Tagged: Green Arrow

MICHAEL DAVIS: Con Man

  • News
  • July 13, 2007

michael-davis100-6319230When I first moved into my new home it seemed like every single day for a month I received a sales call from a mortgage company. They always asked for a Mr. Fong. When the calls first started I told them politely that I was not Mr. Fong and asked to be put on the Do Not Call list.

The calls kept coming and for a while I was still polite. I mean, I know how these things work. Mr. Fong had my phone number before me and the mortgage companies computer keeps calling the number. What that means is that every time I asked to be taken off the list, who ever I’m talking to simply hangs up the phone without honoring my request.

Fast forward to a few weeks of getting these calls. Now I’m pissed. So the calls went from this:

THEM: Hello, can I speak to Mr. Fong?

ME: There is no one here by that name, please take me off your call list.

To this:

THEM: Hello, can I speak to Mr. Fong?

ME: There is no damn Fong here! Do I sound Asian??? Stop calling me!!

I realized that this company was full of a bunch of idiots who simply don’t care to listen to you. So I devised another tactic. This is the way I handled the next call:

THEM: Hello, can I speak to Mr. Fong?

ME: (With Enthusiasm!) Speaking!

THEM: Mr. Fong, we see you qualify for a reduced mortgage!

ME: (With more enthusiasm!) WOW! GREAT!

THEM: We would like to send someone out to talk to you. When would be a good time?

ME: (With crazy enthusiasm!) NOW!

THEM: We can send somebody out tomorrow. Is this your current address?

I told them no, the address was wrong then I then gave them a fake address in the HOOD!

The next day at around 4 PM I got another call.

THEM: Hello, can I speak to Mr. Fong?

ME: Yes?

THEM: Mr. Fong. Hi. We must have taken down the wrong address. Can we double-check it?

ME: Why do you say that?

THEM: Well sir, the address you gave us is liquor store.

ME: I assumed you must like being drunk because you keep calling me.

THEM: I don’t understand.

ME: I have told you guys a million (bad word) times I was not Mr. (bad word) Fong!

THEM: Who are you?

ME: None of your (bad word, bad word, REALLY bad word) business.

With that, I hung up. I have not gotten any calls since then, so I guess it worked. What does this have to do with this weeks rant? Nothing! I just love that those idiots wasted their time as they have been wasting mine. And maybe this will help others who find themselves in this predicament.

Now for this weeks rant. No! It’s not a rant. This is a total love fest for the San Diego ComicCon International! Sorry Vinnie Bartilucci, you will have to wait until next week to find issues to debate. This week my friend it’s all about the LOVE!

(more…)

DENNIS O’NEIL: (Hey, Dude, ain’t he ever gonna git done yakkin’ about) Continued Stories

  • News
  • July 10, 2007

Last week, we were discussing the cons of continued stories, specifically what’s wrong with them, and we posited that they have a major problem in the difficulty new readers (or audiences) have in understanding the plot and characters. I said that there were remedies for this problem and now I’ll suggest, a bit timidly, that though remedies exist, nothing is foolproof.

Which brings us to the second difficulty with this kind of narrative, one closely related to the first. A potential reader who knows that the entertainment in front of him is a serial and that he’s missed earlier installments might think he’s come to the party too late, and so he won’t be tempted to enter it. Admittedly, this has more to do with marketing than stortytelling, but anyone who thinks that sales departments and creative departments aren’t entwined tighter than the snakes on a ceduceus isn’t paying attention.

There are probably more cons, but let’s let the subject rest with those two – we don’t want to beat anything to death, do we? – and proceed on to the pros.

Pro number one: Serialized stories build audience/reader loyalty. If you like the story you’ll want to learn what happens next and how the problems are solved and you’ll keep returning to satisfy your curiosity.

Pro number two (and this, to me, is the biggie): Serials present storytelling opportunities rare in other forms, if they exist at all. Continued narratives allow the storyteller to present a complex plot and a lot of subplots, as well as stuff that might not directly relate to the plot(s) but is, well, amusing.

(more…)

MICHAEL DAVIS: If it walks like a duck…

runaway_daffy_duck-6187271      michael-davis100-3474552      disney-walt-donald-duck-2800551-8406919

In this article I use a variation of the ‘n’ word. If this offends you then stop reading now. The last thing I want is 50 comments from people who are offended by the word. So before you get your panties in a bunch, stop reading. You have been warned.

When did we become a nation of sheep? At what point did we decide that if enough people say something is good then it’s good? If enough people decide it’s bad then it’s bad? If enough people decide it’s hip then it’s hip?

Or in this case: if enough people decide that a man obeying a police officer’s command can be shot for doing what the officer said, then that police officer is not guilty of attempted murder.

Regardless of what you think, do you join the flock?

Last week a police officer named Ivory Webb was acquitted in a San Bernardino County California courtroom for shooting a man for getting up after telling the man to get up. No. I was not in the courtroom. No, I do not know all the facts. No, I was not at the scene. I just watched the videotape. The videotape, which CLEARLY shows Webb telling the man to get up.

CLEARLY TELLING HIM TO GET UP.

When the man goes to get up (AS HE WAS TOLD) he was shot three times. I have no idea what went on in that courtroom that resulted in this police officer getting off. I just know WHAT I SAW.

In my VERY first article for ComicMix I wrote this: Now a days you can get caught on videotape robbing and pistol whipping a little old lady in a wheel chair while she was feeding her kitten and not go to jail. All you have to do is blame it on your Dad who was never home or never told you he loved you.

Well Mr. Webb’s jury blamed it on the man who was shot – one juror saying ‘If he had just shut up and listened then none of this would have happened.”

Well, from what I saw when he was told to get up, he did listen, and he was shot.

OK, as I said I don’t know what went on in the courtroom so let’s assume that the jury was correct in their verdict. I still know what I heard: the cop said “get up” and then shot the guy when he did.

I know what I heard; I know what I saw.

A few years ago I heard a rumor that Donald Duck called Daffy Duck “A doggone stubborn nigga” in the film Who Framed Roger Rabbit. I thought this was simply BS. I had seen the film and did not notice that and simply dismissed it. Fast forward to last week when I noticed that my TiVo had recorded Who Framed Roger Rabbit. While I was watching it this time I clearly heard Donald Duck call Daffy Duck a “A dog gone stubborn nigga.”

(more…)

DENNIS O’NEIL: Continued stories revisited yet again…

In last week’s installment of what some of you may be beginning to think is an endless blather, when I was discussing movie serials I neglected to mention that serials were among the first non-comics forms to use superheroes. During that decade, lucky young popcorn eaters could see Superman, Batman, Captain America and, in my opinion the best of them all, Captain Marvel in the continued chapter plays that were a staple of Saturday matinees. (That probably doesn’t exhaust the list, but memory is not my greatest gift… At least I don’t think so…) Having seen some of the above-mentioned entertainments, and having, within the past two weeks, seen the Spider-Man and Fantastic Four movies, I realize that the serial makers were born too soon.

Because, let’s face it, some of the serialized costumed do-gooders look kind of silly. That’s because the directors lacked the technology to make them not look silly. It takes an army of costumers, model makers, CGI wizards, animators and, probably, guys whose jobs I’ve never heard of to produce, on the screen, what cartoonists produced with ink on paper in large quantities for lousy pay. Of course, we comics readers had to bring some of our own imaginations to the artists’ static, silent images, but that was okay, we could do that.

Consider the preceding two paragraphs a digression, please. And now we return to our regularly scheduled topic –

What about these continued stories, anyway? Good or bad? Pro or con?

Let’s begin with the obvious con. If you come in late, maybe you’ll have trouble understanding the story. There are remedies for this problem. The serial makers mentioned in the opening digression showed the last minute or so of the preceding chapter before getting on to new material. The old radio serials used a similar technique, and a lot of current television shows begin with a voice over intoning something like, “Previously, on Your Father’s Moustache…” and then we get brief takes of the scenes that will escort us into the new action.

(more…)

MICHAEL DAVIS: Not What You Think

  • News
  • June 29, 2007

michael-davis100-5274434Years ago I wrote a column for Comics Buyers Guide (CBG) called Picture This. I actually started writing that column even before Peter David started writing his. Being the professional he is, Peter has been able to sustain his column But I Digress for well over a decade. I lasted a few months before I simply stopped writing it. Demands on my time and personal life caused me to abandon what truly was a great gig for an even greater magazine.

Now I’m writing this column and have managed to keep my deadlines (except for one little itsy bitsy time when I got my column in late and it had to run on Saturday instead of Friday) for twenty weeks and I am having a great time.

There are some people who still remember my Picture This column. If you think I am a raving manic now you should have seen me then. I pissed off more people than Katharine Harris did during the 2000 election. In my career I have also written guest columns in a few magazines as well as a few editorials over the years in various outlets. Those people who know me know that I am a shameless self-promoter. That said, in all of the hundreds of articles I have written I have never plugged a current deal that I was involved in. I may have mentioned what I was working on but never with any eye towards getting people to go out and watch what I was doing on TV or buy what I was publishing in the comic stores. In fact in all my ranting over the years I have only written about one subject more than once.

That subject was rumors.

I just heard a recent rumor that has compelled me to write about a current project I’m involved in, The Guardian Line (TGL)

I was recently talking to Lovern Kindzierski on the phone. Lovern is one of my best friends and we are working together on TGL. I have a book open and I’m looking for an artist and asked Lovern if he knew of anyone. He then mentioned that there is a creator in a comic book chat room saying that UMI (TGL’s parent company) does not pay their creators.

At this point I would usually launch into a tirade and make a few cleaver attacks on the unnamed creator.

(more…)

DENNIS O’NEIL:Continued stories continued some more…

  • News
  • June 26, 2007

Now, where were we…?

Oh yeah. We were discussing continued stories and I was telling you that continued characters have been around a long time, since the classic Greek dramatists at least, but continued stories were a pretty recent phenomena. You might recall my claim that Julie Schwartz and Stan Lee introduced them to comics, but they already existed in radio drama. One form I didn’t mention, but am pleased to do so now, were the “chapter plays” in movie theaters, which I suspect had some influence on the early comics guys. You can probably rent some examples of these at your local video store, but in case you don’t want to bother…

They were continued movies, these chapter plays, also called just plain serials, with a plot that played out over between ten and fifteen installments. Each segment ended with the hero or another sympathetic character in dire trouble, about to plunge over a cliff or be impaled on spears at the bottom of a pit or like that. (Check out the Indiana Jones films, which were partly inspired by the serials, to get an idea of the kinds of scrapes these folks got themselves into.) Then, the segment would end with the suggestion that you come back the following week to learn what happens. The idea was, you, the breathless kid in the front row, would just have to return to witness the good guy’s miraculous escape or, if you were a bit twisted, you hoped you’d watch him get offed.

If you have ever suffered through one of my comics writing classes, or were lucky enough to take a Robert McKee film writing course, you know that some professional wordsmiths set a lot of store by structure, and that the most reliable structure is called the three act structure. (For more, and better, on this, see the recommended reading below.) I’m not about to presume to teach a class here, but most briefly – the three-act structure: 1, Something happens to cause the hero to act. 2. The problem gets complicated. 3. The hero resolves the problem.

Obviously, this narrative strategy won’t work for a story that’s stretched out over a whole lot of chapters, with a lot of climaxes, so the serial guys evolved what I call the “one-damn-thing-after-another” structure. Which is: the good guy and the bad guy(s) have a lot of clashes, which end inconclusively until one of them doesn’t. The good guy wins, virtue triumphs, everyone lives happily ever after.

A story doesn’t necessarily need to be multi-chaptered to be one-damn-thing-after-another; you could probably use the construction for a 10-pager. And it’s not necessarily a bad structure; a storyteller with sufficient ingenuity might make it work, though I usually advise students not to try this at home. What, structurally, it has going for it is this: it ain’t dull. Something big and, presumably, exciting, happens at least once per chapter and that keeps things moving.

We’ll get back to this topic next week.

RECOMMENDED READING: Story, by Robert McKee

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

MICHAEL DAVIS: Fade To Black

  • News
  • June 22, 2007

michael-davis100-3637577I fully realized that the article I wrote last week was at some times petty and juvenile. I was furious and I forgot that the best way to make a point is a well thought out lucid argument. At one time I may have suggested some people in the Genarlow Wilson case were racist and because of that I wrote that “white women love me.” This was simply not right.

I was wrong and I apologize. In my attempt to strike a nerve with the people in the case I lashed out but I was totally wrong to say that. I was wrong and I hope that those people I lashed out at will forgive me.

The fact of the matter is white women don’t love me…they REALLY love me!

Dudes! I can’t keep them off of me! I’m thinking of changing my name to Mandingo (they love that) and seeing if there’s any money in this!

Yeah, I’m still a wee bit bitter over the whole Genarlow Wilson and Paris Hilton thing. To all my friends’ black and white, all jokes aside I’m just trying to get those morons in Georgia to lose some sleep at night. That way they can share in a little of what Genarlow Wilson is enduring.

I was going to write this particular column last week but I got caught up in the Genarlow Wilson and Paris Hilton debacle so here it is a week later and I hope it’s still relevant.

By now we have all seen or heard about The Sopranos series ending show. The vast majority of the world hated that ending. Me? I thought it was a cop-out UNLESS they are planning a movie. Then I get it. If they are not planning a movie then HBO should change its name to simply B.O., because that ending stunk.

HBO is a funny little network. No one doubts that they do GREAT TV. In fact The Sopranos would not (could not) have been done on any other network. If the show were picked up by ABC then Tony Soprano would have been played by Tony Danza or some such actor. It was The Sopranos that really lit the fire under the rest of the TV world. I remember NBC did a Soprano rip. It was called Kingpin. Everybody in that show looked like supermodels. Even the hit men were wearing Hugo Boss suits. That show went bye bye faster than Barry Allen. Why? Because as I have said a million times: Americans are not the idiots some TV executives think.

Rather or not you like the ending or not it sure did make an impact, this morning I watched a Hillary Clinton parody of the ending on the Today show.

Wait a moment.

Did I just say that Hillary Clinton, the front-runner in the race for President did a Sopranos parody? Love or hate the ending (or love or hate Hillary) you have to respect the power of a television program that can do that. As I said in my very first column my readers would always know where I stand so let me be clear: I hated the ending but I love Hillary. Why do I love Hillary? Well if we elect her we get Bill as a bonus! Why did I hate the Sopranos ending? Because unless there is going to be a Sopranos movie then that was not an ending. It was a big slap in the face of America by a great producer who wants to be considered an artist.

For the most part television is not an art form. It is an entertainment medium. Yes there is great TV and yes there can be some shows, movies etc. that can be considered artistic but TV is not an art form.

Art by definition is an individual who creates something for no other reason except to see it created. They do it because they have a desire to share their vision with the world. Anytime someone pays you to create a product where the sole purpose is to garner ratings, that is not an art.

(more…)

DENNIS O’NEIL: Continued stories (continued)…

  • News
  • June 19, 2007

dennyoneil10013-1076167(If) you’re…young; you don’t remember a time when continued stories were rare. But until Stan Lee made them standard procedure at Marvel in the 1960s, they were next to unheard-of.

Those words seem familiar to you? Certainly not, unless you read this department’s blather three weeks ago, when I began a discussion of continued stories in comics, where they – the words – appeared in a slightly different form. And in reprinting them, in a column which is – let’s face it – a continuation of a previous one, I’ve tried to deal with a paramount problem writers face when doing continued narratives: clueing in readers who either don’t remember the earlier stuff or are new to the series.

There is a difference between continuing characters and continuing stories. Continuing characters have been with us a very long time. Even if you ignore the many tales of the various gods and goddesses, those rascals, you can find a continuing character as early as 428 BC, give or take a few years, when Sophocles followed up his smash hit Oedipus Rex with a sequel featuring the same poor bastard, Oedipus at Colonus. Then, over the centuries, there have been various adventures of King Arthur’s knights and other heroes. But these were not continued stories, not exactly. An adventure or episode ended and the characters went into Limbo and reappeared to solve new problems and encounter new hassles. That kind of storytelling continued through the invention of high speed printing, which made books relatively cheap and accessible at about the same time that a lot of people were learning to read.

107_4_0060-1620829Which brings us to the pulp magazines, a publishing form that began about 1910 and was one with the dinosaurs by the middle 50s. A lot of these cheaply produced entertainments featured continuing heroes. (We’ve discussed perhaps the greatest of them, The Shadow, in this department earlier, and I won’t be surprised if he gets mentioned here again.) Meanwhile, over in another medium, movies were also featuring continuing heroes, ranging from that loveable scamp Andy Hardy to a legion of bad guy quellers, including noble cowpokes and suave detectives. And…in yet another medium, that newfangled radio was presenting weekly dramas about cowboys and detectives and police officers and even federal agents, like the movies only more often. And…here might be an appropriate place to mention comic strips, which began doing stories, as opposed to daily jokes, in 1929 with Burne Hogarth’s comic’s adaptations of Edgar Rice Burroughs Tarzan, and since the introduction of Chester Gould’s Dick Tracy in 1931, were sometimes stretching plots over many weeks.

Those were continued stories featuring, of course, continuing characters. But there were others…Oh my goodness, look! We’re almost at the limit of our allotted word count and we have so much more to discuss. I suppose I could go on for a couple of paragraphs more, but that wouldn’t begin to exhaust the topic, so I guess we’ll just have to – yes! – continue this next week.

RECOMMENDED READING: The Creators, by Daniel J. Boorstin

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

Artwork copyright Tribune Media Services. All Rights Reserved.

MICHAEL DAVIS: My Fair Lady

  • News
  • June 15, 2007

michael-davis100-8678770What the flying FISH is wrong with this country? Some ass wipe D.A in Georgia put a black teenager named Genarlow Wilson in prison for ten years. This kid did not kill anybody or rob anybody nor did he rape anybody. He did what teenagers have been doing since caveman days; he had consensual relations with another teenager. So this A-student star athlete was sentenced to jail for 10 years.

10 years?? An A student? Star athlete? Never in any trouble, his whole life in front of him. So he and another teenager do something a zillion other teenagers do and he gets 10 years in prison????

What the Hell is wrong with this country? Or is it just some idiot racist D.A. using his power to kill some kids dream and life. No. I don’t think you should “do it” when you are kids. But they were kids – that what kids do!! Did he rob some body? Did he kill somebody? Did he rape somebody?

NO!

He had consensual relations with another teenager. Oh by the way it was not the “act” that they did. No, they fooled around but did not do the ‘”act.”

Wrong? Yes. Is this what teenagers’ do? Yes.

Hey, judge and D.A of this Georgia case. Could you not give the kid community service, or 30 days or something that reflected the fact that this kid (these kids) were just being kids? No. You and your self-important moral ideals had to teach an A student a lesson by putting him in jail for 10 years. Why did you prosecute him in the first place? Had a bad day? This payback for O.J?  Nothing on TV that day? Had a fight with the wife? Had a fight with your sister? By the way, I hear that may be one fight, you backwoods moron.

What does putting a teenager in jail for being a teenager accomplish? What? Who are you sending a message to? And what is your message? Could your message be “We are just really stupid and are still pissed that we lost the Civil War?” Is that the message?

If by some miracle when you were a teenager you had a girlfriend and you guys got a little freaky, do you think you should have gone to jail?

What crime are you punishing? What evil have you stopped? You have stopped a young bright kid from living his dream. You have stopped a young bright kid from becoming a useful part of society. Instead you have put him in jail where he will learn a helpful lesson. That lesson is that justice is NOT colorblind and you the judge and the jury have used your power to ruin a good life.

I ask you again, what does putting that kid in jail accomplish?

What? What? WHAT? (more…)

MICHAEL DAVIS: Bad Boys For Life

michael-davis100-8878627I was talking to Kevin McCarthy a day or so ago about writing another book for me at The Guardian Line. He’s doing a fantastic job on The Seekers and has done great work for most of the major publishers in comics for a while now. If you don’t know Kevin’s work, you should. He is without a doubt one of the most talented and original people working in comics today. He is a GREAT writer and just as talented as an artist. In fact I would say that Kevin is on the leading crest of creators today.

While talking to him I realized that one of the things I don’t do enough of is talk to creators about the process. I miss the days when I could just sit down and make up a universe or develop a story line. I spend more time dealing with the “deals” in comics and television than I do actually working on the “idea.”

That sucks.

The single greatest thing about working in any creative field is the creative process itself. To sit in a room and just make things up is so unbelievable cool that words fail to describe the feeling when things are just right. Talking to Kevin made me wish for the days when I could just sit down and write a story. This got me thinking about just how long I have known Kevin and how we met. We met because someone introduced me to him and he became part of my life and I his as a mentor.

Late last week I sat down with Marv Wolfman and Len Wein to talk about a business deal. Sitting with us was a young lady who was taking notes. I am a mentor to this person. She asked some really great questions and had some real cool insights. Marv, Len and I were happy to have her there but she was ecstatic about sitting with legends…and with me. Truth be told, at that time during that meeting we were all her mentors and she appreciated our knowledge and was humbled in our presence. OK, she was humbled in Marv and Len’s presence and I just happened to be there…it was my house.

This young lady will soon turn the world of comics and illustration on its ear with her original take on the medium. Like Kevin McCarthy she is a fresh face with fresh ideas that our industry needs. It’s amazing to think that Marv and Len have created some of the biggest icons on the planet between them and they still take the time to share that knowledge with younger people.

Over the years I have seen these guys take the time to talk to many young people about the industry. I have watched time and time again how their information lit up the faces of those they were talking to. I’ve been around a bit but there are some people I still consider mentors: Paul Levitz, Mike Richardson, Mike Gold and Jim Shooter to name a few.

Each of those guys has taken me aside on more than one occasion and shared their valuable insight with me. I remember one Comic Con years ago I was standing with Paul Levitz in a hotel bar when a young colorist confronted me. He told me that I was an idiot for letting a writer go on a project and that I was using his (the colorist) name to promote myself. He said some other things that were just as bad. I was about to respond like he was a Crip and I was a Blood when Paul placed his hand on my shoulder and quietly shook his head “no.” When the colorist walked away (like the little bitch he was, yes I’m still pissed) Paul said to me, “It comes with the job, Michael. The bigger you are the bigger the target on your back becomes.” He was so right.

(more…)

Categories

Archives

Everything you need to make great comics!

comicmix-pro-300x69-2

Nucleus X

Bookshop Zaks