Tagged: Elayne Riggs

I, the Jury Duty, by Elayne Riggs

elayne-riggs-100-9879649It’s been a hell of a winter for me. Under the Lennonesque heading of life being what happens to you whilst you’re busy making other plans, the latest in a series of stumbling blocks that have come between me and my ability to participate more in ComicMix’s news section — including the still-ongoing detox from my former job (which kept calling me back in through the end of last year), the nearly-full-time search for a new means of income, and a nasty lingering flu – was last week’s call to jury duty. It was inevitable, but given my temporary unemployment period I’m glad it happened when it did. It’s been over four years since I last served, and now it’ll be another four years at least until they call me up again, which should gladden any potential employer.

I had no excuse to postpone this, but I still wasn’t looking forward to it. The one time I’ve actually served on a jury was on a criminal case, a murder trial, and we wound up convicting the accused, during a time when the death penalty was still in effect. The knowledge that I and my fellow jurors may have contributed in sending this guy to the electric chair, however guilty we may have thought him for his crime, unnerved me to the point where I don’t think I can ever serve again on that sort of a criminal case.

I was lucky in subsequent call-ups, in that most of the cases where my name came up for the jury pool were civil ones. One was settled before it commenced to trial, and I got out of the pool for the other one, I think, because I knew Cheryl Harris. You see, folks, you never know when your comic book connections will come in handy! Cheryl and I had both held the Membership Secretary position on the Friends of Lulu National Board, and saw each other socially besides, ever since our CompuServe days. But in this case I had to admit, during the initial jury questioning from the attorneys and the judge, that I also knew that she worked in the Bronx County court system, and so I was excused back to the jury assembly room and my name wasn’t picked again during that round.

In those days I think the typical jury service, if you weren’t picked to go on a case, was three days, and you got $15 per day which the state sent to your employer and your employer deducted from your paycheck, or something like that. It works differently with each state, and the rules seem to change all the time. As a matter of fact, this round even the venue changed. (more…)

TV Back Talk, by Elayne Riggs

elayne-riggs-100-9837088Many people in this country are experiencing the age of interactive television for the first time. In other countries such as the UK, they’ve had a version of this for some time, in the form of a curious informational additive known as teletext, a useful imp that lives in the bands of the picture that we don’t normally see, and which can be accessed by Brits wanting to know the local weather, transportation timetables, sports scores, and lots of other stuff that most of us in the US can only get online or through cable systems. Here in the US I’ve just discovered my digital cable system has interactive channels that can personalize my weather, traffic, pretty much whatever I want. And that’s not even counting the on-demand entertainment, a tiny percentage of which is available at no extra charge!

And bully for the 21st century and all, but I’ve been interacting with my TV since I was a kid. And I’m not just talking about Winky-Dink.

Romper Room aside, I think I always suspected the people on TV couldn’t see me or talk to me. I understood the idea of shows being recorded for anyone to tune in to, or not. The shows were still there even when I wasn’t watching them. But none of that prevented me from talking back, from letting what I saw affect me to the point where I had an immediate, visceral reaction. As I recall my Dad couldn’t stand it, he’d be there constantly reminding me "they can’t hear you!" Then again, maybe that’s Mom. Dad was the first person on his feet cheering whenever the Yankees took the lead, and yelling about what a bum the umpires or managers were when the game wasn’t going well. So it’s not like the apple fell very far from the tree there.

One of the great things about being married to Robin is that we have many of the same pet peeves about what we see and respond to on TV. One of my biggest annoyances is the increasing use of subtitles when the person being subtitled is speaking English. Occasionally the speaker will have something of a thick accent, but I’ve seen subtitles used with Scots and Irish and even Americans from southern states. Now come on y’all, a lot of that down-home drawl does get to be a bit much, but it’s not a foreign tongue! The only thing subtitles have in their favor is that they, like news crawls on the 24-hour cable stations, encourage reading. Even when they’re misspelled.

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The Dancing Bear Expose, by Elayne Riggs

elayne-riggs-100-8791415Have you heard of the proverbial dancing bear? It’s apparently a Russian expression, which has its origin in some folk tale or other, and holds that the amazing thing about the performing animal isn’t how well it dances, but that it dances at all. This metaphor (sometimes substituting "dog" for "bear" after the Samuel Johnson quote comparing a woman preaching to a dog walking on its hind legs) became very popular in the heyday of "second-wave" feminism, whenever some consciousness-raising battle appeared won and another hurdle reared up in its place, when the very act of being female and expecting to be treated as human beings at the same time felt Sisyphusean in its difficulties. Sadly, the bear is still rearing its head, howling, dancing backwards and in high heels.

It doesn’t matter what the endeavor, career or hobby. Whether Presidential candidate or comic book writer or movie subject matter or just-plain blogger, a spate of "dancing bear" articles that appears like clockwork in the mainstream news, every few months or years, mining the same territory that comes down to "Look, women are doing things!" As if we need to be reminded we exist. It’s not how well the bear is dancing, it’s that it’s doing it at all! A fellow blogger once remarked that she could practically tell the changing of the seasons by how often she came across male bloggers wanting to know where all the female bloggers were, as a different male blogger posted this in almost exact 90-day increments.

Likewise, now that Gail Simone is writing Wonder Woman, DC’s longest-running, highest- profile book featuring a female character, we’re starting to see features pop up in all sorts of magazines pointing to the dancing bears again. "Pow! Zap! Women can write and draw!" And imagine, we can breathe and think as well!

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Birds of a Feather, by Elayne Riggs

elayne-riggs-100-2729911I don’t know about the rest of you, but I’m already burnt out on the 2008 primary season. Okay, to tell you the truth I was burnt out sometime last autumn. The other day I was watching Tom Brokaw’s documentary about 1968 (highly recommended) and one of the political facts mentioned was that Bobby Kennedy didn’t even enter that year’s Presidential race until after the New Hampshire primary! Can you imagine such a thing today, a candidate not even declaring until after an "important" primary has already been run? This year almost all of them dropped out before yesterday’s Super-Duper Pooper-Scooper Fat Tuesday.

It wouldn’t surprise me if a lot of Catholics out there are considering giving up following politics for Lent. It’s not like there’s anything in it for us any more. People joke about the campaigns turning into another version of American Idol, but if you think about it the parallels are valid. You have performances evaluated on TV by a bunch of millionaires, and you’re given the illusion of choice among a very narrowly-acceptable band of telegenic hopefuls running more on the basis of style over substance (hey, they have machines now that can "correct" even live voices so they all come out on-key and synthetically perfect). The big difference with politics, besides the sad reality that the results of this contest matters to our lives and the future and the rest of the world, is that the contestants are also millionaires. Have to be; they wouldn’t be considered "viable" candidates otherwise.

"Viable" is one of those nebulous, never-defined vagaries like "freedom" that means whatever the person using it wants the people hearing it to think it means. The less you define something, the less you can be pinned down and expected to stick to your definition. So when you assume everyone believes "freedom" means the same thing, when most of the time those who employ the term equate it with "unfettered capitalism and false consumer choice" even though others still consider it to mean "having bodily autonomy and not being homeless nor starving nor spied upon nor told how or whether to worship," they’re able to completely circumvent actual communication and not have anything they say be actionable! And "viable" is a media-created term — they don’t have to admit that their use of "viable" means "rich and part of the political machine and accepted by the corporations we’ve allowed to actually run this country" if they can get us to believe it means "intelligent and experienced enough to be taken seriously despite their income level or circle of cronies." I mean, we should have known that ship had long since sailed when the last guy got elected despite having mostly negative experience and far too little intelligence for the job.

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Death, Warmed Over, by Elayne Riggs

elayne-riggs-100-5281129As I type this I’m struggling through a pretty bad flu, which I am convinced I contracted on Thursday. That’s when I went for a job interview at the World Financial Center, a hermetically-sealed office and mall complex sandwiched squarely between the Hudson River and the now-cavernous World Trade Center site in downtown Manhattan. I’m unsure whether it was the biting winds or the horrendously long "pedestrian walkway" past the gaping hole of Ground Zero and back to the nearest subway that could get me home now that the Cortlandt Street stations are, it seems, permanently closed, but I haven’t been the same since I shrugged off the interview suit upon my arrival home. The next day Robin met his latest deadline, and we were looking forward to a somewhat active weekend — and then it hit. And it’s still hitting me, and has started hitting him. Funny how, at my age, "lucking out" translates into "thank goodness Robin and I got sick whilst I’m unemployed and he’s between issues!"

But you know, in the back of my head I can’t help but wonder whether I got ill, in part, from breathing in dead people. After all, we all know how the EPA of a government renowned for its repeated lies about everything else also lied to citizens about the air quality in that area. I know it’s over seven years later, but there’s still a ton of construction kicking up dust in that area, and the "walkways" offer scant protection, particularly on a cold and windy day.

Living through 9/11, being in the city the day the towers were attacked, one learns never to take life for granted. This is my 50th It’s All Good column for ComicMix, a milestone number of sorts, and so it seems fitting that I come back around to a subject touched upon in my first column here last February 15, scarcely a month after I’d lost my best friend. In fact, this would have been It’s All Good #51 but for the untimely death of my father. Sometimes the Reaper seems inescapable. Because in the end, of course, it is. And as it touches us all in real life, personally or otherwise (as with Heath Ledger’s recent demise), some of us find much less entertainment and amusement in its fictional counterpart.

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The Great Divide, by Elayne Riggs

elayne-riggs-100-1215696As I’ve made clear in previous columns, I like reading. I have Bloglines subscriptions to almost 700 blogs, of which I probably read 400-500 pretty regularly. I tend to group my blog subscriptions into two major categories, culture and politics – what I call "news and views" – although lately I’ve been supplementing those with blogs speaking to other interests of mine, like food and grammar and LOLcats. And I’ve noticed the same problem with these blogs, particularly the political ones, which I came across in just about every hobby of mine through the years. By and large, the writers seem to believe their subject matter is the only one worth pontificating about, and any blogger who has "outside" interests is not worthy to be in their circle.

We live in an era of divide and conquer, where each faction is encouraged into its own little category, where the idea of a well-rounded individual is anathema to getting ahead, where specialization is the order of the day. Because of deadline pressures, many artists who make their living doing comic books have to choose between penciling and inking. My husband is fond of noting that in England, where he lived for the first 36 years of his life, there was no such artificial division of labour when he learnt his craft. Imagine his frustration when we were going over the rudiments of baseball and he found out about all the different subdivisions of pitchers and fielders! He still can’t understand how a professional ballplayer can’t field at just about any position, and why most pitchers can’t complete an entire game. To tell you the truth, the part of me that’s been a baseball fanatic since girlhood, and remembers lots of complete games, readily agrees.

But everything these days is compartmentalized to within an inch of its life. "General interest" and "Renaissance person" have become almost freakish notions these days. Why this is so in the days of "multitasking" is beyond me. We’re expected to juggle umpteen tasks simultaneously at work but we can’t choose more than one passion in our downtime?

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Food, Glorious Food, by Elayne Riggs

elayne100-5893350For the last week of job searches and interviews, I’ve not been very immersed in pop culture, unless one counts giggling at some Craigslist classifieds. I’ve kept up my blog reading, I’ve played computer games, I’ve suffered the first couple of plothole-ridden episodes of the Terminator TV series for a few minutes each, I’m up to Oz book #16, I’m through most of my DCU comics from November/December, the usual consumption. And it occurred to me — consumption. There’s a huge foodie contingent out there, which more and more resembles other pop culture fandom, so why not pontificate about food this week? After all, everybody eats. Even Stephen Colbert has been known to down the grits and lo mein on his show, and who can forget the immortal Eddie Izzard "Cake or Death" routine?

As a woman of some girth and experience, I have a love-hate relationship with food. I unapologetically love food itself, the pleasure it gives me to eat a satisfying and delicious meal, even to prepare one. But I hate the way corporations and people (most of whom don’t even know me) take it upon themselves to lecture me about my food intake, particularly when I’ve never sought their advice, based solely on my outward appearance. I despise our current Culture of Deprivation, which in reality consists of mixed messages since we’re also encouraged to decadently indulge at the same time. I despair that "moderation" seems to be such a dirty word in our world of extremes.

I grew up with the relatively moderate Four Food Groups chart (grains, fruits & vegs, meat and dairy). This predated the modern Food Pyramid, which presumes to advise people not only on how to vary their diets but on the proportions the USDA deems appropriate. Of course I implicitly trust a government agency among whose tasks it is to inspect meat and yet there’s all this e-coli and mad cow and goodness knows what else. And hey, the current acting Secretary of Agriculture is the ex-president of the Corn Refiners Association, so I guess we’ll all be hearing scads about how bad high-fructose corn syrup is for us, being probably the highest contributing factor in the decline of culinary health in this country. So you can see where I maintain a healthy skepticism toward changing food standards (like changing weight standards, beauty standards, etc.). People aren’t charts, and what works well for one doesn’t necessarily succeed for another.

 

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Ho Ho Ho, It’s Magic, by Elayne Riggs

elayne100-2528299In a comment to Mike Gold’s column on Monday regarding Marvel’s "One More Day" storyline, Michael H. Price noted, "It comes down to the question of ‘What is Sacred Screed, and what is negotiable?’ How far can the re-invention, or the seemingly likely evolution, of an established character go before the Powers That Do Be dictate a market-pandering reversal?" He even quoted the line that fanboy favorite Alan Moore borrowed for "Whatever Happened to the Man of Steel?" — the famous "This is an Imaginary Story … aren’t they all?"

Now, I must confess off the bat that I haven’t yet read the "One More Day" saga. I think I may have read the first issue, but I’m still waiting for delivery of most of my non-DC comics from December. It’s something I’ve learned to live with, this being one or more months behind the "early adopter" new-comics-every-Wednesday crowd of which I was once a part, ever since my former job moved out of Manhattan, rendering impractical my weekly visits to the local comics store. It makes responding to the fan outrage du jour a little trickier, as I can’t cite specific examples of one thing or another, so I’m left with responding to the response, as it were.

I like to think it’s a tribute to writers and artists of the past that the characters and situations they had a hand in creating have taken on such illusory "lives" of their own that inspire such passion in readers that they seem to argue endlessly over something that doesn’t exist. If only that energy could be harnessed for good!

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Everything Old is New (Year) Again, by Elayne Riggs

elayne100-8464252It’s the first business day of 2008 and, as I noted a few weeks ago, time for many pop-culture mavens to present their Best of 2007 lists. Alas, I will not be one of those. I can’t remember most of what I read in 2007, a blur of a year for me at the best of times due to the losses I suffered. But this isn’t new for me; I can barely remember the fiction I read or watch more than a half hour or so afterwards. It’s just the way my mind works. The only time I was able to do yearly wrap-ups and "Best Of"s was when I was regularly reviewing about a dozen comics every week, because I could refer to my previous work, but even then it was tough because I didn’t grade the stuff, I just talked about it.

My low retention rate is one reason why re-reading cherished books I’ve had for years is so fulfilling to me. It contains both the comfort of revisiting something vaguely familiar to me and the excitement of seeing it all anew. I was very happy to have received so many comments on my last column (thanks so much, all!). Obviously children’s books are beloved by a lot of adult pop culture geeks besides me. That’s really wonderful, and I think it proves the point that all-ages stuff really does mean stuff written for the young and the young-at-heart, rather than exclusively for the young. (It probably doesn’t hurt that we’re all comics people too, and have all experienced the knee-jerk reactions of many non-comics readers that we’re too old for our hobby, with its accompanying implicit assumption that all-ages literature ought not be enjoyed by, well, all ages.)

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‘Zat You, Santy Claus?, by Elayne Riggs

"Childhood is the time of man’s greatest content," said Ak, following the youth’s thoughts. "’Tis during these years of innocent pleasure that the little ones are most free from care."

One of the promises I made to myself during my temporary unemployment period was to finally read and reread all of the Oz books that I own. It’s a pleasurable if somewhat daunting goal, as L. Frank Baum wrote 14 volumes in all, then Ruth Plumly Thompson carried on with 19 more, and although I had my period of fanatic Oz collecting and I did make it through all of Baum’s volumes I believe I stopped somewhere after the third or fourth Thompson book.

[As you might be able to discern from the photo above, my last four Thompson volumes aren’t even out of shrink-wrapping yet (hence the glare from the flash), and that out of many, many other "official" Oz books I also own tomes by Eric Shanower (Giant Garden, Salt Sorcerer and all his Oz graphic novels which are shelved elsewhere), Eloise and Lynn McGraw (Rundlestone), Edward Einhorn (Paradox) and Rachel Cosgrove Payes (Wicked Witch). Of those I’ve only read Eric’s comics, so I have a lot of great reading still to come!]

But I digress; for now I’m still working my way through Baum, and I’ve just started his seventh book. Despite the fact that he was hardly what you’d call ahead of his time (he advocated the extermination of American Indians, his work contains a fair amount of assumptions about gender roles), I’m finding his Oz books a real comfort, not only because he wrote of a time and place with which I have absolutely no first- or even second-hand experience (my grandparents were all immigrants and I’ve never lived in the middle of the country), but because he understood what it meant to write for children.

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