Tagged: film

Leaked ‘Iron Man’ Photo Now Subject of Lawsuit

  • News
  • June 20, 2008

When movie site IESB.net posted one of the first images of the Iron Man suit last May, to say that the leaked photo from the set of Iron Man created a bit of a buzz might be the understatement of the year.

It didn’t take long, however, for the studios involved with the film to direct their full legal attention to the movie news site, forcing it to shut down for a period of time and generating an entirely different kind of buzz.

Well, it seems like the legal tussle over the photo will have yet another chapter, as attentive members of the Iron Man audience might have noticed a familiar image on the front page of a newspaper Tony Stark (Robert Downey Jr.) is reading in a scene near the end of the film. Photographer Ronnie Adams, who shot the initial "leaked" Iron Man photo that started all of the hub-bub, is now alledging that the movie studios used his infamous photo in a "pivotal scene" during Iron Man, and is asking for unspecified monetary damages.

Adams filed a lawsuit regarding the photo last week against Paramount Pictures and Marvel Entertainment, and also asked that the photo be removed from any future DVDs or videogames related to Iron Man.

Full-size versions of the original, "leaked" image and the offending Iron Man scene (according to Adams’ lawsuit) are posted after the jump for comparison.

(via pdnonline) (more…)

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‘Dark Knight’ Interviews and Set Visit Report

  • News
  • June 20, 2008

batman-the-dark-knight-7183537As The Dark Knight‘s release date looms ever closer, studio-arranged embargoes on coverage of the film appear to be lifting and the set visits, interviews and other coverage that have been kept out of the public eye for the last year or so are arriving on the ‘Net.

Over the last few years, some of my favorite “official” coverage of comics-themed films has arrived via the crew at SuperHeroHype and ComingSoon.net. Their recent Dark Knight package is no exception.

Along with a comprehensive report on their visit to the set of the film, there are also interviews with actors Christian Bale, Aaron Eckhart and Gary Oldman, as well as director Christopher Nolan and the film’s production and costume designers.

From their analysis of the Bat Suit:

Also notable was the neck. Rather than being big and bulky like the “Begins” costume, it was very thin and made of several pieces. As the costumer would later tell us, they actually had to scale down the Bat mask so it wouldn’t look so huge on the smaller neck. Also noteworthy was the bat logo being significantly smaller and split in two pieces. When I asked the costumer about it later, he said there was actually some debate for a time whether to even have the logo or not.

. . .

I also got to see what was under the cape. It was laced up in the back and there was no bat butt. (I knew you were wondering.) All in all, the costume looked great, and very functional, in person.

So there you have it: There will be no “bat butt” in the sequel.

Head over to SuperHeroHype for the rest of the Dark Knight set visit, as well as other items from their on-location coverage.

The Dark Knight hits theaters July 18.

 

The Buzz on Brian K. Vaughan’s ‘Roundtable’ Script

  • News
  • June 19, 2008

Over at AICN, Moriarty has posted a very long analysis of Y: The Last Man creator Brian K. Vaughan’s script for a feature film currently titled Roundtable, which Dreamworks recently won after a long bidding war.

Apparently, the man behind Runaways and Ex Machina (and now a writer for the comic-posing-as-a-television-series Lost) has turned in a script that’s being celebrated as one of the best to hit Hollywood in quite some time, earning comparisons to classic science-fiction comedies such as Ghostbusters and Back to the Future by even the most jaded readers.

According to AICN:

So when my friend sent over ROUNDTABLE and suggested I read it, I was surprised by his enthusiasm. That’s not the way it normally goes. Keep in mind, there’s a sport in LA that’s very popular. Writers get hold of a script that just sold for a ton of money. And then they read it so that they can reassure theselves that it’s terrible and if that piece of shit sold for a lot of money, then that masterpiece they’re tinkering with in the off-hours is going to be set a new record for how much money someone can make on a script. It’s only fair. It’s a bitter, angry game, but it’s been going on since at least when I moved here in the early ‘90s, and it hasn’t changed in that entire time. Almost any script can be torn apart by the determined and the bitter if they try, but I’m guessing that they’ll find themselves tied in knots as soon as they all get hold of this script, because it is indeed a tightly-constructed and hilarious commercial script that is most probably going to make DreamWorks a small fortune when they finally release the film.

Moriarty goes on to describe some of the casting Vaughan seems to have had in mind for characters, as well as a basic synopsis of the story.

 

(via PopCandy)

Foo Fighters to Develop ‘The Amazing Joy Buzzards’ Music?

  • News
  • June 13, 2008

The Amazing Joy Buzzards has been an under-the-radar favorite of mine for quite a while now, so it was nice to see the series’ name appear on this week’s list of releases. Apparently, Image Comics is publishing a new "director’s cut" of the first volume of the superhero rock band’s adventures, titled "Here Come the Spiders."

Matt Brady has posted an interview with Mark Andrew Smith and Dan Hipp, who write and provide the art for the series, respectively.

During the interview, Smith drops this piece of information that made me even more fond of the series — and its (potential) future:

We’re always quiet on what the Amazing Joy Buzzards sound like because every reader plugs their own favorite band into the spot. But soon we might have an Amazing Joy Buzzards cartoon in the works with the Foo Fighters involved developing their sound so eventually for film and animation they will actually have a sound if all goes well.

Foo Fighters, eh? Here’s the part when I say, "Rock on."

For the rest of the interview, head over to Brady’s website.

[UPDATE – June 19, 2008: Mark Andrew Smith recently contacted ComicMix to clarify that nothing is finalized regarding the Foo Fighters or the band’s involvement with anything related to Amazing Joy Buzzards. The text of the interview on Matt Brady’s website has been edited to remove any reference to the band’s involvement, as the terms of any agreement with Foo Fighters or other entities are still under discussion. We have preserved the excerpt of the original interview here, in the interest of maintaining transparency. -RM]

Review: ‘The Incredible Hulk’

Going into this film, you will need to play a bit of a trick on your brain. You need to completely forget everything you experienced in Ang Lee’s 2003 version of the film, while still comparing this film to its predecessor.

You’re going to want to compare this film to Marvel’s previous blockbuster, Iron Man, but you shouldn’t do that — this is a whole new beast (pun intended) and needs to be treated as such.

That said, this film certainly delivers for the franchise, with the only major problem being the anticlimactic fight scene at the end, but we’ll get to that.

Starting off, the abbreviated back-story of this film is given to us in the form of the opening titles. Changing from the books: there is no Rick Jones and no Gamma Bomb, but instead a quiet gamma test on our Dr. Bruce Banner that goes horribly wrong, causing him to “hulk-out” and destroy the facility while also injuring his assistant/girlfriend Betty Ross. He goes on the run from the government, and we come into the story a few years later in Brazil, where Banner has now gone five months without “incident.” The first 15 minutes of the film keep the audience well entertained without the need of the Jade Giant, with some great character development and a fair amount of humor.

On the critical side of things, the biggest change from the first film was easily the look of the hulk and computer-generated imaging throughout the film. This was a drastic change from 2003’s “Shrek on Steroids” look. We’re given plenty of shots of the hulk in plain daylight and in action, and the look is next to flawless. If you are not a fan of CGI to begin with, you have to understand that you are going to see a movie about a gigantic green monster here, and no one is throwing Lou Ferrigno in green makeup this time around.

(more…)

Alone Together In the Dark, by John Ostrander

  • News
  • June 12, 2008

lab06popcorn-posters-6676198I remember the first time I saw the film Casablanca. It was at the 400 Theater in Chicago, just up Sheridan Road from Loyola University where I attended college. It was on the bill with Woody Allen’s Play It Again, Sam, an obvious but terrific double feature. I went stag but was lucky to get in at all; the small theater was packed.

I had missed or ignored Casablanca up until this point. I’m not sure why; I liked old serials a lot. The movie had certainly played on TV enough. I’d seen bits here and there or seen send-ups of it; callow youth that I was, I thought it wasn’t for me. Part of it was my own perverseness; my immediate reaction, on being told by everyone else that I must see this or I must hear that or I must read such and such is to say, “No, I don’t.” I get stupid stubborn about such things some times. Being told I would love the film I, of course, refused to see it. Finally, my curiosity overcame my perverseness and I sneaked off to view it without anyone else.

As I said, I went stag but I soon discovered I wasn’t alone. I was part of an audience, folks who mostly knew and loved the film. At the end of the singing of La Marseillaise, they cheered. When Captain Renault said, “Round up the usual suspects,” they cheered again. They laughed out loud at the funny lines (the movie is incredibly witty and they had actors who knew timing) and listened with rapt attention to Bogart’s speech at the end. Their delight and enthusiasm was catching on its own. And then there was the film itself.

(more…)

Iron Man Featured in New ‘Incredible Hulk’ Trailer

As most of you know by now, Marvel and Universal are taking the Incredible Hulk marketing into full swing this week, with one TV spot that may just be giving away a little too much.

Those of you who stayed till the end of Iron Man know that Sam Jackson pops up as fellow Marvel character Nick Fury, and rumor had it that we would be getting the same treatment with the next film from Marvel Studios, with Robert Downey Jr. rumored to appear as Tony Stark in the upcoming Incredible Hulk.

Well, it looks like the cat is out of the bag here, because according to the TV spot that hit the airwaves last night, Downey is definitely in the picture. It seems bizarre that the studios would spoil what could have been another big cameo, but such a move is likely indicative of the studios’ worries regarding the film — and an effort to ride the coattails of the biggest movie of 2008?

Check out the video below, but beware: If you would rather enjoy the surprise in the theater, stay away!

 


 

You can also view the video <a href=”

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Incredible Hulk hits theaters this week on Friday, June 13.

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An Unprecedented Perspective on Edgar G. Ulmer, by Michael H. Price

detour-lobby-card-6176778I had mentioned Edgar G. Ulmer, the Grey Eminence of Old Hollywood’s Poverty Row sector, in last week’s column, attempting to draw a thematic similarity between Ulmer’s most vivid example of low-budget film noir, 1945’s Detour, and a newly opening picture called Stuck, from the dramatist-turned-filmmaker Stuart Gordon. The cause-and-effect response here was an urge to take a fresh look at Detour. Right about that time, the mail brought a copy of Gary D. Rhodes’ new book, Edgar G. Ulmer: Detour on Poverty Row (Lexington Books; $85).

Gary Rhodes is a colleague of long standing, a filmmaker, educator and journalist whose work has intersected with mine on several fronts. Such Rhodes volumes as White Zombie: Anatomy of a Horror Film and Horror at the Drive-In relate strategically to the Forgotten Horrors books that George E. Turner and I originated during the 1970s, and Gary and I have long acknowledged a shared interest in Ulmer (1904-1972) as a talent essential to any understanding of maverick moviemaking.

With Edgar G. Ulmer: Detour on Poverty Row, Rhodes takes that interest to an unprecedented extent. Editor Rhodes and a well-chosen crew of contributing writers consider Ulmer in light of not only his breakthrough film, 1934’s The Black Cat at big-time Universal Pictures, or such finery-on-a-budget exercises as Bluebeard (1944) and Detour (1945), but also Ulmer’s tangled path through such arenas as sex-hygiene exploitation films (1933’s Damaged Lives), Yiddish-language pieces (1937’s Green Fields), well-financed symphonic soap opera (1947’s Carnegie Hall), and ostensible schlock for the drive-in theatres (1957’s Daughter of Dr. Jekyll).

(more…)

Sex In The City, by Michael Davis

No less than eight women and two gay men, all friends of mine, have asked me whether or not I was going to see the Sex And The City movie. I’m lucky (or unlucky depending on your point of view) to be able to see Hollywood films before their release. I have seen Sex And The City. Before you go on, I must tell you that I am going to reveal important plot elements as well as the surprise ending.

The plot of the films is this: four friends, Carrie, Samantha, Charlotte and Miranda, are now all over forty and dealing with life at middle age. Carrie and Mr. Big are planning their wedding. Mr. Big finally tells Carrie what he does for a living and how he got his nickname.

The scene played out like this:

Carrie: Now that we are going to be married, don’t you think I should know your real name and what you do for a living?

Mr. Big: Yes, Carrie, but you better sit down.

Carrie sits down. She has a look of fear and anticipation on her face.

Mr.Big: I love you, Carrie. No matter what happens between us please know I love you.

A tear starts to roll down Carrie’s cheek.

Carrie: You… you’re scaring me Big.

Mr.Big: I’m sorry baby. Look, there is no other way to say this so I’m just going to say it.

Carrie is now shaking and the tears are flowing freely. She begins to sob. (more…)

‘Hobbit’ Film Details Emerge During Jackson/Del Toro Q&A

The Guillermo del Toro and Peter Jackson Q&A I told you about last week seems to have been fairly interesting and full of information for eager Hobbit fans.

Over at The Frodo Franchise, Kristin Thompson has a nice roundup of some of the highlights, including this bit:

Peter hints that Gandalf the Grey will be important in both The Hobbit and what’s currently just called Film 2. That seems to hint that Ian McKellen is willing to act in both, since later on Peter says that only characters whose actors will return for the second film will be written into its script.

There’s also a transcript of the full Q&A available at the Weta website.

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