Tagged: film

Justice League: The Flashpoint Paradox is the next DC Video Release in July

justiceleaguetheflashpointparadox-finalboxart-e1366215358693-3568225This is the comic book event that either propelled DC Comics towards the New 52 paradigm or sent the company spinning off the rails, alienating the very core audience they sought to retain. Now it is being adapted into animated form from Warner Home Entertainment in July. Some speculate this direct-to-video movie will transition the animated heroes towards New 52 incarnations but that has not been confirmed. Here’s the release:

BURBANK, CA (April 17, 2013) – The world is turned upside down as one of earth’s greatest super heroes – Flash – wakes up devoid of his super powers in the all-new Justice League: The Flashpoint Paradox – the next entry in the popular, ongoing series of DC Universe Original Animated Movies. Produced by DC Entertainment and Warner Bros. Animation, this all-new, PG-13 rated film arrives July 30, 2013 from Warner Bros. Home Entertainment on Blu-Ray™ Combo Pack ($24.98 SRP), DVD ($19.98 SRP) and Digital Download. The Blu-ray™ Combo Pack will include UltraViolet™*.

When time travel allows a past wrong to be righted for Flash and his family, the event’s temporal ripples prove disastrous, creating a fractured, alternate reality where the Justice League never formed, and even Superman is nowhere to be found. Amidst a new world being ravaged by a fierce war between Wonder Woman’s Amazons and Aquaman’s Atlanteans, Flash must team with a grittier, more violent Batman and government agent Cyborg to restore the continuity of Flash’s original timeline.

“Justice League: The Flashpoint Paradox has all the elements of another great film – dynamic forceful villains, treacherous twists and turns and internal tensions amongst heroes,” said Mary Ellen Thomas, Warner Home Video Vice President, Family, Animation and Partner Brands
Marketing. “Showcasing a cast that brings together some of today’s popular primetime television actors with many fans’ favorite voices from the original series, Warner Bros. Home Entertainment is proud to release this title as the next DC Universe Animated Original Movie.”

Primetime television stars Justin Chambers (Grey’s Anatomy) and Kevin McKidd (Grey’s Anatomy), the voices of Barry Allen/Flash and Thomas Wayne/Batman, respectively, unite with numerous greats of television and film to fashion the famed animated roles. Adding to the celebrity-laden voice cast and providing thrilling additions to the Justice League series are Michael B. Jordan (Fruitvale, Friday Night Lights, Chronicle) as Cyborg, C. Thomas Howell (Southland, The Outsiders) as Thawne/Professor Zoom, Nathan Fillion (Castle) as Hal Jordan/Green Lantern, Ron Perlman (Hellboy) as Slade and Deathstroke, Dana Delany (Body of Proof) as Lois Lane, Cary Elwes (The Princess Bride) as Aquaman, Danny Huston (Magic City) as General Lane, Sam Daly (The Office, The Daly Show) as Superman, and Kevin Conroy (Batman: The Animated Series) as Batman.

Screenwriter Jim Krieg delivers an action-packed vision of the legendary comic book miniseries Flashpoint, by Geoff Johns & Andy Kubert, adding to the over 13 million DC Universe video units produced to date. Jay Oliva (Batman: The Dark Knight Returns) is director and
James Tucker (Superman: Unbound) is producer.

Justice League: The Flashpoint Paradox Blu-ray™ has over three hours of exciting extra content, including:

  • A Flash in Time: Are there other dimensions?  Can time travel get us there?  And if The Flash existed, could he really travel through time?  Interviews with experts in mythology, theoretical physics and top DC writers will examine the science and legacy of the storytelling behind the fiction.
  • My Favorite Villians! The Flash Bad Guys: Acclaimed DC Comics writer Geoff Johns and others share their favorite Flash villains in this short film that gives viewers a glimpse into the Flash’s world through the eyes of some of the nefarious characters he has encountered over the past 70 years!
  • A Sneak Peek at the next DC Universe animated movie:. An in-depth look into the next DC Animated feature film, spotlighting the cast and crew.
  • From the DC Comics Vault:  Bonus cartoon episodes
  • The Flashpoint Paradox Audio Commentary

Captain America: The Winter Soldier Shooting Underway

captain-america-winter-soldier-teaser-e1365457551173-8280185BURBANK, Calif. (April 8, 2013) – Following in the footsteps of the record-breaking Marvel Studios’ release, Marvel’s The Avengers, production on the highly anticipated release, Marvel’s Captain America: The Winter Soldier has commenced in Los Angeles, Calif., with production also including locations in Cleveland, Ohio, and Washington D.C. Directing the film is the team of Anthony and Joe Russo (Welcome to Collinwood) from a screenplay written by Christopher Markus (Captain America: The First Avenger) & Stephen McFeely (Captain America: The First Avenger). Marvel’s Captain America: The Winter Soldier returns Chris Evans (Captain America: The First Avenger, Marvel’s The Avengers) as the iconic Super Hero character Steve Rogers/Captain America, along with Scarlett Johansson (Marvel’s The Avengers, Iron Man 2) as Black Widow and Samuel L. Jackson (Marvel’s The Avengers, Iron Man 2) as Nick Fury. In addition, film icon Robert Redford has joined the all-star cast as Agent Alexander Pierce, a senior leader within the S.H.I.E.L.D. organization. Captain America: The Winter Soldier is set for release in the U.S. on April 4, 2014.

Captain America: The Winter Soldier will pick-up where Marvel’s The Avengers left off, as Steve Rogers struggles to embrace his role in the modern world and teams up with Natasha Romanoff, aka Black Widow, to battle a powerful yet shadowy enemy in present-day Washington, D.C.

Based on the ever-popular Marvel comic book series, first published in 1941, Marvel’s Captain America: The Winter Soldier features an outstanding supporting cast that includes Sebastian Stan (Captain America: The First Avenger, Black Swan) as Bucky Barnes/Winter Soldier, Anthony Mackie (The Hurt Locker, Million Dollar Baby) as Sam Wilson/Falcon, Cobie Smulders (Marvel’s The Avengers, How I Met Your Mother) as Agent Maria Hill, Frank Grillo (Zero Dark Thirty) as Brock Rumlow and Georges St-Pierre (“Death Warrior”) as Georges Batroc. Rounding out the talented cast are Hayley Atwell (Captain America: The First Avenger) as Peggy Carter, Toby Jones (Captain America: The First Avenger, The Hunger Games) as Arnim Zola, Emily VanCamp (The Ring 2, Revenge) as Agent 13 and Maximiliano Hernández (Marvel’s The Avengers, Thor) as Agent Jasper Sitwell.

Marvel Studios’ President Kevin Feige is producing the film. Executive producers on the project include Alan Fine, Louis D’Esposito, Victoria Alonso, Michael Grillo and Stan Lee. The creative production team on the film includes director of photography Trent Opaloch (Elysium, District 9), production designer Peter Wenham (21 Jump Street, Fast Five), editors Jeffrey Ford, A.C.E. and Mary Jo Markey, A.C.E. (Star Wars: Episode 7, The Perks of Being a Wallflower) and three time Oscar-nominated costume designer Judianna Makovsky (The Hunger Games, Harry Potter and the Sorcerer’s Stone).

Marvel Studios’ upcoming release schedule includes Iron Man 3 on May 3, 2013, and Thor: The Dark World on November 8, 2013. The studio most recently produced the critically acclaimed Marvel’s The Avengers, which set the all-time, domestic 3-day weekend box office record at $207.4 million. The film, which shattered both domestic and international box office records, is Disney’s highest-grossing global and domestic release of all time and marks the studio’s fifth film to gross more than $1 billion worldwide.

In the summer of 2011, Marvel successfully launched two new franchises with Thor, starring Chris Hemsworth, and Captain America: The First Avenger, starring Chris Evans. Both films opened #1 at the box office and have grossed over $800 million worldwide combined. In 2010 Iron Man 2, starring Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Sam Rockwell, Mickey Rourke and Samuel L. Jackson as Nick Fury took the #1 spot in its first weekend with a domestic box office gross of $128.1 million.

In the summer of 2008, Marvel produced the summer blockbuster movies Iron Man and The Incredible Hulk.  Iron Man, in which Robert Downey Jr. originally dons the Super Hero’s powerful armor and stars alongside co-stars Terrence Howard, Jeff Bridges, Shaun Toub and Gwyneth Paltrow, was released May 2, 2008, and was an immediate box office success. Garnering the number one position for two weeks in a row, the film brought in over $100 million in its opening weekend.  On June 13, 2008, Marvel released The Incredible Hulk, marking its second number one opener of that summer.

John Ostrander: Backwards or Forwards?

ostrander-art-1303241-4485677Bought and watched The Hobbit DVD when it came out. My Mary and I had watched the full IMAX version in the theater; it’s one of her favorite books. I’m pretty fond of it as well.

Enjoyed the movie again and look forward to the next installment. However, I had problems with it. Both the way that the story is being divided into three films and from some of the action sequences, it’s playing out as a prequel to the Lord Of The Rings films. The book The Hobbit is not a prequel; it’s a stand alone story that has some story elements in common with LOTR. In the film, however, it’s coming off very definitely as a prequel to the point, IMO, that the story is changed or even twisted a bit to make it fit that mold. Visuals such as the race through the Underground Kingdom of the Goblins was very reminiscent, visually, of the race through the Mines of Moria in LOTR. What was stunning and even surprising in the LOTR movies looks rehashed here.

Generally speaking, when I’m reading or watching a story, I want to know what happens next – if I want to know anything more at all. Some stories, like Casablanca, doesn’t need prequels or sequels (although a sequel was discussed early on for Casablanca and, fortunately, never worked out). With Star Wars, after the original trilogy was done, I was ready to see what happened next but George Lucas decided he wanted to tell what happened previously. I watched but it’s not what I wanted and a lot of the public was less than enthralled as well. It’s only now when Disney has assumed ownership of the whole shebang that Episode 7 – “and then what happened?” — is being prepared.

The prequel trilogy of Star Wars changes the thrust of the story. The original trilogy is about Luke Skywalker and his coming of age, learning who he is, and becoming the hero his father might have been. The prequel trilogy changes the arc of all six films; it becomes about Anakin Solo, his fall and his redemption. I liked it better when it was Luke’s story.

I don’t absolutely hate prequels; I’ve done them myself. The last two GrimJack arcs I’ve done have technically been prequels. I also did a four issue story on The Demon Wars in GJ and, in the back-up space, my late wife Kim Yale and I did a story of young John Gaunt which would also qualify as a prequel. In each case, however, it revealed aspects of Gaunt that helped in understanding who he was and which weren’t going to be told in any other way. Each was also a stand-alone story; you needn’t have read any other GJ story to understand these stories.

There can be problems with sequels as well. Does it add to the story or does it just water it down? Godfather II deepened and expanded on the first film; Godfather III – not so much. The original Rocky is a great film; none of the sequels improved on it and only tarnished the story. OTOH, Toy Story 2 was better than the first film and Toy Story 3 was better still.

I can understand the desire with the studios to go back to the same material; it has a proven track record. There’s more money to be made not only from the movie but from all the ancillary crap. Less risk (in theory) and more money (in theory).

Maybe what it comes down to is this for sequels and prequels – does this story need to be told? When you think about it, that’s the same criteria as every other story, isn’t it? Or should be. Is this story worth telling? Not – will this make more money? Sadly, the reason for too many sequels and prequels is the monetary one.

MONDAY MORNING: Mindy Newell

MONDAY THE REST OF THE DAY: Wait And See

TUESDAY MORNING: Emily S. Whitten

 

REVIEW: Easy Money

easy-money-9266023Thanks to Steig Larson, there’s a perceived appetite for all things Swedish so some of the more stylish or interesting books and films are coming over here in drips and drabs. The most recent import is Easy Money, a film that benefits from a moral gravity underlying the crime tale. Adapted by director Daniel Espinosa from Jens Lapidus’ 2006 novel Snabba Cash, it tells the story of a student, JW (Joel Kinnaman), who falls for Sophie (Lisa Henni ), an heiress so turns to crime in order to keep up with her lavish lifestyle. You just know things are going to spiral out of control this point on so the key for the production is keeping us in plausible suspense and entertained. Sure enough, he crosses the Serbian mafia and gets embroiled with Jorge (Matias Padin Varela), a fugitive from the mob. It’s dark and violent and messy.

While released in Europe back in 2010, it came here last year courtesy of The Weinstein Company and was met with more yawns than praise. (After winning the bidding war for the remake rights, Warner Bros. turned it over to Zac Efron to produce and start, but we;’ll see what happens should this ever get made.) Still, the film was a box office smash in its home country and did well throughout Europe.

It has enough testosterone fuelling the opening sequences to hook jaded American audiences complete with violence, a prison break out and fast cars. Kinnaman, best known to audiences for his work in The Killing, is an appealing underdog we’re rooting for in the first third. You can see why he falls for the sexy blonde beauty Henni and why he might risk everything for her. Espinosa, though, careens from shot to shot and the narrative loses cohesion by the midway point and the audience stops caring by the time we get to the climax.  There might be too many threads crying for attention for the director to properly service and more condensation might have been required.

The core remains the conflicts and consequences of choices made by the main characters, all of whom are trying to get out from under crushing burdens, which makes this more than your typical crime noir.

This is a pretty bare bones DVD release from Starz/Anchor Bay with nary an interesting extra so the decision is up to you if the story is enough to spring for the disc.

Coming to DVD Next Week

Killing Them Softly is coming to DVD next week and here’s a clip to whet your appetite.

Jackie Cogan is an enforcer hired to restore order after three dumb guys rob a Mob protected card game, causing the local criminal economy to collapse. The underperforming film stars Brad Pitt, Ray Liotta, and, Richard Jenkins.

The Swedish thriller Easy Money is also coming to disc next week and our review will run tomorrow. For now, here’s a look:

Sunday Cinema: Wonder Woman fan video making the rounds

http://comicmix.com//wp-content/uploads/2013/03/wonder-woman-nina-bergman-1a3.jpg

Jesse V. Johnson, the director behind Anchor Bay‘s The Package and the recently announced Kill ‘Em All, John (both vehicles for former wrestler “Stone Cold” Steve Austin) used $3500 and a bunch of favors to make a fan film to demonstrate his chops beyond direct-to-video action fare. He cast Danish singer Nina Bergman as Wonder Woman and got Peter Stormare and Sons Of Anarchy‘s Timothy V. Murphy to play oily Nazis. The resulting video, produced by Hugh Daly and Faz Brahimi and aided by Johnson’s Station 3 manager and producing partner Kailey Marsh, can be seen here…

Hugh Jackman Talks Being a Guardian

Paramount Home Video’s release of Rise of the Guardians arrives in stores on Tuesday, in time for the Easter Basket season. Here’s a clip of Hugh Jackman talking about his character and a behind-the-scenes look at how The Easter Bunny was developed for the film.

For those unfamiliar with the animated feature, which posits a world where icons are real, here’s a clip of Jackman’s Easter Bunny and the trailer.

Christopher Nolan’s Interstellar Now a Paramount/Warner Co-Production

Paramount100Warner Bros Film Group Finalizing New PR Job For News Corp Publicist Jack HornerWhile we await confirmation that Christopher Nolan will be the new DC Film Universe guru and what that will actually mean, he is hard at work on his next film. Today, Paramount Pictures and Warner Bros. issued the following joint press release:

HOLLYWOOD, CA (March 8, 2013) – Paramount Pictures and Warner Bros. Pictures jointly announced today that writer/director Christopher Nolan’s INTERSTELLAR will be co-produced and distributed by the two studios, with Paramount Pictures handling Domestic distribution and Warner Bros. Pictures distributing the film Internationally.  INTERSTELLAR will be released beginning November 7, 2014, in theaters and IMAX®.

Directed and written by Academy Award-nominee Nolan (INCEPTION, THE DARK KNIGHT RISES), INTERSTELLAR is based on a script by Jonathan Nolan. The film will be produced by Emma Thomas and Christopher Nolan of Syncopy Films and Obst of Lynda Obst Productions. Kip Thorne will executive produce. The film will depict a heroic interstellar voyage to the furthest reaches of our scientific understanding.

Brad Grey, Chairman and CEO of Paramount Pictures said, “As a filmmaker and storyteller, Chris has continuously entertained the world with his extraordinary and unparalleled talents. I am pleased beyond measure to welcome him to the Paramount Pictures family. Partnering with Chris, Emma, Lynda and Warner Bros. to release this original idea next November is the perfect way to start the Thanksgiving and holiday movie season for audiences around the world.”

Jeff Robinov, President, Warner Bros. Pictures Group, said, “Christopher Nolan is truly one of the great auteurs working in film today, and we’re extremely proud of our successful and ongoing collaboration with him and Emma Thomas.  We are excited to be teaming with Paramount, and look forward to working with the Nolans, and producer Lynda Obst, on this extraordinary new project.”

Enter the Dragon gets 40th Anniversary Edition

enter-the-dragon-lee-e1362428731218-5750150Every now and then you can tell someone is special. Every now and then you know just when something becomes an event, a trend-setter. That’s exactly who Bruce Lee was and his Enter the Dragon remains. All marital arts films are measured against this one and now Warner Home Video is giving us a 40th anniversary edition. Here are the details:

Burbank, Calif., March 4, 2013 – Enter the Dragon, one of martial arts icon Bruce Lee’s last films, will debut June 11 on Blu-ray™ in the Enter the Dragon 40th Anniversary Ultimate Collector’s Edition giftset from Warner Bros. Home Entertainment. The film, which helped bring interest in the Asian martial arts genre to mainstream Western cinema, has been re-mastered for its 40th anniversary, and will now feature new bonus materials, such as the featurette, No Way as Way, on the legacy of Bruce Lee, plus other featurettes and commentary. Memorabilia — which includes collectible art cards, lenticular card and an embroidered patch –are also part of the giftset.

Bruce Lee was an incredible athlete and mixed martial artist who, despite making a limited number of movies during his short life, became a charismatic megastar and left a permanent mark on cinema and popular culture. Even Time Magazine agreed. They included Lee in the “100 Most Important People of the 20th century” issue (Heroes and Icons 1999*).  Enter the Dragon continues to resonate with today’s audiences. It was a major theatrical hit 40 years ago, grossing approximately $25 million domestically – the equivalent of almost $180 million in today’s box-office. Enter the Dragon has sold more than 450,000 units on DVD and Blu-ray since 2004. In 2004, Enter the Dragon was selected by the Library of Congress for preservation in the United States National Film Registry as being “culturally, historically, or aesthetically significant.” It also received a 95% positive rating on the critics’ review aggregator site Rotten Tomatoes.

Lee was born in San Francisco on November 27, 1940. As a young boy in Hong Kong, he acted in some 20 films there and first became known in the U.S. in 1966 for his role as sidekick Kato in TV’s “The Green Hornet.” He also appeared in TV shows like “Ironside” and “Longstreet,” with his most notable American role coming in the 1969 movie, Marlowe, starring James Garner. Returning to Hong Kong, Lee starred in a number of successful films for Raymond Chow’s Golden Harvest Productions and soon became a superstar in China. His enormous overseas success ultimately reached Hollywood and the attention of filmmaker Fred Weintraub and Warner Bros., who produced Enter the Dragon and tapped the actor to star. Lee died suddenly in Hong Kong, at the age of 32, of a cerebral edema. That was on July 20, 1973, less than a month before the film’s August 17 U.S. premiere. Posthumously, Enter the Dragon rocketed him to international superstardom.

enter-the-dragon-special-edition-20040524022006215-e1362428794687-2960337Enter the Dragon producer Fred Weintraub, who also wrote the book Bruce Lee, Woodstock, and Me said: “If fans want to hail Bruce as the greatest and most influential martial artist who ever lived, you’ll get no argument from me. He was a shining star who streaked across the night sky of our collective awareness in a flash of white hot unsustainable intensity only to burn up in the atmosphere of fame, wealth, and worldwide adulation. Watching him again (this time even better on Blu-ray), you can see why he became the first international superstar from a third world country.

The plot of the Enter the Dragon revolves around outstanding martial arts student Lee (Bruce Lee), who is recruited by an intelligence agency and then uncovers the evil Han’s (Kien Shih) white slavery and drug trafficking ring located on a secret island fortress. Along with martial arts champions Roper (John Saxon) and Williams (Jim Kelly), Lee infiltrates the stronghold and enters Han’s brutal tournament. Lee and his partners fuse skills in Karate, Judo, Tae Kwon Do, T’ai chi ch’uan and Hapkido, in a now classic fight-to-the-death epic battle, all staged by Lee himself.

Bruce Lee, John Saxon, and Ahna Capri star in Enter the Dragon, which co-stars Bob Wall, and Shih Kien and introduces Jim Kelly. Music is by Lalo Schifrin. Written by Michael Allen, the film was produced by Fred Weintraub and Paul Heller in association with Raymond Chow. Robert Clouse directed.

Special Features:

  • Commentary by producer Paul Heller
  • New Featurette No Way As Way
  • New Featurette The Return to Han’s Island
  • New Featurette Wing Chun: The Art that Introduced Kung Fu to Bruce Lee
  • Interview Gallery featuring Lee’s wife, Linda Lee Caldwell
  • Vintage pieces
    • Backyard Workout with Bruce Lee
    • Curse of the Dragon
    • Location: Hong Kong with Enter the Dragon
    • Blood and Steel: The Making of Enter the Dragon
    • Personal Profile Bruce Lee: In His Own Words
  •  Five trailers
  • Seven TV spots

ENTER THE DRAGON 40TH ANNIVERSARY BLU-RAY DISC™ AND DVD

Street Date: June 11, 2013

Order Due Date: May 17, 2013

Run Time: 98 minutes

Rating: R

Pricing: $49.99 SRP

Catalog# / UPC: 1000351089 / 883929285693

 

Note: All enhanced content and memorabilia listed above is subject to change.

REVIEW: Schindler’s List

Schindler's ListHistory is far more than facts and figures, especially since the text books tend to get watered down by committee or skew to a particular point of view. Instead, history is really the stories of mankind. Who did what, and what drove them to commit those acts? Every era has its known heroes and as historians do their work, it’s also clear there are the lesser known players whose efforts remain equally valuable and their stories worthy of being told.

Few events have spawned more tales of heroism than perhaps World War II. We know of the Axis and Allied generals who made bold moves to change the tide of the conflict and of the American scientists who raced their German counterparts to split the atom and harness their power. Since the 1970s or so, more and more stories have been discovered and told, many about those who endured the war and survived to tell their stories. There’s Elie Weisel and Night, Anne Frank and her diary, and Oskar Schindler and his list. The latter’s story didn’t really come out until Australian writer Thomas Keneally released Schindler’s Ark in 1982 (retitled List for America). Almost immediately, Steven Spielberg snapped up the rights and then spent a decade trying to find the time and approach to honor the work and the man that inspired it.

Hard to believe it’s been 20 years since we sat mesmerized for three hours and sixteen, watching this black and white drama, which won numerous accolades, earning Best Picture and Best Director Academy Awards. Now Universal is releasing Schindler’s List a 20th Anniversary Limited Edition which comes in a combo slipcase with Blu-ray, DVD, Ultraviolet digital. Right up front, it should be noted that Spielberg wanted little attention drawn to the film and it’s making so the special features here are the same ones from the DVD release. But, the director oversaw the high definition transfer and did a masterful job so the film, with Janusz Kaminski’s cinematography, looks wonderful and John Williams’ score sounds even better. It’s nice to have the movie on a single disc so it can be enjoyed uninterrupted.

The story of German industrialist Oskar Schindler (Liam Neeson) and his efforts to rescue one thousand Jews from death in a concentration camp run by the cruel and psychotic Amon Goeth (Ralph Fiennes). Yes, Schindler made a profit and could be considered a war profiteer but he did use that money and influence wealth provided him to see to it that people did not die. He worked closely with accountant Itzhak Stern (Ben Kingsley) in crafting the typewritten list of names that became the symbol of survival.

The special features that do reappear here are worthwhile, starting with Voices From the List (77 minutes) as Spielberg hosts a series of interviews with Holocaust survivors and witnesses; USC Shoah Foundation Story with Steven Spielberg (5 minutes); About IWitness (4 minutes), an online application allowing educators and students to access more than 1,000 video testimonies of Holocaust survivors and other witnesses.

Time has not diminished the film’s power nor has its message been obscured by the director and performers’ other works. Nor has the deluge of Holocaust and WW II memoirs changed that each is a piece of a tapestry telling a story of when a world teetered on the tip of a pyramid, plunging one way towards peace and another towards unspeakable horror. While the stakes were never higher, the stories of people from both sides need to be heard and understood, seeing who had the courage of their convictions to do what was right despite the odds and personal dangers. Oskar Schindler wasn’t the only one, but saving some 1200 people is an accomplishment few other German civilians could claim.

For those who saw it when they were younger should see it again. For those with children in the intervening 20 years, should show it to them to understand what it means to be a Good Person. Its important film making and a powerful testament to the global outreach of the movies.

 

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks