Tagged: editorial

Cartoonist Doug Marlette Dies In Crash

2777500744-7601044Pulitzer Prize-winning editorial cartoonist Doug Marlette, creator of the newspaper strip Kudzu, was killed in a car accident this morning in Mississippi.

According to the Associated Press, Marlette was a passenger in a car that struck a tree after skidding on a wet road. The car hydroplaned and struck the tree, killing the cartoonist. Marlette was working in Oxford, Mississippi, with a high school theatrical group that was mounting a musical version of Kudzu.

Campbell and Sturgeon Award Winners

The 2006 John W. Campbell Memorial Award and 2006 Theodore Sturgeon Memorial Award were presented at the Campbell Conference this past weekend in Kansas City. Each award was voted for by a jury of experts.

The Campbell Award, for best science fiction novel, went to Ben Bova’s Titan.

The Sturgeon Award, for best science fiction short story, was given to Robert Charles Wilson’s "The Cartesian Theater," from the anthology Futureshocks.

Also at the Campbell Conference, the Science Fiction Research Association presented several awards:

  • the Graduate Student Paper award, to Linda Wight for "Magic, Art, Religion, Science: Blurring the Boundaries of Science and Science Fiction in Marge Piercy’s Cyborgian Narrative"
  • the Mary Kay Bray Award, for the "best essay, interview, or extended review to appear in the SFRAReview during the year," to Ed Carmien for  his review of The Space Opera Renaissance edited by David G. Hartwell and Kathryn Cramer
  • the Thomas D. Clareson Award for Distinguished Service, for "outstanding service activities-promotion of SF teaching and study, editing, reviewing, editorial writing, publishing, organizing meetings, mentoring, and leadership in SF/fantasy organizations,"to Michael Levy
  • the Pioneer Award, for "best critical essay-length work of the year" to Amy J. Ransom for "Oppositional Postcolonialism in Québécois Science Fiction,"  from the July 2006 issue of Science Fiction Studies
  • and the Pilgrim Award, honoring "lifetime contributions to SF and fantasy scholarship," to Algis Budrys.

[via SF Scope]

RIC MEYERS: Miami Sand Fox

ric-meyers-100-9850036A few weeks back I was waxing enthusiastic about Sony Home Entertainment’Â’s line of Columbia Classics CollectorÂ’s Editions, especially The Guns of Navarone two-disc set. Well, it turns out that 20th Century Fox wasnÂ’t going to take that lying down, so they started peppering me with flicks young and old for the old ultra-violence (yes, that’Â’s A Clockwork Orange reference, what of it?).

Starting with the young (and time-relevant): out this week is Reno 911!: Miami: The Movie (Unrated),– a fittingly jaunty title for a fitfully hilarious film. In the spirit of complete disclosure, IÂ’’ve been a fan of this groupÂ’’s creative core (Ben Garant, Thomas Lennon, and Kerri Kenney-Silver) since seeing them on MTVÂ’s The State, and have been appreciating their work through their abortive CBS/Disney stint, Viva Variety, and their contributions to the screenplays of The Pacifist, Herbie Fully Loaded, and A Night at the Museum.

The yoks start in earnest at the menu page where Kerri, in character as passive-aggressive Deputy Trudy Wiegel, lets you know in no uncertain terms that this is the unrated version by unleashing the kind of words you didn’Â’t hear in the rated edition. Then there’Â’s the film itself, which benefits from its unratedness with elaborately salty vernacular, not to mention some of the finest looking natural breasts recently put on video (as well as some of the unfinest [Kerri was quick to point out on one audio commentary that she had just had a baby at the time of filming]).

reno911miami-8465211The Reno 911 squad is not through with you yet, however. There are three audio commentaries: an entertainingly informative one with director Garant and writers Lennon and Kenney-Silver, and then two more with the cast in character as the hapless Nevada cops they play on TV. ItÂ’’s like watching three different takes of the same movie. The group then go on to make it clear that they probably could’Â’ve actually made three different movies, or more, with the extended deleted/alternate scenes, which, as is their wont, last fifteen minutes or more, until the improv runs out or the cameraman drops from exhaustion.

The disc also includes the Fox Movie ChannelÂ’s special, covering the filmÂ’s premiere, but probably my favorite extra is the series of Public Service Announcements in which the characters address various problems plaguing todayÂ’’s cineplexes (as Kenney-Silver so succinctly puts it: “shut up or IÂ’’ll shoot you and blame it on a crack addict”). This DVD will give you hours oÂ’’ cringey fun.

Speaking of favorite, now starts our coverage of the Fox Cinema Classics Collection with one of the best DVDs IÂ’’ve ever seen in terms of this columnÂ’’s theme. The Sand Pebbles two-disc special edition looks innocuous enough on the shelf. The only hint of the riches within comes with its weight and heft. No wonder: the package is literally bulging with stuff: illuminating liner notes, a recreation of the releaseÂ’s original souvenir book, and even an envelope of postcard-sized, full-color, lobby cards.

Then thereÂ’s the discs: three sides containing the 183 minute theatrical version, the 196 minute “Roadshow” version, and so many new featurettes (nine in all), as well as six original docs from the Fox vault, that I wish I could roll around in them. Back in the department of full disclosure, IÂ’’ll admit IÂ’m a big fan of star Steve McQueen, but especially underrated director Robert Wise, who could, and did, do everything. (more…)

RIC MEYERS: Tokyo Shock

ric-meyers-100-1109283It’s that time again. I’m back on my annual summer filmfest tour. My first, and favorite, stop is FanimeCon in San Jose (“By Fans, For Fans”) California, where my friends at Media Blasters showcased riches aplenty – some recent, one brand spanking new.

Now, I’ve been fans of M.B. for awhile, since they’re the only (legal) place to get such classic Japanese samurai (a.k.a. chambara) films as Hideo Gosha’s Goyokin, such fine “old school” kung-fu films as 7 Grandmasters, and such rare, treasured Japanese action TV series as Baian the Assassin and Zatoichi the Blind Swordsman. But this time they’ve outdone themselves … at least in terms of this column’s raison d’etre.

Let’s start with their recent output. They’re repacked and repackaged two cult favorites in ways both wild and weird. First, topping anyone’s list of “you may regret it but you’ll never forget it” movies is renegade firebrand director Takashi Miike’s graphic (is there any word stronger than graphic I can use?) live-action adaptation of the landmark manga Ichi the Killer. Once seen, you’ll know why “graphic” or even “explicit” don’t cut it (“cut’ it … get it? Anyone seeing the film will).

This tale of a repressed, demented, vigilante going after the worst yakuza sado-masochist ever put on film is a work of extreme “so-excessive-it’s-funny” art (art using mostly the color red). So it makes sick sense that Media Blaster’s “Tokyo Shock” division would package their new Double-Disc Special Edition in a Collector’s Blood Bag.

ichi-5487813First, the good news: the mass of extras do nothing to lessen the impact of this literally unforgettable entertainment (although I almost hoped it would, given the intensity of the flick). They include a new 16×9 transfer, audio commentary with both the director and the manga artist/writer (Hideo Yamamoto), interviews with the actors and producer, and an illuminating on-the-set making-of doc.

The only place the frills falter is with “The Cult of Ichi” and Eli Roth interview featurettes in which horror writers and “torture chic” filmmakers heap bloody praise on the film. What they have to say is pretty much what anyone would probably say, but it you like their work, it might be fun to see them give voice to what you would probably think after seeing the movie.

Now, the bad news. While the packaging is “clever,” it is also wildly impractical. It took me more than two minutes to extract just one of the two discs from its sticky plastic prison, and it was nigh impossible not to get my grubby paw prints all over the wrong side of the DVD. (more…)

RIC MEYERS: Pan’s Labyrinth, Children of Men, Droopy

ric-meyers-100-6313276Oh, you lucky consumers. This week, all the benefits of DVD watching have come to the fore with four classics that come in four different varieties. First, celebrate all ye cinema-of-the-fantastic fans, for two of the greatest science fiction and fantasy films of the 21st century are now out on disc but only one in a way that shows how superior the DVD format is to virtually every other medium.

I love fantasy. My first non-pseudonyminous novel was a fantasy, Cry of the Beast. My latest novel is a fantasy, Murder in Halruua. My first non-fiction book was The World of Fantasy Films. So it’s a great pleasure to now write about Pan’s Labyrinth, probably the best fantasy film since, well, the director’s previous mixing of monsters and Spanish history, The Devil’s Backbone (2001).

Even after directing Blade II and Hellboy, Hollywood still gave Guillermo del Toro’s extraordinary Oscar-winning new film its due, and New Line Home Entertainment is no exception, crafting one of the great DVDs to showcase it (and they’ve had some practice, considering they also backed the Lord of the Rings special editions). There is a single disc DVD, which only sports the director’s loving audio commentary, but let’s pretend that doesn’t exist (along with the fullscreen version).

pans-1481520Instead, go right to the Two Disc Platinum Series, which envelops the already magical, monstrous, mystical, and majestic film with gobs of film-enhancing extras. All too often, even when a DVD has loads of extras, they’re not really film-enhancing. They may be film-promoting, film-marketing, film-indulging, or even film-smoke-blowing, but it only takes a few of those to know the real deal when it comes around. Each of the documentaries included on the Platinum Edition make successive viewings of the film all the more enriching and enjoyable.

There’s a discourse on the movie’s use of fairy tale mythology, an examination of the colors and textures del Toro uses to deepen his work, a behind-the-scenes look at the creation of the movie’s creatures (spotlighting Doug Jones, the director’s favorite go-to man for these roles), multiple “director’s notebook” interactive menu pages, and, not surprisingly, considering del Toro’s avowed love for comic books, animated prequels establishing back-stories for four of the film’s fantasy favorites.

They’ve also added the memorable episode of PBS’ Charlie Rose Show, which interviewed the friends now known as cinema’s “Three Amigos” – del Toro, Babel director Alejandro Gonzalez Inarritu, and the next man on our DVD hit parade, Alfonso Cuaron. Using the clout he acquired after directing Harry Potter and the Prisoner of Azkaban, Cuaron threw it all into his remarkable adaptation of famed mystery writer P.D. James’ recent science-fiction novel Children of Men.

I love science fiction. My second non-pseudonyminous novel (Doomstar) and non-fiction book (The Great Science Fiction Films) were science fiction. I didn’t feel there was a huge difference between SF and fantasy, but apparently tinseltown disagrees. For, while New Line gave Pan’s Labyrinth its due, Universal treated the bleak yet exhilarating Children of Men like a red-headed stepchild. (more…)

RIC MEYERS: The Thai’s have it

ric-meyers-100-7603117 As a contributor (audio commentaries, on-camera interviews, liner notes, and packaging copy) to more than three hundred DVDs in America and Asia, IÂ’’ve always wanted a source for what ComicMix is now allowing me to do — review DVDs specifically on the quality of their extras (audio commentaries, makings-of, et al). When deciding upon which DVDs to buy and which to rent, that’Â’s often the deciding factor.

All too often in DVD reviews, the extras are simply listed, which is misleading at best, since IÂ’’ve suffered through dry, taciturn, frustrating commentaries from a star-studded roster (the pre-ultimate edition The Spy Who Loved Me), but also reveled in funny, enlightening, seemingly drunken revelries (Conan the Barbarian). And even in the most prestigious publications, the critics get bogged down in their opinions of the films in question, leaving precious little copy for the quality of the extras accompanying them on the disc.

But enough raison dÂ’’etre. Now itÂ’s time for shameful confessions. Naturally, I wanted to fill this first edition with insightful analysis of the most famous, anticipated DVDs on the market, but find myself presently concerned with quirky titles many of you might not have even heard of.

So, what to do, what to do: detail the flowing bounty of extras to be found on the consistently entertaining but hardly hilarious Night at the Museum or well-made but uninvolving Dreamgirls, or tell you about the demented delights of Thai cinema?

Well, given that this site is called ComicMix, and IÂ’’m best known for Jackie Chan comics and my annual three-hour San Diego Comic-Con Superhero Kung-Fu Extravaganza, IÂ’’m going for the stuff thatÂ’s as exhilarating and under-reported as comic books. Staggering into video shops this week are some DVDs that will either have you trawling for Thai flicks forever or keep you from seeing another ever again.

born2fight-8833677 More accessible and superheroic is Born to Fight (Dragon Dynasty [The Weinstein Co.] Two-Disc Ultimate Edition), which is flailing feverishly to get out of the shadow of ThailandÂ’s most famous and popular action export (Thai Warrior, aka Ong-Bak). The same fearless stunt crew worked on both films, but the latter starred Muy Thai boxing great Tony Jaa, whoÂ’s attitude and strength mirror Bruce Lee while his acrobatics and films crib from Jackie Chan’Â’s homework.

In order to differentiate itself from Tony, the Born to Fight crew decided to create even sicker, and more bone-breaking stunts, while catering to Thai patriotism, in a plot that has a village overrun by nuke-carrying terrorists on the same day itÂ’s being visited by the Thai Olympic team. The discÂ’s main extra — an hour-long behind-the-scenes documentary – lays it all out in loving, if repetitive, detail, with many interviews and glimpses at the set-ups for the insane stunts.

It’Â’s hard not to marvel at the filmmakersÂ’ passion, love for Thai tradition, and the crewÂ’s willingness to risk their lives to gain America and AsiaÂ’s respect. The result is a flick that balances goofy and great (featuring one stomach-turning moment of near-suicide as a stuntman nearly gets ground up under a tractor-trailerÂ’s wheels). (more…)

State of newspaper cartooning

Via Tom Spurgeon, The Tacoma Daily Index’s Todd Matthews examines the current state and status of political and editorial cartoonists, with an emphasis on the Washington state papers.  Quotes like "The state of newspaper cartooning nationally is not a happy one" and "Political cartoonists are a dying breed" do not seem to bode well.

Similarly, via Heidi, Lev Grossman at Time Magazine also observes that "Comic strips in newspapers are dying. They’re starved for space, crushed down to a fraction of their original size. They’re choked creatively by ironfisted syndicates and the 1950s-era family values that newspapers impose."  and like Matthews, Grossman is hopeful that the new media will be the savior of editorial cartoons and strips, taking a more in-depth look at webcomics.

ComicMix will continue to follow the death and rebirth of these well-established artformsm, to see how well newspaper features can still flourish without being in the newspapers themselves.

Keep your eye on the body

dailynewscapdead-5664270I got a note from a long time comic book reader on Wednesday. He was incensed that Marvel disgraced themselves by killing Captain America. Worse, they did it sneakily, without telling the retailers this was the issue so it sold out to the fan boys before the general public could see the bloody body for themselves.

Marvel certainly got a nice boost from the coast-to-coast coverage Captain America’s death received.

But, is Captain America – Steve Rogers – really dead?

It used to be that a death to a major character was a major event. Writers would find themselves running out of interesting stories to tell with a character and decided to shake up the title character’s life by killing off a familiar face. Spider-Man writer Gerry Conway has always said that’s why Gwen Stacy had to go.

That happened time and again, at both DC and Marvel and it made the fans uneasy, since you never knew what would happen next. That certainly helped sell comics for a while. Then, killing the title character seemed the next logical step. Jim Shooter and Jim Starlin helped pioneer that with the Death of Captain Marvel graphic novel and then there was the phone in stunt that saw Jason Todd, the second Robin bite the big one.

(more…)

Courting justice with editorial cartoons

960-1386709Mikhaela Reid is working on what she calls an "alternate reality cartoon" series for Lambda Legal (a national organization committed to achieving full recognition of the civil rights of lesbians, gay men, bisexuals, transgender people and those with HIV through impact litigation, education and public policy work) imagining what life might be like in a world where courts did not uphold Constitutional law.  Life Without Fair Courts is also running in The Advocate magazine, which is sponsoring the series along with Prism Comics, a nonprofit organization that supports LGBT comics, creators, and readers.

The educational endeavor also features a nationwide contest to find the best representation of what the artists’ own lives would look like without fair courts. Prizes include exposure in The Advocate and donated shopping sprees from Diamond Comics Distributors. Contest judges include Reid, Joan Hilty, Phil Jimenez and George Stoll (The Advocate’s Art Director) for The Advocate. Submissions to the contest will be accepted through March 15.

Let’s hope all entries remain in the realm of fiction!