Tagged: film

Baseball Season Brings 20th Anniversary Edition of “The Sandlot”

the-sandlot-20th-anniversary-1157_rgb-e1362070769987-5513195It’s almost spring and we’re suckers for the promise Spring Training brings, so we were thrilled to see that The Sandlot¸ starring genre faves James Earl Jones, Karen Allen,  and a bunch of kids, is finally coming out on Blu-ray. Here are the details:

LOS ANGELES, (February 27, 2013) – “You’re Killing Me Smalls!” A film that still captures the hearts of baseball fans young and old, THE SANDLOT debuts on Blu-ray/DVD combo pack March 26 from Twentieth Century Fox Home Entertainment in celebration of the beloved film’s 20th anniversary. “A charming and whimsical comedy about boys and baseball and a GREAT BIGDOG” (“Siskel & Ebert”), THE SANDLOT ranked in the Top 40 as one of the best sports movies ever.

With memorable performances from nine terrific young actors and supporting appearances from Honorary Academy Award® winner James Earl Jones (Field of Dreams, Star Wars Franchise), Denis Leary (Rescue Me, The Ref) and Karen Allen (Raiders of the Lost Ark, Starman), The Sandlot 20th Anniversary Blu-ray and DVD Combo Pack includes limited edition packaging and 10 collectible cast baseball cards.

It’s early 1960s and fifth-grader Scotty Smalls has just moved into town with his folks. Kids call him a dork – he can’t even throw a baseball! But that changes when the leader of the neighborhood gang recruits him to play on the nearby sandlot field. It’s the beginning of a magical summer of baseball, wild adventures, first kisses, and fun!

In connection with the release, FHE will embark on a partnership with Benny the Jet’s favorite shoe brand PF Flyers, for a special one-of-a-kind promotion. Beginning March 26, a limited run of The Secret Weapon, will be made available inside a vintage 1960’s shoe box, along with a $3 SANDLOT coupon inside. Additionally, all Blu-ray and DVD combo packs will feature a 10% PF Flyer discount coupon inside the packaging. Further information on this exclusive purchase can be found at www.pfflyers.com.

Additionally, The “Sandlot Baseball Field Program” will be comprised of partnerships with Major League Baseball teams nationwide in connection with the FOX Sports Networks. Notable teams such as the St. Louis Cardinals, Texas Rangers and Minnesota Twins will coordinate baseball field renovations across the Unites States so that loyal fans and baseball lovers everywhere will get the chance to enjoy their own “Sandlot” field in their backyards. Furthermore, screenings of THE SANDLOT will be hosted at several Major and Minor League ballparks across the country with Director, Writer and Narrator, David Mickey Evans. So lace up your mitt and get ready for a season full of baseball fun!

SCREENING LOCATIONS/DATES

(*Subject to Change)

ARM & HAMMER Park, home of the Trenton Thunder (Trenton, New Jersey) – 4/13/13

Fluor Field at the West End, home of the Greenville Drive (Greenville, South Carolina) – 4/19/13

Arvest Ballpark, home of the Northwest Arkansas Naturals (Springdale, Arkansas) – 4/21/13

Rangers Ballpark, home of the Texas Rangers (Arlington, Texas) – 5/11/13

Tucson Padres at Kino Stadium (Tucson, Arizona) – 5/18/13

Busch Stadium, home of the St. Louis Cardinals (St. Louis, Missouri) – Date to be announced

Target Field, home of the Minnesota Twins (Minneapolis, Minnesota) – Date to be announced

Chickasaw Bricktown Ballpark, home of the Oklahoma City RedHawks (Oklahoma City, Oklahoma) – 6/1/13

AutoZone Park, home of the Memphis Redbirds (Memphis, Tennessee) – 6/15/13

Steinbrenner Field, home of the Tampa Yankees (Tampa, Florida) – 6/22/13

Dell Diamond, home of the Round Rock Express (Round Rock, Texas) – 6/25/13

Whataburger Field, home of the Corpus Christi Hooks (Corpus Christi, Texas) – 6/29/13

Fifth Third Field, home of the Toledo Mud Hens (Toledo, Ohio) – 7/5/13

Classic Park, home of the Lake County Captains (Eastlake, Ohio) – 7/12/13

CommunityAmerica Ballpark, home of the Kansas City T-Bones (Kansas City, Kansas) – 7/26/13

Security Service Field, home of the Colorado Springs Sky Sox (Colorado Springs, Colorado) – 8/2/13

Fifth Third Field, home of the Dayton Dragons (Dayton, Ohio) – 8/10/13

Werner Park, home of the Omaha Storm Chasers (Omaha, Nebraska) – 8/17/13

The Epicenter, home of the Rancho Cucamonga Quakes (Rancho Cucamonga, California) – 8/30/13

Coolray Field, home of the Gwinnett Braves (Lawrenceville, Georgia) – 9/21/13

THE SANDLOT Blu-ray and DVD Combo Pack Special Features:
●    Featurette
●    Theatrical Trailer
●    TV Spots

Spielberg Helps Launch USC Shoah Foundation’s IWitness Video Challenge

Before Lincoln, Steven Spielberg has explored other vital periods of history, stunning the world with his adaptation of Schindler’s List. That film is coming out next month in a 20th Anniversary Limited Edition and yesterday, the director announced the launch of the  USC Shoah Foundation’s IWitness Video Challenge.

“I implore educators not to allow the Holocaust to be a footnote in history, please teach this in your schools. There are 350,000 experts who just want to be useful for the remainder of their lives.  Please listen to the words and the echoes and the ghosts and please teach this in your schools.”

– Steven Spielberg

Here’s the official release; Steven Spielberg, USC Shoah Foundation Executive Director Dr. Stephen Smith and USC Shoah Foundation Director of Education Dr. Kori Street commemorated the Schindler’s List 20th Anniversary Limited Edition Blu-ray™ release with the global launch of the USC Shoah Foundation’s IWitness Video Challenge on Wednesday, February 27, 2013 at The Chandler School in Pasadena, CA. They were joined by middle and high school students who had participated in the program while in Beta.

IWitness Video Challenge is an online program from the USC Shoah Foundation – The Institute for Visual History and Education aimed at middle and high school students that brings thousands of taped testimonies of Holocaust survivors into the classroom for guided exploration, connecting kids with the past while engaging them in the present.  For more information, please visit http://iwitness.usc.edu

Inspired by the experience of making Schindler’s List, Steven Spielberg established the USC Shoah Foundation in 1994 to videotape interviews with survivors and other witnesses of the Holocaust. Since the Foundation’s inception, nearly 52,000 eyewitness testimonies have been recorded in 56 countries and in 32 languages. Today the Institute is committed to teaching with testimony, endeavoring to make the power of each story accessible to students, educators, scholars, and the general public on every continent. A powerful reminder of the heroism and humanity of those willing to stand up against intolerance, Schindler’s List will be available for the first time on Blu-ray™ on March 5, 2013.  Digitally restored in high-definition from the original film negative, the Blu-ray™ release will expose the film to a whole new generation of viewers.

Lego: Batman: The Movie – DC Super Heroes Unite Comes to DVD in May

lego-batman-cover-art1-e1361899948898-6548677BURBANK, CA (February 26, 2013) – DC Comics’ greatest superheroes and their arch nemeses face-off in an action-packed, hilarious battle in LEGO Batman: The Movie – DC Super Heroes Unite. Based on the popular video game, TT Animation produced the full-length animated feature for May 21, 2013 distribution by Warner Bros. Home Entertainment as a Blu-ray™ Combo Pack ($24.98 SRP) and DVD ($19.98 SRP), On Demand and for Digital Download. The Blu-ray™ Combo Pack will include UltraViolet™*. Release will include an exclusive Lego Clark Kent/Superman figurine on pack while supplies last.

LEGO Batman: The Movie – DC Super Heroes Unite provides the ultimate blend of action and humor guaranteed to entertain fanboys of all ages. The film finds Lex Luthor taking jealousy to new heights when fellow billionaire Bruce Wayne wins the Man of the Year Award. To top Wayne’s accomplishment, Lex begins a campaign for President – and to create the atmosphere for his type of fear-based politics, he recruits the Joker to perfect a Black LEGO Destructor Ray. While wreaking havoc on Gotham, Lex successfully destroys Batman’s technology – forcing the Caped Crusader to reluctantly turn to Superman for help.

LEGO Batman: The Movie – DC Super Heroes Unite features the definitive voice of Lex Luthor, Clancy Brown (The Shawshank Redemption, SpongeBob SquarePants), who set the standard for Luthor’s vocal tones in the
landmark Warner Bros. Animation television production, Superman: The Animated Series.

Renowned videogame/animation actors Troy Baker (Bioshock Infinite, Batman: Arkham City) and Travis Willingham (Avengers Assemble, The Super Hero Squad Show) provide the voices of Batman and Superman, respectively. The cast also includes Christopher Corey Smith (Mortal Combat vs. DC Universe) as the Joker, and Charlie Schlatter (Diagnosis Murder) in a hilarious turn as the voice of Robin.

Award-winning director/producer Jon Burton helms the film from a screenplay by David A. Goodman based on a story from Burton and Goodman. Jeremy Pardon is director of photography, and executive producers are Jill Wilfret and Kathleen Fleming. Executive producers are Benjamin Melnicker and Michael Uslan.

“LEGO Batman: The Movie – DC Super Heroes Unite packs the right combination of action and humor to delight superhero fans from ages 3 to 103,” said Mary Ellen Thomas, Warner Bros. Home Entertainment Vice President, Family & Animation and Partner Brands Marketing. “We’re proud to provide a film that can be enjoyed by adults and children alike, making for ideal family entertainment.”

LEGO Batman: The Movie – DC Super Heroes Unite Blu-ray™ Combo Pack has over 2 ½ hours of exciting content, including:
•       Standard and high definition versions of the feature film
•       UltraViolet™*
•       Featurette – “Building Batman” – An all-new featurette.  Ever thought about making your own batman movie? Join a group of children as they learn from master LEGO builder Garrett Barati, and animate their own Batman mini-movie with LEGO.
•       Teaser– “Lego Batman Jumps Into Action” – Garrett Barati’s original Batman teaser, created for LEGO Super Heroes, shows what this master stop-motion animator can do with just a few click, click, clicks of LEGO.
•       Shorts – “LEGO/DC Universe Super Heroes Video Contest Winners” – The excitement of DC Universe Super Heroes and the joy of LEGO building brings together action-packed short films from five winning submissions
•       Two bonus episodes from Batman: The Brave and the Bold (“Triumvirate of Terror” and “Scorn of the Star Sapphire”) and one episode from Teen Titans (“Overdrive”)
•       Assorted trailers

Warner Home Video to Release The Hobbit on Disc in March

HBBT_BDComboBurbank, CA, February 5, 2013 – From Academy Award®-winning filmmaker Peter Jackson comes The Hobbit: An Unexpected Journey, a production of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), arriving on Digital Download on March 12  and on Blu-ray Combo Pack, Blu-ray 3D Combo Pack and 2-Disc DVD Special Edition on March 19  from Warner Bros. Home Entertainment. All disc versions feature UltraVioletÔ and more than 130 minutes of bonus content. The first of a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien, The Hobbit: An Unexpected Journey, which is nominated for three Academy Awards*, is an epic adventure that immerses audiences once again in the fantastical world of Middle-earth. The March 19 home entertainment release will be followed by an Extended Edition available just in time for the holidays.

In addition, Peter Jackson will host a live first look at The Hobbit: The Desolation of Smaug, the second film in The Hobbit Trilogy, on Sunday, March 24 at 3:00 p.m. Eastern/Noon Pacific. Content will be streamed live and an edited version will be archived on the Trilogy’s official website. Access to the live event will be limited to holders of an UltraViolet code available by purchasing The Hobbit: An Unexpected Journey Blu-ray Combo Pack, Blu-ray 3D Combo Pack or 2-Disc Special Edition DVD. Select digital retailers will issue access codes upon purchase of the film.  Visit www.thehobbit.com/sneak for more information.

Ian McKellen returns as Gandalf the Grey, the character he played in “The Lord of the Rings” Trilogy, with Martin Freeman in the central role of Bilbo Baggins, and Richard Armitage as Thorin Oakenshield. Also reprising their roles from “The Lord of the Rings” in “The Hobbit” Trilogy are: Cate Blanchett as Galadriel; Ian Holm as Old Bilbo; Christopher Lee as Saruman; Hugo Weaving as Elrond; Elijah Wood as Frodo; and Andy Serkis as Gollum. The international ensemble cast also includes James Nesbitt, Ken Stott, Sylvester McCoy, Barry Humphries, Aidan Turner, Dean O’Gorman, Graham McTavish, Adam Brown, Peter Hambleton, John Callen, Mark Hadlow, Jed Brophy, William Kircher, Stephen Hunter, Lee Pace, Benedict Cumberbatch, Manu Bennett and Conan Stevens.

The screenplay for The Hobbit: An Unexpected Journey is by Fran Walsh & Philippa Boyens & Peter Jackson & Guillermo del Toro, based on the novel by J.R.R. Tolkien. Jackson also produced the film, together with Carolynne Cunningham, Zane Weiner and Fran Walsh. The executive producers are Alan Horn, Toby Emmerich, Ken Kamins and Carolyn Blackwood, with Boyens and Eileen Moran serving as co-producers.

New Line Cinema and Metro-Goldwyn-Mayer Pictures Present a WingNut Films Production, The Hobbit: An Unexpected Journey. All three films in The Hobbit Trilogy, also including The Hobbit: The Desolation of Smaug, and the final film, The Hobbit: There and Back Again, are productions of New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), with New Line managing production. Warner Bros. Pictures is handling worldwide theatrical distribution, with select international territories as well as all international television distribution being handled by MGM.

The Hobbit: An Unexpected Journey was released on December 14, 2012, with the second film, The Hobbit: The Desolation of Smaug releasing December 13, 2013, and the third film, The Hobbit: There and Back Again, slated for July 18, 2014.

The Hobbit: An Unexpected Journey will be available on 3-Disc Blu-ray Combo Pack for $35.99, on 5-Disc Blu-ray 3D Combo Pack for $44.95, and on 2-Disc DVD Special Edition for $28.98. The Blu-ray Combo Pack features the theatrical version of the film in hi-definition on Blu-ray, and the theatrical version in standard definition on DVD. The 3D Blu-ray Combo Pack features the theatrical version of the film in 3D hi-definition on Blu-ray, the theatrical version of the film in 2D high definition on Blu-ray and the theatrical version in standard definition on DVD.  The Blu-ray Combo Pack, Blu-ray 3D Combo Pack and the 2-Disc DVD Special Edition all include UltraViolet, which allows consumers to download and instantly stream the standard definition theatrical version of the film to a wide range of devices including computers and compatible tablets, smartphones, game consoles, Internet-connected TVs and Blu-ray players.*

SYNOPSIS

The adventure follows the journey of title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome Dragon Smaug. Approached out of the blue by the Wizard Gandalf the Grey, Bilbo finds himself joining a company of 13 Dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild, through treacherous lands swarming with Goblins, Orcs and deadly Wargs, as well as a mysterious and sinister figure known only as the Necromancer.

Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the Goblin tunnels, where Bilbo meets the creature that will change his life forever…Gollum.

Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of ingenuity and courage that surprise even him, he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities…A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.

BLU-RAY AND DVD ELEMENTS

The Hobbit: An Unexpected Journey Blu-ray Combo Pack, Blu-ray 3D Combo Pack and DVD Special Edition contain the following special features:

  • Full Suite of Peter Jackson’s Production Videos. Enter Middle-earth of The Hobbit: An Unexpected Journey as Academy Award-winning Director Peter Jackson takes you behind the scenes, on location and amidst the star-studded cast in a series of video journals that puts you in the forefront of latest in filmmaking with more than two hours of additional content. Highlights of the journals include:
    • Start of Production
    • Location Scouting
    • Filming in 3D
    • Post-production Overview
    • Wellington World Premiere

DIGITAL DISTRIBUTION ELEMENTS

On March 12, The Hobbit: An Unexpected Journey will be available for download from online retailers including iTunes, Xbox, PlayStation, Amazon, Vudu and CinemaNow.

On March 19, the film will also available digitally in High Definition (HD) VOD and Standard Definition (SD) VOD from cable and satellite providers, and on select gaming consoles.

BASICS

PRODUCT                                                                            SRP

Blu-ray 3D Combo Pack                                                         $44.95

Blu-ray Combo Pack                                                               $35.99

2-Disc Amaray Special Edition (WS)                                     $28.98

EST Release Date:  March 12, 2013

Standard Street Date: March 19, 2013

DVD Languages: English, Latin Spanish, Parisian French

BD Languages: English, Latin Spanish,

DVD Subtitles: English SDH, Latin Spanish, Parisian French

BD Subtitles: English SDH, Latin Spanish

Running Time: 169 minutes

Rating: Rated PG-13 for extended sequences of intense fantasy action violence, and frightening images

DLBY/SURR   DLBY/DGTL   [CC]

REVIEW: Batman: The Dark Knight Returns Part 2

The Dark Knight Returns 2The second part of Batman: The Dark Knight Returns demonstrates how the world has changed since the graphic novel source material was published in 1986. Frank Miller’s reinvention of Batman was also his personal reaction to the conservative, jingoistic United States of America of the decade. President Ronald Reagan was a folksy president, good with a quip, and saw the world in stark black and white terms, which was feeling wrong in the final years of the Cold War. Miller also questioned all authority figures from know-it-all doctors who loved to hear themselves on the growing number of vapid talk shows to the unformed law-enforcement representatives who fired first and then questioned orders. While some of this was evident in part one, which was released last fall, this installment, out on Tuesday, really shines a spotlight on the themes.

Batman punchA visual tour-de-force, Miller’s four-part The Dark Knight took the storytelling techniques he developed for Daredevil and applied them to DC’s two biggest icons. Readers had seen nothing like it before and heralded the work an instant classic. Here we are, more than twenty years later being given a two-part adaptation of this story and suddenly it feels dated. Here’s no question screenwriter Bob Goodman and director Jay Oliva honored the source material and its satisfying as an adaptation.

But the notion that Superman, the ultimate authority figure, was blindly taking orders from the President, and allowed himself to take lives in an international conflict feels wrongheaded. That Batman and the other costumed heroes and villains would all willingly vanish into the shadows that spawned them feels wrong, as well. Much as it felt wrong for Batman to vanish for eight years in the Christopher Nolan films, it also now feels like Bruce Wayne would never stop fighting crime in his city.

tdkr_r2_06604-e1359470838114-9727910But he’s back, pushing fifty, and feeling the effects of time on his bulky form. He’s dealing with a city that needs him but an administration that does not want him, especially as Commissioner James Gordon steps down, turning the police over to Ellen Yindel, who immediately wants Batman shot on sight. Where Oliva’s action sequences totally fail is that the criminals and police alike fire endless streams of bullets with little consideration of the collateral damage being inflict or civilian lives being endangered. Thousands of bullets are fired, but none strike Batman or Robin, which is stunning incompetence (and bad storytelling).

tdkr_r2_03783-e1359471202360-9960922The conflict on the island of Corto Maltese is the backdrop as the Joker talks his idiot doctor into bringing him to a talk show to tell his side of the story. Michael Emerson’s clown prince of crime is cold and maniacal but depicted, he is a homicidal figure, nothing funny about his actions or methods at all. The character design may be Miller inspired but he’s too normal looking, just a muscular specimen in makeup which feels wrong. The criminal madman is free and after Batman after making a stop to humiliate a gone-to-pot Selina Kyle, now a Madame. The Joker and Batman face off one final time and this is when the Dark Knight finally gets hurt, in the Tunnel of Love of all places, a subtle nod to the homoerotic subtext Miller added to their relationship.

superman-vs-batman-e1359470926352-4034295All the episodic explosive action leads up to the inevitable conflict between the symbol of conformity and the agent of justice. Their climactic battle is nicely handled as is the denouement, bringing the 76 minute story to a fine ending.

Peter Weller’s Batman is okay but nothing special while Mark Valley’s Superman works much better. Ariel Winter’s Robin doesn’t get nearly enough to say but plenty to do in the film. The rich voice cast blends well together, aided by a good score from Christopher Drake.

The combo pack contains the Blu-ray, DVD, and Ultraviolet versions of the film. Special features include a too-short 9:24 Superman vs. Batman: When Heroes Collide, as the usual suspects talk about why these two fight and who should win. The longer, 14:07, The Joker: Laughing in the Face of Death nicely uses archival material so his creator, Jerry Robinson gets his say. While it’s good to have Emerson’s take on the character, Mark Hamill’s absence is missed as are his current handlers such as writer Scott Snyder. Oliva takes us through numerous sequences in the 43 minute From Sketch to Screen and he gives kudos to those who took Miller’s work and brought it the screen. Oliva is well-spoken and some of the information provided is interesting to hear and see.

Three episodes from Batman: The Animated Series and Batman: The Brave & the Bold are included on the Blu-ray disc. On the other hand, the promised preview of Superman: Unbound is curiously absence from the disc. Instead, there is another digital excerpt from the graphic novel.

Star Trek Into Darkness’ Carol Marcus Introduces New App

At the Consumer Electronics Show, Paramount unveiled a clip featuring British actress Alice Eve, who plays Carol Marcus in May’s Star Trek Into Darkness. She introduces the film’s cutting edge App.

Star Trek has a history of leading others along the marketing trail. They were featured on the very first Happy Meal and Star Trek was the first movie to have a dedicated website back in the World Wide Web’s earliest days. And now the app promises the following:

• An audio scan function that can be turned on to automatically recognize and reward users for watching Star Trek Into Darkness content on TV and other media;

• An image scan function that enables users to interact with images printed or viewable in the real world;

• A geofencing function for location-based experiences;

• New Star Trek Into Darknesscontent, such as videos, images and wallpapers delivered directly to users’ mobile devices;

• Exclusive opportunities and special offers only available to app users;

• One lucky sweepstakes winner will be rewarded with the grand prize of attending the Star Trek Into Darkness U.S. premiere.

The app was developed by  Qualcomm Incorporated using Gimbal context awareness technologies which will be used to deliver exclusive content and advanced real world game experiences for the Star Trek Into Darkness application based on the upcoming movie from J.J. Abrams.

These cutting edge technologies are being showcased in a never before-seen way and will enable users to automatically engage with a wealth of movie related materials by utilizing their real-life surroundings to auto-complete integrated missions by employing audio scan, geo-location recognition, and image recognition functionality powered by Qualcomm Vuforia.  The Star Trek Into Darkness app will launch at the end of January.

During the second quarter of the big game, the app will allow users the ability to unlock the first of many surprises during the airing of the Star Trek Into Darkness TV-spot, making this one of the most unique and interactive apps ever created for a movie.

“We are excited about collaborating with Paramount on this app as it further brings to life Qualcomm’s vision of the digital sixth sense, where devices intelligently interact with the world around you,” said Dr. Jacobs.  “By leveraging the Gimbal platform, this app harnesses the power of the smartphone to bridge the digital and physical world, allowing the studio to market the film in the real world and simultaneously bring users into the film’s story and world.”

Star Trek Into Darkness is written by Roberto Orci & Alex Kurtzman & Damon Lindelof and directed by J.J. Abrams.  Abrams is producing with Bryan Burk through Bad Robot Productions, along with Lindelof, Kurtzman and Orci.  Jeffrey Chernov and Skydance Productions’ David Ellison, Dana Goldberg and Paul Schwake are the executive producers.

Superhero Movies and their Sad Perfect Badass Messiahs

  • News
  • January 8, 2013

superhero_movie-6964590

Entertainment Weekly, of all places, presents one of the most thoughtful essays on superhero films and how– similar they’re all becoming, and even worse, how many other movies are aping them to great financial success and overall boredom.

Superhero Movies have evolved to the point where three of the genre’s standard-bearers can embody radically different filmmaking styles – this is a good thing, right? Well, maybe. But the problem is, when you dig underneath the three films’ respective stylistic excesses – and they are excesses; few genres in film history are more fundamentally decadent than the Superhero Film, with the ever-expanding budgets and the swooping digital-effects-crane-shots and the ruined cityscapes and the supervillains planning to conquer/pillage/destroy every city/world/galaxy in sight – there is a depressing sameness to lurking within each movie’s basic DNA.

via The Superhero Delusion: How Superhero Movies created the Sad Perfect Badass Messiah, and what that says about America | PopWatch | EW.com.

Michael Davis: Dark Saturday Knight

davis-art-130108-1522096I finally watched The Dark Knight Rises last Saturday.

Just a short recap: personal demons of mine kept me from seeing the film when it opened because of the shootings that happened during an opening night screening.

The first day the film came to Blu-Ray I brought a copy and planed a Dark Knight Rises night, complete with all the man cave fixings. That week another mass shooting happened and again I put the film on hold. Then Sandy Hook happened and again I put the film on hold.

I freely admit that I’m a pussy when it comes to confronting my own demons. I also freely admit that because of those demons I’ve made stupid decisions and reacted quickly instead of smartly.

Comics, animation, video games and the like take up a great deal of my time and my life, but they are not all my time or all my life.

I was not ready to see The Dark Knight Rises and waited until I was.

The film was, in a word, great.

I don’t regret waiting I don’t regret not seeing it on the big screen because the film was so badass I could have watched it on an iPhone and loved it.

On another note…

Dwayne McDuffie was a dear friend and creative partner of mine. I have yet to watch All-Star Superman, written by Dwayne, which debuted around the time of his death. I’m just not ready. But it sure is something to look forward to.

WEDNESDAY MORNING: Mike Gold Laughs!

 

REVIEW: Dredd

dredd1-4514935Despite Karl Urban uttering, “I am the law” his overall demeanor was just one of the many disappointments in the new film take on the classic 2000 AD hero, Judge Dredd. Dredd is out on home video this week from Lionsgate and it is amazing how bored I was watching it.  The majority of the 96 film takes place in the Peach Trees Block and is effectively Dredd playing John McLane, trying to survive a sealed off building under siege.

It’s hard to watch this without comparing it with the Sylvester Stallone misfire of the 1990s. While the story sucked and the star violated the character by taking his helmet off a lot, it looked like the weekly comic come to life. The high tech, futuristic clutter of Mega City One was expertly captured, reminding us of how much the visual of Blade Runner derived from the British comic which has been around since 1977. Also, the costuming was perfect. Here, everything is scaled down and the Judge’s uniform does not look anywhere near as imposing.

Urban, no stranger to the genre, gets credit for playing the character accurately, keeping the helmet on and the upper lip and jaw prominent. On the other hand, he is not physically imposing as Stallone was or as Spanish artist Carlos Ezquerra envisioned him.

We open with a voiceover setting the stage telling rather than showing and this vision is less imposing than the one in the comics. Somehow, the corridor from Boston to Washington has become this singular city with these 200+ story blocks that have become isolated communities. In this one, Ma-Ma (Lena Headey), a drug-dealer/gang leader has become the distributor for a new drug and a routine case pits Dredd and the rookie Judge Anderson (Olivia Thirlby) against an entire community out for blood.

This is more Anderson’s story than Dredd’s and we learn about her mutant ability is that of the most powerful psychic the Justice Department has ever seen. She is deemed ready for evaluation and goes out with Dredd and becomes embroiled in the case. Thirlby, a rising independent film star, is the best part of the film, but then again, she has the most to work with. Her interactions with the prisoner Kay (Wood Harris) give the film any sense of character.

Everyone else plays a type, from the stoic Dredd to the stereotypical Ma-Ma. Headey, a genre veteran, snarls nicely but has little else to do and seems not to care. Dredd is the most feared Judge of all but here, he lacks that reputation which diminishes the character.

The movie is a hard R with exceptionally graphic violence and gore courtesy of director Peter Travis. He’s done this sort of thing before and he handles it well, but doesn’t seem to know what else to do with the characters so has them run, hide, shoot, bleed, repeat.

The best of the extras is “Mega-City Masters: 35 Years of Judge Dredd” (14:27) where creators Ezquerra and John Wagner, accompanied by Brian Bolland, Mark Millar, Jock, Chris Ryall and others, discuss the uniqueness of the character and the opportunity the series has given the writers and artists for topical social and political satire. Everything that is just over the top enough to remain entertaining and amusing in the comics is absent from the film. Screenwriter Alex Garland is exceptionally talented but appears to have read a Wikipedia entry about the series before writing the script. This is perhaps the biggest disappointment of the film, which died at the box office, as much for inept marketing as a poor adaptation of the source material.

The other special features include “Day of Chaos: The Visual Effects of Dredd 3D” (15:21), although this is wasted on those of us who don’t care about 3-D; “Dredd” (1:53), “Dredd’s Gear” (2:31), “The 3rd Dimension” (2:00), about the film’s stereo, and “Welcome to Peach Trees” (2:33).There’s a little more Ma-Ma character substance in the motion comic prequel (2:57).

The combo set includes the 2-D, 3-Dand ultraviolet digital copy. This is the first combo set I have seen without a standard DVD version offered, a portent of the future.

Also included in this set is a digital copy of the film and an Ultraviolet stream or download.

A Doctor A Day – “The Impossible Planet / The Satan Pit”

Using the new Doctor Who Limited Edition Gift Set, your noble author will make his way through as much of the modern series as he can before the Christmas episode,The Snowmen.

Humanity’s natural response to the order “no” is “why?”  Put up a sign marked “wet paint”, and count all the people who touch what it’s hanging on.  And if you bury the devil, it’s a poor idea to put him on…

THE IMPOSSIBLE PLANET / THE SATAN PIT
by Matt Jones
Directed by James Strong

The Doctor and Rose land on a space base orbiting around a black hole (this is of course impossible), filled with writing so old the TARDIS can’t translate it (this is of course impossible).  The crew of the base explain that there’s an ancient power source at the core of the planet so strong it’s not only holding the planet in place, but generating a safe path to and from the planet (this is of course impossible).  After a bit of investigation, it’s discovered that a being who claims to be The Devil (The definite article, you might say) is imprisoned at the core, and this mad geostationary contraption is its eternal prison (this is of course, even if the other stuff was possible, which it isn’t, impossible).

impossible-planet-toby-redeyes-1687243The beast cannot escape his prison, but his mind can, and successfully takes over one of the crew, as well as its stock of alien slaves, the Ood.  While The Doctor spelunks down to the cavern in the planet’s core, Rose and the crew fight the now quite violent Ood in the station.  The Doctor is left with a terrible choice – destroy the beast’s prison and doom Rose, or let her and the crew escape, along with the beast’s mind.

A very moody episode, with a well-designed set that allowed for lots of corridor runs and corner turns.  The Doctor even comments at the beginning that a lot of these bases look the same, and are made from kits. It’s got a very haunted house feel, which is basically what the classic sci-fi film Alien is, as are all tributes to it. The Doctor gets a number of very nice speeches about how amazing humans are, boldly rushing in where angels fear to tread, and wanting to do things solely because they’ve not been done yet.  It’s a recurring idea for the Doctor, interspersed occasionally with his comments about how blind and small-minded they are.  We’re clearly his favorite race, and not simply because humans are cheaper to portray in a TV show.

It’s the premiere of another new recurring alien, the Ood.  They return a few time over the course of the new series, including a much more Ood-centric story in the Donna Noble season. The Ood are played as an unintelligent hive-minded race here, a “perfect slave race” as they’re described, and there’s simply no time for the story to address that.  Rose makes a passing comment about it, but it’s quickly waved off, especially after they went all red-eyed and scary, and could be classified as a threat.  It’s not until the next Ood story do we get a real idea of their situation, and a more proper addressing of their status as slaves.

An Ood appeared in Neil Gaiman’s story The Doctor’s Wife, mainly because they didn’t have money in the budget to make a new alien.

While The Doctor had never met the devil himself before, he’s come close.  The Demoniacs, Sutekh, and other races were believed to have interacted with humanity  in the past and give it the idea of devils.  Tom Baker was supposed to have fought the devil, in the guise of Scratchman, in a film written by Baker and Ian Marter titled Doctor Who meets Scratchman.  It had a mad throw-everything-at-it plot, but never got past the talking stage.

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