Tagged: fantasy

Juxtaposition: Two Books for Younger Readers with Words & Pictures

miss-peregrine-6617220Sometimes words and pictures come together in the same story. There’s more than one way of accomplishing this — comics is the most obvious, with the story told in a sequence of pictures and text (captions and/or dialogue), but there are other options — and books for pre-adults have typically made more use of pictures than those in the more adult portions of the library.

Remember: adults are dull and staid, and must not be upset or disconcerted by mere pictures in their very, very serious books. Children are more mentally flexible, and can handle the shock of the pictorial.

Teens are somewhere in between: they usually want to be adults, but they’re still young enough to question that dull stolidity, and still, sometimes, will gravitate to books with pictures in them. The two books I have in front of me today were published to be read by pre-adults of various ages — though I think the first had an older expected reader-age than the latter — and they’re chock-full of pictures. In fact, both of them are stories told through and about their pictures, in different ways — and, more interestingly from my point of view, neither of these books use the language and techniques of comics. They both use pictures as part of their storytelling, but come at it from different traditions, and don’t tell their stories from image-to-image the way that comics do.

Miss Peregrine’s Home for Peculiar Children is the more conventional of the two books; it’s a novel by Ransom Riggs (his first), illustrated by a sequence of real, mostly unaltered vintage photographs. (Riggs is clear about the “mostly unaltered” stipulation, since some of these are quite odd photographs, as with the cover shot, showing a hard-faced girl standing rigidly still a foot off the ground.) Those photos are part of the story in the most basic, literal way — every so often, a character talks about looking at a photograph, and then, lo! the actual photo appears on the next page.

(more…)

‘FORTUNE’S PAWN’ MAKES FIRST MOVE FOR NEW AUTHOR AND ROUNDS OUT PRO SE’S PUBLISHING YEAR!

DEBUT NOVEL FROM FANTASY SCRIBE IS 12TH IN PRO SE’S PUBLISHING YEAR!

Pro Se Productions, a company specializing in New Pulp magazines and books, is proud to announce that the debut novel from Pro Se Author Nancy Hansen is the closing salvo to Pro Se’s first full year of active publishing.  And this first book, entitled ‘Fortune’s Pawn’, in a trilogy is also currently Pro Se’s best selling title to date!


“We started out,” Tommy Hancock, Pro Se’s Editor in Chief said, “specializing solely in magazines and at that time our mantra was ‘Putting the Monthly Back Into Pulp!’  When we moved away from magazines for a bit and went into anthologies and novels, the slogan didn’t change and neither did the commitment behind it.  The magazines are back now and still Pro Se is all about making sure that there’s a new Pro Se title on an average of once a month!  And we are extremely pleased that the work that closed our first year of Publishing was Nancy Hansen’s first novel.”

“The basic premise is classic and familiar,” states Barry Reese of ALL PULP in a review of the book.  “A prophecy warns that a red-haired child will rise up to overthrow the bad guys so the villains are out killing everyone with red hair. One infant survives such an attack and grows up to become our protagonist. Callie is an enjoyable character and her motivations and emotions are well depicted.”

‘Fortune’s Pawn’ is the first of a trilogy, but it comes from the mind of Nancy Hansen, a writer who made her debut in the Pro Se magazine line.  Almost instantly, Nancy gained the title of being one of the most prolific writers in New Pulp, turning out more than twenty stories and juggling no less than three or four universes, most largely fantasy of some sort, almost instantly.   “Nancy’s a godsend,” Hancock stated.  “There such a richness and vitality to her take on fantasy, plus she writes as frequently as most people eat it seems, so it’s a win-win for her fans and for Pro Se.”


The inaugural publishing year of Pro Se not only ended on a high note with ‘Fortune’s Pawn’, but was filled with several notable works.  8 issues of the initial magazine lines kicked off the company and now, although down to one magazine, ‘Pro Se Presents’ has recently brought Pro Se back to the magazine business.  That combined with the debut novel from New Pulp author Tommy Hancock (YesterYear) and the continuation of the New Pulp Classic series created and penned by Barry Reese, “The Rook: Volume Six.” Pro Se also created and coordinated PULP ARK, the first New Pulp Convention, this past May.

“We are beyond amazed,” Hancock said, “at how quickly and how successful this year has been for Pro Se.  And there’s no sign it’s slowing down with all the things in the works that I can’t even talk about right now.  I will say this, though.  The mantra, the slogan, it’s not changed one bit.”

Pro Se is definitely Putting the Monthly Back into Pulp!


Pro Se Productions- www.pulpmachine.blogspot.com
Fuller Bumpers-Chief Executive Officer
Tommy Hancock- Editor in Chief
proseproductions@earthlink.net

Reviews from the 86th Floor: Barry Reese looks at Fortune’s Pawn

FORTUNE’S PAWN
Written by Nancy A. Hansen
Pro Se Press
ISBN 9781466243460
179 pages, $12.00

Okay, let’s establish something right away: I don’t generally read fantasy. I did when I was younger, really digging Dragonlance and the like… but nowadays, the only time I read fantasy is when I dig open a Robert E. Howard collection for old-times sake. So I’m not really the target audience for this one. But I’ve read some short stories by Nancy in the past and enjoyed them so I figured I’d dive into her first novel and see how it went.

First impressions: the cover is intriguing but I really, really would not have obscured the title. This is okay if it’s Spider-Man or something: we all know what the title is anyway so breaking it or obscuring it can be a bold design move. But when it’s an unfamiliar title (especially one that’s rendered in a confusing font), I think it’s not bold… I think it’s not wise. I showed the book to three different people and not one of them could figure out what the title was from the front or spine — the font chosen was way too busy. It looks like the book is called Forgude’s Pawd.

Okay, once I got past the cover design issues, I jumped into the story and found that it was told in a very readable style. For some reason the opening with the weremon seemed awkward to me but I think it just took a few pages to get into Nancy’s world. Once things shifted to the ill-fated family, things picked up and from there it all went smoothly.

The basic premise is classic and familiar: a prophecy warns that a red-haired child will rise up to overthrow the bad guys so the villains are out killing everyone with red hair. One infant survives such an attack and grows up to become our protagonist. Callie is an enjoyable character and her motivations and emotions are well depicted.

I found the parts of the story featuring conversations between characters or internal monologues to be the best part of the tale. The action scenes were clearly depicted but lacked the kind of edge that I usually like in my fantasy (think Robert E. Howard’s ability to depict sweaty violence). I was impressed by Nancy’s willingness to get her literary hands dirty, though — no one is safe in this book, including little kids. Everybody has an equal opportunity to get eviscerated.

This is obviously the first chapter in a larger story and I’m curious about where it goes from here. If I were a diehard fantasy fan, I think this would be something that would definitely go onto my shelf of favorites. As it is, I would still recommend it to anyone looking to dip their toes into the fantasy genre or who are looking for a character-driven adventure of any type.

I give it 4 out of 5 stars.

Fortier takes on CONAN THE BARBARIAN and Survives!!!

ALL PULP REVIEWS-Book Reviews by Ron Fortier

CONAN THE BARBARIAN

By Michael Stackpole

Berkeley Boulevard

Movie Tie-In

292 pages

It appears you just can’t keep a good barbarian down.  Conan the Barbarian is a hero and well known iconic figure in American fantasy. He was created by writer Robert E.Howard in 1932 via a series of fantasy stories sold to Weird Tales Magazine.  Howard was born and raised in Texas and spent most of his life in the town of Cross Plains.  As a boy he dreamed of becoming a writer of adventure fiction but was not successful until the age of twenty-three.

Howard’s Conan is a character whose literary imprint has been compared to such fiction greats as Tarzan, Count Dracula, Sherlock Holmes and James Bond.  With Conan, Howard created the genre known as sword and sorcery, inspiring a legion of imitators and giving him an influence in the fantasy field rivaled only by J.R.R. Tolkein.  On the eve of publishing his first novel, he committed suicide at the age of thirty. That he remains a highly read author, with his best works continuously reprinted speaks volumes for his place in the ranks of American masters.

As for Conan, he has appeared in hundreds of licensed paperbacks, Marvel comics, films, television programs, video games, roleplaying games, and even a board game.  In 1982 he came to big screen portrayed by bodybuilding champion turned actor, Arnold Schwarzenegger who recreated the role in the sequel several years later.  Producer John Milius had planned a trilogy, but the proposed third film, Conan the Conqueror was never produced.  Now, almost three decades later, the famous Cimmerian warrior from the mythological Hyborian age once again comes to the silver screen in a brand new production from Millenium Films, Lionsgate, and Paradox Entertainment.  And to promote what they hope will be a huge summer blockbuster, their marketing department commissioned a novelization of the screenplay by Thomas Dean Donnelly, Joshua Oppenheimer and Sean Hood.  The writer given the job was Michael Stackpole.

Many book lovers detest such novelizations believing them to be mere carbon copy retellings form the screenplays with nothing new to offer readers who plan on seeing the movie. In many cases, that is exactly all they get. On the other hand, when such a task is given to a true fan of the material, then what results is something much deeper and more complete than the screen treatment.  Stackpole is a gifted professional who clearly knows Conan and his original exploits as chronicled by Howard.  He not only tells the story laid out by the screenplay, but at the same time enriches it scene upon scene with authentic references to the Conan canon which totally elevates the narrative beyond being a mere reflection of the movie.

Born on a battlefield, young Conan grows up amongst the mountain people of Cimmeria and is taught to be a warrior from the day he can hold and wield a sword.  But as he matures, his father relates how his unique birth is regarded by seers as a powerful portent of the fate that awaits Conan. Not only will he be a great fighter amongst his people, but there are signs that he will one day be known throughout the civilized nations as mighty hero of unrivaled strength and daring.

As always, we have to assume that there will be people picking up this book who have absolutely no idea of who Conan is or Robert E.Howard, but have seen the trailers for the movie and are curious about it. For them, this is as good an introduction to Conan as any other that has come along in the past thirty years.  The book is fun and does its job well; it makes you want to go see the film.  So please, save me the aisle seat.

Crazy 8 Press Releases Second Preview of ‘The Camelot Papers’, On Sale July 8th

c8-final-logo-300-248-2494770In a case of the shoemaker’s children going barefoot, we didn’t mention anything beyond the teaser on Monday, but: ComicMix contributors Robert Greenberger, Glenn Hauman, and Aaron Rosenberg have joined with comic book writers Peter David, Michael Jan Friedman, and Howard Weinstein to form Crazy 8 Press, while we saw numerous writeups from The Beat, Bleeding Cool, and io9.

camelot_papers_100px-1006769However, we can advance the story a bit further: a second preview of the first book, The Camelot Papers by Peter David, has been added to the Crazy 8 Press Facebook page. Just go there and like the page, and you’ll get access to Chapters 2 and 3. (Chapter 1 is still available on the Crazy 8 Press website.

The Camelot Papers will officially go on sale on July 8, both to tie in with the “8” and the Shore Leave convention in Hunt Valley, MD, where all six founders will be in attendance– and doing a special comic related project together which we’ll tell you about when the time comes.

TIPPIN’ THE HAT TO BRYCE BEATTIES ‘TRAVELER’!

TIPPIN’ HANCOCK’S HAT-Reviews of All Things Pulp by Tommy Hancock
PRIDE OF THE TRAVELER
by Bryce Beattie
Originally Published in Astonishing Adventures Magazine #2
Now Available at http://www.smashwords.com/ and http://www.storyhack.com/ (Author’s site)

It’s always nice to discover new authors plying the New Pulp trade, especially when it’s via digital media, the wave of the future for New Pulp creators and stories.   Such is the case with PRIDE OF THE TRAVELER, a short swashbuckler by Bryce Beattie. 

Set in Beattie’s own land of fantasy and swords, Caldera, this tale focuses on a sword for hire by the name of Key who essentially goes town to town challenging swordsmen for money.  Also on his travels, Key has made a habit of stopping into visit fortune tellers and gypsies and that is where this story starts.  Visiting a gypsy named Drabardi Fawe, Key asks for his fortune to be told.  What the gypsy shares with him figures prominently into his working the crowd in this latest town, a town peopled with guards who are not only practiced swordsmen, but have a few dark practices as well.

This short story did exactly what a short piece should do.  It lured me in, hooked me with the dialogue, the characters, and the fight scenes, and left me wanting to see more of Key and other characters.  Beattie definitely set this up for other adventures and I for one hope to see more.  Theres a real Errol Flynn feel to Key that is quite obvious and enjoyable throughout the story.

Although the dialogue could be a bit more consistent, shifting from ‘formal’ to modern vernacular here and there, PRIDE OF THE TRAVELER is most definitely a fantastic introduction into Bryce Beatties work and into the world of Caldera itself.

FOUR OUT OF FIVE TIPS OF THE HAT-Would love to unlock more stories with Key and crew for sure and certain!

ComicMix Quick Picks: June 3, 2011

hard_rock_cafe_clapton-3639808

Closing windows while waiting on line for X-Men: First Class, so here we go as the foreman looks and the sundial on his wrist and pulls the bird’s tail:

Anything else? Consider this an open thread.

Review: Page by Paige

[[[Page by Paige]]]
By Laura Lee Gulledge
192 Pages, Amulet Books, $16.95

Thankfully there are a growing number of graphic novels for young adults about subjects way beyond fantasy, science fiction, and superheroics. A new generation of creators are sharing their visions or lives (or both) with us and everyone benefits. The latest such offering is Page by Paige, produced by scenic painter Laura Lee Gulledge. Paige is a stand-in for Laura, whose family has relocated from Virginia to New York and being the new teen in high school is a rough experience. There’s the awkwardness of coming in during the school year coupled with navigating the courses, the hallways and the cliques. Fortunately for Paige, she is accompanied by her sketchbook and in private, she pours out her fears, anxieties, and hopes. She finally meets someone who is drawn to Paige, noticing the newcomer is reading an issue of Locas. Jules befriends Paige and introduces her to brother Longo and their friend Gabe. Suddenly, Paige has a circle of friends.

As Paige gets to know them, she creeps towards revealing her true self, that of a budding artist. Watching her crawl from her cocoon to become a beautiful red-headed butterfly is a joy. Better yet, once her friends see how true talents, they become her accomplices in beautifying their surroundings through Paige’s art, which literally leaps off the page.

The book is a lovely mix of Paige’s escapades and her sketchbook, providing insight and commentary into the first months of her new life in the big city. There’s absolutely nothing larger than life, but the canvass is a large one. There’s friendship, some romance, studying in the city’s great art museums, relating to one’s parents, and expressing one’s self artistically. Page by page, ahem, we are treated to inventive layouts and designs as we get insightful glimpses into Paige’s conscious mind.

Gulledge is an honest artist, laying out her fears and dreams out for all of us to examine. She’s very naturalistic in her character designs and makes certain every character has a distinctive voice. Paige herself is loudest, of course, and readers will truly enjoy getting to know this character.

The book may have just been released but it has already been nominated for a deserving spot on the Young Adult Library Services Association’s Great Graphic Novels for Teens list. This comes highly recommend to people seeking something fresh and different.

#SDCC: Frazetta Conan Painting Sells for $1.5 Million

conandestroy-6733277It’s one of the images that defined the fantasy illustration industry we geeks love so much. And to a lucky buyer, Frank Frazetta’s 1971 Conan the Destroyer sold in a 1.5 million gold piece private sale agreed to at the 2010 San Diego Comic Con with Robert Pistella and Stephen Ferzoco of Frazetta Management Corporation. No word yet on who purchased the piece of where it will be hung, but we assume it’ll adorn a wall next to fine mahogany bookshelves full of leather bound collections of Tolkien, maquettes of scantilly clad heroines, and signed Rush LPs.

Tip of the hat to BleedingCool.com.

Review: ‘Rose’

Rose
Jeff Smith & Charles Vess
Graphix, 140 pages, $10.99

Earlier this year, Scholastic’s Graphix imprint completed releasing the nine volumes comprising Jeff Smith’s delightful [[[Bone]]. The full-color books are ideal entry points into graphic novels or even fantasy literature. Now, the prequel, [[[Rose]]], is finally joining the library in a softcover color edition.

Rose is, of course, Gran’ma Ben, the strong, cow-racing elder figure introduced early in Smith’s saga. Her sister, Briar, is The Hooded One, an evil crone, but as we’re about to learn, they were once young and far more carefree.

Illustrated by Charles Vess, the story is very, very different from Bone, much more a cautionary tale and almost devoid of the humor that kept Bone such a great read. Instead, the book focuses on Rose and Briar, both in training to become leaders of Atheia. Rose is exceptionally strong but not at all focused, prone to distractions while Briar is disdainful of her more popular sister, insisting Rose will be the chosen one. When they journey to Old Man’s Cave for the final testing, the young women are drawn into the Lord of the Locusts’ attempt to achieve freedom from its stone prison.

Smith’s story works on many levels, starting with the relationship between the sisters, which rings true. The responsibilities that comes with being princesses weighs heavily on both and where Briar accepts them with solemnity, Rose struggles to follow her muse. Accompanied by her favorite dogs, with whom only she can converse, she seeks adventure wherever she goes. That includes the cave and the final testing, which turns out to be a struggle between Rose and a freed River Dragon, which now threatens the residents in the Northern Valley.

Rose has to make a promise early on and then live with the consequences of that obligation at story’s end and how it shapes her personality, which sets up the more familiar Grandma figure.

Vess, a highly celebrated fantasy illustrator, adapts his lush style to Smith’s world so the Red Dragon is a visual link to the Bone series. His color work is subtle and helps establish this as a related work.

There’s a reason Neil Gaiman said, “A magnificent prequel to Jeff Smith’s Bone, but it’s more than that – – it’s a beautifully painted meditation on magic, on the mistakes of youth and the little personal tragedies that grow to decide the fate of nations and to engulf the world.”

Unlike Bone, Rose is a bit more graphic in its violence and is probably not for the youngest of readers but is highly recommended to everyone else.