Tagged: Grant Morrison

#SDCC: Semi-liveblogging the Eisner Awards

  • News
  • July 25, 2009

The 21st annual Eisner Awards, the “Oscars” of the comics industry, will be given out at a gala ceremony at a brand-new location: the Indigo Ballroom at the Hilton Bayfront. This year’s special them is “Comics and All That Jazz.” Scheduled presenters include writer/actors Thomas Lennon and Robert Ben Garant (Reno 911, Balls of Fury), acclaimed comics creators Jeff Smith and Terry Moore, actor/comedian Patton Oswalt, actor/musician/writer Bill Mumy, actress/musician Jane Wiedlin, and G4’s Blair Butler, with many more to be announced.

Other prestigious awards to be given out include the Russ Manning Promising Newcomer Award, the Bob Clampett Humanitarian Award, and the Bill Finger Award for Excellence in Comic Book Writing. The master of ceremonies is Bongo Comics’ Bill Morrison.

We’re going to cover it as best as we can here… boldfacing the winners as they are announced.

8:46: Neil Gaiman tweets: “on my way to present eisner award. Car just pulled over for illegal left turn. Will we make it?”

9:03: Heidi MacDonald tweets: “No phone coverage in Indigo Ballroom so NO live Twitter Eisner Awards. #techfail”

Hmm. This will make life challenging. Time to get a goat to sacrifice…

9:12: Neil made it.

9:14: First winner of the night: Best Publication For Kids: Tiny Titans, by Art Baltazar and Franco (DC)

9:16: Best Publication for Teens/Tweens: Coraline.

9:28: Robot6 enters the liveblogging! And they report:

Best Coloring: Dave Stewart, Abe Sapien: The Drowning, BPRD, The Goon, Hellboy, Solomon Kane, The Umbrella Academy (Dark Horse)

Best Lettering: Chris Ware, Acme Novelty Library #19 (Acme)

Best webcomic: Finder, by Carla Speed McNeil

9:45: Best Penciller/Inker or Penciller/Inker Team: Guy Davis, BPRD (Dark Horse)

Best Painter/Multimedia Artist: Jill Thompson, Magic Trixie, Magic Trixie Sleeps Over (HarperCollins Children’s Books)

9:51: Best Cover Artist: James Jean, Fables (Vertigo/DC); The Umbrella Academy (Dark Horse)

9:54: Best Comics-Related Periodical/Journalism: Comic Book Resources, produced by Jonah Weiland
(www.comicbookresources.com)

10:06: Running back and forth posting here and tweeting each award individually is exhausting… but it’s all worth it for you. :-*

Best Comics-Related Book: Kirby: King of Comics, by Mark Evanier (Abrams)

Best Publication Design: Hellboy Library Editions, designed by Cary Grazzini and Mike Mignola (Dark Horse)

10:14: Best Archival Collection/Project—Comic Books: Creepy Archives, by various (Dark Horse)

10:17: I’m soooooo glad my iPhone app is updating me on all the Eisner winners.

10:24: Best Humor Publication: Herbie Archives, by “Shane O’Shea” (Richard E. Hughes) and Ogden Whitney (Dark Horse)

Best U.S. Edition of International Material: The Last Musketeer, by Jason (Fantagraphics)

Best U.S. Edition of International Material—Japan: Dororo, by Osamu Tezuka (Vertical)

10:47: Jane Wiedlin tweets: “Im @ Eisner Awards getting ready 2 present. Major wardrobe malfunction in pedicab on way here. Front zipper burst on dress exposed all 2 all!”

10:55: Whoops, missed some:

  • Tate’s Comics in Fort Lauderdale won the Spirit of Retailing Award.
  • Russ Manning Promising Newcomer Award presented by Mike Royer — winner is Eleanor Davis, writer/artist of Stinky

Hall of fame inductees:

11:11: The home stretch! Here we go!

Best Writer: Bill Willingham, Fables, House of Mystery (Vertigo/DC)

Best Writer/Artist: Chris Ware, Acme Novelty Library (Acme)

Best New Series: Invincible Iron Man, by Matt Fraction and Salvador Larocca (Marvel)

Best Limited Series: Hellboy: The Crooked Man, by Mike Mignola and Richard Corben (Dark Horse)

11:15: Best Continuing Series: All Star Superman. by Grant Morrison and Frank Quitely (DC)

Continuing?!? Since when? Take it away and give it to Miss Congeniality. (That’s Andrew Pepoy, right?)

11:22: Best Short Story: “Murder He Wrote,” by Ian Boothby, Nina Matsumoto, and Andrew Pepoy, in The Simpsons’ Treehouse of Horror #14 (Bongo)

Hey, Andrew did get an award right after I said to give him one! I promise to use my powers only for good…

11:33: The last batch:

Best Anthology: Comic Book Tattoo: Narrative Art Inspired by the Lyrics and Music of Tori Amos, edited by Rantz Hoseley (Image)

Best Reality-Based Work: What It Is, by Lynda Barry (Drawn & Quarterly)

Best Graphic Album—Reprint: Hellboy Library Edition, vols. 1 and 2, by Mike Mignola (Dark Horse)

Best Graphic Album—New: Swallow Me Whole, by Nate Powell (Top Shelf)

Thanks to the liveblogging of Heidi MacDonald and JK Parkin at CBR and all the various Twitter folks who were eyes and ears for us tonight. I owe all of you. And I’m really glad I didn’t have to pay for the Eisner Award iPhone app.

Full list of nominees with winners bolded after the jump.

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Webcomics You Should Have Read: ‘The Parking Lot Is Full’

  • News
  • February 15, 2009

I beg of you, gentle ComicMix readers… take a journey with me back in time. Step one? Dust off a pair of “wide leg” jeans. Don your favorite pair of Airwalk low-tops. Grow your hair out a little, and put a Pearl Jam Compact Disk into your brand new Diskman. Step Two? Power up your personal computer. You know the one, with that brand new Intel Pentium chip the kids all talk about. Fire up that 14.4 Baud Modem, and hop on that newfangled ‘Information Super-Highway’. Welcome to 1993 folks! Now that you’re here, you should check out a little known webcomic called “The Parking Lot Is Full”.

The brief history on said comic comes from it’s own tombstone, procured from their site instead of that wiki-pedia thing you “next-gen users” all like so much…

 

“From 1993 – 2002, The Parking Lot is Full was the comic strip love child of artist Jack McLaren and writer Pat Spacek. Starting as crude little strips published in their university newspaper, the comic quickly took on a life of its own, eventually becoming one of the most popular and infamous comic strips on the internet. After nine years of ups and downs, the creators decided that they’d said everything they wanted to say, so the comic was wrapped up and all the toys put away.”

 

What made ‘PLIF’ (get used to this folks, cause “The Parking Lot Is Full” takes a while to type) so enjoyable was it’s fascinating combination of Gary Larsen-esque illustrations combined with sharp writing and a touch of the macabre. Unlike several previous recommendations here on ComicMix, ‘PLIF’ had no continuity really to follow. Yes, there are a few reoccurring sock puppets in the later half of the series, but there’s no backstory to follow (well, anymore…). And to be honest, the really juicy strips are true non-sequiturs.

I’ll be frank, folks, this strip features some of the most laugh-out-loud-but-frankly-I-shouldn’t-be-laughing strips I’ve had the pleasure to read for free on the ‘inter-webs’. There’s no need for lengthy exposition on the progression of the art; It’s crude, in gray tones, and unpolished as my car in February. There’s no need to wax poetic about the subject matter; Generally ‘PLIF’ stuck to a cycle of topics including childhood, sex, religion, and conspiracy theories (sometimes in the same strip!). Simply put, if the ‘Far-Side’ was rolled through a plate of broken glass, you’d have “PLIF”. Suffice to say the content can disturb as much as it can inspire fits of laughter… and that’s what I appreciate about it. Now to the cream of the crop (…ahem. WARNING. These Strips Are Not Suitable For Children, and most adults now that I think of it):

 

• Well, this settles an age old debate.
• Safe Sex, by PLIF
• A Failed Experiment, by Ray Croc.
• "I fell out of my chair the first time I saw this"… said my roomate.
• You know it’d be true.
• A lesson from the Street… Sesame Street.
• If this Pre-Dates Animal Man, Grant Morrison should be worried.

So there you have it folks. Kick off the Airwalks, swap that Diskman for an iPod, and plug back into a nice cable modem. This trip back in time is over. Sadly, there is no more strips to be had after you’ve been through their archive. Do yourself a favor though… buy a collection of them in printed form from the ‘PLIF’ store, and show your support for those who dared release this evil into the world.

The Breakdown:

Drama: Well, this is kinda’ dramatic…

Humor: If you don’t find this funny, maybe you’ll find this funny.

Continuity: There’s some Sock Puppets that show up from time to time.

Art: It’s grey, it’s crude, and it’s wonderfully morbid when it needs to be.

Archive: From 1993-2002, you’re looking at quite a few strips. It looks like they didn’t update but several times a month at best… never the less, if you troll through it all, it’s a solid hour or two of fun.

Updates: Unless you suffer from that condition where you still believe it’s 1993-2002… alas, there is no more ‘PLIF’ to be had.

Risk/Reward: As always… it’s free… so there’s little risk involved. Unless you consider reading a strip like this to be dangerous. Don’t say I didn’t warn you.

SDCC: EW’s “Visionaries” Panel

  • News
  • July 26, 2008

jim_lee-00-4662950When Entertainment Weekly assembles seven of the most powerful men (and woman) in all of comics, obviously some massive news bombs are going to get dropped.

“Yes, I read comic books in the bath,” Grant Morrison announced, shocking the assembled fans and setting the blogosphere ablaze.

Okay, so there was little in the way of truly newsworthy information disseminated by the esteemed panel of Jim Lee, John Cassaday, Matt Fraction, Mike Mignola, Robert Kirkman, Colleen Doran, and Grant Morrison. However, there’s something immensely satisfying about sharing an hour of time with some of the most creative individuals in the comic book world (and frankly, beyond). It’s the kind of panel that reminds a guy why he reads comics in the first place, because these guys work their hardest and embody the philosophy John Cassaday put forth, “There’ll be limitations in whatever you do, so you might as well go for it.”

Also, these people are really, really funny.

A topic that is nearly omnipresent at this year’s ‘Con, the specter of the film industry looming large over the conference, was addressed by the panel, with many attendees asking questions about the increasingly symbiotic relationship between film and comics.

“I see a lot of storytelling techniques in TV being effected by comics,” Lee commented, pointing out that the comic book has become so successful that mainstream has no choice but to adapt some of its devices. However, not everyone on the panel was as excited by the increasingly close relationship between comics and movies,

“I see people applying film rules to comic book visuals, let’s do the comic and then let someone else do the film,” Mike Mignola said, keenly aware of the difference between comics and film. Human quote machine Grant Morrison added, “Hollywood is more formulaic, comics allow you to break those rules.”

All of the panelists expressed some dread at the lure of comic to film adaptations limiting the ambitions of up-and-coming creators. However they all reasserted that this is a life they pursued not for money, but because its the only calling they ever felt, “I really can’t imagine doing anything else… everyone up here ha a compulsion,” Colleen Doran said.

Following the theme of creative expression, Jim Lee and newly minted partner at Image Comics Robert Kirkman were asked how that will effect their craft, “Once you’ve done all that stuff, it’s kind of hard to just go back to a table and just sit there drawing,” Lee said. Adding that there’s a liberation that comes with his executive status. As for Kirkman, “So far, it’s just making a few extra phone calls.”

Random Video: Dog Vs. Robot

  • News
  • June 15, 2008

What happens when a pet owner finds her dog constantly attacking her robotic vacuum? She assures him the machine is on notice by chastising the little bot in front of him.

 

 

While it doesn’t have much to do with comics, this was too good not to share. Want a comics angle? Go read Grant Morrison and frank Quitely’s We3.

Review: Final Crisis #1, by Grant Morrison and J.G. Jones

finalcrisis-1-7954193 Before we even get started here: SPOILER WARNING!

(So don’t say I didn’t warn you.)

DC’s tentpole summer event, Final Crisis, is finally here, and it couldn’t be more of an antithesis to Marvel’s Secret Invasion. While the latter has been a wall-to-wall action blowout, Final Crisis has kicked off with a rambling, contemplative first issue.

Of course, you know the score with Grant Morrison at the helm, and he’s predictably vague and cutesy. And the very first pages fit right into expectations, with a meeting between Anthro and Metron at the dawn of man that alludes to great depth, if not actually providing it.

From there, the book bounces maddeningly from spot to spot, never settling enough to develop a rhthym, or give a firm footing to readers.

There’s Turpin and the Question looking over Orion’s dead remains. There are the Green Lanterns talking in binary (“1011” signals a god’s death). There are heroes and villains fighting over Metron’s chair. There are the villains uniting for the umpteenth time. And…

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Cracked’s Creepiest Comic Book Characters

To be filed under "Hey! that’s OUR thing, man!" Cracked.com recently posted a list of "The 6 Creepiest Comic Book Characters of All Time," leaving me wondering why they chose to make it a list of six characters. Why not five… or ten? "Cracked Six" just doesn’t sound right, while ComicMix Six is practically candy for the ears.

But I digress…

Highlights of the questionably named list include Proty, the "sentient spunk blob" from Legion of Superheroes, and Comet, Supergirl’s bestiality-minded superhorse.

Also, Comet periodically turns into a full human, at which point he does what any horse would do: Try to get laid with Supergirl before she can figure out he is really her horse.

The Cracked crew also gives a nod to Inner Child, one of Grant Morrison’s creations during his Doom Patrol run, which seems like a cop-out, seeing as how 95-percent of the characters created by Morrison are pretty freakin’ creepy.

Check out the full list at Cracked.com.

 

‘Final Crisis’ Preview Debuts

No matter how many times I hear about DC’s upcoming event-to-end-all-events Final Crisis, I can’t help saying its name to the tune of "The Final Countdown." Is there something wrong with me?

Moving on…

DC just sent word that EW.com has posted a five-page preview of… Wait for it…

IT’S THE FIN-AL CRI-SIS…

While that’s all well and good, they’ve also posted a nice little drop-down Grant Morrison script for each of the pages. I dig it immensely — especially since I didn’t realize that a character was actually supposed to be looking over the shoulder of another character (and not at him) until I read it in the script.

I wonder how much stuff like that I miss every week. *sigh*

Interview: Grant Morrison on ‘Final Crisis’ and ‘Doctor Who’

  • News
  • April 29, 2008

grantmorrisoncomic-3297974As I wandered around the press gathering at the New York Legend Award ceremony for Stan Lee, I saw a familiar face — a face I first saw in an issue of Animal Man many years ago.

It was, of course, Grant Morrison, who is currently wowing folks in All Star Superman and weirding them out in Batman.

Known for cosmic-scale work in such titles as The Invisibles and various stories during his run on JLA, Morrison seemed the perfect choice to handle DC’s upcoming crossover mega-event, Final Crisis.

I spoke with Morrison about the influences and potential ramifications of Final Crisis, as well as his future as one of the primary architects in the DC Universe. We also chatted a bit about another series that has us excited: the reinvigorated hit BBC science-fiction classic, Doctor Who.

COMICMIX: First of all, you have to settle a bet for me, Grant. In the weekly series 52, the villain called "The Ten-Eyed Man" was re-introduced for the first time since Crisis on Infinite Earths, except now it was a whole cult of ten-eyed warriors who were very creepy and seemed to be mystical and demonic. That revamp had to be your idea, right?

GRANT MORRISON: Yes, yes it was.

CMix: I knew it! I said, "That is pure Morrison!"

GM: Wait ’til you meet "The Nine-Eyed Man" in Batman. He’s a renegade who cut off one of his fingers and is crazy now.

CMix: That’s just so weird, I love it.

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NYCC: Vertigo ‘Welcome to the Edge’ Panel – Getting Bullish on Grant Morrison and Seaguy

  • News
  • April 19, 2008

vertigo_logo-6314305

When you attend some of these publisher panels, you’re usually shown a few slides and given a brief description of upcoming titles — kind of like someone reading the Diamond Previews catalog out loud. So, instead of just parroting the entire affair, I’ve assembled an account of what you need to know  about Friday’s "Vertigo: Welcome to the Edge" panel at New York Comic Con.

Before we get started, I just want to note that the room was surprisingly packed. Being a fan of the Vertigo Comics imprint, I’ve attended a few of these over the years and they’re usually well attended, but not crowded. Maybe this one is the exception because New York is the home of literati?

Here are my notes from the panel:

Karen Berger, Executive Editor of Vertigo Comics, takes the stage. Instead of introducing the panelists in order, she starts with Grant Morrison in the middle. The benefits of being a comic book rock star, eh? Introductions follow with Amy Hadley, G. Willow Wilson, Joshua Dysart, Jason Aaron, Brian Wood, Brian Azzarello (big applause, even a few yells), David Tischman and Russ Braun. Mark Buckingham arrives just in time and gets a big reaction out of the audience.

House of Mystery – Berger explains that this project will not be an anthology. It’s about a waitress stuck in a mysterious house with strangers who tell their stories, illustrated by a different artist every month. So basically it is an anthology — with a framing device. If it walks like a duck and quacks like a duck…

Madame Xanadu – The mystic DC character finally receives an origin. Since she’s nigh immortal, her stages of life take decades. Puberty must’ve been hell. [Sidenote: This news was responsible for Olivia Newton-John’s "Xanadu" getting stuck in everyone’s head later at the ComicMix HQ.

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Inside the ‘Y: The Last Man’ Party

  • News
  • February 11, 2008

We told you about this event before and now Kevin Kelly at i09 let’s us in on the highlights of Friday night’s "Y: The Last Party" in L.A., celebrating the conclusion of Y: The Last Man, Brian K. Vaughan’s hugely popular tale of the last man on Earth.

The party, which took place at Meltdown Comics on Sunset Blvd., featured guests such as Vaughan himself, comic co-creator and artist Pia Guerra, Grant Morrison, Drew Goddard, Mark Waid and Joss Whedon.

Among the highlights of the event, whose proceeds went to the Comic Book Legal Defense Fund, were many revelations regarding the creation and inspiration of the comic as well as some tidbits about who might play the comic’s title character, Yorick Brown, in the oft-discussed, big-screen version and what co-creator Guerra’s next project will be.

According to the report:

[Vaughan] originally came up with the concept for Y as a project called Boyson, "The Last Boy On Earth" for Penthouse Comics full of "women built like robot fuck machines" and one boy remaining on the planet. After they folded, he replaced the robots with a Gloria Steinem quote and sent it over to Vertigo.

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