Review: ‘DC Comics Year by Year’
DC Comics Year by Year: A Visual Chronicle
By Alan Cowsill, Alex Irvine, Matthew K. Manning, Michael McAvennie, Daniel Wallace
352 pages, DK Publishing, $50
This is a tough book to review given growing up reading the majority of titles covered here in addition to working on staff for twenty years plus continuing to contribute to the company today. It’s also a book I wish I had written. That said, this is a mighty undertaking that is strong and eminently readable. This is a worthwhile 75th anniversary collector’s item and a great way to encapsulate DC Comics’ rich history. By all means, this belongs on your bookshelf.
It is almost impossible to properly encapsulate the 75 years of DC Comics alone but this book also attempts to weave in the histories of the companies or properties now owned by DC, including Fawcett’s super-heroes, Charlton’s Action Heroes, and the Quality Comics library. Unfortunately, these all get lip-service rather than a proper meshing of titles therefore significant publications are absent.
DC Comics began as one title, New Comics, released in 1935 by Major Malcolm Wheeler-Nicholson. It added titles slowly and when there was a disagreement over the size of the company, Jack Liebowitz, who bought out Wheeler-Nicholson with Harry Donenfeld, decided to expand in partnership with Max Gaines, forming All-American Comics. It would be years before Gaines sold out and the two companies became National Comics.
When Quality went out of business in the 1950s, DC took over their titles, continuing several of them, notably [[[G.I. Combat]]] and [[[Blackhawk]]], without missing a beat. In the 1970s, DC acquired rights to their heroes, from Captain Marvel to Spy Smasher, fully coming to own them within a decade. And as a gift to their executive editor, Dick Giordano, DC also acquired the Charlton heroes that Giordano once edited, headed by Captain Atom. When Bill Gaines died, DC became the parent to Mad, but the EC line of titles from [[[Picture Stories from the Bible to Weird Science]]] are missing. The purchase by DC of WildStorm changed the company. You’ll see some of this throughout the year-by-year presentation.
We get anywhere from one to two spreads per year when many years were bursting and deserved twice the space. Unfortunately, as happens with these DK projects, entire spreads are devoted to cover or panel blow-ups that unnecessarily take up space. As a result, you may scratch your head at the emphasis given to some titles and the absence of others.
When I last left you, gentile reader, my malaise for the Chicago Comic had permeated my very being. The deep sadness that seeped under my skin upon seeing my “home show” turn into a visceral flea market truly left me bitter after day one. But, I went to bed, telling myself “tomorrow is another day…”. I awoke with a rekindled spirit of optimism. I mean, yes, the major players of the comic book publishing industry weren’t gonna be there. The panels announced for Saturday were even less interesting than they were for Friday. And on top of all that, they’d announced at the end of Friday that former Illinois Governor, turned convicted fellon, Rod Blagojevich, would be on the show floor signed autographs for $50 a pop. But, I told myself… “It’s a new day. And you should be happy.” Thus, I slapped a smile on my face and I exited my car to boldly walk into the 2010 Chicago Comic Con once more.
We, the true believers all have that “home show”. That convention we never miss because it’s in our backyard. We treasure the memories we build there. And for those of us who aspire to become creators (like me and my Unshaven Comics cohorts) the “home show” is also where we first took the plunge and moved to the other side of the aisle to become creators, not just conventioneers. For me, that home show has been the Chicago Comic Con. I, of course, knew it as “Wizard World Chicago” when I first walked in the doors a newly christened comic fan in 1999. Ever since, that show has been a stalwart in my calender. I’ve not missed it, now, for 11 years in a row. Suffice to say, I’ve had a ton of great memories over the years. From catching the first glimpse of The Dark Knight, sitting mere feet away from Christian Bale, Christopher Nolan, and David Goyer… to sitting in a jam packed ballroom, sharing a laugh over the secrets of Wonder Woman #219… to that first year I had to give up attending Wizard School panels, in order to sell my first graphic novel.
Collecting a bunch of quick hits between panels:
While much attention has been given to Marvel Studios’ ramp up to production on Captain America: The First Avenger and the recasting of Spider-Man, 20th Century-Fox has been making great strides towards repopulating Professor Xavier’s School for Gifted Students.
It’s San Diego time, so now the movie studios and magazines are starting the high powered mush– er, push. Here’s 
It’s official. The last big holdout has made it to Apple products.
Judd Winick has returned to Gotham City with a vengeance. The award-winning cartoonist has transitioned one of his benchmark storylines from comic book pages to animated film with the upcoming release of Batman: Under the Red Hood, the latest entry in the popular series of DC Universe Animated Original Movies.
He is currently developing live action television and animation, writing the new bi-weekly comic title for DC Comics Justice League: Generation Lost, as well as the monthly Power Girl.
Sitting here at I-Con, the word is spreading throughout the Green Room with alarm that Dick Giordano, one of the most universally beloved figures in the comics world is gone.
