Tagged: Hollywood

The Point Radio: FRINGE Winds Down WAREHOUSE 13 Winds Up

pt092812-9652200Tonight FRINGE starts it’s run of the final 13 episodes on Fox (8pm ET) and we talk to Joshua Jackson and Anna Torv on how they are dealing with it all. Meanwhile, Monday on SyFy (9pm ET), WAREHOUSE 13 serves up it’s midseason finale and it’s huge. Show runner Jack Kinney along with Allison Scagliotti and Saul Rubinek gives us hints in what we can expect. Plus welcome Robyn Schneider (@robynschneider), joining the broadcast today and talking Doctor Wh0 exclusively here!

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The Point Radio: REVOLUTION Lights Up NBC’s New Season

pt092412-9625996 NBC’s new series REVOLUTION started off the week giving the network huge ratings in the Monday night slot, and we’ve got more with the creators & cast on why interest in this show will be building fast. Plus more on ABC’s LAST RESORT and a new WALKING DEAD web series debuts in just days. A new season of pop culture programming debuts next week on THE POINT RADIO. New hosts, cool shows & returning favorites. Check out our site for details or follow us now on Twitter, and don’t forget to subscribe to our new YouTube Channel!

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The Point Radio: JUDGE DREDD Done Right!

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Coming this weekend, DREDD 3-D gives the beloved comic series a new shot at big screen success, and star Karl Urban tells us why this is the JUDGE DREDD you have been waiting for. Plus don’t call NBC’s new series, REVOLUTION, an “end of the world” story. Eric Kripke, Billy Burke and more of the cast are here to explain why it is so much more – and Marvel adds two more titles to Marvel NOW including an “Avengers Battle Royale”?

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The Point Radio: SONS OF ANARCHY – How Will It End?


We wind up our look at the 5th season of the hit FX series, SONS OF ANARCHY by going right to the top. We sit down with series star Charlie Hunnam and creator Kurt Sutter, both offering their takes on this new run of episodes and where it might all end up. Plus, if you’re hoping for an extended cut of DARK KNIGHT RISES, we have bad news for you.

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The Point Radio: Tragedy Strikes The WWE


It wasn’t a skit or even a joke, but it was live television as Jerry “The King” Lawler collapsed during last night’s WWE MONDAY NIGHT RAW on USA. We’ve got the latest update on that plus more with the cast of SONS OF ANARCHY on the things we can expect to see over the next few weeks, and also more on SyFy‘s HAVEN and the third season plans.

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The Point Radio: First Look: New Seasons Of HAVEN & SONS OF ANARCHY

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Fall TV is set to kick off in days, and we’ve got exclusive looks at two returning series. HAVEN starts season three on SyFy and the cast talks about why this is the biggest yet. And the red hot SONS OF ANARCHY roars back to FX, but after that explosive season last year, where can they go from here? Will anybody get out alive? Ron Perlman, Katey Sagal and the rest of the cast weigh in.

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Don’t miss a minute of pop culture news – The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

The Point Radio: Steven Moffat Plunges Ahead On DOCTOR WHO

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This past weekend, DOCTOR WHO got off to an amazing start. Now we sit down with Show Runner Steven Moffat to talk about the thrill ride that lies ahead over the next few weeks. Plus more with NBC’s GUYS WITH KIDS, and Ellen Barkin talks about censorship and her new series, THE NEW NORMAL. Oh yeah – like the BBC’s SHERLOCK? Are you ready for a manga version?

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The Point Radio: Ellen Barkin Defends THE NEW NORMAL

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We preview two new comedies from NBC – starting with Jimmy Fallon‘s GUYS WITH KIDS, featuring Anthony Anderson who is loving his return to comedy from LAW AND ORDER and THE SHIELD. Then there’s THE NEW NORMAL, a show that has already made headlines with one NBC affiliate refusing to carry it. Series regular Ellen Barkin has made her position clear on social media, but we gave her a little more space than 140 characters to explain why this show is important to us all. Plus more trouble with The Turtles reboot and DC’s ZERO issues look to be big, really big.

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Don’t miss a minute of pop culture news – The Point Radio  – 24 hours a day of pop culture fun for FREE. GO HERE and LISTEN FREE on any computer or on any mobile device with the Tune In Radio app – and follow us on Twitter @ThePointRadio.

FORTIER TAKES ON ‘EMPIRE OF THE SUMMER MOON!’

ALL PULP REVIEWS by Ron Fortier


EMPIRE OF THE SUMMER MOON

By S.C. Gwynne
Scribner
371 pages

I love history, always have.  What has always fascinated me about the people and events of the past is how truly amazing their stories were and sadly how many have been either forgotten in time or completely been altered through the lens of imperfect history.  Thus the true pleasure of this amazing book by S.C. Gwynne in detailing the story of the western plains empire known as the Comencheria that encompassed a giant land mass from Colorado down through Oklahoma, New Mexico, Texas and into Mexico between the years 1836 and 1875.

Of course recalling some truly boring history classes in both high school and college, I long ago learned that the best histories are those that both entail the big picture of the social, cultural and economical movements that have shaped people at the same time refining this focus by spotlighting particular individuals representative of these greater factors.  Gwynne does that to perfection with this book as he sets out to relate the captivating story of the most powerful Indian tribe of them all; the Comanche, considered the best horse soldiers who ever rode into combat. 

Sadly most Americans my age first learned their western history via Hollywood movies and television which over the decades offered up two totally different and conflicting images of the American Indians.  From the silent movie era on through to the 1940s, the red men of the plains were portrayed as merciless savages. Then, after the second World War into the sixties, the pendulum swung radically in the opposite direction and they were showcased as the noble aborigines victimized by the onrushing invasion of the European bred white society and its Manifest Destiny.  Unfortunately both depictions, though containing kernels of truth, are gross exaggerations and for the most part equally untrue.

Gwynne, employing recorded accounts from various libraries, allows them to detail a race of nomads who lived off the massive buffalo herds that covered the plains and were constantly battling each other for supremacy.  War was their way of life and they were good at it, inflicting as much destruction and carnage on their foes as they were capable of which included killing women and children, enslaving others and torturing captives. They expected no less from their enemies were they to be defeated.  It was a cruel and barbaric way of life totally alien to anything whites of the time had ever experienced.

And as engrossing as this account is, the book then delves into the lives two of the most remarkable characters to have walk across this stage of time; Cynthia Ann Parker and her son, Quanah.  Kidnapped at the age of nine by the Comanche, Cynthia Ann was favored by them and as she matured became a true member of the tribe that had taken her eventually marrying a war chief and having three children with him; two boys and a girl.
The oldest, her son, Quanah, would go on to become the last and perhaps greatest Comanche war chiefs; a brilliant horseman, strategist and fearless in battle.  When Cynthia Ann was recaptured by U.S. Cavalry troops in a raid that killed her Comanche hasband, Quanah, twelve at the time, eluded the soldiers and with his younger brother in tow, escaped to find another related tribe.  From that point on he was on his own, a half-breed having to survive in a society that made no allowance for orphans. Through his inner strength, courage and intelligence, he became the Comanche’s most successful war chief and in the end, when the threat of total extermination loomed on the horizon, Quanah had the foresight to surrender and adapt to the new west; that imposed on him and his tribe by the victorious white invaders.

So much so, that by the time of his death, he was a famous, successful farmer who counted Teddy Roosevelt amongst his associates and allies.

“Empire of the Summer Moon,” was a finalist for the coveted Pulitzer Prize and this reviewer believes it should have won.  It is a truly powerful reading experience proving once again that truth is always stranger than fiction.  Amen.

Dennis O’Neil: Superman, Spider-Man, and the God Particle

oneil-column-art-120719-1801460First, the good news. Scientists are prepared to say that, definitely, god exists.

Now the bad. (He) (she) (it)…oh dang, there are really no appropriate pronouns for a concept that transcends the very idea of gender. Let’s settle for “they” and start again: They – the god thingies – are called “Higgs bosuns,” nicknamed “god particles,” and they permeate the universe. And without them, nothing could exist, could ever have existed. (Unless, that is, there’s a kind of reality we can’t comprehend, and we’re not exactly willing to rule that out, but we’ll never know and anyhow, who cares?) Although physicists have been seeking the Higgs for a half-century because the accepted model of the universe indicated that the things had to be there, it wasn’t until July 4 that they were prepared to say, yep found it. I understand that there was some celebrating in the Land of Labs.

Me, I got my science fix when I went to see The Amazing Spider-Man at the local monsterplex and, later, caught a few minutes of Superman on the tube: the first big-budget Superman, released in 1978 and hyped with the line, “You’ll believe a man can fly.” (For the record, I didn’t.) That flick has flaws, but it’s pretty good, especially for something made when Hollywood was just beginning to learn how to make these kinds of entertainments. The only part I really dislike is the ending: the graphics, though they tell the story, are pretty crude compared to what’s preceded them. And the science…oh woe – the science. (If you want to consider this a spoiler alert, suit yourself.) Lois Lane dies in an earthquake and Superman flies counterclockwise around the Earth and thus – ready for this? – reverses time and goes back to before Lois died and happy endings all around.

Reverses time, does he? By flying counterclockwise. Uh huh.

Nothing in the Spidey flick is quite so nettlesome, but in this reinvention, the film folk chose to explain Spidey’s ability to shoot webs huge distances and make them, apparently, as strong as the occasion warrants the same way Stan Lee and Steve Ditko explained it in the first Spider-Man comic book story, way back in 1962: A teenage Spidey, who gets really good grades in science class, having acquiring amazing powers after being bitten by a radioactive spider, goes home and, you know, tinkers around and comes up with a gadget that a) does the web shooting stuff and b) is compact enough to be worn like an oversize wrist watch.

So: if he commanded such technology, why didn’t he use it for much greater good than he could achieve as a costumed vigilante and, incidentally, plunk his saintly Aunt May down in some swell digs?

For the same reason that Superman didn’t use his godlike time reversal stunt to undo every single bad thing on the whole planet? (I mean saving Lois was nice and all, but…war! Famine! Disease!)

Of course, this kind of story is basically fantasy and, I guess, we all have a private setting for our willing suspension of disbelief. I complain about plot devices that violate the story’s own “reality” and haul us out of the fiction while we try figure out how we’re supposed to accept what we’ve just seen.

Since, in superhero writing, there is a long tradition of writers using whatever’s in the zeitgeist at the moment, I expect we’ll be seeing some costumed dogooder involved with Higgs bosuns pretty soon. I hope I don’t have to mangle my willing suspension of disbelief to enjoy the story, god particle or no god particle.

FRIDAY: Martha Thomases