Juxtaposition: Two Books for Younger Readers with Words & Pictures
Sometimes words and pictures come together in the same story. There’s more than one way of accomplishing this — comics is the most obvious, with the story told in a sequence of pictures and text (captions and/or dialogue), but there are other options — and books for pre-adults have typically made more use of pictures than those in the more adult portions of the library.
Remember: adults are dull and staid, and must not be upset or disconcerted by mere pictures in their very, very serious books. Children are more mentally flexible, and can handle the shock of the pictorial.
Teens are somewhere in between: they usually want to be adults, but they’re still young enough to question that dull stolidity, and still, sometimes, will gravitate to books with pictures in them. The two books I have in front of me today were published to be read by pre-adults of various ages — though I think the first had an older expected reader-age than the latter — and they’re chock-full of pictures. In fact, both of them are stories told through and about their pictures, in different ways — and, more interestingly from my point of view, neither of these books use the language and techniques of comics. They both use pictures as part of their storytelling, but come at it from different traditions, and don’t tell their stories from image-to-image the way that comics do.
Miss Peregrine’s Home for Peculiar Children is the more conventional of the two books; it’s a novel by Ransom Riggs (his first), illustrated by a sequence of real, mostly unaltered vintage photographs. (Riggs is clear about the “mostly unaltered” stipulation, since some of these are quite odd photographs, as with the cover shot, showing a hard-faced girl standing rigidly still a foot off the ground.) Those photos are part of the story in the most basic, literal way — every so often, a character talks about looking at a photograph, and then, lo! the actual photo appears on the next page.











It’s one of the images that defined the fantasy illustration industry we geeks love so much. And to a lucky buyer, Frank Frazetta’s 1971 Conan the Destroyer sold in a 1.5 million gold piece private sale agreed to at the 2010 San Diego Comic Con with Robert Pistella and Stephen Ferzoco of Frazetta Management Corporation. No word yet on who purchased the piece of where it will be hung, but we assume it’ll adorn a wall next to fine mahogany bookshelves full of leather bound collections of Tolkien, maquettes of scantilly clad heroines, and signed Rush LPs.
Rose
