamal Igle’s art, as always, is clean, pretty and very emotive. You completely understand what’s going through the character’s heads even if you don’t look at the dialogue.

If you have any interest in the character or are curious about a young, fun girl with powers, this issue is a must-read. You even get to learn some Kryptonian insults!

Next month, Supergirl #35 is supposed to recap the basic origin of Supergirl, just to clear up things for anyone who’s still confusing her with the previous incarnations who were running around. As Gates said recently at the Baltimore Comic-Con, "Supergirl should be simple. She’s Superman’s cousin. Boom."

But I know you readers out there are curious about past continuity. Some of you remember a Supergirl who wore a t-shirt and mini-skirt or a Supergirl who had wings of fire and claimed to be an angel. And you’re thinking, "Hey, Jack! What’s the deal here?"

Well, look no further, faithful readers! At ComicMix, we enjoy indulging such questions. So, in the same vein of my Road to a Crisis article, I present to you a rundown of the various Supergirls who have graced the DC Universe. Please note, I will be dealing with the Supergirl characters who actually stayed on through multiple stories. I will not be going into detail about how one time Jimmy Olsen wished a Supergirl into existence, etc. (more…)

Baltimore: Bendis Vs. Kirkman

  • News
  • September 29, 2008

Over a month ago, Robert Kirkman (Invincible, Walking Dead) posted a video mission statement on the idea that many who work at DC and Marvel are there because they do not realize that creator-owned books can provide a stable living with healthy profit and that such titles are the way to enhance the industy.

Brian Michael Bendis immediately responded by saying that things weren’t that easy and that it was irresponsible to tell people that, speaking as a man who works on many Marvel titles and has had success with his creator-owned Powers series.

The two sides of the argument have been tackled, discussed and disected across the board on message boards, in comic stores, in bars, possibly even in secret lairs hidden beneath wealthy manors.

And so, at Baltimore Comic-Con, Bendis and Kirkman met to continue their debate and elaborate on their points before an interested audience. (more…)

Baltimore: DC Q & A

  • News
  • September 29, 2008

black-lantern-corps-large-2476224Saturday morning at Baltimore Comic-Con, DC Comics held their usual DC Nation panel featuring Jimmy Palmiotti, Geoff Johns, Sterling Gates, James Robinson, Sean Mckeever and Ian Sattler. The panel was hosted by Dan Didio who actually invited a mustached fan named Brian onto the panel after he praised the weekly series Trinity. Geoff Johns complimented the same fan for being able to “rock the ‘stache.” When the same fan referred to the Green Lantern Corps as “NYPD Green”, Johns stated he would be stealing this title.

After fan Brian spoke highly of Trinity, Didio added that the main focus of the series is the great influence of the three heroes and how important they have been not only to the DCU but to the multiverse as a whole. He commented that this made the series a complete counterpoint to 52, which explored the mainstream DC Earth spending a year without the three icons. In the same vein, he clarified that the current Batman R.I.P. storyline is exploring whether or not Bruce would still operate as Batman "if you took everything away", as well as showing how his absence affects many, not just the Gotham-centric characters but also people like the Outsiders.

DC had several things to announce in terms of upcoming projects.

A few years ago, DC did a fifth-week event called "New Year’s Evil" involving several one-shots that did not relate to each other but all centered villain-centric stories. Operating on a similar note, DC will be release "Faces of Evil", a month-long project launching next spring. Each issue will be a one-shot focusing on a particular villain and the covers will be done in the same style as the recent “anti-inspirational posters” ads. Johns announced that he and artist Scott Collins would be working on a one-shot focused on Solomon Grundy. Other villains who would be focused on include Parasite and Despero. When a fan asked if any of the Rogues (from Flash) were going to have a one-shot, Johns simply said that the future of the Rogues will be set-out at the conclusion of the miniseries Final Crisis: Rogues Revenge.

Geoff Johns also added that Solomon Grundy would become a Black Lantern, though he also said the same thing of any other character mentioned during the panel who is deceased. Concerning the upcoming "war of light" stories in Green Lantern and Green Lantern Corps, Johns again spoke about Agent Orange, the leader of the Orange Corps dedicated to Avarice, as a major villain. He also said that the Orange oath was his favorite. Throughout the remainder of the panel, questions about seemingly dead characters usually involved Johns saying , "(Fill-in-the-Blank)’s a Black Lantern."

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Marvel’s Cup of B

  • News
  • September 28, 2008

Rather than the usual "Cup of Joe" panel, Marvel decided that Baltimore Comic-Con would feature "Cup of B." Marvel super-star Brian Michael Bendis appeared, alongside Dan Slott (Avengers: Initiative), Steve Savolski (X-Infernus) and executive editor Tom Brevoort. 

Bendis confirmed the previously announced departure from Mighty Avengers with #20, the post Secret Invasion issue which will show a dramatic shift in the title. He will then begin Dark Avengers with artist Mike Deodato and Slott will jump into Mighty Avengers, which means he’s leaving Initiative, which Christos Gage will pick up. More Taskmaster is promised. 

Spider-Woman: Agent of SWORD will begin March 2008, full art by Alex Maleev, reuniting the duo since they produced Daredevil. The series promises to be “very different” from others at Marvel. But is it Jessica Drew? No answer was given.

While the Inferno crossover was spread across the DC Universe, it’s follow-up X-Infernus will be more X-Men focused, specifically on the New Mutants, with characters such as Magik showing up. 

On Amazing Spider-Man, Marc Guggenheim and Barry Kitson will present a single-issue story featuring what happened to Flash Thompson. Joe Kelly will be doing a two-part Hammerhead story and then Mark Waid will be introducing new charatecters and secrets to Spider-Man’s universe. Dan Slott promises a “completely logical, non-magical explanation of why Harry Osborn’s alive.” He added that villain Molten Man was returning with the intention of killing Harry Osborn.

Bendis was asked for his reactions to the Secret Invasion Jacket I made. Bendis was a good sport about it and simply laughed, saying "Listen, I love him. You can buy it, roll it up, shove it up your ass. I don’t care.That’s not even in the top 20 sh*t I’ve had to deal with online." I then identified myself to the Marvel panel. When Bendis asked me why I didn’t wear the jacket to the con, I was sad to explain that it was not functional in the rain.

I then asked my own question to Bendis, concerning whether or not the Skrulls now had the Space Gem since they had replaced Black Bolt, the gem’s current owner. Bendis then informed me that he had explained this already but that I must have turned the issue into a pair of shorts. He then admitted that the Space Gem would be a future plot point. (more…)

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