Tagged: fan

Win a Copy of Transformers: The Japanese Collection – Headmasters

transformers_japanese-_headmasters-_product_shot-272x450-5803484Capitalizing on the popularity of Paramount Pictures’ third installment in the live action Transformers franchises, Shout! Factory is releasing the long-awaited Japanese animated series which we talked about previously. The DVD set is coming out on Tuesday and to celebrate, we have one copy to give away to a lucky fan.

All you have to do is give us your best educated guess what the total domestic box office revenue of Transformers: Dark of the Moon will be when the theaters close at the end of business on Monday, concluding the holiday weekend. We want your guess by 11:59 Monday evening and the winning tally will be based on the finals as released by our friends at Box Office Mojo on Tuesday.

Meantime, here’s a look back at The Transformers: The Japanese Collection — Headmasters. The four disc set will come complete with Original Japnese Audio, English Subtitles, and an Art Gallery.

Scarface Comes to Blu-ray in Style

scarface-beauty-shot-rendering_mps_rev-300x235-4222185Coming in September is the Blu-ray debut of the classic Al Pacino film Scarface on September 6. Universal Home Entertainment is sparing nothing to make certain this becomes quite the event. There have been art contests and now there’s the imminent arrival of the Scarface-themed humidor.

For the ultimate collector and cigar enthusiast, an elegantly hand-crafted Scarface-themed humidor will be made available in an exclusive, never-before-available, limited edition, along with the new Scarface Special Limited Edition Blu-ray.

Created by the renowned Daniel Marshall, the humidor’s exterior is hand painted and polished with the Marshall’s trademark “1000 coat brilliant finish.”  The interior – made with untreated Spanish cedar – will properly condition and age approximately 100 cigars at optimal humidity levels. Limited to 1,000 worldwide, each individually numbered humidor comes embellished with custom medallions inspired by the iconic film and includes a certificate of authenticity.

As seen in the photo above, The Scarface Special Limited Edition Blu-ray also includes art cards from the “Scarface Kingpins of Design” fan art contest where fans had a once-in-a-lifetime opportunity to design Scarface-inspired artwork using classic Tony Montana images from the film. (more…)

HANCOCK TIPS HIS HAT TO A TOME ON THE SHADOW!!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock

THE SHADOW-The History and Mystery of the Radio Program, 1930-1954
Written by Martin Grams, Jr. 
Published by OTR Publishing
2011
830 pages

Reviewing Pulp is fun.  Reading a story full of derring do and dastardly do badders is invigorating.  Tackling a novel with larger than life heroes and plots that boggle the mind and senses makes me eager to pick up the next one and share with the world what I think.  I think the process of reviewing, of sharing insight and opinion on anything has to be, at its basis, fun for the reviewer.  Many would think, then, that tackling a book that is nonfiction, historical, and full of facts and such would be boring for a Pulp reviewer.  Maybe so.

But not this book.  Wow.

THE SHADOW-The History and Mystery of the Radio Program, 1930-1954, written by Martin Grams, Jr. opens with both of those on the first page-history and mystery.  Welcoming the reader in with opening paragraphs that could well be the lead in of a pulp story in any magazine or collection, Grams takes what some might consider mundane information only for the most die hard of radio and/or Shadow fans and makes this entire work a sprawling, epic narrative bulging not only with what happened, but why things happened and who was involved.  Grams tackles the variety of personalities involved in the development of the Shadow radio program and injects the feats and fallacies of all involved into every page.

This book is exactly what the title states, an extremely complex and comprehensive history of the phenomenon that was the long running SHADOW radio program.   Grams starts with the origins of the character as a narrator for pulp tales and step by step takes the reader through the growth spurts and growing pains of the program that truly made The Shadow a part of the modern pantheon of American heroes.  Although one would think that there would be urges to devote a lot of space to Orson Welles’ time on the program or to the intricacies and involvement of Street and Smith, Grams not only gives those and other well known aspects of this history their due, but he brings into light so many, one would daresay every aspect of this show and then does something even more startling.  He makes every bit of it interesting, from the details about all the creative minds involved to the advertising to the effect that this program had on the industry and society alike. 

One stand out section of this fantastic work is the episode guide.  Grams is meticulous in not only describing the episode, but the way his guide is constructed lets you know not only where everything fits in continuity, but also gives you a sense of the impact of many of the episodes.  This is not simply a reprinting or even a presentation of a new broadcast log or notes taken on each episode.  Grams did a truly masterful job of providing information that was simultaneously educational and gratifying in this well done blow by blow episode guide.

THE SHADOW-The History and Mystery of the Radio Program, 1930-1954 is a must read for so many people-For the die hard pulp fan; for the Shadow fan; for the reader interested in OTR; for students of American culture; for the casual reader who wants to be exposed to multiple interests all at once; and probably several others I’m forgetting.   This may sit on shelves as a reference or research book, which it is, but it is also highly entertaining and engaging.

FIVE OUT FIVE TIPS OF HANCOCK’S HAT-The Shadow may know what evil lurks in the hearts of men, but nobody knows the Shadow radio program and its history like Martin Grams, Jr.

Reviews from the 86th Floor: Barry Reese looks at Howard Chaykin’s The Shadow


THE SHADOW: BLOOD & JUDGMENT
Howard Chaykin
Published by DC Comics

This was the era of Watchmen. Of The Dark Knight Returns. It was the boom of grim and gritty. Howard Chaykin, whose brilliant American Flagg! was already a modern masterpiece, was chosen to bring The Shadow back to life for DC Comics. He elected to bring the character into the 1980s rather than stick to being a period piece and he approached The Shadow with obvious knowledge but not necessarily a fan’s reverence. He had no problem ramping up the sex and violence, while emphasizing the fact that The Shadow himself is a grade-A jerk.

We get to see Kent Allard’s transformation into The Shadow, as well as he met Lamont Cranston, via flashback — and we learn that the real Cranston is a major jerk. A jerk who still hates The Shadow, even in the 1980s. Killing off The Shadow’s old aides in order to draw the mysterious vigilante back to the scene, Cranston is aided by a slutty secretary and an idiotic clone. He hopes to force The Shadow to take him back to the lost city where The Shadow gained his powers but he doesn’t count on treachery in the ranks, nor does he realize just how dangerous his old enemy truly is.

Classic artwork from Chaykin and a story that hits on nearly all cylinders, this is one of my favorite pulp-to-comics transformations. Chaykin avoided being a pastiche by updating the character and refusing to place him on a pedestal. While the ongoing series by Andy Helfer that followed was a piece of steaming dog poo, this kick-off miniseries deserves a place on every pulp fan’s shelf. It’s proof that the classic pulp heroes can work in the modern day.

I give it 5 out of 5 stars.

M.A.S.K.: The Complete Original Series Arrives in August

One of the earliest comics series I inherited as an editor was M.A.S.K., based on the toys and cartoon series. I have no recollection how or why DC Comics acquired the comics rights but it was handed to Mike Gold shortly after he arrived on staff. He tapped the versatile Mike Fleisher as the writer, helping burn off contractual obligations. Better, he assigned the artwork to Curt Swan who needed something regular to produce after losing the Superman assignments. Inking was Kurt Schaffenberger so at least it looked good. I helped Mike get the series up and running then edited it a few issues before I handed it off to Mike Carlin to wrap up.

I never played with the toys or watched the cartoon, but thanks to Shout! Factory that can be rectified as seen in the following press release:

This Summer, loyal fans and collectors can finally bring home one of the most enduring animated adventures from the 80’s when the long-awaited M.A.S.K.: The Complete Original Series DVD box set debuts nationwide on August 9, 2011 from Shout! Factory, incollaboration with FremantleMedia Enterprises. Poised to attract an audience of kids, young adults and parents who grew up with this animated series, this 12-DVD box set contains all 65 action-packed episodes – known to fans as the original series aired in 1985, as well as insightful bonus features.  A must-have for collectors to complete their pop culture video library, M.A.S.K.: The Complete Original Series is available for pre-order now from Amazon.com and major retailers. (more…)

GUEST REVIEW OF UNIT 13 BY ANDREW SALMON! CANADIANS UNITE!

A Review Of Granton City Press’s UNIT 13 By Andrew Salmon

  
unit_13_cover-4554289
With the New Pulp movement in full swing these days it’s high time pulp fans took a look at what our fellow pulpsters north of the border are up to. Case in point: Unit 13 The Horrors of Altenschatten by Calvin Daniels and Tyrell Tinnin.
    
I really enjoyed this book and am anxious to see where further adventures will take this colorful cast of characters.
    
The novel gives us the inaugural adventure of Unit 13, a secret, elite military force fighting in France during World War One. Lead by Sergeant T.S. Crake, Unit 13 is not your average squad. In fact the war to end all wars depicted here is not your great, great grandfather’s fight. No, this conflict is more in keeping with Kurt Busiek’s Arrowsmith. Magic abounds and mythical creatures are fighting on both sides. Here’s where Unit 13 comes in.
    
Comprised of an enormously powerful Tollgre named Grymm, The Starling – a sultry female sniper/assassin, a wily First Nation Indian named Smoke, Solstice – an African-American with gloves which harness the power of the sun and Centurion a steampunk cyborg, Unit 13 takes on all comers and this is not a group you want to mess with.
    
Yeah, there’s something for everyone in this unit.
    
But the fun doesn’t stop there. Early in the tale they encounter Chimera who is the product of German medical experiments to create an army of super soldiers. Like his namesake, Chimera is half-lion, half-lizard and one dangerous customer. Once converted to the side of right, Chimera fills them in on the horrible experiments being conducted at Altenshchatten Castle to which the capture Grymm has been taken.
    
It’s Unit 13 to the rescue! And the bodies, body parts, blood and guts begin to fly!
    
The novel is a great action ride that should satisfy any fan of pulp or adventure fiction. The writing can be a little uneven at times and the narrative jumps around, sometimes jarringly, but there’s still more than enough thrills to keep you turning pages.
As this is the first adventure of the group, a goodly portion of the text is given to filling in character back stories while laying the groundwork for future tales. Here the jumping around nature of the novel is a benefit as we don’t linger too long with any one character, or group of characters, at one time.
All in all, the book is a great read which I recommend. At only $13.99 you get 218 pages of WWI excitement mixed with magic, mayhem, superheroic action, a little romance and some betrayal to sweeten the pot.
    
 Unit 13 The Horrors of Altenschatten is one of the best examples of what the New Pulp movement is all about. Check it out.

Win a Copy of Rocko’s Modern Life

One of the earliest hits on Nickelodeon was Rocko’s Modern Life and Shout! Factory is bringing out the first season on DVD next week. To celebrate, we have three copies to give away to ComicMix fans.

Flash back to one of the most beloved animated Nickelodeon series from the 1990s when Rocko’s Modern Life: Season One 2-DVD set arrives in stores nationwide for the first time on June 21, 2011, from Shout! Factory. Featuring all 26 wacky adventures of an Australian wallaby and his pals in 13 original episodes (two segments per episode), this DVD release has long been anticipated by fans but has not been available in stores until now. The collectible Rocko’s Modern Life: Season One DVD is priced to own with a suggested retail price of $19.93.

Created by award-winning animator Joe Murray for Nickelodeon, Rocko’s Modern Life is one of the most enduring Nick animated classics. The hit series boasts an all-star voice cast – Carlos Alazraqui (CatDog, Reno 911), Tom Kenny (SpongeBob SquarePants, Transformers animated series), Charlie Adler (The Super Hero Squad Show, Transformers), and Doug Lawrence (SpongeBob SquarePants,  Camp Lazlo).

To win, all you have to do is post your favorite Rocko memory by 11:59 p.m., Monday, June 20. The judgment of ComicMix will be final. If you never saw the show, feel free to share your favorite Nickelodeon memory as a substitute.

A favorite with viewers and critics alike, Rocko’s Modern Life debuted in 1993. Over the course of its four-season run on Nickelodeon, the series garnered a Daytime Emmy® Award and an Environmental Media Award. Brimming with anthropomorphic social satire and offbeat humor, Rocko’s Modern Life follows the misadventures of Australian wallaby named Rocko, who encounters various dilemmas and situations regarding otherwise mundane aspects of life. His best friend, Heffer, is a fat and enthusiastic cow, while his other friend, Filburt, is an easily upset turtle who often feels uncomfortable or disturbed.  Ed Bighead lives next door to Rocko and detests him. These folks live in a bizarre district known as O-Town, and most of the episodes revolve around Rocko trying to cope with the absurdities and dilemmas he encounters in life.

Review: ‘The Man from Atlantis’

man-from-atlantis-1269311In the 1970s, NBC was the network you could turn to when seeking high concepts series that never lived up to the expectations of its audience. A perfect example was Man from Atlantis, a short-lived concept about a man who could live under the sea.

One of the interesting conventions of the time was that concepts would be allowed to grow and develop through telefilms before a show went to series. In this case, there were four such films produced for the 1976-1977 season before the strong ratings convinced the Peacock Network to let this go to a weekly series. When it arrived in fall 1977, the demands of producing 22 episodes proved too much and the show was weakened, the ratings fell and the series became a footnote; another wreck during the network’s decline (Supertrain anyone?).

Warner Archive has recently released the pilot film on DVD and it’s interesting to see what could have been. Patrick Duffy, in his pre-Dallas days, played amnesiac Mark Harris who displayed the ability to breathe underwater and withstand the crushing deep sea water pressure. The producers extrapolated that he would need webbed hands and feet and the deep sea environment would mean he would have super-human strength out of the water. Found by the government, Harris is asked to work for the Foundation for Oceanic Research, a front for top secret activity. He is accompanied by a team of humans (co-stars Belinda J. Montgomery and Alan Fudge) aboard the high-tech sub called the Cetacean.

The real delight in the show is Victor Buono, the rotund character actor ComicMix fans recall as King Tut, but was a mainstay on prime time for years. His Mr. Schubert, the series’ antagonist, was a charismatic villain. (About the only episode I ever liked was the one that displayed Schubert flat broke after all his previous schemes failed; I had never seen a villain displayed in this way before.)

The pilot’s pacing is slow and everything has to be spelled out for the audience, a common downfall to debut episodes. The 96 minute running time should have allowed more interesting character development but such was not the expectation of science fiction shows of that decade. Duffy was fine as Harris, a bit dull for a hero, but he swam really well.

Marvel did far more interesting stories in their short-lived comic adaptation and the series remains popular with some fans so if you’re curious, this is a fine way to sample the show for yourself.

ALL PULP INTERVIEWS PULP ARTIST JOE JUSKO!

AP:  Joe, Welcome to ALL PULP.  First, tell us a little about yourself please, sir!
JJ: Thanks! I’ve been a professional illustrator since 1978 when I sold my first cover to Heavy Metal magazine at the age of 18. Since then I’ve worked for just about every major comic company producing everything from covers to posters, trading cards, and fully painted sequential stories.
AP:  You are involved in the FRANKENSTEIN MEETS THE WOLFMAN project coming up in FAMOUS MONSTERS OF FILMLAND magazine.  How did you get to be a part of this adaptation?
JJ: Facebook is a wonderful thing! Martin Powell and I follow each other’s pages and realized we both had a love all things monster in common, particularly the old Universal Monsters films and Famous Monsters of Filmland magazine. Martin contacted me to inquire as to my interest in painting the cover to his filmbook adaptation for FM and I jumped at the opportunity! I have wanted to see that Famous Monsters masthead over a piece of my art since childhood. I can’t believe after all these years it’s actually happened! Cross one more thing off of my bucket list!
AP:  The cover you’ve done for the magazine the adaptation will appear in looks fantastic.  Was there any particular scene or maybe even other influence you drew inspiration from for that cover?
JJ: Well, when you think of that film the (much too brief) climactic fight is invariably the first thing that comes to mind. If you were going to paint one image to represent the movie that would have to be it! I had seen it painted before but without the surging water from the exploded dam. That is such a dramatic element I knew from the very start I’d be including it in the painting. I had thoughts about showing the dam blowing up through a window but decided against it for compositional and narrative reasons. If you know he film you know where the water is coming from and if you don’t maybe you’ll want to find out.
AP:  As an artist, can you outline your process of creating a painting or drawing for a project?  Are there any steps you go through, any particular techniques you use each time?
JJ: Geez, that is such an involved answer. Actual steps vary from piece to piece but in general I first try to determine what scene will make the most effective and eye catching image for the cover. It’s my job to get the potential reader to pick up the magazine in the first place. Once I decide on a scene I’ll work up a quick layout or two to see if my idea will work. I very seldom do more that one or two because my instincts are pretty well honed by now and I pretty much feel my first idea is always my best. Ninety percent of the time, at least.  I’ll then send the sketch the editor/AD for approval and then proceed to the final art. I either photograph or gather the reference I’ll need for a particular job (in this case I scoured the internet and shot screen grabs from a DVD) and refine the initial idea before proceeding to paint. I work exclusively in quick drying acrylics which I find suits my temperament as I’m a very impatient painter and dislike waiting for stages to dry. I then scan the final art, clean it up in Photoshop and send it off to the client.
AP:  What appeals to you as an artist about the monsters like Frankenstein and the Wolfman?
JJ: For me it’s the nostalgia and visual interest of the films. I think the Universal Monster series had some of the most imaginative set design and atmospheric cinematography that gave them a very unique look and feel. Many have tried to emulate them but never really seem to come close. Jack Pierce’s make up also set the standard for how those creatures should look. When you think of Frankenstein you think of Boris Karloff, not Kiwi Kingston.
AP:  One question some might ask about this project is relevance.  Is this a project aimed at old fans of classic monster movies or is it a project that hopes to bring in new fans?  What role do you feel art plays in that?
JJ: Let’s face it, Famous Monsters has a fairly classic, older fan base. While I truly hope the revised magazine and the art will generate new interest among a younger demographic, based on how little interest my fiancee’s 18 year old son has in reading magazines of any kind, B&W movies or anything not digitally enhanced I’m not sure. I know that many of my friends who are painting covers for FM’s current incarnation are doing it for the coolness factor and some very fond childhood memories. We are just beside ourselves to be on the cover!
AP: Art plays a major role in Pulp Fiction, both historically and even in New Pulp work.  Do you consider yourself a pulp artist and if so, why?
JJ: In many ways I do, and I often lament the fact that I was not working in the 60’s when pulp art was so prevalent in paperbacks. I am the biggest fan of artists like Robert McGinnis, Bob Abbett, Robert Maquire and Mitchell Hooks (among many others). I would be content painting pulp and genre covers all the time. I’ve done a lot of superhero work over the years but my real love is pulpy, noirish material. All the Conan covers I’ve done as well as the Edgar Rice Burroughs work definitely falls into that category to be sure.
AP:  What other projects do you have in the works that might be of interest to our Pulpy audience?
 JJ: Harkening back to the previous question I’m actually producing a series of faux 60’s style paperback images for a proposed calendar, and Im having a blast! I’m also currently painting the monthly covers for Dynamite Entertainment’s adaptations of Edgar Rice Burroughs’ Barsoom series. You can’t get much pulpier than that! I also may be illustrating the first two Tarzan novels for the 100th anniversary but that is still uncertain as of this time.
AP:  Joe, thanks for your time!
JJ: My pleasure!

GUEST REVIEW OF DOCTOR JONES’ EXHIBIT…INDIANA JONES, THAT IS!

THE TEMPLE OF INDY
A Review Of Indiana Jones And The Adventure Of Archaeology
By Andrew Salmon
     While I was in Montreal last week there was no way this long-time Indiana Jones fan was going to miss the exhibit of movie props and costumes from all four movies at the Montreal Science Centre. Throw in my lifelong love of all things related to movie making and you might even say I had a Jones for it.
     The exhibit was a lot of fun and, although we were forbidden to photograph the pieces on display, there was no law against mentally recording the wonderful treasures from the four films for the sake of this review. So here goes!

     Upon entering the hall, guests are given an interactive screen with headphones. Each item on display has a number and by punching that into the screen, visitors can hear information about what they are looking at. For the most part, I found this information of little value but the first recording is an introduction to the exhibit by Harrison Ford who sounds like he’s reading (Blade Runner narration anyone?) but, hey, he’s Indiana Jones! He can do what he wants!

     Visitors are greeted by the full Jones costume: hat, weathered leather coat, whip, pistol, shirt, pants and scuffed up shoes. This was a real treat for this fan and one of the highlights of the exhibit.
     The displays are organized in the chronological order by film so let’s cover them this way.
RAIDERS OF THE LOST ARK
     The Raiders exhibit featured the fertility idol that almost gets Indy crushed by that giant ball in the opening sequence from the first movie. The plans of how they did the stunt are also included. Marion Ravenwood’s full costume from the bar scene is also there and it was a treat for this movie fan to admire the detail of the outfit. And what would a bar be without bottles, cases and the shot glasses from the drinking contest. But of course, every Indy fan knows that the key to the bar scene is the amulet Major Toht is willing to play with fire to acquire and that too was there for all to see. The workmanship that went into
these props really has to be seen to be believed as they go by so quickly on the screen. Balloq’s priest outfit from the ceremony where he and the Nazis attempt to open the Ark of the Covenant was another example of the incredibly detailed work that went into the costumes. One of the Egyptian sarcophaguses from the snake filled burial chamber was also a treat. But, let’s face it, the prop we all want to see from the first movie is the ark itself and there it was in all its glory. It’s held up pretty well over the last 30 years and, again, the level of detail and high lustre on this large prop is breathtaking.
TEMPLE OF DOOM
     Okay, it’s not everyone’s favorite Indy movie but it is part of the series and there were some nice pieces to feast the eye upon.
     This part of the exhibit was about costumes. Indy’s tux and Willie’s nightclub dress are on display as is Short Round’s complete outfit right down to the shoes/blocks he uses for driving. Sticking with costumes, Willie’s sacrificial dress is also included here as well as Mola Ram’s head dress.
     Other props include the jade jar that kicks off the opening action sequence and the Sankara stones themselves are here. I don’t know what the ‘stones’ are made off but they give off a special radiance all their own. Rounding this part of the exhibit is the miniature mining car with the mini-Jones/Willie/Round dolls used to film that ridiculous mine car chase through the caverns.
THE LAST CRUSADE
     As one of this fan’s favorite Indy films, it was a real treat to linger over the props here – and there are a lot of them.
     Young Indy’s scout hat kicks things off followed by the Cross of Coronado which Indy hunts into adulthood. Again, the cross is wonderfully detailed and looks as old and as precious as it is supposed to be. Dr. Elsa Schneider’s outfit from early in the film is here as is the suit and bow tie Indy wears while teaching. Wonderful period clothes all. Indy’s dad’s glasses and pocket watch are also here and what display would be complete without Indy Sr.’s grail notebook. What a treat it was to look over the carefully scrawled and weathered pages.
     There are a lot of props from this third instalment. The shield from the catacombs, the rubbing Indy makes of it. The crucifixes worn by the defenders of the grail are also here as is the “Leap of Faith” artwork. And they’ve included the grails! Both Walter Donovan’s poor choice and Indy’s correct one are here and it’s fitting that the simple cup of a carpenter outshines the jewel-encrusted grail which looks more gaudy to the naked eye than it does up on the screen.
THE KINGDOM OF THE CRYSTAL SKULL
     It comes as no surprise that there are more props from the fourth Indy film than from any of the previous three. Being a more recent production, I’m sure tracking down this stuff did not require an Indy-calibre archaeologist.
     Props galore! Mutt’s jacket, gum, switchblade, and motorcycle are here as is the letter urging him to hunt down Indiana Jones. And there are costumes! Irina Spalko’s outfit makes an appearance and you can read her file if you’re brave enough to get that close to her sword. Professor Oxley’s outfit is another marvel of the kind of detailed costume work being done these days. And his drawings are also on hand.
     You’ll also be able to feast your eyes on the skull that mesmerizes Indy and a full-sized alien skeleton in its chair from the end of the film. Throw in the ancient texts Indy refers to, some of the booty traitorous McHale tries to make off with, Orellana’s mummified ‘corpse’ and death mask which are incredible pieces of work and this latest and, perhaps, final Jones adventure is well represented.
OTHER GOODIES
     Although the exhibit features Indy props and costumes, the purpose of the display is supposed to stir interest in archaeology. To that end, there are a number of exhibits featuring real ancient finds. From ancient Greece and Rome to North American Indian artifacts, these run the breadth of human history and were very interesting. A small section also covers some real archaeologists and there is a lot of information on how they dig up the past.
     To be honest, this stuff was interesting but was not what I showed up for. As a movie buff, film and TV background perfomer, pulp fan and pulp author, I was there to wallow in all things Indy and that is precisely what I did.
     Summing up, I would recommend the exhibit. The entry price of $23 seemed a little high but as a fan I was willing to pay it as I’ve been a fan of the movies for three decades now. A great gift shop had a number of Indy shirts to choose from and I picked out a couple of nice ones.
     On the downside, the headsets/screens were dull at best and I skipped most of what was there to listen to. A good idea that went sour was the inclusion of TV screen showing many of the scenes in which the numerous props were used. This was a great feature but people tended to crowd around them, watching the movies, and blocking the props! It struck me as strange that folks would pay $23 to watch scenes from the movies that they could see at home! The exhibit is about the props and costumes people!
     I really enjoyed reliving the fun of the movies through the props and costumes. If you’re an Indy fan, I’m suspecting you will as well. So if Indiana Jones and the Adventure of Archaeology comes to your town, plop that fedora on your head, make sure that bullwhip is coiled tight and slip into that leather jacket, you’ve got some exploring to do!