Tagged: fan

HANCOCK TIPS HIS HAT TO ‘MAN-MADE TROUBLES: THE FIVE-MINUTE FRANKENSTEIN!

TIPPIN’ HANCOCK’S HAT-Reviews of Pulp and Genre Fiction in All Media
by Tommy Hancock

MAN-MADE TROUBLES:THE FIVE-MINUTE FRANKENSTEIN
An Anthology by L. Andrew Cooper, Georgia L. Jones, LS King, Christopher Kokoski, Brad PArnell, Thomas Rafalski, Teddi Robinson, Divinity Rose, and Jason S. Walters
BlackWyrm Publishing
2013

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There aren’t many fictional names that conjure vivid images in young and old, fan and neophyte, expert and novice, reader and nonreader, like Frankenstein.   Originally a novel of course by Mary Shelley, a fact almost every modern person in existence over the age of 12 probably knows, the concept of Victor Frankenstein stitching together parts of various corpses and charging it with life has gone so far beyond Shelley’s original pages.   The indelible images of the Doctor and his Monster are so engrained in our society and consciousness that effort is made by many to prove that both the human and the created being actually existed or at least had basis in reality.  Still others have taken the Frankenstein tale and retold it in different settings, updated it for modern consumption, or simply taken the themes of the original tale and woven those now classic tropes into new tales.

All of that and more is exactly what the writers of MAN-MADE TROUBLES: THE FIVE-MINUTE FRANKENSTEIN have done with some success.

As stated in the book’s introduction, this is a collection that came out of a group of writers associated with BlackWyrm Publishing discussing doing a Frankenstein anthology.  The plan for the collection seems fairly simple and straightforward, with an interesting twist.  Writers were to write a tale about or inspired by Frankenstein, either the doctor, the monster, or both, and to link either directly or thematically to the source work.  The kicker was, however, that each writer only had four pages to do so, about 1200 words to tell a complete story.

The result of this interesting set of rules turned out to be a rather enjoyable mix of horror, humor, and even adventure as well as a revealing look at just how much we as mere humans connect to the Frankenstein mythos.  The stories range from starring the Monster himself as well as various Frankensteins to simply being about the feeling of one’s life being nothing but mismatched parts of others’ experiences.  Dystopian futures are a common element in more than one tale.  An interesting twist on a classic fairy tale with a hint of Monster is included as well.  Ranging from the straightforward to the abstract, the short short tales in this collection pretty much all hit the mark they aimed for.

Were some better than others? Sure.  The stories by Georgia L. Jones, Divinity Rose, Christopher Kokoski, and Jason S. Walters stand out, but all the tales were fine entries in this quirky collection.

A setback for readers, however, may be the price of the print edition.  It’s a ten dollar book on paper, but the ebook is only 99 cents.  It’s well worth that and more to enjoy this, so if the money’s an issue, pick it up digitally!

THREE OUT OF FIVE TIPS OF THE HAT-The stories are overall fun and engaging, with a few near misses, but definitely an interesting read overall!

Sunday Cinema: Wonder Woman fan video making the rounds

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Jesse V. Johnson, the director behind Anchor Bay‘s The Package and the recently announced Kill ‘Em All, John (both vehicles for former wrestler “Stone Cold” Steve Austin) used $3500 and a bunch of favors to make a fan film to demonstrate his chops beyond direct-to-video action fare. He cast Danish singer Nina Bergman as Wonder Woman and got Peter Stormare and Sons Of Anarchy‘s Timothy V. Murphy to play oily Nazis. The resulting video, produced by Hugh Daly and Faz Brahimi and aided by Johnson’s Station 3 manager and producing partner Kailey Marsh, can be seen here…

JIM BEARD TAKES A TRIP TO SKULL ISLAND

  • News
  • February 16, 2013
Art: Joe DeVito

New Pulp Author Jim Beard reviews Altus Press’ Doc Savage “Skull Island” novel by New Pulp Author Will Murray.

DOC SAVAGE: SKULL ISLAND
A review by Jim Beard

If you’re like me, you probably wondered what exactly we’d be getting in the new Doc Savage novel, SKULL ISLAND, it being both a Doc story featuring King Kong and a way to celebrate the 80th anniversaries of both legendary creations. Well, after reading the book, I’m happy to report that author Will Murray’s put some definite heart and soul into it and crafted what is now my most favorite of the recent “Wild Adventures of Doc Savage” series of novels.

But, that said, it’s different from just about any other Doc book you’ve ever read, something we’re clued in on by the “Will Murray” byline and the absence of the traditional “Kenneth Robeson” house name.

For me, the story was literally one that I didn’t want to put down; it’s that engaging. It begins at the end, right after Kong’s infamous nosedive off the Empire State Building, which leads directly to Doc’s involvement – or, rather, his telling of a tale to his aides of when he first met the giant simian. Yes, the great majority of the novel is a flashback to Doc Savage’s early days and therein is found its fascinating core. In essence, what we have here is the heretofore Secret Origin of Doc Savage.

Doc and his father – yes, you read that right; his father – head off on a quest for Doc’s grandfather, Stormalong Savage, which takes them into strange waters and exotic climes…and ultimately Skull Island. There they run afoul of enemies of many different stripes and discover wonders beyond their imagining. And a humongous ape-like “god-beast” called Kong.

Murray’s defining of the relationship here between Clark Senior and Clark Junior is practically worth the price of admission alone. This is a young Doc, fresh out of World War I and not exactly the bronze hero of the pulp adventures we know so well, and it’s with that admission that I can see some potential backlash with diehard Doc fans. This is a Doc who has not quite found his mission in life yet, nor honed all his skills and formed his famous tenets – most especially the rule against killing. This Doc kills and kills in often savage ways, which at points drenches the narrative in a bloodbath that may even disturb some readers. But, and it’s important to point this out, there’s a method behind Murray’s seeming madness – it all leads to something and something significant, namely the forging of the Doc Savage of the famous pulp adventures. And Murray does this all with style and careful thought and exciting imagery and action.

One of the things I loved about this novel is its use of language, precisely that which flies back and forth between elder and younger Savage in many bouts of witty verbal “fencing.” Will Murray has obviously crafted all his Doc books with care, but in SKULL ISLAND I believe I saw even more attention to detail, to dialogue, to atmosphere and to adventure. The story moves right along, only slightly bogging down a bit past its mid-section, and really defines the term “page turner.” Murray gives this one his best and finest and the book benefits from that in ways too numerous to list.

As I said before, this is a story of origins. Here we learn the origin of Doc’s trilling, of his disdain of guns and his inexhaustible search for knowledge, even the origin of the Hidalgo Trading Co. hanger. We also discover more information on the Savage family then we’ve ever had revealed to us before and hints of not only some of Doc’s other early adventures – did you know he was on the Titanic? – but also those of his father and grandfather, both famous explorers in their own right. Heck, we even hear about Doc’s uncle, another adventurer in the family. I wouldn’t be at all surprised if the author is suggesting here that readers might care to hear more of these adventures, as separate works.

But, again, it’s the relationship between father and son that really stands out in the novel, one that careens between dysfunctional and loving, and it’s that which will stay with me for some time to come. In fact, knowing the fate of Clark Savage Senior in 1933’s MAN OF BRONZE will perhaps add another layer of pathos to your reading of SKULL ISLAND.

And, oh yes, King Kong is here, too. You will discover much more about his origins, also, as well as Skull Island’s original inhabitants. And that’s all fascinating as well. Dinosaur fans will especially have reason to love this book. Kong and his environs are not given short shrift in the slightest; the King looms over this book with all the weight and gravity he deserves.

In all, I’m a richer pulp fan for having read SKULL ISLAND. Will Murray takes our expectations and delivers upon them while still striking off on his own path, assembling a story that will please both Savage and Kong aficionados and remind us all just how cool pulp can be. There’s heart and soul here, like I said, and I for one can’t quite see how Murray will manage to top this one….but I know he will, somehow.

Get this book and settle in for a trip to the South Seas and beyond, Savage style.

FORTIER TAKES ON THE LATEST SENTINELS-METALGOD!

  • News
  • January 31, 2013

SENTINELS : METALGOD
By Van Allen Plexico
White Rocket Books
189 pages
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Getting this book was pretty much like getting an extra Christmas gift for this reviewer.  Go through these archives and you will discover we’ve been reading Van Plexico’s Sentinels series since day one; and applauding all of them.  Of course the inherent danger with any long running series is that the writer will become tired of the concept and characters and begin to offer up deluded stories missing the verve and punch of his or her earlier entries.
Well, rest easy, Sentinel fans old and new, “Sentinels – Metalgod,” is another top notch chapter in the saga of Earth’s mightiest super-heroes.  Without skipping a beat, this new book picks up where the last story arc end; the cataclysmic battle between the Sentinels and a trio of super beings all bent on the complete destruction of our planet. (Note, if you haven’t read those books yet, you have some serious catching up to do.)
So in the wake of the Sentinels miraculous victory over these outer space threats, the team finds itself divided.  With their leader, super powerful Ultraa, locked in stasis in a giant red gem, Pulsar (Lyn Li) returns to Earth with the remnants of the team minus scientist Esro Brachis who has opted to visit the alien worlds of Kur-Bai Empire with Mondrian, a beautiful Captain in the Kur-Bai Starfleet with whom he is infatuated.  They are traveling with aboard a fleet starship commanded by Devenn, leader of the Kur-Bai super warriors known as the Elites.
No sooner does Pulsar and company return to Sentinels HQ then a new super being calling himself Law appears and, taking control of the Earth’s communications satellites, broadcast a warning that the Kur-Bai areactually planning to an invasion the Earth.  It falls squarely on Pulsar’s shoulders to deal with this mysterious new character while at the same time trying to recruit new members to help bolster the team’s decimated ranks.
At the same time the Elites, nearing their home world, are attacked by a Kur-Bai starship crewed by powerful robots called Eradicators.  Esro and the Elites discover a military junta has taken over the governing body of the empire and they have been labeled outlaws to be captured and imprisoned.  Barely managing to foil the Eradicators, they make their way to a Kur-Bai space station and there learn the full extent of the events that have befallen their people.  A power-hungry admiral of the fleet has successfully orchestrated a coup, killing thousands of loyal citizens in the process. A full scale civil war is about to erupt throughout the empire and Devenn and his Elites are caught right in the middle.
Those of you who are fans of this series understand itshomage to Marvel Comics’ Avengers.  “Sentinels – Metalgod,” now tips its literary inspiration cap to that classic sci-fi TV series, Babylon 5.  Filled with political shenanigans, outer space battles, empire civil wars this book catapults readers into a whole now universe of action and adventure while at the same time injecting it with a marvelous wry commentary on today’s shallow attitudes about fame and popularity.  The scenes of Pulsar meeting her German based fan club had this reviewer in stitches.  Plexico’s enthusiasm for this series has never been stronger and that is evident on every single page.  If you aren’t a Sentinels fan yet, it’s high time you checked it out. This kind of reading fun doesn’t come along every day.

Saturday Morning Cartoons (kinda): X-Men Stop Motion

  • News
  • December 22, 2012

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The 1990s “X-Men” cartoon holds a special place in the hearts of many a fan, but that theme song– great the first 50 times, but if you’ve ever been at a comic convention next to a dealer that had the thing playing on a loop, you wanted to tear down their booth with your teeth after an hour.

Anyway, the team of Kyle Roberts, Nathan Pope, Zach Zellar and Colin Nance have created their own take on the famous opening. Take a look:

HANCOCK TIPS HIS HAT TO TV TIE-IN CLASSIC!

  • News
  • December 12, 2012
TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
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MANNIX
By Michael Avallone
Published by Popular Books, First Edition, 1968
It’s not every day you walk into your local pharmacy and someone hands you three books that you’d only heard about, but never actually expected to have.  Now, these particular books wouldn’t be a big deal if you weren’t a detective fan, a follower of mystery/detective TV, and a big TV tie-in novel type person.  In other words…me.
One of those treasured jewels was the first novel based on the 1960s-70s detective show, MANNIX.  No, I don’t mean the numbered series that came out seven years or so after this one but the very first novel commissioned based on the television show.  Written by Michael Avallone, this is Joe Mannix while he was still with Intertect, battling it out with Lew Wickersham and flirting his way through all the technology and the ladies in the office as he delivered a bit more of an old fashioned two fisted approach to the job of modern private investigation.
This novel, on that level, definitely doesn’t disappoint.  It delivers as if it were a 124 page episode of the show.   It opens with Mannix playing tough guy to a damsel who isn’t all she appears to be at first as he wraps one case while the next is being set up.  A young, petulant heiress with kaboodles of bucks and a whole ton of boredom with life is approached by a man lowered from a helicopter about doing espionage work for her country.  As she jumps at the chance, she later discovers that her new friend only has one interest in her country- harming it – and in her -using her to disgrace an American official.  Blackmailed into it, the heiress stumbles along, desperate for a way out.
In the meantime, Intertect is put on the job and Wickersham puts his best agent as well as the one who frustrates him the most on the playgirl’s trail.  Mannix must determine who she’s spying for and deal with her and the situation in a way where everyone wins and Intertect comes out smelling like a rose.   Mannix’s first plan of action is to get into a costume party and get his tail end kicked by a number of costumed millionaires.  And it gets fun from there.
This is, as I’ve already stated, definitely a first season Mannix book.  It fits the tone of the series extremely well and Mannix has all the charm, irascibility, and toughness that fans loved about how Mike Connors played the character and that basically became his stock and trade after Mannix leaves Intertect to go on his own in the second season.    Wherever Mannix is in this book shines and made me smile, ready to add a few seasons of DVDs to my collection.
Now…when Mannix isn’t in the action, then the book loses a bit of its sparkle.  The other characters do not get the attention to character that the author gives to the lead.  Even the heiress, who gets quite a bit of page time, is way too two dimensional by the end of the book to be believed.  The bad guys don’t seem particularly bad and the threat level throughout the book isn’t one that makes you worried for anyone- except for Mannix, but most of the threats to him are caused by something he says or does.

This is a great book for fans of tv detectives and tie-ins. As a book all on its own, though, I’ve read better.

THREE OUT OF FIVE TIPS OF THE HAT-Enjoyable read, love the way Joe Mannix comes off the page.  I just wish that there were real people populating the book around him, not cardboard cutouts.

A Doctor a Day – “Dalek”

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Using the new Doctor Who Limited Edition Gift Set, your noble author will make his way through as much of the modern series as he can before the Christmas episode, The Snowmen.

Mr. Henry Van Staaten owns the Internet.  He also has a museum of alien artifacts under Utah, including a Slitheen claw, a Cyberman head, and a…

DALEK  
by Robert Shearman
Directed by Joe Ahearne

“Broken…broken…hair dryer…”

The TARDIS lands in 2012 (!) in Utah, or more precisely, under it.  They’re in the personal horde of Henry Van Statten, an impossibly rich American who obtains alien artifacts, reverse engineers their technology, and sells it for profit.  The Doctor picked up a distress call from his one living exhibit, a mysterious creature that Van Statten calls a Metaltron.  Only when The Doctor sees it does he realize what it truly is – a Dalek, which somehow survived the Time War and fell back in time to Earth, damaged and alone.  The Doctor immediately tried to destroy it, but Van Statten, not wanting his most valuable item damaged, stops him.  But when Rose tries to reach out to the creature, touching it, the Dalek is able to user her DNA, charged with the energy of time travel, to restore its systems.  In seconds it breaks free of his chains, absorbs the power grid of the western United States, and downloads the Internet, searching for information about his people.  Finding nothing, it resorts to the primary command of all Daleks: exterminate.

Pretty much as soon as the new show was announced, questions came up as to when the Daleks would appear.  The show was shot into the stratosphere once the Daleks appeared, and they’ve been linked inextricably ever since.  The Daleks almost didn’t make it to the new series of Doctor Who, and it was all Steve Martin’s fault.  When he was to appear in the film Looney Tunes: Back in Action, he insisted they include a Dalek in a madcap scene full of old movie aliens.  He was a big fan of the series, and thought it’d be a nice tip of the hat.  Permission was asked, but the estate of Terry Nation, who controls the rights to the characters, was not.  This caused offense, so when the BBC asked to bring them back for the new series, the estate originally refused.  When Steve Martin heard about it, he wrote a personal letter to the estate explaining the situation, and apologizing personally.  This calmed everyone down, and the proper paperwork was signed to allow the characters to appear.  But for about a month, Robert Sherman was forced to work on a draft of the script with another alien.

The new Dalek was designed to match the height of Billie Piper, so she could look it in the eye.  Similarly, the New Paradigm Daleks were designed to match Karen Gillan’s eyeline.  But in a recent interview on the BBC website, Steven Moffat wonders that making them too big was a mistake. “They’re scarier when they’re wee”, he says.  The scene of the Dalek at the bottom of the stairs was a clear reference to the classic gag about not being able to climb stairs. But of course, in the original series, Daleks had found a fix for this long since. They had anti-gravity mats in Planet of the Daleks, but the big reveal in Remembrance of the Daleks as the Imperial Dalek slowly floats up the stairs was the scene that had fans laughing and squeeing.

Nicholas Briggs, the voice of the Daleks, got his start working on fan productions and the Big Finish audio dramas.  He’s also provided voices for the Cybermen, the Nestene and the Judoon.

Eccleston played the episode as positively bloodthirsty.  After several episodes of offering the aliens a chance to leave in peace, he does not hesitate to try to kill it.  His rage at the Dalek, and later at Van Statten is a sight to see.  Billie Piper has equally good scenes against the Dalek from the other side of the spectrum, trying to help the unstoppable tank who is trying to get the hang of feelings.  This could have been a perfect final Dalek adventure, but as you’ll see, they’re far from gone.

There are a lot of parallels between this episode and the first of this season, Asylum of the Daleks.  Both this Dalek and the tragic prisoner in Asylum are kept in chains, and both are more than a little conflicted by being a mix of human and Dalek.  Both are capable of amazing destruction all on their own, even as far below the surface of their respective planets.  The idea of human and Dalek hybrids has been a theme as far back as Evil of the Daleks, where The Doctor introduces a “Human Factor” into a number of Daleks to start a civil war between factions.

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iVerse and Top Cow Launch Try ’em before you Buy ’em Program

WACO, TX – 12/5/12- iVerse Media and Top Cow are offering, for a limited time, free trial programs to help celebrate the recent relaunches of Witchblade, the Darkness and Artifacts.  These three popular franchises recently kickstarted fan passions with new storylines. In order to continue to drive excitement, iVerse wants fans to be able to sample each of these series at no risk.

“We’re thrilled to help spread the word on these exciting series,” said iVerse CEO Mike Murphey. “We like what Top Cow is doing and want to do whatever we can to help fans find out what which series they like best.”

Fans can use the codes below to get the issue for free:

Artifacts #14-22 Bundle = TCARB12

Darkness Bundle #101-107 = TCDRB12

Witchblade Bundle #151-161 = TCWRB12

Fans can just go to the “more” section in the ComicsPlus app, click on “redeem” and enter in these codes.  But fans are encouraged to hurry, as this offer expires on March 5, 2013.

HANCOCK TIPS HIS HAT TO ‘HUNT AT WORLD’S END’!

  • News
  • December 5, 2012

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
HUNT AT WORLD’S END
By Nicholas Kaufmann (writing as Gabriel Hunt)
Gabriel Hunt created by Charles Ardai
Published by Leisure Books, 2009
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There’s something to be said for archetypes.   We enjoy them, we return to them, many sociologists and psychologists say that they are essential to our survival as individuals and a race.  And being a fan of Heroic Fiction and particularly of Pulp, I am darn glad that writers today believe in archetypes as well and don’t shy away from writing a story around a character who is like some previous creation or reminds readers of that guy in that movie.  Many good tales are written because writers, too, enjoy playing with archetypes.
Enter Gabriel Hunt. 
Created by Charles Ardai, the genius behind the Hard Case Crime books, Gabriel Hunt is one of two brothers whose parents mysteriously disappeared and are believed dead.   The brothers are now entrusted with the operation of the Hunt Foundation, which Gabriel leaves largely to his brother Michael while he travels the globe rescuing lost artifacts from the wrong hands in efforts to give them to museums and, if necessary, saving the world in the process.
Sound a tad familiar?  Yes, there are definite shades of Indiana Jones and other such fortune and glory for museums types in Hunt.  But in this tale that opens with a bar fight in an Explorer’s type club and involves chasing down three jewels and an ancient Hittite device, Hunt definitely steps out as his own character.  This is both a blessing and a curse for the story.
The action is well paced throughout HUNT AT THE WORLD’S END, the third novel in the series, and leaps off the page at the reader.  The characters are engaging, colorful, and run the gamut of beautiful I-Can-Take-Care-of-Myself damsel, over the top villain, and even an ancient cult of scaries with worldwide membership thrown in for good measure.   The build up of and resolution of the adventure is nearly flawless.  And Hunt himself provides a heroic figure that the book revolves around easily.
Mostly.
It seems that many writers feel the need to write characters in Heroic Fiction today that will hopefully have a broader market appeal than typical concepts of Heroes as we see them.  There have to be flaws, there must be angst, there have to be internal complications that give breadth, depth and color to the hero, even in some cases making him seem less than heroic.  This is supposed to, I think, make him appear more heroic when he works his hero mojo.
In HUNT AT THE WORLD’S END, all this sort of characterization, most of it done as internal narration, accomplished was to make Hunt seem insecure, arrogant, and whiny.  The middle of the novel is bogged down with Hunt’s concern over a particular cast member being involved in their hunt, his love or interest or whatever he has in the aforementioned damsel, and there’s even a hint of regret for his chosen life thrown in.  All of this is fine if it’s handled correctly, but the way it’s presented in this book makes Hunt’s subsequent heroic actions seem hollow, false.
Another point about this book- and this is more the writer in me, not the reviewer, complaining- is the fact that it is written under a house name of the lead character.  Gabriel Hunt wrote the book and yet it’s in third person.  It would have been much more affective to have this tale told in first person and would have made some of the above mentioned issues with whininess a little easier for the writer- and the reader- to deal with.
THREE OUT OF FIVE TIPS OF THE HAT- HUNT AT WORLD’S END is a great actioner, wonderfully paced with plenty of derring do and baddies for the good guys to contend with.  I just wish I liked the hero more than I did and that maybe in this instance, the author would have stuck a tad more to the archetype than trying to broaden his reader base (that he was doing that is only my assumption, but still…this is my review).

TWO NEW EPISODES OF THE SHADOW FAN PODCAST ARE LIVE!

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Shadow Art: Michael W. Kaluta

The Shadow Fan Podcast hosted by New Pulp Author Barry Reese is back with two all-new episodes.

The Chinese Disks
The Shadow Fan returns with another episode, filled with discussion on the greatest of the pulp heroes! In this episode, host Barry Reese talks about the continuity heavy “The Chinese Disks,” The Shadow Annual # 1 (1987) and the arrival of Moe Shrevnitz to the series. What could be better than spending a half hour talking The Shadow with a fellow fan? Download today!

Listen now at http://theshadowfan.libsyn.com/the-chinese-disks

The Murder Genius!
We return for our seventh episode and this time around, we have Shadow news, three different reviews, an Agent profile *and* listener feedback! Let us return to the Sanctum!

Listen now at http://theshadowfan.libsyn.com/the-murder-genius

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