Tagged: Green Arrow

Judd Winick Talks Adapting ‘Batman: Under the Red Hood’

Judd Winick has returned to Gotham City with a vengeance. The award-winning cartoonist has  transitioned one of his benchmark storylines from comic book pages to animated film with the upcoming release of Batman: Under the Red Hood, the latest entry in the popular series of DC Universe Animated Original Movies.

Born and raised on Long Island, New York, the University of Michigan graduate gained national fame as a cast member of MTV’s The Real World, San Francisco in 1994. In the wake of the death of his Real World roommate and friend, AIDS activist Pedro Zamora, Winick embarked on a national AIDS education lecture tour. Later, the lecture and his friendship with Zamora was documented in his award-winning graphic novel Pedro And Me.

Winick next created his original comic book series, Adventures of Barry Ween, Boy Genius, and then began a long running stint as one of the top writers on mainstream super hero comics. Winick has scripted such titles as Batman, Superman, Green Lantern, Trials Shazam, Green Arrow and Outsiders (for DC Comics), Exiles (for Marvel) and Star Wars (for Dark Horse). He also was the creator and executive producer of Cartoon Network’s animated series, The Life and Times of Juniper Lee.

joker-crowbar-3891312He is currently developing live action television and animation, writing the new bi-weekly comic title for DC Comics Justice League: Generation Lost, as well as the monthly Power Girl.

In 2005, Winick presented his Red Hood storyline in the Batman comics and it was met with tremendous sales alongside powerful waves of controversy. He has evolved that story into the script for the all-new DC Universe film, Batman: Under the Red Hood. In celebration of the film’s July 27 street date, DC Comics will distribute a six-issue mini-series, Red Hood: The Lost Days. Written by Winick and drawn by Pablo Raimondi, the mini-series offers greater insight into the back story of the title character.

Batman: Under the Red Hood will be distributed by Warner Home Video as a Special Edition version on Blu-Ray™ and 2-disc DVD, as well as being available on single disc DVD, On Demand and for Download. (more…)

‘Suicide Squad’ coming to the silver screen

DC Comics’ Suicide Squad is on its way to the most dangerous mission yet– to Hollywood. Warner Bros. has hired screenwriter Justin Marks to adapt the property for the movies. (Does that make the contract he signed a Suicide pact?)

The current version of the Squad was created by ComicMix contributors John Ostrander and editor Robert Greenberger, introduced in the 1986 Legends miniseries, edited by Mike Gold. The revolutionary concept was to mix super villains and fallen heroes, giving them one last shot at redemption by the government by undertaking missions that will most likely kill them. Spinning off from Legends, the series lasted for 66 issues, and spurred a 12-issue maxiseries in 2000 and Ostrander returned for an eight issue mini-series in 2007. The particular characters involved have yet to be determined, but strong candidates include Amanda Waller, Rick Flag, Bronze Tiger (who just appeared in an episode of Batman: The Brave and the Bold) and Deadshot.

Marks, who is doing a rewrite of 20,000 Leagues Under the Sea for Disney, also wrote the Green Arrow comic-book movie project Supermax, which could conceivably connect with Suicide Squad as they both take place at Belle Reve prison. John Ostrander is currently writing Star Wars: Legacy for Dark Horse and GrimJack and Munden’s Bar for ComicMix.

I just got off the phone with John Ostrander, who had just heard about the project this morning. He’s looking forward to seeing what happens next.

Me, I’m looking forward to DC reconsidering whether or not to put out those Suicide Squad reprint collections now. Hint hint.

‘Smallville’ Update

The CW’s Smallville is now in its eighth season and the producers have been making noises as to whether or not they think there’s enough creative juice left for a ninth season.  TV Guide is speculating that retaining he cast, led by Tom Welling, may be the biggest stumbling block.  They would need new contracts with raises and Welling has been eyeing a big screen career for some time now.

Meantime, the series is on hiatus until January 15 and the much awaited Legion of Super-Heroes episode. Their oppojnent appears to be the Fatal Five’s Persuader.

Meantime, the fourteenth episode will introduce the television series’ version of the Toyman and Tori Spelling will return as gossip reporter Linda Lake.

Speaking of gossip, apparently Clark will reveal his alien nature this season.  Entertainment Weekly’s Michael Ausiello writes, “I can confirm that Clark does, in fact, come out as an E.T. during an interview with Lois. I can also confirm that said revelation causes mass chaos.”

Meantime, the combined heroes, unofficially dubbed the Justice League, will be back before the season ends and Alaina Huffman, who plays Black Canary, hinted in an interview her romance with Green Arrow (Justin Hartley) will heat up.

Now that “The Bride” episode has revealed that Lex Luthor is alive, rumors are swirling that Michael Rosenbaum will be enticed back to the series to wrap up his character’s storyline.

Review: ‘Batman Cacophony’ #1

The eagerly anticipated [[[Batman: Cacophony]]] #1 finally hit shelves this month, and, on many levels, it did not disappoint.  The three-issue series is authored by famous screenwriter/director Kevin Smith, and his signature style is evident.   Smith, as always, manages to weave in a healthy dose of crude, sexual humor, and it is surprisingly successful coming out of The Joker’s mouth.   The tone of the book, however, is not as dark as one would think.  The atmosphere created by the creative minds at work is more a cartoonish, brightly colored Pulp Fiction than the noir-esque Batman of years past.   A color palette of burnt oranges, yellows, and primary colors adorn the pages in the book, and this tone nicely compliments Kevin Smith’s clever, quick witted humor. 

On the topic of art, the book is drawn by illustrator Walt Flanagan, making his DC debut.  Although he shows promise, his style is definitely that of a rookie and not a seasoned veteran.   The drawings lack the stylistic flair that many accomplished comic artists have mastered.   While the absence of pop in the drawings can be distracting, Smith manages to set the stage for what is sure to an interesting story.  He is weaving together a tale that links the Joker to a ring of Greek mobsters and designer drugs which is also peppered by the presence of the always fascinating villain Onomatopoeia, not seen since Smith introduced him during his short run on [[[Green Arrow]]].   Onomatopoeia happens to be one of the characters that is drawn very well by Flanagan, and the story lines are sure to collide and provide solid entertainment for any reader who shows interest.

DC Comics’ Texas Tidbits

legion-of-3-worlds1-1503689WizardWorld Texas wrapped up yesterday and here are highlights from the various DC Comics panels:

Legion of 3 Worlds: Senior Story Editor Ian Sattler says the miniseries is essential in setting up events to play out across the DCU in the next three years.

Final Crisis: Matt Sturges and Freddie Williams will produce Final Crisis: Run, the last miniseries tie-in to their mega-event.  Said to feature a super-villain as the focal point, Sattler promised at least three cool moments per issue.

At several panels, the comprehensibility of Final Crisis itself was debated between panelists and the audience.  Clearly, Grant Morrison’s storytelling was daunting compared with most comics but the editorial team assured the fans that it will pay off with the final issue.

DC’s VP-Sales Bob Wayne aid the plans to collect the mini and its related tie-ins has yet to be settled.

Green Arrow will be the pivotal hero for 2009, according to Sattler.  Editor Liz Gehrlein countered she thought it would be Brainiac. Expect to see a prominent return of Lobo and maybe even the much-teased Aquaman reboot.

J. Michael Straczynski will have a second DC title, as yet unannounced, in addition to The Brave and the Bold.

Sales: When Newsarama asked about the economic downturn affecting comic book sales, Sattler replied “…It motivates us to turn out the best stories we possibly can.” A snarky audience member asked, “Does that mean you haven’t previously been trying?” Sattler replied, “It motivates us to try even more…”

Review: ‘Batman: The Brave and the Bold’

Since his debut in [[[Batman: The Animated Series]]], Warner Animation has seen to it Batman gets freshened every now and then.  Animators swoop in, streamline the look and adjust the stories as time and tastes change.  The most recent Batman series was perhaps the worst as it veered further and further away from its comic book source material so we suddenly had a Rastafarian Joker who knew martial arts. That incarnation has been mercifully retired and in its place we have [[[Batman: The Brave and the Bold]]].

As the title suggests, this is a Batman team-up show and owes much to the title where Batman co-starred with other characters for over 125 issues. The designs puff up the Caped Crusader so he looks as if Carmine Infantino or Mike Sekowsky was doing the model sheets.

Fortunately, the resemblance to the 1960s more or less ends there as the storytelling is quick and adventurous.  This is a well-adjusted Batman who recognizes his place in the super-hero firmament.  For example, in the debut episode, which airs on the Cartoon Network this coming Friday night, he specifically asks Blue Beetle along on a mission to check him out.

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Superheroes Come Home, by Dennis O’Neil

I guess we’ll have to get our superhero fixes from comic books for a while, though I’m not complaining, because isn’t that the way it’s supposed to be? My glances through the various newspapers and magazines that come to this house tell me that there are no superhero movies coming to a theater near me, and the closest thing to a new superhero on television is those can-do wheels on Knight Rider, whose ancestor is the Batman utility belt of the middle-period comics and the early Green Arrow quiver; whatever the situation calls for…well, here it is – just the thing. Some of last season’s superdoers are back, and some of them will be on our living room screen, though the plot(s) of one seem to be unfocused and the future of another, The Sarah Conner Chronicles, seems to be iffy, which saddens me because one of the stars makes my dirty old man merit badge pulsate.

Superheroes and summertime seem to be yoked. As usual, commerce rather than aesthetics seem to be the reason. Until recently, and maybe even now, publishers felt that their comic book audience – kids – had more disposable income and more leisure during the hot months and so they saved their annuals and double-sized issues and important stories – Reed and Sue get married! – for the time when the young’uns lucky or unlucky enough not to have jobs didn’t recite the pledge of allegiance every morning.

(Ah, I can remember – or almost remember – the feel of the cool concrete of a front porch under my prone body as I looked at the funny book and wondered why his shirt was red if his name was Green Lantern and couldn’t his cape at least be green? Was there an editor in the making here?)

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Routh to ‘Return’ as Superman?

The DC movie goodness keeps rolling in and for the second day in a row, Latino Review is spilling the beans.

At Monday’s Watchmen presentation in New York City, which you can read about here, the Web site’s Kellvin Chavez had the opportunity to speak with DC Comics President Paul Levitz. Over the course of the candid conversation, Levitz revealed something quite interesting about the oft-whispered Superman reboot.

According to the site, Levitz stated: "[Previous Superman] Brandon Routh has come around the offices in New York and Los Angeles as of late to talk about Superman and what we want to do."

This is the highest profile indication that the newest live-action Superman film would include members of the lukewarmly received Superman Returns. Chavez’s report continues to mention that "Mr. Levitz made it seem … that [DC Comics and Warner Bros.] loves Brandon Routh as Clark Kent and that he’s just a great guy." (more…)

Smoke Gets In Your Brain, by Dennis O’Neil

 

Smoke, smoke, smoke that cigarette / Puff, puff, puff until you smoke yourself to death. / Tell St. Peter at the Golden Gate / That you hate to make him wait, / but you just gotta have another cigarette. – Merle Travis 

I was getting ready to leave the office and walk over to NBC, where I planned to tape a reply to someone who had accused Batman of being in league with the Big Tobacco. It seems that in one panel Batman is standing on a roof, and in the background, on another roof, there was a billboard with a fragment of what might have been a cigarette ad visible. Our accuser said that putting Batman proximate to a cigarette image amounted to Batman – and his creators – endorsing tobacco products and advocating their use to children.

Well, no. Had I kept my rendezvous with the microphones and cameras, I would have probably observed that we agreed that smoking was bad and none of our characters ever actually smoked – Bruce Wayne abandoned his pipe early in his career – and, in fact, we had just done a pro bono anti-smoking ad for the American Heart Association. I might have taken my screed just a bit further and argued that we had always presented Batman’s turf as a realistic American city and – sorry! – urban areas are full of cigarette ads.

I didn’t have to do any of that. At the last moment, cooler heads prevailed and said that if I went on the air, our accuser would answer my answer and prolong the story’s life, whereas if we simply ignored it, the story would not survive into the next news cycle, which is exactly what happened.

One might ask why I allowed the billboard to appear in the first place. For the sake of realism? Or did I just miss it when I edited the artwork? Or did I see it and decide it wasn’t worth the hassle of a change? Humbling answer to all of the above: I don’t remember.

But this pretty inconsequential incident does raise another question: Where do the obligations of good citizenship and moral behavior end and the obligations to storytelling begin? Some kinds of people smoke and drink and take drugs and they’re not all hideous monsters, and some kids are influenced by what they experience through the media. I’ve heard recovering alcoholics say that the movie images of glamorous, witty sophisticates swilling booze prompted them to emulate the swillers and led, eventually, to badly damaged lives. But people do drink, and in a fictional world that mirrors the real one, shouldn’t drinkers – and smokers and druggies – be presented? Or does the potential harm of these behaviors outweigh aesthetic and narrative considerations?

I don’t know.

Sometimes, the coexistence of storytelling and responsible citizenship is painfully troubled, and sometimes I’m glad I no longer sit in an editor’s chair.

RECOMMENDED READING: The Courtier and the Heretic: Leibniz, Spinoza, and the Fate of God in the Modern World, By Matthew Stewart. 

Dennis O’Neil is an award-winning editor and writer of Batman, The Question, Iron Man, Green Lantern, Green Arrow, and The Shadow– among others – as well as many novels, stories and articles. The Question: Epitaph For A Hero, reprinting the third six issues of his classic series with artists Denys Cowan and Rick Magyar, will be on sale any minute now, and his novelization of the movie The Dark Knight is on sale right now. He’ll be taking another shot at the ol’ Bat in an upcoming story-arc, too.  

Artwork by Kim Roberson, from Underworld. 

‘Smallville’ Producers Talk ‘Graysons’

justice-1-1304924News broke earlier this week that the CW was developing a new series based around the first Robin titled The Graysons. The show, set to focus on Dick "DJ" Grayson in his pre-Robin years, has been reported as a possible replacement for Smallville should Clark Kent’s pre-Superman adventures conclude at the end of this season.

Not so, say Brian Peterson and Kelly Souders, executive producers on Smallville and now hard at work behind the scenes on The Graysons. They issued a statement over at KryptonSite that clears the air of their intentions on developing the new series.

Says the pair:

"As news and rumors swirl around the development of The Graysons for the CW, we have every intention of letting you, our fans, be the first to know the reality. Never have we been so committed to the continuing success of Smallville as we are to seasons 8 and 9. While we are extremely excited to be working hand-in-hand with Wonderland, Warner Bros. and the CW to create the origin story of Dick Grayson, it has never been intended as a replacement for Smallville, as is speculated in some media. The cast, crew, writers and producers are all working full-steam ahead on a story-line for Clark that allows for seasons of further trials and adventures for our favorite hero. As always, we all have you to thank for achieving eight years of this amazing show that Al and Miles created, and we’re looking far beyond!"

This upcoming season of Smallville is sure to have plenty of DC heavy cameos to put any Superman lover into a fangasmic fit. Justin Hartley, who plays Oliver Queen (Green Arrow), has returned to the series as a regular this season, and will be joined once again by Justice League members Aquaman, The Flash, Black Canary, Cyborg and the Martian Manhunter. The Legion of Super-Heroes are set to join the fray this year, along with Plastique, introduced just last night. Most widely reported is the arrival of Doomsday, played by Sam Witwer (Battlestar Galactica). Doomsday famously killed Superman in the best-selling Death of Superman arc back in the nineties, leading to the creation of Superman replacements Steel, Superboy, Cyborg Superman and the Eradicator.

With Peterson and Souders stating they have plans for Smallville beyond season eight, might they be setting up a junior version of the Death of Superman and Reign of the Supermen stories? Holy kryptonite, that would be suh-weeeet.