Tagged: fan

DENNIS O’NEIL: Who knows what evil lurks…? Part 1

Meet Anthony Tollin.

I did, more than 30 years ago, at DC Comics. Anthony was tall, friendly, didn’t look like a New Yorker, and wasn’t. He came to Manhattan from Minneapolis in 1973, worked a couple of jobs, and then landed at DC, where he stayed for 20 years, proofreading, color-coordinating, helping Jack Adler manage the production department – necessary chores, done well away from the spotlight, that transform the raw materials of artwork and script into a printed artifact. Along the way, Anthony got married, and divorced, moved to another state, and when he retired from DC, settled in Texas, where he lives and single-parents his lovely and gifted daughter, Katrina.

If you talked to Anthony much, you soon discovered that he had a number of pop cultch enthusiasms, not the least of which was comic books. But his real passions – I don’t think the word is too strong – were always The Shadow novels, mostly written by Walter Gibson under the pseudonym Maxwell Grant and published in the 30s and 40s in the pulp magazine format, and old radio shows, particularly the crime and adventure programs that were the first cousins of the pulps and comics. If ever I had a question about either of these subjects, Mr. Tollin was always my first go-to guy. I never needed a second.

Those passions are still part of the Tollin gestalt, and now he’s found a new way to both share and make a living from at least one of them. Since July, a company Anthony started has, in partnership with something called Nostalgia Ventures, been issuing reprints of The Shadow books. The price is $12.95, quite modest considering that in one volume you get two novels and reprints of the original illustrations, a feature that’s both unusual and, I think, a real value-adder. The book that’s on the desk next to my computer would certainly be mistaken for one of the old pulps – same size, same kind of cover and font – until you picked it up and found that, in fact, both the cover stock and the interior stock are considerably better than anything that bore the original work. Inside, there are the novels, plus a couple of pieces by Will Murray, another expert and go-to guy, and an adaption of a Shadow radio show.

And as a comics fan you should care… why?

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Creators are fans too

By and large comics aren’t the best-paying gig around for writers and artists, so people who make a living telling comic book stories are primarily doing it for the love of the medium.  There’s far less of a dividing line between fan and pro than there is in other entertainment media — in comics it’s always been more of a continuum.

And thus we have some nifty posts by professionals talking about the comics they love.

Colleen Doran discusses the new Legion of Super-Heroes cartoon and, erm, a missing element.  Becky Cloonan talks about her love/hate relationship with an old X-Men story as a way of reminding us that "Comics is a teeny TEEENY tiny industry. Anything you say (especially on the Internet) will get back to you."  And Chris Weston presents his sugestions of five artists whom he thinks would be perfect for Judge Dredd, and illustrates why.

Advice from the pros

Not only are "the internets" a great place to find news (for instance, both CBR and Blog@Newsarama have the WizWorld LA scoops more than covered from the fan view, and Marv Wolfman from the pro view), but they’re invaluable as information tools if you know where to look.  One of the best places to read about life as a comic book professional is from the folks living it, who often have valuable words of wisdom to pass along to aspiring writers and artists.

Becky Cloonan talks about the world of Original English Language (OEL) graphic novels from manga companies, and compares how they’re put together here as opposed to the Japanese method.  A must-read for any artist planning on drawing that kind of a workload.

Stephanie McMillan examines how her own work is shifting from strictly editorial cartooning to a more strip-based focus, and how she tries to inject a more activist stance through the ideas she conveys with her writing and art.

And Colleen Doran conveys a couple of great cautionary tales about money — how little most professional writers really make, and the tendency so many creative people have toward throwing their money into get-rich-quick schemes.

The twelve levels of fan agreement

Via Dirk Deppey at ¡Journalista!, we have Ragnell the Foul’s 12 Levels of Comic Book Fan Agreement.

No, it’s not a twelve-step program to combat comic addiction. Rather, it’s a fan hierarchy, ranging from number 1: "Your favorite series is my favorite series" to number 12: "I think your favorite series would be better this way, I won’t even look at it until its changed to be that way, you’re a fucking idiot for disagreeing with me, and I write terrible fanfiction to demonstrate the rightness of my way with a thinly veiled self-insertion character, and a character from another series that I felt was fucked up unless written my way too. Oh, and if you think my fanfic is bad/un-entertaining/uninteresting/not as good as your favorite series, you must personally hate me and everyone who shares my interests."

It’s very good, and I’m tempted to write the 12 Levels of Comic Book Pro Agreement — except we’re going to have certain levels beyond 12 that will include things like "I think your favorite series would be better this way, and I’m going to write a 12 issue maxiseries that shows why I won the Wizard poll" and "I’m the editor, and I don’t care what you think; what I say goes."

Whedon clocks in at The Office

As reported earlier on ComicMix, Buffyverse creator (and writer of Dark Horse’s much-anticipated Season 8 comic) Joss Whedon directed the episode of The Office that premieres tonight. 

Short plot description from NBC’s site: Ryan invites Michael to be a guest speaker at his business school. Meanwhile, Dwight battles a bat that gets loose in the office while Pam (Jenna Fischer) invites co-workers to her first art show.  In her nigh-indispensable blog, Office star Jenna Fischer writes, "I loved having Joss around on set.  He is a huge fan of the show and knew every little detail and nuance about our characters.  As a result, he was very focused on how to direct us to get the very best performances.  I remember one day I was doing background work for a couple of hours and out the blue he came up to me and said, ‘Jenna, I love the reaction you are doing back here.  It’s perfectly Pam!’ He was watching our background performances…so awesome." Jenna insists it’s pure coincidence that the episode happens to feature a bat – which the cast named Gary and which she describes as "super-cute."  That’s so perfectly Pam!

 

Dark Tower – Googling the Mainstream

Has the Dark Tower launch event made it past the usual insular comics fan circles? Let’s take a look:

Four pages via Google News, including articles from Maine Today, the Waterloo Cedar Falls Courier, the Kansas City Star, the Newark Star-Ledger, the San Jose Mercury News, the Toledo Free Press and Cleveland Plain Dealer (of course, the latter is Mike Sangiacomo so that’s a bit of a ringer), the Pike County Courier, the Elmira Star-Gazette, the Kane County Chronicle, the Capital Times, and a few other subscription-only papers. That’s a nice cross-section of coverage around the country!

Stan Lee on Heroes: Geek Factor Upped

The TV series Heroes is bound and determined to rope in not only the mainstream audience garnered by its intricate serial plotline(s), but the comics cognoscenti and related fan hobbyists whence its genre fiction originates. First Christopher Eccleston ("Dr. Who"), then George Takei ("Star Trek"), and now Stan Lee ("The Man") will make a cameo on the show, in a scene with character Hiro Nakamura (Masi Oka, easily the best reason to watch the show for those of us who don’t particularly care for it).