Tagged: Hollywood

Review: ‘Wanted’

wanted1_00-5729527Reviewing Wanted, the film based on the Top Cow miniseries by Mark Millar and J.G. Jones, is a difficult request. Directed by Timur Bekmambetov, the film is enjoyable, but solely on a puerile level, and undoubtedly not for the reasons that Bekmambetov intended. This movie is exactly what would happen if a hyperactive 16-year-old was given free range to write a script; it features an Angelina Jolie butt-shot, bullets that don’t travel at normal speed or in a straight line, and the euphoria of telling off your boss and all the jerks at work. But when asked if this film is actually any good, or even a good comic adaptation, the answer is a strong “No.”

Those of you who remember the comic series remember a truly raunchy adventure about an assassin named Fox who recruits a cubical jockey to take his father’s place in a secret society of supervillains known as The Fraternity. From there, we get a few twists and turns thrown our way, but primarily, this was a comic book about all things comic books: superheroes, villains with puffy capes, a cannibal baddie, and even a few digs on other genre flops like Adam West’s Batman.

With that in mind, the movie takes its own liberties, and generously at that. Replace “supervillains” with “assassins,” “puffy capes” with “bullets that curve,” and “cannibal” with Morgan Freeman. It is totally understandable how this movie was sold, because people are so afraid of doing superhero films that don’t have names like “[[[Iron Man]]]” or “[[[Batman]]]” attached to them, so instead they were going for a Matrix redux, and failed miserably.

(more…)

Review: ‘Speed Racer’ – Emile Hirsch Gets Behind the Wheel

So here we are, a mere two weeks into the Blockbuster Season and the veil of bedazzlement has already been lifted. If you are a fan of the original [[[Speed Racer]]] franchise, animated films, or even decent films in general, you will more than likely be disappointed with the film that should’ve been more accurately named [[[Speed Raver]]]. From start to finish, this film is very much like what an 8-year-old would do if he were given a crate of Pixie Stix and free run of a CGI studio, with no knowledge whatsoever about pesky details like story structure, character development or any shred of realism.

For those not in the loop, the story of Speed Racer surrounds not just the titular character (played by possibly one of the better actors of his generation, Emile Hirsch), but his über-supportive family. Pops and Mom Racer, played by John Goodman and Susan Sarandon, respectively. Balancing out the cast was Speed’s girlfriend Trixie (Christina Ricci), his obnoxious and extraneous little brother and pet chimp, and by far the MVP of the film, in Matthew Fox as Racer X.

The plot, or at least what one can gather about it after two hours in the theater, takes place in a world where car racing is king and the car-building Racer family takes aim at the allegedly fixed world of professional racing with their prodigal son, Speed. The plot is almost beaten into our heads for the first hour, with cartoonish performances and poorly rendered backdrops aiding along the way.

(more…)

ComicMix Six: The Worst Movies Adapted From Comic Books

It should come as no surprise that Hollywood studios often turn to the pages of comic books and graphic novels for source material — especially for action-packed summer releases like Iron Man.

Some of these films, such as Iron Man, Batman Begins, Spider-Man 2 or X-Men 2, achieve a great deal of commerical and critical success. In addition, they’re also embraced by comic book fans as great examples of what comic book movies should be.

Unfortunately, there are also those other comics-to-film adaptations that disappoint critics, mainstream audiences and comic book fans alike. These films, whether due to bad writing, inept direction, gross miscasting, or a combination of factors, are often not only bad comic book adaptations, but bad movies in general.

Yet, even with Iron Man‘s phenomenal success, it’s important to remember these bad films. These particular movies occupy a special place in the hierarchy of bad filmmaking and deserve to be highlighted — especially so you can avoid seeing them if you haven’t already.

Here then, in no particular order, is the ComicMix Six list of the Worst Movies Adapted From Comic Books.

 

(more…)

Review: ‘Bill Mauldin: A Life Up Front’

a-life-up-frontarticle-3552379In many ways, Bill Mauldin lived out the American Dream, starting out as a physically unimposing ‘desert rat’ in the southwest, then joining the army and becoming a star soldier-cartoonist, and retiring as one of the best known editorial cartoonists in the country. He died in 2003.

In his new biography, Bill Mauldin: A Life Up Front, author Todd DePastino takes that famous life and digs out all the strange truths, the contradictions, the unknown motivations. Mauldin was a deeply conflicted man, DePastino finds, alternatively successful and unhappy because of his deep drive for acceptance.

Born in 1921 to a rough and tumble family, Mauldin had little going for him as a child besides an aptitude for art. In his teens, he went to Chicago to study, but despite a prodigious output he had little success landing his cartoons.

With no other options (like many other enlistees), Mauldin signed up for the army and started cartooning for a service newsletter. From the start, his work focused on the lives of the grunts, who trudged through mud and faced the disrespect of superiors.

Using Mauldin’s writings, interviews and those cartoons, DePastino follows the young, driven man as he developed as a person and illustrator. And, soon enough, followed him over the Atlantic into the hell of World War II.

(more…)

Zombies with good attitude

zero-3945251

Zombie movies are nothing new. Nor are zombie movies with attitude. But there’s been a preview making the rounds of a movie about a bunch of zombie "eliminators" called Z•E•R•O, or Zombie Emergeny Response Operations for long. Possible another section of the Department of Homeland Security that isn’t being talked about.

Unlike most such pre-distribution movie previews, War of the Dead: Z•E•R•O is very character-based. We know there’s a lot of icky monsters around, but the preview focuses on Z•E•R•O and its team-members: a group of ick-fighters that are probably slightly too good for Reno 911 and certainly too good for their patronizing shrink.

What happens to War of the Dead: Z•E•R•O is up to the usual Hollywood forces, but the preview is fun and worth checking out. Kudos to creator / Executive producer Joe Sena and writer / director Michael Disario for jumping into the shark pool; we wish them the best of luck.

Check ’em out at warofthedead.com.