Tagged: George Lucas

Review: Star Wars: The Phantom Menace: The Expanded Visual Dictionary

Star Wars: The Phantom Menace: The Expanded Visual Dictionary
By Jason Fry
DK Publishing, 104 pages, $19.99

sw-phanto-menace-expanded-visual-dictionary-300x362-2777958Timed for the 3-D release of the most reviled movie in the six film set, it might be appropriate to take this opportunity to reassess the first installment in the modern era trilogy. Jason Fry, a DK veteran, updates and, well, expands the original edition of Star Wars: The Phantom Menace: The Visual Dictionary, originally written by David West Reynolds. Obviously, this edition can now put the characters and settings into context since the subsequent two films are now part of the public consciousness while the 1999 edition could only cover what was seen in this first part.

In keeping with the format, we get two page looks at people, places and things, providing details with large color pictures and cutaways. The opening spread sets the stage and explains what the Phantom Menace is, the galactic politics at the time and the threat posed by Darth Maul and his acolyte.

Of course, over the course of the four dozen entries, we get our favorite characters, droids, hardware, spacecraft, and other elements. It’s a feast for the eyes and the writing is clear and sharp, making it easily comprehendible for young readers on up.

It’s the visual designs that cause us to reconsider. Yes, the story was lacking, the acting flat, and Jar Jar Binks is just plain annoying. I’ll stipulate to all of that so we can note that George Lucas and his design team really took advantage to bring these alien worlds, races, and tools to life. Of late, Lucas has made much of the compromises he had to make on the initial movie where the budget and production realities of the mid-1970s couldn’t possibly bring his vision to reality.

The alien makeups and designs, such as Yarael Poof of the Jedi High Council, or even the winged Watto show a universe far more diverse than anything possible in the first movie. There’s a scope to Coruscant that couldn’t be found on Tatooine. Where Lucas may have gone too far was in high polished everything appears here compared with the more worn look of the worlds visited in the original (and still superior) trilogy.

Where this book could have been stronger was in its organization since there are no chapters or design elements, we go from a handful of Jedi to an invasion force to battle droids and so on. It therefore has a hodgepodge feel that takes away from the overall useful of the volume. As a result, any time you need an entry, you have to go back to the Table of Contents.

There’s just enough information and detail here to tell you what you really need to know and let the real diehard fans and researchers find more data in the various compendia from DelRey Books’ line. If you’re a longtime fan or are just discovering this far, far away galaxy, this is a great primer.

 

Joe Kubert’s Pulpy Poster For Lucasfilm’s Red Tails

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  • October 15, 2011

Red Tails Poster Art: Joe Kubert

At this weekend’s New York Comic Con Lucasfilm debuted am exclusive poster for its upcoming Red Tails movie created by legendary comic book artist Joe Kubert. The movie, directed by Anthony Hemingway from a script by John Ridley and Aaron McGruder, the film is inspired by the World War II exploits of the Tuskegee Airmen, the first African-American combat aerial unit in the U.S. armed forces. Executive produced by George Lucas, Red Tails stars Cuba Gooding Jr., Terrence Howard, Bryan Cranston and Nate Parker.

Red Tails will be released January 20, 2012 by 20th Century Fox.

About Red Tails:
A crew of African American pilots in the Tuskegee training program, having faced segregation while kept mostly on the ground during World War II, are called into duty under the guidance of Col. A.J. Bullard.

The official movie trailer:

red_tails-5441291
In theaters January 20, 2012

Lord of the Rings Extended Edition

Let’s stipulate upfront that Peter Jackson’s adaptation of J.R.R. Tolkien’s Lord of the Rings may be as perfect an adaptation of the source material as we are apt to get in our lifetimes. From the casting to the visuals to Howard Shore’s amazing score, this movie was a monumental achievement well deserving of its accolades and box office success.

We thought the theatrical releases were stunning until we saw the extended editions released on home video, complete with new bridging score music from Howard Shore so it all feels seamless and not at all tacky. Apparently, Jackson doesn’t consider these to be his director’s cuts or even his final word on the subject, but unlike George Lucas doesn’t appear to be making a career out of tinkering with the trilogy.

Last year, Warner Home Video gave us the theatrical trilogy on Blu-ray and we appreciated them, especially for their extra features on the making of the film, but we wanted the longer, fuller, more complete versions and finally, that day has come. The handsome box set arrives Tuesday and is well worth the investment.

There are three cases within the golden box, each containing two-disc versions of the extended edition along with three discs of bonus features.  That’s 15 discs, over nine hours of movies and over 26 hours of bonus material. Try streaming that.

Jackson and co-writers Fran Walsh and Phillipa Boyens boiled the story down to Frodo Baggins returning the One Ring to Mordor where it would be consumed in fire. With that as their through-line, they made the necessary adaptations such as excising Tom Bombadil and Glorfindel, and rearranging lines and sequences to maintain that focus. To Tolkien, he was world-building and mythmaking focused more on lore and language than on characterization, which is where the filmmakers exceeded the source material. They had assembled a stellar cast that bonded in a unique manner allowing material to be tailored to give everyone a little more to do. We, as longtime readers of the material or new to Middle-earth, were taken on a journey that left us wanting more regardless of how long we had been sitting in the theater or living room. That’s a sign of success. (more…)

FLASH GORDON (1936)

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  • June 26, 2011

FLASH GORDON (1936)
1936
Universal Pictures
Directed by Frederick Stephani
Produced by Henry MacRae
Written by Basil Dickey, Ella O’Neill, George H. Plympton
Based on the comic strip by Alex Raymond
Say whatever you want about The Internet.  It’s done all right by me so far.  It’s a never ending source of delight to me that I can find and rediscover movies, books, comics and old TV shows that I thought I’d never see or experience again.  But it’s all out there and thanks to the wonderful technology we now have, it’s a joy to be able to relive some of my childhood pleasures.  This is one of ‘em.
Set The Wayback Machine for pre-Netflix days, Sherman. (I’m talking about the 70’s and 80’s, folks) when the only way I could see cliffhanger serials from the 30’s and 40’s was to either borrow them from the library and hope the VHS tape hadn’t been dubbed from a poor copy or wait until they were shown on PBS.  Usually during the summer PBS would have a Saturday night marathon showing of “Spy Smasher” “Perils of Nyoka” “The Masked Marvel” or “Manhunt of Mystery Island” in their original form.  Much more common were the edited versions of cliffhangers that Channel 9 or Channel 11 here in New York would show on Saturday afternoons.  15 chapters were edited down into 90 minutes.  It gave you a good flavor of what cliffhangers were like but that was all.
But now we’ve got Netflix and it was while accidentally finding they had “King of The Rocketmen” available, I hunted up some other serials as well.  Including what is probably the best known and best loved cliffhanger serial of all; FLASH GORDON starring Larry “Buster” Crabbe.   The man was known as The King of The Serials due to his playing in serials arguably the three most popular comic strip heroes at that time: Buck Rogers, Flash Gordon and Tarzan.  Talk about your hat tricks.
But there’s a reason why Mr. Crabbe got to play such heroes.  The cat looks like a hero.   He had the genuine square chin, steely eyes and a build most guys would give ten years off their life for.  But I think that Buster Crabbe’s real appeal in this serial lay in his Everyman quality.  His Flash Gordon isn’t the smartest guy in the room.  And he’s okay with that.  He’s more than happy to let Dr. Zarkov be the brains of the outfit while he does the dirty work.   He’s clever and resourceful.  He’s got morals and compassion for the little guy.  And when it comes to kicking ass all over Mongo, just step back and give Flash some fightin’ room.
By now, the story is legend.  The planet Mongo is hurtling toward Earth on what appears to be a collision course.  Earth’s weather is going crazy as well as the populace.  Flash Gordon is on one of the last cross country flights as he wishes to be with his scientist father when the end comes.  Also on the plane is Dale Arden (Jean Rogers).  Due to the severity of the weather, Flash and Dale are forced to bail out by parachute and happen to land right near the spaceship of Dr. Hans Zarkov (Frank Shannon) who talks them into a suicide mission to fly through space to the planet Mongo and somehow stop it from crashing into Earth.
Flash and Dale agree to go along and our intrepid heroes successfully make it to Mongo where they are promptly captured by Captain Torch (Earl Askam) who takes them to his Emperor: Ming The Merciless (Charles Middleton) who rules Mongo by fear and terror.  Ming and Flash take an instant dislike to each other.  However, Ming’s daughter Princess Aura (Priscilla Lawson) falls immediately in love with Flash and tries to save him when her daddy throws Flash in the Arena of Death with three brutal ape men.  Now mind you, this is just the first chapter and I didn’t even describe half of what happens.
The next 12 chapters are a goofy blizzard of classic space opera pulp adventure as Flash and his friends are chased, captured, enslaved, escape, battle and struggle against Ming while making friends and allies with Vultan (John Lipson) King of The Hawkmen, Prince Barin (Richard Alexander) the rightful ruler of Mongo and Prince Thun (James Pierce) of The Lionmen.
First off let me say up front that you have to have a love of this kind of thing from Jump Street or at least be curious to learn more about this genre.  This entire serial was made for less than a million bucks which today wouldn’t even pay for the catering for some of today’s movie.  So we’re talking about production values that are downright laughable by today’s standards.  The acting is nothing to brag about.  But it is sincere.  Buster Crabbe sells it with all his heart.  When he’s up there on screen he convinces you that he’s in the deadliest of peril even while fighting the most obvious rubber octopus in the history of movies.  And the rest of the cast follow suit.  Especially John Lipson as Vultan who I was afraid would belly laugh himself a hernia, that’s how much he’s enjoying playing the Falstaffian King of The Hawkmen.
Jean Rogers as Dale Arden is kinda blah, even for this material.  She mostly just stands around looking gorgeous in her flowing, gossamer robes.  Mongo must really be hard up for women since everybody who meets Dale wants to marry her.  Her contribution to the story consists of either fainting or screaming at least once every chapter.  I gotta give her props, though.  Not many actresses even today could give so many inflections to one line; “What have you done with Flash?” which is usually all she gets to say.
Princess Aura is much more fun to watch as she’s the real woman of action here.  She’s always pulling a ray gun on someone, even on her own father to rescue Flash.  Something she does a surprising number of times.  There’s even a scene where Aura tells Dale that if Dale really cared about Flash, she’d do something and not just stand there cramming her fist in her mouth to hold back yet another scream.  Whenever she hears Flash has been captured yet again, Aura grabs  the nearest ray gun, holds up her dress so as not to trip and runs off in her marvelously high heels to save him.
Frank Shannon is amazing as Dr. Hans Zarkov, one of the greatest Mad Scientists in fiction.  There’s a scene in the spaceship that made me laugh out loud:  Our Heroes are heading for Mongo when Flash asks Zarkov if he’s ever done this before.  Zarkov admits that he hasn’t but he’s tested with models.  “What happened to them?” Flash asks.  “They never came back,” Zarkov sheepishly admits.  If you watch this serial, check out the expression on Flash’s face.  Priceless.
And while I’m sure that Mr. Crabbe didn’t mind having to wear shorts through the whole production, I would think Frank Shannon and Richard Alexander did since they don’t have the legs to pull that look off.  At least Charles Middleton didn’t have to.  He doesn’t have the fabulous wardrobe Max Von Sydow sported in the 1980 movie but he does have the sufficient gravitas to make us take Ming seriously.  Flash Gordon vs Ming The Merciless is one of the most celebrated hero/villain pairings in heroic fiction and I believe it’s largely due to the work Mr. Crabbe and Mr. Middleton do in this serial as well as the two sequels.  They are never less than convincing and in their best moments they make us forget the cheapness of the production.
So should you see the 1936 serial version of FLASH GORDON?  It depends.  Are you just looking for a casual Friday or Saturday night movie? Then  go Netflix the 1980 version starring Sam J. Jones as Flash and Max Von Sydow as Ming with the absolutely kickass Queen soundtrack.
But if you consider yourself a student of pulp fiction, of heroic fiction in film, of the cliffhanger serial or of the science fiction movie genre or of just plain movies then I say that there is no way you can call yourself a student of any/all those genres and not watch the 1936 FLASH GORDON at least once.  It’s the great-grandfather of 90% of filmic space opera that came after it and need I remind you that the major reason George Lucas created “Star Wars” is because he couldn’t get the rights to do FLASH GORDON, which is really what he wanted to do.  If things had turned out different we might have been watching Flash Gordon, Prince Thun and Prince Barin wielding those lightsabers.
Ideally you should do it the right way and watch one chapter a week on Saturday to get the real effect of watching Saturday morning cliffhangers but I’m a greedy bastard and watched it all in one day with 15 minutes breaks in between.  No, it’s not the same but I kinda think that after the first two of three chapters, you’re gonna keep watching.
Taken as a cultural artifact it is a superior example of a style of film storytelling that isn’t done anymore.  As a gateway drug into pulp in general and as cliffhanger serials in particular, there are few better examples than FLASH GORDON.  Load it up on Netflix and enjoy.
FLASH GORDON has no rating but be advised that it is a culturally and racial insensitive movie by our standard today.  If you’re willing to overlook that and understand it was made in a less socially enlightened time, fine.  If not, give it a pass.
245 minutes (13 Episodes)

Star Wars on Blu-ray Details Unveiled

20th Century-Fox Home Entertainment took advantage of yesterday’s International Star Wars Day to formally announce the details surrounding this September’s Blu-ray debut of the original Star Wars trilogy along with the more recent trilogy. The six films are accompanied by three discs of extras totaling a stellar 40 hours of material – some new, some old.

Here’s the formal release with the details. Begin saving for this event, although let me caution you that the original versions of the trilogy won’t be here. George Lucas has previously indicated the film is in no shape for high definition conversion.

SAN FRANCISCO, Calif. (May 4th, 2011) – Bring home the adventure and share Star Wars™ with your whole family – when Star Wars: The Complete Saga comes to Blu-ray Disc from Lucasfilm Ltd. and Twentieth Century Fox Home Entertainment! To be released beginning on September 12 internationally and on September 16 in North America, the nine-disc collection brings the wonder of the entire Saga direct to your living room, where you can revisit all of your favorite Star Wars moments – in gorgeous high definition and with pristine, 6.1 DTS Surround Sound. Dive deeper into the universe with an unprecedented 40+ hours of special features, highlighted by never-before-seen content sourced from the Lucasfilm archives.

The comprehensive collection also features numerous deleted, extended and alternate scenes, new documentaries and a cross-section of the countless Star Wars spoofs that have appeared in pop culture over the past three decades. Marking the first time ever that the full Saga is available in one complete collection, Star Wars: The Complete Saga on Blu-ray also features a coveted peek into the making of the Saga with vintage documentaries, audio commentaries, behind-the-scenes moments, interviews, prop and costume turnarounds, retrospectives and more.

Episodes I-III and IV-VI will also be available as distinct Blu-ray Trilogy collections.

Fans will get an exclusive first look at some of the collection’s extensive special features at this year’s San Diego Comic-Con International – which marks Lucasfilm’s 35th anniversary as a Comic-Con presence. In 1976, the fledgling film company was looking for innovative, grass-roots ways to promote its underdog release, a film no one expected to succeed – a space opera known (at the time) only as Star Wars. One of the first film companies to reach out directly to core audiences by way of fan conventions, Lucasfilm will return to the venue to showcase the full evolution of the epic story with a special first look at Star Wars: The Complete Saga. (more…)

WonderCon Friday Programming Cancelled; Relocation to Skywalker Ranch For Rest Of Weekend

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  • April 1, 2011
WonderCon

Image via Wikipedia

Renovation work on the Moscone Center in San Francisco has forced WonderCon to close Friday, and possibly for the rest of the weekend. The move was a precaution after the discovery of asbestos on  the convention floor during routine testing. Follow up tests are planned before that part of the building can re-open.

This is a precautionary measure; should asbestos be found, it permeates newsprint, such as in most comics and bristol board. Any comics and original not slabbed or similarly protected could conceivably require disposal.

“It’s almost inconceivable this could happen,” said Jack Napier, spokesperson for the Moscone Center. “You expect disasters like this on Friday the 13th, not April Fool’s Day.”

The current backup plan is to take everybody to Skywalker Ranch in nearby Marin County, by force if necessary. “We were considering taking them to the Lucasfilm facility at the Presidio, which is closer… but we could get more fans motivated to move if we dangled the place that they’ve heard of in front of them. Besides, fanboys need the fresh air and sunshine.”

When asked if George Lucas had been consulted about the move, Napier said, “No, but he owes me and the fans a visit for what he did to us with The Phantom Menace, dammit.”

In recent years WonderCon has grown from a highly successful regional show to the first large national show of the comics convention season. Hollywood was supposed to have a major presence at WonderCon this year as well, with Green Lantern stars Ryan Reynolds, Blake Lively and Peter Sarsgaard; Cowboys And Aliens director Jon Favreau; Henry Cavill (until recently, the newest Superman); V‘s Elizabeth Mitchell, Priest‘s Paul Bettany, Super‘s Rainn Wilson, Human Target‘s Mark Valley, and Breaking In‘s Christian Slater. The guests are all being polled to see if any of them know George Lucas, and if so, can ask for a really big favor and have a few thousand friends over.

The updated WonderCon programming schedule is available at http://www.comic-con.org/wc/wc_prog.php.

 

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Knock me over with a feather: ‘Star Wars’ in Blu-Ray in 2011

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  • August 20, 2010

Wow. Who could have foreseen that George Lucas, who has skillfully exploited every single new video format to come along in the past 33 years for maximum financial gain, would release Star Wars on Blu-Ray sometime in 2011 with even more clips that we never saw before? And only as a box set for all six, so you can’t cherry pick your favorites?

Impress me, George. Put both editions of the original trilogy on there.

Harrison Ford says 5th Indy Being Planned

  • News
  • October 6, 2008

After the critical drubbing George Lucas has received as a writer and storyteller, the news that he’s conceiving the plot for a fifth Indiana Jones movie must be met with skepticism.  Still, Harrison Ford told The Los Angeles Times that Lucas has a plan. "It’s crazy but great," Ford said. "George is in think mode right now."

While Indiana Jones and the Kingdom of the Crystal Skull may have grossed $318 million domestically and $770 million worldwide, it was also poorly reviewed noting it lacked the spark and originality that fueled the franchise earlier.

"It’s automatic, really, we did well with the last one and with that having done well and been a positive experience, it’s not surprising that some people want to do it again," the 66-year old actor told Geoff Boucher.

He spoke further about franchising the character in other media and said outright he would never consent to voicing an animated incarnation. "I’m not philosophically against doing animation roles but not for Indiana Jones," Ford noted. "I’d hate to see it reduced in any way from the movies that we have done and the way we have done them."

While the DVD will be released on October 14, it may be the last time to watch Indy for a long while.  Despite talk for years, the fourth film was a stop and start process for over a decade as they ran through numerous writers then had to wait for the stars to align to allow Lucas, Ford and Steven Spielberg to be free at the same time.
 

George Lucas Hangs Up The iPhone

  • News
  • August 11, 2008

Those who own or know people who own an iPhone have probably come in contact with an application that has been on the iTunes top 25 applications since the birth of the App Store, and easily one of the most entertaining. The PhoneSaber app is a very simple yet enjoyable application which uses the accelerometer of the iPhone, turning the phone into a makeshift Lightsaber, sounds and all – minus the ability to cut off your bastard son’s hand.

Well, it looks as if Star Wars creator and ultimate ruiner of all things good George Lucas has expressed that he is not pleased with the fact that there is a Lightsaber application, seeing as how his video game developer, LucasArts, along with sister company THQ, have all the rights for handheld Star Wars video games. This coming on the heels of the I Am Rich App scandal, Apple has pulled the popular PhoneSaber from the App Store.

There are currently talks about LucasArts retooling the application under thier name to coincide with the "Unleashing the Force" iPhone game later this year, with better functionality (and a price). Either way, if you own the application, and don’t feel like spending $4.99 in six months to buy the exact same thing, make sure you don’t delete it in a fit of rebellion.

Indiana Jones and the Godless Commies, by Dennis O’Neil

Now we know. That Indiana Jones still swings a mean whip.

I liked the new Indy flick better than the critics I read, all of whom said something like, well, okay, it was all right but not up to the earlier entries in the series. Which makes me wonder: what would they have thought if this had been the first Indy flick, instead of the fourth. It’s like those clichés in Hamlet – they weren’t clichés to the greasy-chinned groundlings at the first (or fourteenth, or eighty-third) performance of Shakespeare’s story of a screwed-up kid with severe mama issues. Way back in 1981, Steven Spielberg, George Lucas, and a platoon of talented collaborators took elements from Saturday afternoon serials, silent comedies and maybe a few other sources and combined them in the right proportions to create entertainment that was not only right for the time, but provided a template for a lot of entertainment that followed.

Was the fourth as good as the first (or second, or third?)? That’s me, scratching my head and muttering, I dunno…And, frankly my dear, I don’t give a damn.

Years and years ago, a brilliant science fiction writer told me that Goethe’s criterion for judging art was found in two questions. To wit: What was the artist trying to do and did he succeed in doing it? I’ve never found a good reason to argue with Herr Goethe and by his criteria; Indiana Jones and the Kingdom of the Crystal Skull is a success. We entered the multiplex hoping to be amused, hoping to forget Bush’s ongoing follies and the Democrat’s internecine dogfights and – voila! We were amused and we, temporarily, forgot. Value received. Money well spent.

(more…)

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