Tagged: Green Hornet

The Law Is A Ass #415: The Green Hornet Throws A Tamper Tantrum

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I think the Green Hornet is starting to believe his own press clippings.

The Green Hornet is a hero who pretends to be a villain. By day he’s Britt Reid, publisher of Chicago’s The Daily Sentinel newspaper. At night, Britt dresses up as the Green Hornet and pretends to be the secret crime boss of Chicago. He uses his guise as a villain to infiltrate criminal organizations and thwart them. And get the bad guys arrested. So sometimes he does some bad things but for the right reasons. Only now I think he’s starting to believe he is a criminal, because in The Green Hornet: Reign of the Demon #1, he started doing bad things for the wrong reasons.

According to the back story of Reign of the Demon, several months ago the Green Hornet took down crime lord Vito Cerelli. Apparently, the Hornet indicated that he was going to retire and some people believed that nonsense. I called it nonsense because, like nature, organized crime in comic books abhors a vacuum. As soon as one crime boss is overthrown, another comes in to take over. Making the Green Hornet needed all over again. Let’s face it, The Green Hornet had about as much chance of retiring as all 5’7” of me has of slam dunking on Dikembe Mutombo. Britt Reid’s former secretary, Lenore Case, was one of those people who believed he was going to retire the Green Hornet and she didn’t think that was a good idea. So she set out to change his mind. By robbing a bank as the Green Hornet.

Yes, you read that right. Lenore Case took her boss’s Green Hornet costume and equipment and used it to rob a bank. Then she allowed herself to get arrested with the Green Hornet costume. All this to “make [Britt] see that giving up being the Green Hornet was a bad idea.” How Lenore expected that to convince Britt not to retire the Green Hornet, I’m not sure and that’s a problem. Green Hornet’s chauffeur, Kato, is the Asian member of the group. He’s the one who’s supposed to be inscrutable.

Britt didn’t want Lenore to “rot in prison” so he devised a plan to spring her. The Green Hornet and Kato broke into police headquarters. They stole the Green Hornet costume Lenore used from its box in the Evidence Room and replaced it. When the district attorney took what he thought was a Green Hornet costume out of the box to show the jury, he pulled out a clown costume instead.

The trial judge gave the prosecutor a one-hour continuance to try to find the physical evidence, which, obviously, the prosecutor couldn’t do. So one hour later, because, “the state has evidently misplaced all of its supposed evidence against Miss Case,” the judge dismissed all the charges against her. Moreover, given that the trial had started when the judge dismissed the case, Lenore couldn’t be tried again. Once a trial has started, jeopardy has attached for double jeopardy purposes and if the case is dismissed, the defendant can’t be tried again. So Lenore walked on the bank robbing charges, not just then but for all time.

Usually when the Green Hornet does something bad, it’s to stop a criminal operation and bring the criminals to justice. Here the Green Hornet tampered with evidence and obstructed justice – both felonies so I’d call them bad things – to keep a bank robber from being convicted and punished. That’s not a good thing, that’s another bad thing.

If it’s not bad enough that the Green Hornet let a bank robber escape justice, he also hurt other people in the process. Remember, Lenore did rob the bank. So the prosecutor wasn’t doing anything wrong when he prosecuted her. And the police officer in charge of the evidence room was doing what he was supposed to do by storing Lenore’s Green Hornet costume as evidence to be used against her in trial. But the Green Hornet made these two innocent officers of the law look incompetent and have probably ruined their careers in the process. And all to help a guilty bank robber. So, yay!

Of course, the Green Hornet had help in obstructing justice in Lenore’s case from the least likely source. The judge presiding over the trial.

The judge felt that because the state had misplaced all of its evidence against Lenore, he had “no choice but to dismiss all charges.” Which was a bit precipitous on his part. A bit? It was a whole monsoon of precipitous. The judge shouldn’t have dismissed the charges, because there is no way that box contained all the evidence the state had against Lenore.

The chief of police didn’t say, “Someone wearing a Green Hornet costume just robbed a bank, round up the usual suspects. Oh, and while you’re at it, better bring all the secretaries in the city for good measure.” No, the police have to have followed some trail of evidence which led them to Lenore. The story didn’t say what that evidence was but it doesn’t matter what it was. What matters is that there had to have been some evidence which led the police to Lenore Case. Evidence other than that Green Hornet costume which disappeared.

The prosecutor could still have tried the case against Lenore. He could have introduced all of the other evidence that led the police to Lenore in the first place. He could then have introduced the testimony of the officers who arrested Lenore and found the Green Hornet costume in her possession. There was enough other evidence that the case could – should – have gone forward.

Sure the defense attorney could have attacked the credibility of the state’s case, because someone misplaced the Green Hornet costume. And maybe the jury would have found her not guilty for that reason. But that was no reason for the judge not to let the trial continue. The state had other evidence and it should have been allowed to make its case as best it could.

Makes me wonder what they taught that judge in judging school. Other than how to be snarky, that is.

Mike Gold: Polishing Icons

lone-rangergreen-hornet-1-6492065There was a time when it was generally perceived that iconic heroic fantasy characters such as The Lone Ranger, The Green Hornet, The Shadow and Buck Rogers were so popular for so long that they would be around forever. I think of that whenever somebody alleges Superman and Spider-Man will be around forever. Times change, as do our cultural predilections and venues.

Nonetheless, those heroes have become part of our cultural fabric. Most Americans (at least) who have neither read, seen, nor heard the adventures of these characters have heard their names and have some vague idea of their modus operandi. Just as DC Entertainment has kept Batman, Superman and Wonder Woman “alive” through their comic books while merchandisers and movie producers such as Michael Uslan could enhance their visibility through their more profitable endeavors.

Right now all of the retired heroic fantasy characters I mentioned above are being kept alive by our friends at Dynamite Entertainment, along with such other icons as John Carter, Vampirella, Flash Gordon, and Zorro. I can’t say I’ve read all of these comics as, sadly, I must take time out for eating, sleeping, and the time-consuming effort of trying to catch up with my TiVo. But I have a thing for iconic characters so I’ve read a whole lot of them, most recently the just-completed five-part Lone Ranger / Green Hornet crossover.

This series takes the opportunity to flesh in one of the most interesting concepts in American heroic fantasy. The Lone Ranger was created in 1933 at Detroit radio station WXYZ (Detroit) radio station by station owner George W. Trendle and/or staff writer Fran Striker, accounts differ. A half-dozen Texas Rangers were ambushed by the Butch Cavendish gang, who slaughtered five of the group and were under the impression they killed all six. The Ranger-in-charge, Captain Daniel Reid, was killed but his brother John (a retconned first name) survived and he took upon himself the name and identity of The Lone Ranger.

lone-rangergreen-hornet-2-4867495The radio show was so successful that Trendle launched a contemporary themed character named The Green Hornet. It was a modern-time version of The Lone Ranger in all respects: John’s horse Silver was replaced by a car called the Black Beauty, sidekick Tonto was replaced by sidekick Kato, and masked man John Reid was replaced by masked man Britt Reid.

You might have noticed a similarity there. Britt Reid was the grandson of Captain Dan Reid, which means he was John Reid’s grandnephew. Explained in a trio of radio programs after World War II, this was a truly rare and exciting continuity event for its time.

If you do the math and you keep the Green Hornet in his original milieu, it is possible that a rather healthy John Reid could have met his grandnephew and, within a stretch of reason, could have teamed up with his younger relative.

Or so thought comics writer Michael Uslan, who I already noted is a movie producer. He happens to a producer of all the Batman films made over the several decades. But Michael started out (so to speak) as a comic book writer, and has repeatedly proven himself to be one of the best. Our loss has been the movie industry’s gain, and somebody at Marvel Studios owes him one hell of a nice meal.

Michael remains a geek culture expert and a historian, so taking on the Lone Ranger and the Green Hornet allows him the opportunity to dive deep into the waters of comics continuity as well as American history. As he has in past projects, Michael explains the historical links in the back of each issue. I’ve been trying to catch him in a mistake for a long, long time. It’s futile, but I can’t help it. I share his love of American cultural history, and I admire his work.

It’s fun to read this ultimate “What If” story. Artist Giovanni Timpano is certainly worthy of the effort; drawing them horses in the big city landscape ain’t easy. The five-part Lone Ranger / Green Hornet crossover is a good solid comic book story, even for those who could care less about the iconic status of its stars.

But if you do care, it’s even better.

Dennis O’Neil: The Boys Who Film Batman

Boy Who Loved BatmanMessrs. Pisani and Uslan, step into the spotlight, center stage and take a bow!

But before we deliver the plaudits, we should perhaps tell you who they are. Of course most of you already know, but there are always a few… well, I don’t want to call them “retards” because that is not politically correct and a crummy thing to say besides, so let’s just identify them as folk who choose not to mingle either physically or intellectually (by acquiring new information) and thus may not be acquainted with the existence of the gentlemen named above.

Mike Uslan is the possessor of the world’s only doctorate in comics, He is a professor at his alma mater, Indiana University, the recipient of a Daytime Emmy, a writer who once worked at DC Comics and he has a producer credit on every Batman movie released since 1989. (For more information, see Mike’s autobiography, The Boy Who Loved Batman, available from Amazon and other book stores.) Trust me – I could go on.

I don’t know exactly how to identify Ken Pisani. I met him a decade or so ago when Marifran, a camera guy, and sound guy and I joined him on a cavernous sound stage in lower Manhattan. The occasion was Ken’s interviewing me for a History Channel documentary on comics. The interview was extraordinarily good and Ken and his lovely wife Amanda have been friends ever since. I’d like to see Ken’s resume because I’m pretty sure he’s done a lot I’m not aware of – he does keep busy being a TV producer, a comic book writer/creator, a screenwriter, a novelist, an art director, a cartoonist…once upon a time, he even worked for Phil Seuling, the man who virtually invented the comic book direct sales market. Amanda knows the full catalog of Ken’s accomplishments. I, alas, do not.

Anyway, that’s Mike and Ken, and I hope they’re taking that bow.

The reason I mention them now is that Ken recently sent me some DVDs from a TV series that ran on Turner’s movie channel. The subject under discussion was the relationship of comic book to early movie serials. The format was the master of ceremonies talking with the comics expert who was – aw, you guessed it – our own Mike Uslan. After a few minutes informative conversation the MC screened two chapters of the serial we’d just heard Mike commenting on. The shows were educational and entertaining – more feathers for the Uslan cap – and they may have taught us comics geeks stuff that we didn’t know. This kind of historical background may not help us do stories, us creator types – I really haven’t decided about that – but it’s kind of nifty to know it.

By the way, in case you’re really out of touch… movie serials were short films shown with main features telling a story over 12 to 15 chapters, each chapter ending with the hero or other good guy in some kind in some kind of horrible quandary. The idea was, you’d return the following week to see how the hero escapes the quandary. Theoretically, you could return to see the hero squashed like a bug, but I don’t think that ever happened. At least, Mike didn’t mention it.

(Editor’s Addendum: Mr. Uslan has been back at writing comics every once in a while, and once again has given us some of the best stuff on the racks. His six-part Lone Ranger / Green Hornet series will be released by Dynamite Comics in July.)

Ed Catto: Ron Fortier, Pulp Fiction & Geek Culture

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Geek Culture is a big term that’s used to describe various aspects of Pop Culture. Comics, superhero movies, games and graphic novels are at the center of it all, but it’s a big crazy quilt composed of so much more: anime, cosplay, RPG’s… the list goes on and on. This week, I sat down with one of the standard bearers of another flavor of Geek Culture – modern pulp fiction. Ron Fortier is a writer, a publisher and an all around good guy to chat with over a beer.

620923-4863678Ed Catto: Ron, it’s a pleasure to have this opportunity to speak with you. I was first introduced to your comics writing, and especially loved your work, on Now Comics’ Green Hornet series. Can you provide me with a little background on your comics career and that series in particular?

Ron Fortier: Hi Ed, happy to be here, my friend. As I recall, I came home from the military in 1968 and immediately got back into comic collecting… and writing. Really wanted to break into the business and all that happened in 1976 when I sold my first story to Charlton Comics out of Connecticut. Shortly after that I was approached Mike Friedrich of Star-Reach Agency and signed on as a client. It was Mike who prompted me to go to the San Diego Con in 1989. There I met the good people at Now Comics and landed the job of writing the Terminator series for them. Before leaving the con, I gave them my proposal for a new Green Hornet comic series. Four months later they called to say they’d gotten the license, based on my proposal, and gave me the go ahead to start writing the book for them.

EC: As a guy named Catto, I’ve always liked the Green Hornet’s sidekick, Kato. You introduced some fresh innovations in the Now Comics series, and I feel your clever innovations have almost become “industry standards” for reboots. What do you think?

hornet-5589858RF: Honestly, Ed, I think my major innovation was eschewing the whole reboot from scratch idea in the first place and instead incorporate all the various incarnations that came before. By creating a family saga that started with the characters from their radio days through the two cliffhanger serials and the popular 60s TV series, I was purposely attracting all the Green Hornet fans to one book. So you could say, I inadvertently invented what has since become known as “legacy characters” in the industry.

EC: In retrospect, it seemed pretty gutsy to develop a new publishing imprint like Now. What do you think they did right and what could they have done better?

RF: That’s a rather easy one. Now followed the old 60s Dell Comics formula of going after licensed properties from film and TV. By the time we did the Green Hornet for them, they were already doing comics based on Ghostbusters, Speed Racer, Terminator and Fright Night to name a few. If something is popular in one medium, you’ve a pretty good shot at selling it in another. As to what they did wrong, well that’s the business end. They couldn’t manage their cash flow and soon were not paying their creators or distributors, which eventually cause them to go into bankruptcy. Really a shame. With smart business practices they could still be around today.

air-16-5123311EC: The Green Hornet wasn’t really a Pulp character, having been created for radio, but at some point you became enamored with Pulp. What sparked that for you?

RF: Anyone who is a true comic book fan will invariably learn its history and discover comics evolved from the hero pulps of the 1930s and 40s. When those pulps died out, many of the pulp writers and artists gravitated to comics after World War II. Thing is there has always been an active pulp fandom and a little over ten years ago, just out of curiosity, I attended one of the very last Pulp Cons in Dayton, Ohio. From that came the idea of bringing back these great classic characters in brand new stories and thus was born Airship 27 Productions.

EC: Airship 27 is a fascinating publishing imprint, and obviously a labor of love.

What’s the best part about Airship and what have enjoyed the most?

RF: Well, as I just said, getting to bring back such great pulp characters to an entire new audience of readers has been truly gratifying while at the same time we think we’ve given the entire pulp fandom a much needed shot in the arm in keeping alive and healthy for future generations of genre readers. And perhaps the most rewarding part of publishing has been our opportunity to give new, super talented young writers and artists their first big breaks in establishing their careers. You just can’t put a price on that.

haz3-5701916EC: And for Airship 27, what do you have planned for the future?

RF: Hmm, I guess we just want to keep the old Airship 27 flying as long as we can and that means embracing the various media venues out there. Aside from traditional book publishing, we’ve become stable of the big pulp shows and have started branching out to comic cons to show off New Pulp to comic fans. Four years ago we began doing digital copies of our titles and Kindle sales exploded through the roof. Now, within a few weeks, fans will be able to get audio book via our new deal with Radio Archives. Every single one of our titles will soon be available as an audio book. What’s next beyond that? Movies? TV? Who knows?  If you are going to dream, I say dream big.

EC: Airship 27 is a big supporter of Pulp conventions. Can you compare and contrast them to comic conventions? Are they really just another flavor of Geek Culture?

RF: Pulp fandom is really much smaller than general comic fandom but that’s not necessarily a bad thing. Whereas most comic cons today have evolved away from comics to become media cultural events focusing primarily on films and TV rather than comics, pulp cons have remained true to their subject. Oh sure, they do sell books, DVDs, posters etc., but their continued reason for existence is pulp magazines and books …old and new. If you’ve never been to a pulp con, I recommend both the Windy City Pulp & Paper show in Chicago in the spring and Pulp Fest in Columbus Ohio in late summer. Both are wonderful shows and tons of fun.

EC: Tommy Hancock is one of the leading voices for and supporters of New Pulp Fiction. Can you tell me a little about him?

RF: Tommy got his start in pulps by submitting a western story to Airship 27 Productions. We hit it off immediately and after his story was published in our Masked Rider – Tales of the Wild West Vol One, Tommy was hooked on pulp writing. But if you know Tommy, he never settles for just one taste of anything. Within months of that story’s publication, Tommy went out and launched his own new pulp company and called it Pro Se. And yes, they are by far our main competitor in the field and we love it. Why? Because having another quality publishing outfit doing New Pulp raises the stakes for all of us, pushing us to do better and better books and thus the readers of pulp fiction benefit. Tommy has become one of the leading proponents of this movement and remains a dear and close friend to this day.

EC: Thanks, much, Ron.

RF: This was fun – thanks, Ed. Only next time we do this, I’ll buy the beer.

 

Dennis O’Neil: A Midsummer Night’s Disaster

fantastic-four-2202202If, as T.S. Eliot would have us believe, April is the cruelest month, what’s the other month that beings with A? Is August the ecch-est month? Here in our little baliwick – and yeah, I’m talking pop culture – there’s not a lot happening. The Baltimore comic convention isn’t until late September, and I can’t help wondering what effect, if any, the violence earlier this year will have on the show. None, I hope. I’ve always liked Baltimore.

Note: this does not mean that I wish civic unrest on towns I don’t like. Or any towns, period. It’s a cause for some uneasy notice in our house, this violence, because Marifran grew up in Ferguson when it was just another St. Louis bedroom community. This is the town, a bit west of St. Louis, where I picked up cute little Marifran McFarland for the Friday night movie ritual and returned her to her waiting father at midnight or thereabouts. Good Catholic kids – you weren’t going to catch us staying out till the wee hours. (Well, not then, and not in each other’s company.) So Marifran lived in Ferguson and it was, generally, a peaceful haven for middle class families.

Now? There was, one year ago, the shooting of an unarmed black kid by a white officer that precipitated riots and then, after an interval of apparent quiet, more unrest. The Ferguson news in the morning papers is not good.

But we were discussing ecchy August as it pertains to pop culture, weren’t we?  What else…? Movies? We’ve been dilatory theater goers of late, and I don’t exactly know why. It’s not like August – or July or June before it – has been egregiously busy. Fact is, thing’s have been kind of lazy. If its true that to get something done you should give it to a busy person, stay away from our door.

Not that we’ve been entirely remiss is our moviegoing. We did see Mr. Holmes, the story of the world’s greatest detective when he’s old and failing, and it was terrific. But the splashier entertainments, full of grandiose feats and explosions – you know: superheroes… those we’ve missed, at lest so far. We’ll probably catch Ant Man tomorrow. But chances are that The Fantastic 4 will have to find room on our television screen when it gets that far.

Bombed, didn’t it? Box office worse than The Green Hornet, which is nobody’s idea of filmic greatness. Reed and Sue and Ben and Johnny seem to be cinematically cursed. The two FF movies released in 2005 qnd 2007 did no better than okay and the FF movie before those never got to theaters. I have seen it and barely remember anything about it other than a general badness, One rumor, which I tend to believe, says that it was never intended for audiences, that it was hastily slammed together to satisfy a legal requirement. But what excuse can there be for later failures?

Let’s blame August.

Dennis O’Neil: The Obese Lone Ranger

oneil-art-130711-6274068I’m hungry. Gimme a plate. No, a bigger one. Bigger. Bigger! Big as a house, a stadium. Now, lemme eat. Eggs and cheese and pork chops and ice cream and popsicles and pickles and brownies and doughnuts and cake and candy and pies and french fries and hot dogs and hamburgers and cinnamon rolls and marshmallows jelly beans and and and…whatever else you got. Gimme!

urp

…don’t feel so good…

And there he goes galloping off into financial ignominy. We, of course, refer to The Lone Ranger and our first paragraph was what we English majors call a “metaphor” – a very bloated metaphor – for what we think is mainly wrong with the much maligned entertainment of the same name.

It got greedy. It wanted too much.

It wanted to be an action blockbuster and a cowboy picture and a kiddie picture and a comedy and a tale of mythic heroism and a satire and, by making the title character a well-meaning doofus with a cruel streak and his Comanche sidekick the real hero, it wanted to acknowledge the shabby treatment Native Americans have often gotten from our popular culture. Go ahead – try to get all that into one movie, even a long one,

Pertinent digression: Back in the sixties, I read work by a journalist named Gene Marine who used the term “engineering mentality,” by which he meant the conviction that if we can build something, we should build it and piffle on the consequences. So we can put up this dam and let’s not bother ourselves with the fact that there may be other, cheaper ways to accomplish whatever this dam is supposed to accomplish without disrupting the environment for miles in every direction. Give a fella a huge budget and by golly he’ll do something with it.

The Lone Ranger had a huge budget.

It might have benefitted from a smaller one. With less money to spend, the film makers might have been forced to decide on exactly which movie they wanted to make and focused plot and action accordingly. Less might have been more.

urp

A final item for all you conspiracy mavens out there: in the embryonic continuity that The Lone Ranger’s creators were devising way back in the 1930s and 40s, probably with no idea that they were doing so, the Lone Ranger had a descendant, Britt Reid, who rode a big car (instead of a big horse) and had an Asian sidekick (instead of Comanche sidekick) and wore a mask and, yes, fought crime. Now: a couple of years ago there was a Green Hornet movie in which the white dude is the klutz and his non-white partner is the real ass-kicker.

One of the Hornet movie’s production team said there wouldn’t be a sequel because of a disappointing ticket sales and the news media are full of the woeful information that The Lone Ranger bombed big time at the box office. Coincidence? You decide.

And one other thing: urp

THURSDAY AFTERNOON: Martin Pasko

FRIDAY MORNING: Martha Thomases

 

GREEN HORNET: STILL AT LARGE NOW AVAILABLE!

  • News
  • August 7, 2012
Cover: Douglas Klauba

New Pulp writer/editor Win Scott Eckert has announced that Moonstone Books release of Green Hornet: Still At Large is now available.

Green Hornet: Still at Large is back from the printer and is now shipping direct from Moonstone Books! (I’m sure it will show up as “available” on Amazon soon.)

NOTE: Green Hornet editor, Win Scott Eckert should have copies available at PulpFest later this week. You can find Win at the Meteor House table. Win will also be doing a “New Fictioneers” session where he will read from his Green Hornet tale, “Progress.”

Edited by Joe Gentile, Win Scott Eckert, and Matthew Baugh, this third anthology featuring the 1960s Green Hornet, based on the television program starring Van Williams and Bruce Lee, follows The Green Hornet Chronicles and The Green Hornet Casefiles, and ships in two editions.

The softcover trade paperback features a cover by Douglas Klauba, while the limited edition hardcover boasts a cover by Ruben Procopio. It is anticipated that as with the prior books, the third volume will also see an eBook edition, although the specific date has not been announced.

Cover: Ruben Procopio

Contents:
“Hero” by S.J. Rozan
“The Black Torpedo” by Will Murray
“The World Will End in Fire” by Richard Dean Starr
“The Man Inside” by Matthew Baugh
“Death from Beyond” by Ron Fortier
“Play the Game” by Thom Brannan
“The Gauntlet” by Bobby Nash
“Chaos and the Year of the Dog” by Bobbie Metevier
“Axford’s Sting” by Dan Wickline
“Revenge of the Yellowjacket” by Howard Hopkins
“The Man in the Picture” by Patricia Weakley
“Masks” by C.J. Henderson
“Bad Man’s Blunder” by John Allen Small
“Losers, Weepers” by Rich Harvey
“Stormfront” by Greg Gick
“The Night I Met The Hornet” by Mel Odom
“Progress” by Win Scott Eckert

The limited edition hardcover also features:

“The Green Hornet Timeline,” a chronology of the Moonstone stories from the three anthologies, fit into the timeline of the original television episodes, by Win Scott Eckert

A bonus story featuring the 1930s-40s Green Hornet from the radio show and serials, “The Green Hornet Meets The Avenger” by Michael Uslan

Ordering information:
Moonstone direct (trade paperback)
Moonstone direct (limited hardcover)
Amazon.com (trade paperback)
Amazon.com (limited hardcover)
B&N.com (trade paperback)
B&N.com (limited hardcover)

GREEN HORNET: STILL AT LARGE READY FOR PRE-ORDER!

  • News
  • February 2, 2012

FROM WIN SCOTT ECKERT-

THE GREEN HORNET: STILL AT LARGE pre-order and final covers

The third volume of short stories from Moonstone
 Books about the 1960s Green Hornet and Kato
 continues to move forward. 
I revealed the final art for the limited edition 
ago, and now I’m pleased to also show off the 
trade softcover by Douglas Klauba! (I’m also 
thrilled that I was able to purchase this 
painting from Mr. Klauba, and it will hang 
proudly in my basement Cave of Geek. :-)

The Green Hornet: Still at Large is edited by Joe 
Gentile, Win Scott Eckert, and Matthew Baugh, and 
will be available either June 30, or July 17, 2012, depending on which 
listing you believe. :-)
    hornet3_procopio-1944196

  • Amazon – trade softcover (link coming soon)

Check out that discount on B&N! Get your 
pre-orders in now!

Dynamite Entertainment’s Pulp Offerings for February 2012

  • Uncategorized
  • November 22, 2011

Dynamite Entertainment has released their solicitations for February 2012. These titles are available for preorder now from your favorite comic book retailer.


THE LONE RANGER #1

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Rating: TEEN+
Covers: http://www.dynamite.net/htmlfiles/search2.html?0=19&next0=&KMPZ=Alex%20Ross&method=dynamiteAlex Ross (50%), Francesco Francavilla (50%)
Writer: Ande Parks
Artist: Esteve Polls
Colorist: Marcello Pinto
Genre: Western
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130186065 00111
UPC: 725130186065 00121
UPC: 725130186065 00131
UPC: 725130186065 00141
It’s been two months since Lone Ranger and Tonto hit the trails of the old west, looking for injustice. They’ve found plenty. Now, they come across settlers who have been victimized in a way that stirs memories in John Reid. Loss, vengeance, and redemption as pioneer idealism meets the reality of hard life on the prairie. A stand-alone tale that ties into an epic six part story that will test the mettle of the west’s most legendary heroes.

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Rating: Teen +
Covers: http://www.dynamite.net/htmlfiles/search2.html?0=19&next0=&KMPZ=Alex%20Ross&method=dynamiteAlex Ross (75%), Paul Renaud (25%), Francesco Francavilla (1-in-10)
Writer: Eric Trautmann
Artist: Daniel Indro
Genre: Sci-Fi
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130183958 00311
UPC: 725130183958 00321
UPC: 725130183958 00331
UPC: 725130183958 00341
Flash Gordon — on the run from Ming’s pursuit ships — finds himself cut off and alone, facing down the deadly hazards of Mongo’s untamed wilderness, and the primal rage of Prince Thun of the Lion Men. Alien threats abound, which will test Gordon’s skills to their outer limits. Meanwhile, on an Earth still menaced by the threat of invasion from Mongo, three alien rebels wage a secret battle against Ming the Merciless. Their target: a shipment of powerful extraterrestrial weapons, delivered into the hands of the Third Reich! Dynamite Entertainment‘s epic space opera continues in Flash Gordon: Zeitgeist’s thrilling third chapter, “Monsters of Mongo.

de-lordofjungle2-8105130

Rating: Mature
Covers: Lucio Parillo (50%), Paul Renaud (50%), Francesco Francavilla (1-in-10)
Writer: Arvid Nelson
Artist: Roberto Castro
Genre: Action/Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130183934 00211
UPC: 725130183934 00221
UPC: 725130183934 00231
UPC: 725130183934 00241
UPC: 725130183934 00251
The year is 1909. Bloodthirsty mutineers have seized the beautiful Jane Porter and her father. The cutthroats are lying low on the coast of the Belgian Congo as they squabble over a mysterious chest Jane and her father risked their lives for. Cecil Clayton, heir apparent to the title of Lord Greystoke, is with them, searching for a long-lost uncle who disappeared on the very shores he and the Porters find themselves on. Fortunately for the hostages, they’ve stumbled onto the hunting grounds of pulp fiction’s greatest hero! Could there be a connection to their mysterious protector and Clayton’s missing relative? Find out in Lord of the Jungle Issue 2: The Forest God!

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VAMPIRELLA VS. DRACULA #1
Rating: Teen +
Covers: Joe Linsner
Writer: Joe Harris
Artist: Jean Diaz
Genre: Horror, Super-Hero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 48 pages
Rights: WW
Age range: 16+
UPC: 725130186058 00111
UPC: 725130186058 00121
UPC: 725130186058 00131
48 pages at only $3.99! Spinning out of Alan Moore’s retelling of the ageless horror classic, Dracula has come to America to play out his timeless narrative in this brave, New World. Only he didn’t realize ANOTHER vampire already beat him to it. Drawn to one another across continents and centuries by a mysterious force, both Vampirella and Bram Stoker’s immortal monster find themselves sucked into a time-tossed epic of love, hate, death and damnation. But can an epic built for one vampire possibly hold them both?
Also includes the reprinted Alan Moore/Gary Frank story!

de-darkshadows4-4790016

Rating: Teen +
Covers: Francesco Francavilla (50%), Aaron Campbell (50%)
Writer: Stuart Manning
Artist: Aaron Campbell
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130183989 00411
A killer is stalking the streets of Collinsport as vampire Barnabas Collins finds himself in a race against time to save the Collins family from a dangerous force. As his eternal nemesis, the witch Angelique, makes her new bid for eternal life, Barnabas and Julia must work out what links Barnabas’ dreams to the mysterious statue in time to prevent a tragic death.

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Rating: Teen +
Covers: http://www.dynamite.net/htmlfiles/search2.html?0=19&next0=&KMPZ=Alex%20Ross&method=dynamiteAlex Ross (main), Jonathan Lau (1-in-10)
Writer: Kevin Smith with Phil Hester
Artist: Jonathan Lau
Colorist: Ivan Nunes
Genre: Media Tie-In, Action Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184009 00611
UPC: 725130184009 00621
UPC: 725130184009 00631
Steve Austin and the evil cyborg Hull engage in a bionic battle that shakes the very foundation of Washington DC. From the posh ballrooms of high society to the bowels of the subway, the half-machine combatants leave a path of destruction through our nation’s Capitol. But when Hull’s tactics put the lives of innocents in danger, Steve Austin must push his new bionic Powers to the limit… and beyond!

de-warlord16-8643858

Rating: Mature
Covers: Joe Jusko (50%), Stephen Sadowski (50%), Lucio Parrillo (1-in-15)
Writer: Arvid Nelson
Artist: Edgar Salazar
Colorist: Adriano Lucas
Genre: Sci-Fi, Fantasy, Super-Hero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184047 01611
UPC: 725130184047 01621
UPC: 725130184047 01631
John Carter is finally united with the son he never knew. The two of them face bloody death in the great arena of Issus, Goddess of Life Eternal. No one has ever escaped from the arena of Issus before, but Carter and his son might have a thing or two to teach this false goddess about religion — the old fashioned way, at the end of a sword point! Hair-raising escapes, devious villainy, and an embarrassing revelation or two await you in Warlord of Mars Issue 16: Flight and Pursuit!

de-womdeja11-8614669

Rating: Mature
Covers: Paul Renaud (33%), Ale Garza (33%), Fabiano Neves (33%)
Writer: Robert Napton
Artist: Carlos Rafael
Colorist: Carlos Lopez
Genre: Sci-Fi, Fantasy, Super-Hero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184054 01111
UPC: 725130184054 01121
UPC: 725130184054 01131
The Great Toonolian Marshes–one of the most feared places in Barsoom with 1800 miles of marsh land infested with exotic and dangerous creatures. It also possesses natural resources that Helium needs for its reconstruction. Dejah, along with her new pilot Kantos Kan, ventures into this foreboding region on an expeditionary mission. While there, Dejah is possessed by “the Boora Witch,” one of the marshes’ most dangerous residents. Unknown to anyone, The Witch takes control of Dejah and starts spinning a web that could destroy Helium once and for all! Dejah has overcome many enemies, but can she overcome the enemy within?

Rating: Mature
Covers: Lucio Parrillo
Writer: Mark Rahner
Artist: Stephen Sadowski
Genre: Sci-Fi, Fantasy, Super-Hero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 40 pages
Rights: WW
Age range: 16+
UPC: 725130186072 00111
The mighty green warrior Tars Tarkas was ready for blood the day he first met John Carter on Barsoom. Make that MORE blood. The epic, “Shell Shock,” chronicles the violence and horror that led to that day. Tars Tarkas is jolted out of an existential crisis by the massacre of a Thark egg incubator, and things just get worse from there as he faces mutiny and … and genocide! Written by Mark Rahner (“Rotten,” “Green Hornet” Annual #2).

de-greenhornet24-3340539

Rating: Teen +
Covers: Brian Denham (33%), Phil Hester (33%), and Jonathan Lau (33%)
Writer: Ande Parks
Artist: Igor Vitorino
Colorist: Ivan Nunes
Genre: Super-Hero, Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184115 02411
Green Hornet’s perception as a villain in Century City has been kicked up a notch, as someone disguised as the Hornet has assassinated the city’s Mayor. A pair of new villains finalize their plans to seize power, and a fearful public demands blood, with Green Hornet and Kato as the prime targets. Britt Reid has to find a way to clear his alter ego’s name while maintaining both his secret identity and his fearful reputation amongst the gangs of Century City. Green Hornet is now Public Enemy #1… with a bullet.

de-zorroridesagain07covwagner-9368159

Rating: Teen +
Covers: Matt Wagner
Writer: Matt Wagner
Artist: John K. Snyder III
Genre: Action/Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184139 00711
The one and only Matt (MAGE, GRENDEL) Wagner is in the home-stretch of his epic story of Zorro! After catastrophic changes in Zorro’s world-events, Zorro begins to question everything he does and everything for which he stands. There’re thrilling times ahead as ZORRO RIDES AGAIN with issue #7 from Dynamite Entertainment!

de-redsonja66-8154217

Rating: Teen +
Covers: Walter Geovani (50%), John Watson (50%)
Writer: Eric Trautmann
Artist: Walter Geovani
Genre: Sword and Sorcery, Adventure, Superhero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184153 06611
The final, bloody showdown over the cursed Horn of Nergal is at hand! To stand fast against an army of Stygian assassins, and the sinister machinations of the Priestess Azanathi, will require all of Red Sonja‘s considerable skill. But is the She-Devil’s martial prowess enough to win the day, and perhaps, a measure of redemption, or will the Horn’s curse cost Sonja everything?

de-rsravencovmartin-2584111

Rating: Teen +
Covers: Frank Martin Jr.
Writer: Marc Mason
Artist: Lui Antonio
Genre: Sword and Sorcery, Adventure, Superhero
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 40
Rights: WW
Age range: 16+
UPC: 725130186089 00111
The goddess Scathach places her blessings upon a new warrior, Raven, who dedicates herself to the advancement of women all across the land. But when Red Sonja finds herself investigating a series of massacres, she begins to suspect that Raven isn’t quite as noble as she seems in the pursuit of her cause. Surrounded by an army of women ready to draw blood in her name, Raven may be the one foe that Sonja cannot defeat… and she may not want to!

de-queensonja27-4406841

Rating: Teen +
Cover: Igor Vitorino (50%), Lucio Parrillo (50%)
Writer: Luke Lieberman
Artist: Milton Estevam
Genre: Sword and Sorcery, Adventure
Awards: N/A
Publication Date: Jan 2012
Format: Comic Book
PAGE COUNT: 32 pages
Rights: WW
Age range: 16+
UPC: 725130184160 02711
When you move to strike Empress Sonja you had better not miss, because you only get one shot. Then it is her turn. Meanwhile Xander and Melea penetrate Koliostri’s growing cult, and learn its secrets.

Rating: Mature
Writer: Chuck Dixon
Genre: WAR
Awards: N/A
Publication Date: Jan 2012
Format: 6 x 9 prose novel
PAGE COUNT: 160
Rights: WW
Age range: 16+
New York Times Best-Selling Author and comic book writer, Chuck Dixon’s first ever novel from DYNAMITE ENTERTAINMENT! In the tradition of G.I. Joe, Punisher, Tom Clancy, Brad Thor, Clive Cussler, Vince Flynn, W.E. Griffin, and Dale Brown: SEAL Team Six: The Novel!
They are highly trained. Their missions are classified. They are our best and last hope. Yet they do not exist. Follow SEAL Team Six as they train, hunt and fight an enemy who reaches out from the most remote corners of the world to murder and maim. These highly-trained, military men are the unknown heroes who endure unimaginable hardship and murderous combat to protect our homeland.
SBN-10: 1-60690-251-2
ISBN-13: 978-1-60690-251-6

Rating: TEEN+
Cover: http://www.dynamite.net/htmlfiles/search2.html?0=19&next0=&KMPZ=Alex%20Ross&method=dynamiteAlex Ross
Writer: Ande Parks
Artists: Esteve Polls
Genre: Action/Adventure,
Western
Awards: N/A
Publication Date: Jan 2012
Format: soft cover trade paperback
PAGE COUNT: 128
The legendary masked crime-fighter, Zorro, now in his sixties, has hung up his cape and sword. Living on a peaceful ranch in the new state of California, Don Diego tends to his cattle, breaks horses, and enjoys the company of his wife. When a renegade band of Confederate bushwhackers attack a nearby Indian settlement, though, Don Diego cannot Just stand by and let innocents be slaughtered. Zorro heads back into action again… for the last time! Guest starring another legendary masked lawman – The Lone Ranger!
Collecting the entire five-issue series, along with a complete cover gallery.
ISBN-10: 1606901575
ISBN-13: 978-1-60690-157-1

To learn more about Dynamite Entertainment, please visit www.dynamite.net.THE LONE RANGER: DEATH OF ZORRO TPB SEAL TEAM SIX: THE NOVEL QUEEN SONJA #27 RED SONJA: RAVEN RED SONJA #66 ZORRO RIDES AGAIN #7 (OF 12) GREEN HORNET #24 WARLORD OF MARS ANNUAL #1 WARLORD OF MARS: DEJAH THORIS #11 WARLORD OF MARS #16 KEVIN SMITH – THE BIONIC MAN #6 DARK SHADOWS #4 LORD OF THE JUNGLE #2 FLASH GORDON – ZEITGEIST #3

Are ‘Green Hornet’ and ‘Jonah Hex’ in Trouble?

  • News
  • April 16, 2010

IESB is among the several sites reporting that after years in development, the now shooting Green Hornet film has been underwhelming the suits at Sony. The phrase “displeased with the results” was used. Another was quoted as saying the “tone is too campy, they’re not happy with the work from director Michel Gondry and Seth Rogen does not look the part. At all. In fact, the feeling at Sony is the movie is a disaster.”

Sony of course declared the reports “complete garbage” and went on to say the executives have screened one third of the movie and find the results “outstanding… remarkable”. We’ll get a clearer idea based on what the studio cares to show fans at Comic-Con International in July.

Speaking of films in trouble, the lack of presentations at WonderCon and this weekend’s C2E2 does not bode well for Jonah Hex, the June 18 release based on the DC western anti-hero. After a splashy presentation in San Diego last summer complete with teaser footage and poster, there has been nary a bit of promotion for the Josh Brolin-led production.

Warner Bros. website offers up a synopsis and a link to a Yahoo site showing off the teaser poster from last July. In January it was confirmed that 10 days of reshoots would occur involving Brolin and costars John Malkovich, Megan Fox and Michael Fassbender. Additionally, The Hollywood Reporter noted  “Although no test screenings have taken place, the studio has decided to work on story and action during the shoots, working in 12 pages of additional script mixed in with some reshoots.”

Joining director Jimmy Hayward for the reshoots was Constantine director Francis Lawrence, listed as a consultant.

THR’s Heat Vision blog said, “Some insiders said the new infusion of scenes and money was designed to fix certain problems with the movie; others have said it’s being done to beef up the moderately budgeted pic so that it can stand shoulder-to-shoulder with the big-budget tentpole crowd.”

Since then, there remains no obvious marketing campaign to make audiences aware of the movie which was moved from the relatively safe August 6 into the more competitive June 18 slot. That normally shows a sign of confidence in the finished product but temper that with the lack of appealing to the fan masses as convention season continues.

While Hex does not have direct comic book-based competition, it does follow remakes of  The A-Team and  The Karate Kid by a week and will open the same day as Toy Story 3 and is followed less than two weeks later by The Twilight Saga: Eclipse.

Rumors continue to point to disappointment with Hex which may have cooled the studio’s ardor for adapting Lobo. Guy Ritchie had been on board to direct the film but he dropped out to shoot a sequel to Sherlock Holmes. Producer Akiva Goldmsman has yet to land a replacement and Warners doesn’t appear to be in a rush.

(more…)

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