Tagged: film

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The Secret is out

I’ve been rooting for Pulp Secret to flourish ever since their executive producer, my old college friend David Levin, first gushed to me about it.  And in the short time they’ve been around the site has branched out from their 5-minute video news segments to a weekly talk and interview show to David making good on his vow to give away items in his prized comic book collection on a regular basis.

But for me, there was still something missing.  And some of it had to do with me not being able to tell the three young white male self-amused hosts apart.  I’m sure they’re nice guys and all, but it was (as the Brits say) much of a muchness.

Now finally, with webcast #18, the video news segments have a female face.

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She’s Ana Hurka-Robles, a director and writer from NYC who’s been behind the camera until now.  Says AHR, “I’m part of a small crew that produces the episodes, so I get a chance to direct, shoot, write, research, and edit. I know that film degree would come in handy some day!”  (I think someone else may have “edited” her name up there.)  You can catch her on-screen debut here, at about 3:45 into the webcast, but she narrates capsule reviews in webisodes 10 and 15 as well.

Thanks, David & co., for expanding PS to include the other half of the population!

Galactus Voiced and Fantastic Four 2 Tested

  • News
  • April 14, 2007

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Now that Tim Story has confirmed that we will see the towering Eater of Worlds, Galactus, in this summer’s Fantastic Four 2: Rise of the Silver Surfer, it is now on good authority that the voice will be lent by Laurence "don’t call me Morpheus" Fishburne. It seems after narrating the very popular TMNT Fishburne is going back to his less serious roots. Let’s hope this can only end with a revival of his Cowboy Curtis character from Pee Wee’s Playhouse.

On more depressing note, Fox held a test screening for Story’s FF2 in Seattle and the crowd was less than impressed. One quote from an audience member is that the film was "sooo bad that they felt dirty and wanted to write letters of complaint." This is pretty discouraging to hear after the excitement that followed the trailer for the film earlier this year. With a response like this and a release date of June 15, it seems that Tim Story and his crew may need to hit the cutting room quickl

Eccleston rising in the dark

  • News
  • April 13, 2007

According to the Manchester Evening News, Christopher Eccleston (Doctor Who, Heroes, The Second Coming) is set to star in a theatrical adaptation of Susan Cooper’s Young Adult novel The Dark Is Rising.

Eccleston will play the main villain, the Rider, who leads the evil forces back and forth through time, in what are described as Harry Potter-style films. The five books in Cooper’s series are optioned and will be produced, depending on the performance of the first film.

Ian McShane (Deadwood) co-stars with Eccleston, for director David L. Cunningham. The Dark Is Rising is set for a September 28th release.

More 300 views

  • News
  • April 8, 2007

300thumb-3140836You know something’s become a cultural phenomenon when it’s used as a springboard for humor pieces, on the assumption that viewers and readers will "get it" because the source material has become firmly embedded in our collective consciousness.  So it was with great amusement that I read Dr. PZ Myers’ take on 300 wherein he reveals that the movie is really about "a retelling of the creation-evolution struggle!" Next up, his similar interpretation of Grindhouse!

On a more serious note is artist Chris Weston’s I Hate 300 analysis, in which he pulls no punches in finding the movie "the most racist, homophobic and conservative film that I’ve ever had the misfortune to endure."  Weston later confesses that it took him about a week to get over the experience, so for good or ill the movie seems to be making quite an impact.

Grindhouse Gossip

  • News
  • April 7, 2007

In response to recent inquiries about the production of Grindhouse, a spokesperson for Troublemaker Studios, the production entity co-founded and co-run by Robert Rodriguez and Elizabeth Avellan, released the following statement:

"Elizabeth Avellan and Robert Rodriguez were separated long before the Grindhouse production began. Their separation and subsequent divorce were very amicable and they opted to continue as planned, and to produce the film together — a decision they informed Bob and Harvey Weinstein [co-chairmen of The Weinstein Company, distributor of Grindhouse] about prior to the start of production. Robert and Elizabeth plan to produce Sin City 2 together — with Robert directing — for Dimension Films in the coming months. The hiatus during the production of Grindhouse had nothing to do with Robert’s personal life.

"On April 10th, 2006, after shooting for five weeks, Robert completed principal photography of the first phase of his segment of Grindhouse. He took a hiatus from shooting to assemble the footage he had already shot and determine his next steps in the production, which is the same successful approach he utilized with Sin City when he shot the film in two parts."

On a completely unrelated note, we saw Grindhouse yesterday and think the Tarantino part was awesome.

Edward Gorey Movies

  • News
  • April 5, 2007

According to The Hollywood Reporter, the work of everyone’s favorite creepy cartoonist, Edward Gorey, will be made into a movie. The project is being developed by Walden Media (the people who brought you the Narnia movie), the Jim Henson Company, and Fox 3000. 

Brad Peyton will direct from a script written by Matthew Huffman.

It’s hard to come up with a creature that you’ve never seen before in any medium, and he’s a unique little creation who is very appealing without being cute or cloying," Jim Henson Co. co-CEO Lisa Henson said. "He’s sophisticated yet simple at the same time, but it’s not overly juvenile. Adults can find him cute, too."

No word yet on a cast, or if the film will be live action or animated.

Serenity beats Star Wars

  • News
  • April 2, 2007

The BBC is reporting that Joss Whedon’s film Serenity topped a poll by SFX magazine as the best science fiction film of all time.  The magazine polled 3,000 fans.

Star Wars came in second, and Blade Runner was third.  Other films that made the list include Planet of the Apes, The Matrix, Alien,  Forbidden Planet, 2001: A Space Odyssey, The Terminator and Back to the Future.

SFX editor Dave Bradley said it was a "massive surprise" to see Serenity beating Star Wars.  "The TV show may have been cancelled, yet the Serenity universe clearly struck a chord with fans, thanks to its likeable characters, witty dialogue and amazing special effects."

Wallace and Gromit Go Sony

  • News
  • April 2, 2007

Aardman Animation , of Wallace and Gromit fame, signed a three-picture deal with Sony Pictures, it was announced today.  The company, based in England, had been without a Hollywood partner since being dumped by Dreamworks in January. 

"We couldn’t be more excited about working with the entire Aardman team," said Sony co-chairman Amy Pascal.

Aardman co-founder David Sproxton said: "We are delighted to find a partner in Sony that shares our vision.  We are all very excited by the potential and have a number of projects we are keen to bring to fruition with this new relationship."

Wallace & Gromit: The Curse of the Were-Rabbit won an Oscar.  However, it lost money, as did Aardman’s following film, Flushed Away.  These losses were blamed for Dreamworks ending a five-picture deal after only two films.

MATT RAUB loves being a Turtle

  • News
  • March 26, 2007

Cowabunga, Dudes! Matt Raub here, back once again for my review of my pick for “Best Flick of 2007” – TMNT!

Now, before I do my business, a little history. I’m a 100% freak when it comes to anything and everything 80’s. From the music to the wacky neon fashion to the movies, and most important, the TV shows. From The Real Ghostbusters to M.A.S.K., I knew just about everything that needed to be known about cartoons in the 80’s. With that said, I was going into TMNT with roughly 50% excitement and 50% skepticism that we would get a repeat of the first three Turtles movies, which included (in no particular order): Vanilla Ice, time travel, and freckles.

With that said, I was nothing short of blown away by this flick. I caught myself jumping with excitement during the actions scenes and cackling obnoxiously at Michelangelo’s quips. Now, there aren’t a whole lot of CGI films that take my breath away, the exception being The Incredibles of course, mostly due to the need to dumb down the script to appeal to the legion of drooling nine-year-olds. But that wasn’t the case with TMNT. Instead of being a comedy with some action, this flick was all action with some comedy, and I loved it. While it did have some slapstick comedy to keep the toddlers at bay, there were so many more serious elements that I know had to have gone over the heads of the younger audience.

For those of you who aren’t sure where this film stands in comparison to the previous three, I’ll spell it out. This movie pulls a Superman Returns formula, but does it right. The story takes place about a year after the second film, erasing the Turtles in Time escapade completely from continuity (thanks!). With this continuity, we still get Casey Jones, April O’Neil, and a dead Shredder, but the characters all get a revamp, some for better and some not so much: April O’Neil is no longer a reporter, but a glorified Indiana Jones-archeologist type. What?? But like I said, this took the Superman formula and made it work. And no, April doesn’t end up having a half-turtle baby with Leonardo.

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MATT RAUB: The Last Mimzy

  • News
  • March 23, 2007

Greetings, movie geeks! Last we spoke, you were all on the receiving end of my 300 bash, and after a handful of death threats from the “Frank Miller is God Fan Club,” I’ve digressed. We’re moving on this week to a flick that I can relate to, in Robert Shaye’s The Last Mimzy.

Now for those of you who aren’t in the know on this latest adolescent epic, the premise is that a brother and sister come across a mysterious box on the beach. It’s explained to us that the box is from the future and is filled with all kinds of equally mysterious sci-fi gadgets, or as the kids so affectionately called them “toys.” Once they start to play with these toys, both the boy and girl begin to gain special powers. Now fans of the USA show The 4400 may be saying “hey, this sounds a little familiar.” And I agree with you. The concept of the future sending technology back in time to save the human existence does sound a bit familiar, but this is done entirely through the perspective of the two kids.

By doing the entire film through the point of view of our two tiny heroes, this flick brought me back to what it was like to be a geeky kid with superpowers given to me from the future… or something. The perspective stayed so far on course that we (the audience) begin to hate the parents of the main characters when they become frightened and angry with these new found “toys” and what they are doing to their children. This can best be described by remembering the point of view from a little movie from the 80s called E.T. Much like that film, we all felt like we were keeping the secret from kids’ parents as much as they were, and that was exciting.

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