Tagged: Hero

Oprah Brings It

  • News
  • January 26, 2008

Not that it’s necessarily geek news, but fantasy writers beware! Using your eighth-grade trauma to inspire your superhero’s journey? Think again!  You can’t mix fiction with non-fiction, or you will get a taste of Oprah’s wrath. Well, let’s be honest. That’s if you claim that you actually were that superhero, and while we all know you’re prancing around in those blue-lined yellow action hero underpants on your own time, at least you’re not on national TV saying that it’s real, or bouncing on couches, like some numb nuts out there.

Today in 2006, James Frey, author of A Million Little Pieces, was ripped into a million little pieces by Oprah when it was found that a detail in his so-called autobiographical experience was shall we say, embellished. Let that be a lesson to all writers out there: when presented with the golden calf of Oprah’s Book Club, tread lightly. No detail shall be exaggerated, no recollection blurred, lest her wrath be set upon you and your stories. 

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Happy 35th birthday, Schoolhouse Rock!

  • News
  • January 6, 2008

my-hero-zero-2074741On a Saturday in 1973 at about 8:56 in the morning, right after Super Friends on ABC, kids were introduced to a new hero, Zero.

This was the first appearance of Multiplication Rock, brought to you by Nabisco ("You’ll find quality in our corner"). It was the beginning of Schoolhouse Rock, which taught millions of kids across the country multiplication, grammar, history, science, and finances.

So let’s all take a few minutes and watch the video for the first song written for the project, and give thanks for all those lessons learned– it’s okay to sing along, you know how it goes:

Santaman!

  • News
  • December 20, 2007

When naughtiness strikes the city, a letter is sent to the North Pole where our hero waits in his Workshop of Solitude… or so I presume, my German’s a bit spotty.

But really, what’s to know?

It’s Santa Claus. With martial arts training. And a big honking motorbike named Rudolph. He goes from town to town, dispensing presents– and justice. All for milk and cookies.

And we already know where he gets his wonderful toys.

Here, watch the trailer, and try not to tell me that someone should make a holiday special out of this…

Driving The Big Boat, by Dennis O’Neil

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  • December 18, 2007

Maybe we ought to retire the word “hero” and designate the characters whose needs and actions drive the story, more technically and accurately, as “the protagonist.”

(You’ve guessed that we’re continuing our incredibly prolonged discussion of the evolution of superheroes?  Good.)

As mentioned in an earlier installment of this blather, the word “hero” is derived from the Greek and means, roughly, “to protect and serve.”  (Lest anyone think I’m a scholarly dude who actually knows Greek…I wish!) The problem nowadays is defining exactly how the protection and service is to be accomplished.  In other words, what kind of person do you admire, and why do they do what they do?  Who do you favor mor e– Mother Theresa or the late Colonel David Hackworth, our most decorated combat veteran?

I never met the good nun, but I did spend an hour or so with Colonel Hackworth once and liked him very much.  I don’t think I would have enjoyed Theresa’s company a whole lot.  But maybe she was the more heroic of the two, if we count heroism as doing deeds that take courage and accomplish long-term good.  Going out every day to deal with disease and poverty…it must have taken guts and it can’t have been easy.  Easier than facing enemy guns?  I have no idea what measurement we can use to quantify such things.  Maybe there is none.

Col. Hackworth did what he did repeatedly and must have often known what he was getting into and, presumably, chose to do it anyway.  But I’m wary of heaping too many accolades on folk who, in a military situation, do one brave thing because…

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The Evolution of the Superhero, by Dennis O’Neil

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  • December 11, 2007

redfox-8337995And on we plod, continuing our seemingly interminable discussion of the evolution of superheroes. This week, let’s leave the capes and masks and other such accoutrements, and the “super” prefix, in the trunk and concentrate on the hero part.

First, a little oversimplification.

Heroes come in two models: the authority-sanctioned kind, as embodied by King Arthur’s posse, Beowulf, and James Bond, to cite just three of many possible examples, and the loners – the cowboys, the private eyes and, yes, most superdoers.

Conventional wisdom has it that the first kind were dominant throughout most storytelling history – were, in fact, integral to the “monomyth” described by Joseph Campbell. Again oversimplifying: ultimately, the result of all the hero’s roving and adventuring was benefit to his community. And, bowing once more to conventional wisdom, the second kind, the loners, became prominent after the First (don’t we wish!) World War when belief in the essential goodness and wisdom of humanity’s leaders became…well, challenging.

I dunno…the cowboy archetype was well-established before the war broke out in 1914, and it, in some ways, was the model for the private eyes and other rogue justice-dealers. I guess you could argue that the defining event of America’s nineteenth century, the Civil War, made the citizenry wary of Authority, and that wariness grew for maybe a hundred years as media technology made our immediate ancestors aware that if a person was in the market for some really ripe corruption, the statehouse was the place to look..

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Spider-Man toys: It Takes a Donald Trump…

Just a little over a decade ago, you were wishing for Santa to bring you as MegaZord or maybe even your own Pink Ranger. Now, a new comic brings you that same morphing-style action for grown ups as ComicMix Radio digs up an indy gem called Code Name Power... plus

• What are the Top Award Winning toys this season – and why isn’t there a super-hero to be found on the list?

• Spider-Man toy collectors need to start seeking financing now

• 2008 will be a great year for the Browncoats!

Okay. Stop humming the Power Rangers theme and Press The Button!

Tap-Crazy Superheroics in Chicago

poster-hourglass-final-cut-rgb-small-3146393There’s really nothing to add to Andrew Pepoy’s news aboug The Hourglass in the Stop-Time Chronicles. I mean, really, what can you say about a super-hero tap opera? Click on the link for more details. Dang, I wish I were in Chicago for this one.

And if you want to get your full Pepoy fix, he notes " I also inked Radioactive Man #711, available at 7-11 stores starting today as a promotion for the Simpsons movie."  Just look for the spinner rack beside the Squishie machines!

Mandrake Gestures Cinematically

1778_4_04-9413658Perhaps the comics’ first "costumed" hero, Mandrake The Magician, is headed to the big screen once again.

The creation of Lee Falk (who created The Phantom in 1936, two years after starting Mandrake) and artist Phil Davis, Chuck Russell is directing the new effort. Fans might best remember his work helming The Mask. Mindfreak star Criss Angel is involved in the magic stuff.

Mandrake had made it to the movie serials in 1939 with Warren Hull (The Spider) in the lead and Anthony Herrera played the magician (with Ji-Tu Cumbuka as Lothar) in a 1979 made-for-teevee flick that featured Harry Blackstone Jr.  The comic strip is still running, being written and drawn by long-time Falk associate Fred Fredricks.

At one time Fererico Fellini was set to do a Mandrake film, but I suspect the prospect made owners King Feature Syndicate weep.

Artwork copyright King Features Syndicate. All Rights Reserved.

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MARTHA THOMASES: Mom’s the word

martha-arthur-1683535Tomorrow is Mothers Day. To some, it’s the most important day of the year. To others, it’s a crass exploitation, using real feelings to sell flowers, brunch, and long-distance calls.

In superhero comics, it’s pretty much a non-event. Good mothers are almost non-existent, if not dead. The good moms send their children away (see Lara) or die in a rain of pearls (Martha Wayne). Living moms are over-bearing control fiends (Phantom Girl’s mom in the 31st Century) or distracted career women (Queen Hippolyta). Recently, the mother in Blue Beetle looks like she has the most realistic relationship with her kids.

Except for Sue Storm, there aren’t any premiere super-hero moms.

The best moms in comics are those who adopt. Martha Kent, Aunt May, even Alfred Pennyworth did fabulously maternal jobs raising children who would grow up to make the world a better place.

Why is this? Some of it may be a remnant from folk tales, where heroes are orphaned so they may have adventures without familial responsibilities or ties to complicate the quest. More to the point, superhero comics are power fantasies, often aimed at adolescents (of all ages) who are extremely frustrated with their bodies. Imagining super-strength, flight, and other extraordinary abilities is comforting and satisfying to someone experiencing growth spurts, hormonal fluctuations and acne.

This is not compatible with feeling like somebody’s baby. And you will always be your mom’s sweet baby.

A mother is an even more uncomfortable reminder of sexuality. Until recently, one couldn’t be a mother without having sex. Children don’t like to think about their parents having sex. (Parents also don’t like thinking about their children having sex, even when their children are grown.) An adoptive mother can be pure and untouched, at least in the mind of her child.

And yet, being a mother is an astonishingly sensual experience. It’s more complicated and more pure than could be easily conveyed in a 22-page story, even by an expert, and almost certainly not by a man. The smell of your child’s head, the smoothness of a baby’s skin, the music of a toddler’s laugh – these are glorious sensations. Beyond this kind of intimate contact, having a child permits a mother to experience the wonders of life all over again. As an adult, you expect to see snow or rain or flowers in the spring, but these are new and awe-inspiring to a child. You know why a fire fighter wears red suspenders, but it’s all new to your kid.

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DENNIS O’NEIL: Who knows what evil lurks…? Part 2

  • News
  • April 17, 2007

Suddenly, the air was full of bats!

The “air” here is metaphorical and if you’d allow me to fully ripen the trope, possibly to the point where it emits a faint odor, it might read, The air of popular culture in the 30s and 40s was full of bats.

Let’s see.  There was a Mary Roberts Rheinhart novel and an early talkie adapted from it, both called The Bat, and there was a pulp hero also called The Bat and, a bit later, another pulp do-gooder who labeled himself The Black Bat.  Am I forgetting anyone…?  Oh yeah.  A comic book character that was introduced in Detective Comics #27, dated May 1939, as Batman.  Like an estimated eighty percent of your fellow earthlings, you may have heard of him.

And, again metaphorically, standing behind the Batman and maybe some of the others was one of the greatest pulp heroes, The Shadow.  The writer of the early Batman stories, Bill Finger, made no secret of his admiration for the Shadow novels.  He went so far as to admit that the Shadow’s influence on his batwork was extremely direct when he told historian (and author and artist and publisher) Jim Steranko, “I patterned my style of writing Batman after the Shadow.”  And: “My first script was a take-off on a Shadow story.”

Which brings us to Anthony Tollin.  Remember him?  I introduced the two of you a couple of weeks ago in this very feature. I told you that a company Anthony owns has been issuing reprints of the Shadow books. Recently, he sent me an early copy of one of those books, titled Partners of Peril, and suggested that I might want to compare it to the first Batman adventure, The Case of the Chemical Syndicate. 

Of course there are differences.  After all, the Shadow novel is probably around 50,000 words long and Batman’s debut is six comic book pages.  But there are also similarities.  I won’t even try to describe them all – see Robert Greenberger’s ComicMix article, or Anthony’s text piece in the book itself – but they are manifold.  In a phone conversation a few hours ago, Anthony mentioned the most obvious, among which are:

  • Both are about a – yes! – chemical syndicate.
  • The heroes of both get involved in the proceedings while visiting a law-enforcing friend.
  • Both feature virtually identical death traps, which each hero beats in the same way.
  • Both heroes offer the same whodunit-type explanation at the adventure’s end.
  • Both heroes spend a lot of time on a rooftop after a safe robbery.
  • The denouements of both stories are, again, virtually identical.

Et cetera.

As I wrote in the earlier column, anyone with even the dimmest interest in pop culture or comics history, or who just wants to sample the kind of entertainment that kept pops or granddad reading by flashlight under the covers, or who’s just in the mood for capital-M Melodrama combined with capital-H Heroics, might want to see if the Shadow has anything for them.

For me, the stuff has another aspect, one which is as modern as hip-hop. But that’s for next week.

RECOMMENDED READING: Awww…you know.

Dennis O’Neil is an award-winning editor and writer of comic books like Batman, The Question, Iron Man, Green Lantern and/or Green Arrow, and The Shadow, as well as all kinds of novels, stories and articles.

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