Tagged: film

Review: ‘Gone with the Wind’ 70th Anniversary DVD

Since Gone With The Wind’s release in 1939, David O. Selznick’s adaptation has become one of the most hailed and loved feature films of all time. Adjusted for inflation, it remains today the number one box office champion with a total gross of $1,450,680,400. It deservedly won 10 Academy Awards and continues to be included in Top 10 lists with many catch phrases entering the public lexicon followed plus a score that is instantly recognizable.

On Tuesday, in time for your holiday shopping needs, Warner Home Video is releasing the 70th Anniversary edition of the film in a variety of formats. What was provided to ComicMix was the standard two-disc “plain vanilla” edition. We can tell you that it looks and sounds great and we suspect looks even more spectacular in its Blu-ray format.

Is there anything left to say about this beloved film? I had heard of it growing up but until HBO first broadcast it for the first time, I had no clue what the fuss was about. I still recall a bunch of us gathering at Beth Zemsky’s house to watch this spectacular without interruption and we were all caught up in different ways. For me, I enjoyed the sweep and spectacle, some of the performances and the nostalgic look back at a bygone era. The girls loved the romance.

In rewatching the film now, I find zero chemistry between Trevor Howard and Vivien Leigh, still befuddled over why she loved him. I also find it confusing to see how both Ashley and Melanie were so blind, in their own way, towards Scarlett’s spoiled rich girl ways. Only Rhett saw her for what she was and loved her for it. Rhett Butler is also the only one to see the South as an unsustainable culture and apparently the only man in the whole of the Confederacy to understand they couldn’t compete with northern factories. As a result, his decision to enlist towards the middle therefore makes no sense.

Honestly, the best character arc is Scarlett’s and there’s little more stirring than her return to Tara, seeing what had become of the lifestyle she understood and then declaring, set against a beautiful backdrop, she would never go hungry again. As the music swells and the intermission sign appears, you could have sent everyone home and they would have been thrilled. Instead, we get the second half which is far too melodramatic leading up to the immortal final scene.

Selznick spared no expense and the film is sumptuous, well cast and filled with enough extras to give it the sense of scale required for the needed emotional impact. From a technical standpoint, there’s not a single false note and the movie holds up during repeated viewings. SO, the bottom line comes down to the Margaret Mitchell novel and the characters adapted to the screen. If this is your sort of story then you can’t miss seeing the film. As for owning the new edition, that’s a subjective call. The new digital master seems superior to the last version but it’s the extras that will decide it for you.

(more…)

Review: ‘Up’ on Blu-ray

Pixar’s command of digital animation has captivated an entire generation of viewers and with Up
, its tenth film, it has actually taken some interesting chances. First, they focused on a senior citizen, the very demographic totally abandoned by Hollywood despite the longevity now being enjoyed by many.

It also decided to take storytelling chances by stretching how many absurdities we can accept in a single film. Previously, we were asked to accept one major concept per film: toys that can talk, a world powered by children’s screams, and so on. Here, we’re being asked to accept an awful lot and frankly, sitting through the film, I think it asked for too much.

Up arrives on DVD tomorrow and comes in Walt Disney Home Video’s controversial multi-package format. The Blu-ray edition contains four discs: the film and extras, a second disc of extras, the film and some extras on standard DVD and a disc with a digital copy. On the one hand, it’s nice to have this package because eventually we’ll all be using Blu-ray so we avoid buying the movie twice. On the other, it’s pricey for people not willing to make the leap for years to come.

The film’s best sequence is the opening ten minutes known as “Married Life”, which details the meeting and evolving relationship between Carl and Ellie. It’s incredibly poignant and moving, aided tremendously by Michael Giacchino’s score. From there, we meet 78-year old, arthritic Carl, every bit the curmudgeon he appears. Wonderfully voiced by Ed Asner, he’s done with life and just wants the world to leave him alone. Sadly, the world wants to move ahead and is busily construction mammoth commercial buildings around his home.

Finally forced to move to an assisted living facility, Carl decides to escape to Paradise Falls, the one place he and Ellie wanted to visit and never found the time and/or money. Here’s where we’re asked for the big leap of faith: overnight, be fills 10,000 balloons with helium, rigs steering gear, and in the morning, launches his home into the air for the trip to South America.

OK, let’s accept that. Let’s also add in the Russell, the young Asian Wilderness Explorer trapped on the porch when the house broke free of its foundation. Their odd couple relationship will form the spine of film and that’s fine.  Now, the house miraculously makes it to Paradise Falls and there’s when things go off the rails. First, we have a pack of dogs each equipped with a collar that translates their growls to human speech, allowing communication. A wondrous piece of technology that would make its inventor world famous and fabulously wealthy. Instead, the inventor, 90 year old Charles Muntz, remains in self-imposed exile, seeking the rare bird whose capture will repair his reputation, spoiled decades earlier when scientists questioned the validity of the bones he brought back from one of his celebrated expeditions.

Once Carl and Russell meet Muntz, the film no longer feels like a Pixar classic, but instead a pale imitator as your credulity is stretched beyond belief time and again. The climax, a battle between geriatrics, is impossible to accept given the athleticism each displays despite their previously established infirmities.  Fortunately, the final scenes come back to familiar Pixar territory and ends on a satisfying note. As a result, Up the movie is a mixed bag and far from its best work.

The extras on the discs, though, show the level of attention that went into each and every aspect of the film from studying the way seniors moved to house architecture. There are several mini-documentaries adding up to over 40 minutes of nifty behind the scenes information. Best of the eight may well be the piece on Giacchino and the scoring for the movie. There’s also the film in Cine-Explore track as the directors, Bob Peterson and Pete Docter, discuss the making of the film, complete with designs, sculptures and other visual details popping up on screen. The main disc also offers up two shorts: Dug’s Special Mission and Partly Cloudy. Another short bit is a look at various ways Muntz’s story came to an end.

The second disc, in addition to the documentaries, offers up a nice piece on the development of “Married Life” and them shows a storyboarded alternative approach, equally effective. Finally, there’s the Global Guardian Badge Game, an interactive trivia game that earns you badges of increasing complexity. It uses the BD Live feature which is nice for those so inclined.

A somewhat good, somewhat flawed film is well packaged and offers up much for families and film enthusiasts to enjoy.

Review: ‘Monsters, Inc.’ on Blu-ray

Pixar burst onto the scene with [[[Toy Story]]] and proved that they were the successor to Walt Disney Studios by providing heart-warming, funny family-friendly animation, using pixels instead of paintbrushes. They followed up with [[[A Bug’s Life]]], which was another success, and they came right back with [[[Toy Story 2]]] which was an expected smash.  The question was back then, how long could they sustain the hits and the level of quality. A lot was riding on their fourth release, Monsters, Inc.
, since it was to be their third original creation and a gauge of their long-term viability.

Well, we all know what happened. It and every subsequent film has been one hit after enough, proving Pixar was not only the real deal, but a successful font of new ideas. Disney clear had no choice but to advance their partnership by owning the company, which reinvigorated their own franchise characters.

Monsters, Inc.
is being released on Blu-ray this Tuesday clearly intended for holiday shopping, and comes in an assortment of flavors. The 4-disc set, sent for review, has the following elements: the film and extras on Blu-ray, a Blu-ray disc of even more extras, the movie on standard DVD and a digital copy. That’s a really impressive deal, if you own a Blu-ray player.

The fabulous movie looks and sounds even better on Blu-ray, the digital creations just as inventive and fun as always. The 91 minute story remains amusing with a lovable set of characters and full realized world of monsters, which required energy derived from children’s’ screams. Boo, the little girl accidentally in their world, could be a sickly-sweet character but instead looks and acts like a real 2-year-old, charming and frustrating all the way. The voice cast, headed by John Goodman and Billy Crystal, is top-notch and well picked for their parts.

But you know all that.

The movie disc comes with the previous DVD bonus material. The shorts For the Birds and Mike’s New Car; but new is a lengthy Filmmakers’ Round Table where four of the geniuses behind the movie, talk through their challenges and favorite parts. There’s also a preview of the Monstropolis exhibit at Tokyo Disneyland, the closest most of us will ever get to see the impressive looking ride.

The second Blu-ray has a few hours’ more fun starting with the interactive game, Roz’s 100-Door Challenge. By answering questions based on the film, it determines which job you are suited for. Don’t like the job, you try again.  There’s a nice tour of Pixar’s compound, dubbed the Fun Factory. Clearly, the imagery emphasizes the creative, goofy, and downright fun involved in the making any one film. On the other hand, the hard work and long hours brining the story and characters to life, is sadly underplayed. Everything on this disc is geared to demonstrating how Pixar works related to Monsters, Inc.  It’s a rich assortment of features for the fan.

The movie endures, a classic for families for generations to come and there’s no better way to preserve this than having this rich package of video material.

Review: ‘Two Girls and a Guy’ on Blu-ray

2guysandgirl-bd-spine-3810881When an actor or director suddenly breaks out and gets hot, studios scour their vaults to see if there’s a way they can capitalize on this heat. Last year, Robert Downey, Jr. went from a troubled, gifted actor to a Super Star thanks to his performance in [[[Iron Man]]]. This week, 20th Century-Fox hopes to catch a break with the Blu-ray release of Downey’s 1998 film Two Girls and a Guy.

Written and direct by James Toback, the film is virtually a real time three-person stage play on a film. In his self-congratulatory 20 minute conversation on the Extras, Toback talks about how he came to write the film, by beginning to imagine a setting. In this case, that’s the spacious loft apartment which became the set his performances would use. After that, he populated the apartment with his players.

We open with Natasha Gregson Wagner’s Lou and Heather Graham’s Carla standing outside the apartment building waiting for their boyfriend to return from trip Very quickly, they determine that the boyfriend in question is the same man, Blake. Once Lou breaks a window to access the apartment, they bond while laying in wait.

Blake arrives and immediately calls his mother, then Carla, then Lou, placing them in the exact order of his affections although that doesn’t become obvious until later as his lies comes to haunt him. The audience gets to see him in has natural state before the women reveal their presence one at a time, catching him in his 10 month-long web of lies.

Carla and Lou are very attractive women in vastly different ways, with Carla soft, brainy, and traditional while Lou is edgier, street smart, and sharp tongued. What’s interesting to Toback was exploring how the same words could seduce such different women. In fact, he finds great humor in this, despite none of that mirth making it onto the screen.

The 1:25 length of the film should allow all three to shine and strut their stuff, but despite the histrionics, the film feels cold and uninvolving. At no point does Toback allow Downey’s Blake to show us any redeeming qualities to demonstrate why they fall for him. As a struggling actor, Blake should not be able to afford such nice digs or afford two women but that’s never addressed.

Instead, the characters reveal their true selves while dunning Blake for obfuscating the truth while he continually denied doing anything wrong. The truth is the overall theme of the film as is the importance of honesty. All too often, though the film’s momentum is interrupted with Blake’s obsessing over his mother, which shows where his heart truly lies.
 
Toback not too subtly shows his hand by decorating the apartment with a framed one-sheet for the classic French film [[[Jules et Jim]]]. Late in the story, Lou brings up a threesome relationship which excites Blake but seems to disinterest Carla. In fact, by this point, both women are drunk and begin to reveal their true feelings culminating with Carla taking Blake to his room for sex while Lou sits outside the door, listening.

The sex scene earned the film an NC-17 rating and Toback’s appeals were rejected so he made edits. Interestingly, both versions are on the Blu-ray disc and they are both steamy and erotically charged without any nudity.

The original DVD commentary is provided and between that and the Toback interview, we learn how much was improvised despite the writer claiming the script wrote itself in a mere four days. As a result, one longs to see deleted or alternate scenes to see how the cast found their characters but alas, none are provided.

As the credits roll, one hoped for a more satisfying ending. I was unmoved by this potentially fascinating set-up despite some solid performances.

J.J. Abrams takes on the Micronauts

  • News
  • November 6, 2009

J.J. Abrams (Star Trek, Lost, Alias) is reported to be in discussions to produce a feature film based on the Micronauts toy franchise, according to the Wall Street Journal.

The Micronauts toy line was created by Takara, later acquired by Tomy, and debuted in 1974 in Japan, where the line is known as Microman. Two years later the Mego Corporation introduced Micronauts to the US, and released five series of toys through 1980.  Palisades Toys acquired the right to reproduce the toys in 2002, and the entire line was recently acquired by Hasbro.  Additionally, Marvel Comics, Devil’s Due and Image Comics published Micronauts comic books, with several paperback books based on the property published by Byron Preiss Visual Publications.

At one point, they were so tightly integrated with the Marvel Universe that they crossed over with the X-Men and spun out a character that has crossed over with most of the rest of the line, Captain Universe.

No word yet on who will actually write or direct the film. But should we worry about these robots being handled by a production company named Bad Robot?

Review: ‘X-Men Origins: Wolverine’ on Blu-ray

wolverine-blu-ray-2243133X-Men Origins: Wolverine kicked off the summer season and much of the film review that follows originally appeared on my blog. This past week, 20th Century Fox Home Entertainment released the movie on DVD and Blu-ray, both containing a digital copy as has become standard these days. Since his introduction in 1974 through 2000, people were fascinated by Wolverine. He was a feral, edgy character at a time few other costumed crime fighters were. There was a tragic element to him since he could not recall his past. Through the years, writers teased us with bits and pieces about him, letting us know he was long-lived and had gotten around. But, just where did this Canadian come from?

After the success of [[[X-Men]]] in 2000, it became apparent there would be other mutant movies and the issue of Logan’s origin was no doubt going to be addressed. In 2001, Bill Jemas said the time had come to tell the origin. Better Marvel control the origin elements rather than some unfamiliar screenwriter so in many ways, his miniseries, [[[Origin]]], was a pre-emptive strike. And maybe it was just time.

The Paul Jenkins version beat out several others and became the one Andy Kubert drew in his gorgeous style. This is now the origin, like it or not, that every licensee is obligated to follow. All of this sets the stage for X-Men Origins: Wolverine, a solo project that invited movie audiences to see where Logan came from and how he had his skeleton covered in adamantium.

Good thing there was a roadmap to follow because the changes from the comic showed that in other hands, telling his origin could be disastrous. Far too little is spent setting up James Howlett’s life in Canada before his claws first popped out. The family dynamic is given such short shrift that it felt sketched rather than written. I was particularly bothered by the decision to make Howlett and Victor Creed brothers, an unnecessary and overused Hollywood trope.  Yes, Sabretooth is Wolverine’s great comic book nemesis but he had nothing to do with the origins and shoe-horning him here doesn’t fit.

We know they’re both mutants, both feral in nature, something not well explored by the script. The title sequence successfully shows us how they stayed together, reached adulthood and seemingly stopped aging, but continued to sate their natures by going from war to war. Why they left Canada for America is unexplained nor are we properly shown how they began drifting apart and why Victor relished fighting while James had more of a conscience.  Had the movie taken the opening montage and really delved into his origin, we would have had a more dramatic character-driven origin rather than this testosterone-fueled film overstuffed with extraneous mutants.

James and Victor wound up as part of mutant military brigade under the command of William Stryker. We get to see some mostly familiar mutants including Wade Wilson, whose jabbering was perfect. Anyway, James reached his limit with the squad’s brutality and walked on them, and his brother. In the intervening six years, he found a quiet job as a lumberjack along with the love of a good woman, Kayla Silverfox, until his past came back to haunt him.

Stryker has manipulated James so he agrees to undergo the transformation into a living weapon. A military reason for the Weapon X program as opposed to the evil scientific cabal is another Hollywood cliché that was irritating and Stryker as the mastermind never seemed smart enough or motivated enough to be a real threat.

Bonded to adamantium, James Howlett has now rejected his past, adopting the name Logan and the codename Wolverine (the animal name came from that other Hollywood touch, a story told by his lover in the scene before she is killed). Now seeking Creed, who killed Kayla under Stryker’s command, the second half of the film becomes a revenge tale. (more…)

Review: ‘I Sell the Dead’

Are you looking to round out your Summer with a campy “horror” movie? Look no further than [[[I Sell the Dead]]]. This amusing film, written and directed by Glenn McQuaid, follows the recollections of a young grave robber named Arthur Blake (Dominic Monaghan) on the eve of his execution.

Set in 18th century England (some of our group thought Ireland), the general campy tone of the movie is hinted to early on when Father Duffy (Ron Perlman) is on his way to hear Blake’s confessions and passes what appears to be the skeletal remains of a chihuahua in the dungeon. In recounting how he became a grave robber, we are treated to humorous flashbacks of how Blake became a grave robber and, later, a “ghoul” – one who acquired and sells the undead. We soon discover that Blake and his grave robbing partner, Willie Grimes (Larry Fessenden) are up against a rival gang of brutal ghouls who are happy to use any means necessary to get their hands on the undead.

The film is chock-full of vibrant (and often drunk) characters. It is also well-stocked with monsters and over-abundant artificial fog somewhat reminiscent of classic campy horror films. I Sell the Dead does not fail to deliver the laughs they seem to be aiming for. The film also uses a very stylized method for changing scenes, wherein the end of a scene goes still and is then inked over to have the look of a scene from an old pulp comic. If you are looking for a modern, action-packed horror movie with a lot of shock and gore, this is not the film for you. Fans of Dominic Monaghan will enjoy getting to see him on screen again, and his comic timing is excellent as always. Those who prefer classic horror films or who want a break from the ordinary will find I Sell the Dead clever and amusing. If you are planning to see a fun and different flick with a group of friends, check this one out!

Marvel’s Second Quarter Fizzles

  • News
  • August 5, 2009

Marvel’s second quarter earnings reports are in, and while they beat expectations, it wasn’t by much. They made (almost) exactly the same amount in the first quarter as they did in the second, which is not really a good thing for a business to do.

Publishers Weekly summarized the reports thusly:

Publishing revenue at Marvel Entertainment was flat in the second
quarter, slipping from $31.8 million to $31.7 million. Operating income
fell more noticeably, dropping 6.8%, to $10.9 million. A lower level of
high-margin advertising and custom publishing sales was cited as the
reason for the decline in earnings. For the first six months of 2009,
sales in the publishing segment fell 1.4%, to $57.5 million, and
operating income declined 17.1%, to $17.9 million. The company said it
expects the publishing segment to finish 2009 with revenue between $115
million and $120 million; in 2008 sales were $125.4 million.

DeadlineHollywoodDaily.com’s Nikki Finke has more detail:

The company said it benefited from growth at its film production segment, primarily in initial revenue for Iron Man DVD
sales and domestic pay TV window. But Marvel’s profit fell 38% after a
decline in licensing sales for toys and character-related products
following its Iron Man and Incredible Hulk bonanzas.
Marvel’s 2nd-quarter revenue fell 26%, and net income fell. But Marvel
also raised the low end of its full-year profit and sales forecasts
with Iron Man 2 coming out in 2010.

Heidi MacDonald over at The Beat says it’s a sign of a slower Q2 for comics all around. What do you think?

#SDCC: Is McLovin ready to ‘Kick-Ass’?

  • News
  • July 24, 2009

27-mclovin-lgl-4797993

Who kicks more ass? McLovin’, or the Red Mist?

“There’s a reason why [Nicolas] Cage ain’t here…” So said Christopher Mintz-Plasse, co-star of Mark Millar’s comic-to-screen adaptation of Kick-Ass, brought to us at the San Diego Comic-Con in that room of rooms… Hall D! Director Matthew Vaughn presented alongside special guest Mark Millar, the aforementioned Mr. Mintz-Plasse (formerly McLovin’ of Superbad Fame…), as well as John Romita Jr., the comic book artist who brings Kick-Ass to life every month(ish) via Marvel’s ICON line.

Showing off Avid-fresh clips to a rabid audience, Vaughn was ensuring a final product that would bring a genuine adaptation that followed the comic to the letter, or in this case… the panels. “We are a genuine comic book adaptation with comic book authors involved
in the production of the movie… It’s really important to me that fans
of the comic like the film. I’ll be more upset if fans of the comic
hate the movie than anybody else.” Vaughn told MTV’s Splash Page blog prior to the screening.

And what a screening it was. Scenes including Nicholas Cage’s Big Daddy shooting his little girl, Chloe Moretz, begarbed in a bulletproof vest. A Paris Hilton joke warmed the crowd. And what of the titular hero? Aaron Johnson plays ‘Dave’, who in clips presented at the con, showed off the straight from panel to screen costume (no leather upgrades ala X-men here.), as well as comic-worthy violence. Tasers to a thug’s forehead? Check. Hit-Girl slicing and dicing bad guys enough to shame Beatrix Kiddo? Check. And McLovin’ as the hot-rodding Red Mist? Double check. The fans in attendance ate it up? How much? They demanded a reshowing of the trailer, and they got it.

But this begs to be asked… obviously Vaughn knew what to say and show the rabid comic fans in attendance, but Millar isn’t squeaky clean when it comes to his adaptations on film… lest we forget the curved bullets of amazing aptitude in Wanted: Not Quite the Comic circa 2008.

Look for ‘Kick-Ass’ at the tail end (sorry) of this year.

#SDCC: Astro Boy Panel

  • News
  • July 23, 2009

astroboy-cgi-1-6729055A new CG-animated version of the classic manga and anime, “Astro Boy,” created by the “god of manga,” Osamu Tezuka in the 1950’s, debuted clips at Comic-Con 2009. This seminal work about a heroic boy robot was a generation’s first exposure to the Japanese art form when it aired in the U.S. in the 60’s, and is set to hopefully gain a whole new audience.

Director David Bowers, producer Maryann Garger, and stars Freddie
Highmore (Astro) and Kristen Bell (Cora) were there to answer audience questions.

Deb Aoki tweets from the panel:

  • Very
    nice clips from astro boy — saw at least 3 nods to tezuka in the first
    clip
  • Director david bowers: “macoto tezuka will be doing voice of the tezuka character in the japanese version of astro boy movie”
  • Also announced: Samuel l. Jackson, a.k.a. Mr. Comic-con is the voice of zog the junkyard robot in astro boy
  • Actually, this
    was the most positive, enthusiastic response to an astro boy movie
    preview that I’ve seen they’ve started to promo it
  • Nicolas cage,
    the voice of dr. Tenma was not at astro boy movie panel, but was
    described as a passionate Anime & manga fan. 

According to IGN news, Charlize Theron will also be voicing a character in the film.

USA Today has an article about the film, with lots of images.

(UPDATE 8/5: The artwork is early concept art for the movie, newer images (and a bit of an explanation) can be found here.)

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks