Tagged: House

The Originals: The Complete First Season Arrives September 2

the-originals-e1402689904551-2822925BURBANK, CA (June 12, 2014) – Ready to get sucked in? Just in time for the Season Two premiere on The CW, Warner Bros. Home Entertainment Group will release The Originals: The Complete First Season on DVD and Blu-ray Combo Pack on September 2, 2014. Season One is also available to purchase on Digital HD. Averaging nearly 3.1 million viewers weekly, The Originals is The CW’s #2 show among Adults.* Fans can feast on all 22 one-hour episodes from Season One, plus over two hours of gripping extras — including commentary, the 2013 Comic-Con panel, the 2014 PaleyFest panel, featurettes, and deleted scenes. The Originals: The Complete First Season will be priced to own on DVD at $59.98 SRP and on Blu-ray Combo Pack at $69.97 SRP.

This sexy and thrilling new series from The Vampire Diaries’ executive producer Julie Plec centers on the Original vampire family and the dangerous vampire/werewolf hybrid, Klaus (Joseph Morgan), who returns to the magical melting pot that is the French Quarter of New Orleans — a town he helped build centuries ago. Acting on a mysterious tip that a plot is brewing against him, Klaus’ questions lead him to his diabolical former protégé, Marcel (Charles Michael Davis), a charismatic vampire with total control over the human and supernatural inhabitants of the city. Determined to help his brother Klaus find redemption, Elijah (Daniel Gillies) follows Klaus and is soon forced to side with Marcel’s enemies. Meanwhile, Klaus and Elijah’s sister, Rebekah (Claire Holt), must decide if she’ll join her brothers in New Orleans and help them to reclaim their hometown and all its extraordinary offerings.

With Blu-ray’s unsurpassed picture and sound, The Originals: The Complete First Season Blu-ray release will include 1080p Full HD Video with DTS-HD Master Audio for English 5.1. The 9-disc Blu-ray Combo Pack (4 Blu-ray discs, 5 DVD discs) will feature a high-definition Blu-ray, standard definition DVD and a Digital HD copy of all 22 episodes from Season One.

Season one of The Originals stars Joseph Morgan (The Vampire Diaries, Ben Hur), Daniel Gillies (The Vampire Diaries, Saving Hope), Claire Holt (The Vampire Diaries, Pretty Little Liars), Phoebe Tonkin (The Vampire Diaries, The Secret Circle), Charles Michael Davis (Grey’s Anatomy), Danielle Pineda (Homeland), Leah Pipes (Sorority Row), and Danielle Campbell (Prison Break), with Plec executive producing along with Leslie Morgenstein (The Vampire Diaries, Pretty Little Liars) and Gina Girolamo (The Lying Game) Created by Plec, the series is based in part on the character Klaus from The Vampire Diaries novels by L.J. Smith. The Originals has been renewed for a second season on The CW for Fall 2014.
*Source: Nielsen Galaxy Explorer, Live+7, US ratings (10/03/13-04/22/14)

SPECIAL FEATURES

• Pilot Commentary – With Creator Julie Plec and Director Chris Grismer
• 2013 Comic-Con Panel – Executive producer Julie Plec and the cast discuss the origins of The Originals, and what you can expect in this spin-off of The Vampire Diaries.
• 2014 PaleyFest Panel – Cast and producers discuss the creative process in these highlights from the panel at PaleyFest 2014
• The Originals: Origins – In this featurette, creator Julie Plec leads us on the journey of creating The Originals and continuing through to the production of the pilot in New Orleans.
• The Originals: Re-mixing History – In this featurette, the writers of The Originals will describe how they were able to blend fact with fiction, generating strong roots in New Orleans for the Mikaelson family.
• The Original Vampires: A Bite-sized Backstory – A dynamic and stylized montage featuring key storylines and scenes of the original family. Including scenes from The Vampire Diaries, this piece will depict where the originals came from.
• Deleted Scenes

22 ONE-HOUR EPISODES

  1. Always and Forever
  2. House of the Rising Son
  3. Tangled Up in Blue
  4. Girl in New Orleans
  5. Sinners and Saints
  6. Fruit of the Poisoned Tree
  7. Bloodletting
  8. The River in Reverse
  9. Reigning Pain in New Orleans
  10. The Casket Girls
  11. Après Moi, le Déluge
  12. Dance Back from The Grave
  13. Crescent City
  14. Long Way Back from Hell
  15. Le Grand Guignol
  16. Farewell to Storyville
  17. Moon Over Bourbon Street
  18. The Big Uneasy
  19. An Unblinking Death
  20. A Closer Walk with Thee
  21. The Battle of New Orleans
  22. From a Cradle to a Grave

BASICS

Street Date: September 2, 2014
Running Time: Feature: Approx 928 min, Enhanced Content: approx 141 min
Blu-ray & DVD: Presented in 16×9 widescreen format

DVD
Price: $59.98 SRP
5 DVD-9s
DVD Audio – English (5.1), Portuguese
DVD Subtitles – ESDH, Chinese, Portuguese, Spanish, French, Thai
Catalog # 1000437527
UPC# 883929374557

BLU-RAY COMBO PACK
Price: $69.97 SRP
9 Disc Elite (4 BD-50s/5 DVD-9s)
DVD Audio – English (5.1), Portuguese
DVD Subtitles – ESDH, Chinese, Portuguese, Spanish, French, Thai
Blu-ray Audio – 1080p Full HD Video, DTS-HD Master Audio 5.1 – English, Portuguese, French, Castilian Spanish
Blu-ray Subtitles – ESDH, French, Danish, Latin Spanish, Portuguese, Finnish, Swedish, Dutch, Norwegian, Castilian Spanish
Catalog # 1000437689
UPC # 83929374540

Jen Krueger: The Gaming Sweet Spot

Until very recently, the thought of spending a hundred dollars on a board game would have seemed like madness to me. If it actually is madness, then I guess it’s appropriate that Betrayal at House on the Hill is what had me considering it. It’s a game in which you and your friends explore a haunted mansion by building it out room by room with tiles that reveal objects, events, and traps to test your sanity. Everything changes in the middle when a haunt is triggered to reveal one player as a traitor out to kill the others, and playing it just once at a board game cafe was more than enough fun to make me want a copy of my own. Unfortunately, it’s currently out of print and procuring a copy would mean spending around a hundred dollars for a used set through a reseller.

So what about Betrayal at House on the Hill was so fun that a single experience with it made me actually consider dropping that kind of money on a type of product for which I’ve generally paid no more than fifty dollars? The fact that the mechanics for both the layout of the house and the type of haunt that occurs mean it’s never the same game twice. Knowing that even if I happened to run through all 50 different haunts the rule book contains, the unique layout of rooms and the randomness regarding which player becomes the traitor would keep the gameplay from ever becoming rote. As much fun as it can be to play a classic like Monopoly or a modern hit like Ticket to Ride, whenever I play something of a more fixed state like these, I find myself less engaged with the game itself as well as the other people I’m playing with. There’s never really any surprise to this kind of game, and at a certain point I end up on autopilot. There may be variation in which specific spaces I land on or cards I pull, but the range of possibilities is firmly set from the start, diluting the replay value and leaving me content to play them but never dying to own them.

But as much as I want board games I play to give me a unique experience every time I sit down to them, there are of course games that go too far down that path. Risk Legacy builds on the foundation of the classic game Risk, but is meant to be played by the same group of people 15 times because each session results in the players making alterations to the game based on their specific experiences with it, like scarring a territory with a negative effect on any future combat that takes place there, or naming a territory so that only the player who named it can start in that territory during future games. These alterations are permanent, and affect every session that follows, making every Risk Legacy set that’s sold into a completely unique experience for the group that plays that set. I was pumped to try the game when my friend Art wrangled a group to play. More friends of mine, Farley and Clay, were playing with a separate group around the same time, and as each group got more sessions under our belts, we’d check in with each other about our impressions and strategies for sessions to come. The incredibly customizable nature of the game meant that both of our groups were constantly realizing we’d been doing something wrong due to not fully understanding the understandably complicated rules, but the continuing effect of each session on the ones that follow it make it very hard to rectify mistakes. And though correlation doesn’t imply causation, I can’t help but think any game with such a high level of customizability runs the same (cue groan) risk.

For me, the games that do it right are the ones right in the middle of this spectrum of uniqueness per session. Cyberpunk card game Android: Netrunner gives players a wealth of cards to pick from with multiple expansion packs on the market and new ones released every month, making the possibilities endless when putting together a deck to sit down with a friend and, depending what side of the table you’re on, either hack their servers or foil their hacker. Betrayal at House on the Hill gives a different board and set of circumstances every time, but the rules governing play are constant and basic enough to let the players get them under their belts in a few turns on a first play-through, then simply immerse themselves from that point on. And if a game can be as simple in concept yet as different every time it’s played as Betrayal at House on the Hill, a hundred dollars for a set gives you unlimited replay value. In my book, that’s actually a bargain.

Longmire Season 1-2 Come to Blu-ray This Month

longmire-blu-ray-2433147The Walt Longmire book series from award-winning author Craig Johnson has spawned a fine adaptation on A&E and in the coming weeks, fans are in for a treat. First, the first two seasons are making their Blu-ray debut on a combo set from Warner Archive followed by season three premiering on June 2 and then two days later the eleventh novel in the series arrives.

Here are the formal details with some thoughts from Johnson.

BURBANK, CA (May 5, 2014) – Few television dramas have captured the intense cinematic nature of the Southwest like A&E’s hit mystery series, Longmire. Warner Archive Collection is proud to bring those stunning visuals – and equally enthralling stories – to full 1080p HD presentation with the Blu-ray™ release of Longmire, Seasons 1 & 2, on May 27, 2014 via WBShop.com and many online retailers.

longmire2-e1399412557330-5685419Warner Archive Collection’s presentation of Longmire, Seasons 1 & 2 on Blu-ray™ includes all 23 episodes in a six-disc set, as well an interesting array of bonus content, highlighted by three fascinating featurettes and two “director’s cut” extended episodes with introductions from the executive producers.

longmire1-e1399412590641-3995864Long shadows of secrets and murder hang over Absaroka County, Wyoming, jurisdiction of the tough and brooding Sheriff Walt Longmire (Robert Taylor), in the spell-binding series, Longmire. Struggling since his wife’s death a year ago, and at the urging of his attorney daughter, Cady (Cassidy Freeman), Walt knows he must turn his life around. Aided by a new female deputy, Vic (Katee Sackhoff) and his oldest friend, Henry Standing Bear (Lou Diamond Phillips), Walt becomes re-energized about his job and running for re-election – even though his ambitious younger deputy Branch (Bailey Chase) is a rival candidate. The unraveling truth about Walt’s wife death will astonish the stoic lawman and his daughter. While shattering storms darken the skies, Longmire doggedly solves the big crimes of “Big Sky” country.

longmire3-e1399412628638-6220829In addition to the cast regulars, Longmire has featured guest performances from such notable actors as Peter Weller (Robocop), Gerald McRaney (House of Cards, Simon & Simon), Xander Berkeley (24, Salem), Shawn Hatosy (Southland), Tom Wopat (The Dukes of Hazzard), Jim Beaver (Supernatural), A Martinez (L.A. Law, One Life To Live, Santa Barbara), Charles Dutton (Roc, Alien3), C. Thomas Howell (Southland, E.T.) and Stephen Culp (Revolution).

Longmire, the TV series, has its roots firmly embedded in the best-selling Walt Longmire book series from award-winning author Craig Johnson. The latest and 11th in the series of novels, A Serpent’s Tooth, arrives June 4. A current resident of Ucross, Wyoming (his bio proudly states “population: twenty-five”), Johnson is an avid fan of the A&E television series, which returns for its third season on June 2. Johnson particularly enjoys the dedication everyone involved with the show has taken in bringing his characters and stories from page to screen.

craig-johnson-e1399412660538-7321290“I think the thing that’s been the most amazing to me is the way the producers, directors, actors, designers, and crew have been able to capture the feel of the novels” Johnson says. “It’s not easy to translate perception from one artistic venue to another, but I think Longmire has amplified the integrity, the humor, and the edginess that have made the books a success. There are elements that you can rely on in doing a true western, like the epic romantic quality, but the show goes one step further in portraying the west as it is today; the characters are complex, and the plots not only credible, but compelling – it ain’t your daddy’s western.”

Johnson also notes that Warner Archive’s presentation of Longmire Seasons 1 & 2 on Blu-ray™ will further enhance the cinematic beauty of the series.

“The thing about Longmire is that at its core, it’s a western, and filming a western indoors doesn’t make much sense,” Johnson explains. “Most crime procedurals are shot on a couple of sets – offices, apartments, and such – but Longmire embraces the challenge of being outdoors and does an amazing job of allowing the scenery to speak for itself; you can almost hear the landscape breathe as it becomes a major character in the series. The landscape creates a mood in this show – it’s not perfectly lit and coerced like a lot of television. Visuals are something that Hollywood can do better than a book, and the images that Longmire invokes match up magically with those I have in the novels.”

Longmire, Seasons 1 & 2, on Blu-ray™ extra content features include:

Featurette – The Camera’s Eye: Realizing the World of Longmire – Longmire is against a backdrop where every turn of the camera is a perfectly composed frame, mixing nature against the world of Cowboys, Indians, Lawmen, and Villains.  The world Walt Longmire calls home and where the story takes place would not be possible without the skilled artisans behind the camera. This documentary film proves that story may start on the page, but what lands on the frame is what ultimately counts.

Featurette – Longmire Justice: Exploring the Cowboy Detective – Longmire is a bit cowboy, a bit detective, a bit American Indian, and even a bit of the human drama. But the one consistent element that serves the broadest audience, and central to the core of Longmire’s popularity – is the passion we share for carefully crafted stories.

Featurette – Testing Courage: The Storm Defines the Man – Longmire adeptly captures, from episode-to-episode, the subtlety of what it means when a man is challenged to be consistent in his ideal.  It’s a unique piece of entertainment that calls to attention one of the over arcing themes of Season 2.  Can Walt Longmire survive his test of courage?

“Director’s Cut”: Sound and Fury Extended Episode with Introduction by Executive Producers Greer Shepard and Hunt Baldwin.

“Director’s Cut”: The Election Extended Episode with Introduction by Executive Producers Greer Shepard and Hunt Baldwin.

Pre-orders are now available for the Warner Archive Collection presentation of Longmire, Seasons 1 & 2 on Blu-ray™ at shop.warnerarchive.com and wbshop.com, as well as a host of online retailers. Warner Bros. Home Entertainment is also releasing Longmire, Season 2 on DVD on May 13, 2014.

 

Netflix Commissions 4 Marvel Series Leading to The Defenders

david-slade-exits-foxs-daredevil-6386840Marvel’s cinematic Avengers will be joined on the smaller screen by The Defenders, the culmination of four series just commissioned by Netflix. Luke Cage, Daredevil, Jessica Jones, and Iron Fist were announced this by Variety morning as each receiving thirteen episode commitments. The linking device is that all four series will be set in New York City’s Hell’s Kitchen, which, in the comics, has been Daredevil’s base of operations dating back to the 1970s.

This rumored set of series was revealed without naming producers, writers, showrunners or casting but would be expected to debut some time in 2014. The announcement did not acknowledge if this quartet of series will be set in the same reality as the film series. If so, it would also connect these shows to ABC’s Agents of S.H.I.E.L.D.

Netflix has received great attention thanks to their original series, a move now being imitated this month by Amazon Prime and soon by Hulu and YouTube. Their House of Cards was the first internet series to receive an Emmy nomination and will be back for a second season in the winter. The pay channel’s Orange is the New Black is their most watched original series and will also be back for a second season, as will their Hemlock Grove.

Since Jeph Loeb was added as a VP for filmed material, Marvel has filled in a vital gap with live-action television, something they seemed unable to crack. Beyond these four, and the subsequent Defenders teamup project, Marvel has been said to be eyeing a Peggy Carter spinoff based on the short film with Haylee Atwell that was attached to the home video release of Iron Man 3. Other series apparetly also ebing pitched to other networks.

Disney’s Marvel movies will move from Starz to Netflix after the current dea for the studio’s output expires in 2015, just in time for The Avengers 2.

DC Entertainment aso has numerous television series in development, mostly at their co-owned CW network with the Flash expected for the 2014-15 season. Fox is also developing a Gotham City series featuring young James Gordon, long before Bruce Wayne first dons the cape and cowl.

Martha Thomases: The Needles And The Damage Done

newport_knitting_jun_051-3346578

Twice a week, I teach knitting to people with cancer and caregivers.  Most of you probably think of knitting as something serene, a hobby for little old ladies (current and future).  However, when I teach, my instructions are filled with images of guns and shooting, stabbing people with knitting needles, and  when I make a mistake, I threaten my materials with unspeakably filthy and unnatural acts.

I do this when I teach for a couple of reasons.  Most important, it makes the techniques easier to remember.  However, for this group in particular, it gives a sense of control.  These people have so little control in their lives that it’s great to have control over knitting needles and yarn.

It’s powerful.  When you’re staring the possibility of dying in the face, it’s good to have something that makes you feel powerful.

This is a long, roundabout way of getting to the intersection of a couple of trends I see in our beloved graphic story medium.  As I wrote last week, the industry has a sad tendency to throw away creative talent when it is deemed to be “old.”  There is also a pathetic paucity of work by women, racial minorities, and people whose identify as queer.

Things are slightly better outside of the Big Two (Marvel and DC). but not much.  Not really.

This is a problem.  It’s a problem in many media (especially broadcast news, but that’s another rant) but it seems to me that comics is one of the worst.  It seems like a paradox, but by appealing to a cultural ideal of straight, white young men, comics may be stuck in a closet of marginalization.

We all have impulses and emotions.  Many of these are not welcome by the larger society in which we not only live, but rely on for daily support.  I think it’s healthy and mature to work out inappropriate feelings with the vicarious experience of entertainment.

Specifically, when we feel angry at our lives and helpless within are mortal bodies, we need power fantasies.  Hence, in other mass media, we get not just superhero stories. but police procedurals, sword and sorcery, House and Buffy the Vampire Slayer.

There’s other emotions that are inappropriate to express in our daily, public lives.  We don’t show grief or sadness or lust.  Men don’t show nurturing.  These feelings are for private time, or for working out with art.

There are books and movies for these feelings.  Dreary foreign films about death, silly romantic comedies with Katherine Heigl or Kate Hudson.  This movie, which is one of the most bleak, self-loathing things I’ve ever seen.  Sometimes, I need Carey Mulligan to hate herself so I don’t have to hate myself.

There are some brilliant graphic novels that appeal to these audiences, but they are few and far between.

There is nothing wrong with having a target audience.  That’s effective marketing (note:  marketing is not the same as editing, or publishing).  However, if one plans to have an entertainment conglomerate and see some growth, one needs to occasionally try for other audience segments, or at least other audience moods.

In the meantime, if you see any bald-headed women making socks, watch your ass.

Grimm Season One DVD Details Released

grimm-season-one-9328352The dust has barely settled on the 2011-2012 television season, but the studios are already gearing up the season box sets in anticipation of the fall premieres. Among them is Grimm, which was a major ratings surprise for NBC when the mid-season series debuted. It takes an entirely different look at fairy tales, compared with ABC’s ratings success with Once Upon a Time proving once more that it all comes down to execution.

Universal Home Entertainment will be releasing the first season of Grimm on August 7 and if you haven’t sampled the series yet, it’s worth a look. Here are the details:

OVERVIEW: Classic Grimm’s fairy tales come to life like never before in the “dark and imaginative” (Mike Ayers, CNN.com) supernatural series Grimm, from the producers of Buffy the Vampire Slayer and Angel.  Homicide detective Nick Burkhardt (David Giuntoli, Privileged, Grey’s Anatomy) discovers he is descended from a long line of criminal profilers known as “Grimms,” protectors who are charged with keeping the balance between humanity and the creatures of myth.  With newly awoken abilities to detect the evil lurking among us, Nick struggles to keep his old life separate and safe as he becomes ever more entrenched in the ancient rivalries of the Grimm world.  Available on Blu-ray™ and DVD on August 7, 2012, Grimm Season One allows fans to experience all 22 chilling episodes back-to-back and uninterrupted. (more…)

Let Them Talk

letthemtalk-300x175-2694018Let Them Talk
Hugh Laurie
Produced by Joe Henry Warner Bros. Records

Let us stipulate up front that Hugh Laurie is an insanely talented individual. He’s a comedian, a comic actor, a dramatic actor, a comedy writer, a novelist, plays piano, guitar, and percussion, and, apparently, deep down in his soul, according to the liner notes of Let Them Talk, he’s also an 80-year old, gravelly-voiced Negro ex-sharecropper blues singer.

Sure. Why not?

Most of us think he’s a dyspeptic American medical miracle man (hearing his acceptance speech for his Emmy win as Dr. House, my ex-wife, who knew Hugh Laurie only from House and Stuart Little, asked, “Why is he putting on an English accent?”), so why couldn’t this British born, Oxford and Cambridge educated actor also be Jellyroll Morton?

In Let Them Talk, Hugh Laurie sings the blues, and if he ain’t Jellyroll Morton (and who could be?), he dives into these classic numbers as though he wished he could be. “These great and beautiful artists lived it as they played it,” Laurie writes in the liner notes. “But at the same time, I could never bear to see this music confined to a glass cabinet, under the heading Culture: Only To Be Handled By Elderly Black Men. That way lies the grave, for the blues and just about everything else: Shakespeare only performed at The Globe, Bach only played by Germans in tights. It’s formaldehyde, and I pray that Leadbelly will never be dead enough to warrant that.”

Laurie offers his credentials for playing the blues: a lifelong love for the music and its performers, “I love this music, as authentically as I know how.” The love is there, and combined with some of the abovementioned insane talent, Let Them Talk comes across with some new takes on the old blues worth listening to.

“St. James Infirmary Blues” opens with a quiet, almost symphonic rendition of this great, mournful song that eventually slides into a more traditional take that sets the tone for the rest of the album. The high points include “Swanee River,” the Stephen Foster classic that Laurie weaves with the swinging, piano pounding verve of a Jerry Lee Lewis and Craig Eastman’s haunting violin accompaniment; the energetic power of Robert Johnson’s “They’re Red Hot”; the lazy Ferdinand Joseph Morton composition, “Winin’ Boys Blues,” Cosimo Matassa’s “Tipitina,” and the simple, crisp pickings on Arthur Phelps’ “Police Dog Blues.”

Joining Laurie are such guest vocalists as Dr. John on the Harry Creamer and Turner Layton classic “After You’ve Gone,” which pays no uncertain homage to the 1928 Bessie Smith and later Mac Rebennack recordings; Irma Thomas on the soulful “John Henry,” and Sir Tom Jones (yes, that Tom Jones), plaintively begging “Baby Please Make A Change,” by Armenta Bo, Carter Chatmon/Alonzo Lonnie Chatmon.

For the most part, Laurie’s voice carries him through, but polish and sophistication were never a perquisite for singing the blues. We can forgive him if he has to reach and sometimes strain to hit that note; the blues are, after all, about struggle and pain. But like the first time you heard Hugh Laurie speak without an American accent or play the piano, you’ll be delighted and surprised by what this talented individual can do. Kind of makes you wonder what he has to sing the blues about.

Paul Kupperberg is, deep down in his soul, an 80-year old phlegmy-voiced Jewish comedy writer. He also writes the critically acclaimed Life With Archie Magazine for Archie Comics and is the author of the mystery novel, The Same Old Story (available as an eBook on Amazon.com).

 

FORTIER TERRIFIES ALL WITH NEW COMIC!

  • News
  • September 9, 2011
From Redbud Studios-

Five tales of suspense, the weird and the macabre brought to you in a variety of styles reminiscent of the “House of Mystery” type comics from the golden and silver age of comics. Join Ron and his cohorts in the danse macabre full of fun and creepy fun…

TALES OF THE MACABRE offers an opportunity for long-time comics writer Ron Fortier to showcase his skill and love of crafting solid short stories of the offbeat, strange and downright weird while allowing himself the chance to work with a number of up and coming independent artists.

Ron Fortier’s Tales of the Macabre #1 TM and © by each respective artist. Stories, logo and title of the book © & ™Ron Fortier. All rights reserved.

Now available from Indy Planet at http://www.indyplanet.com/store/product_info.php?products_id=5926

MINDY NEWELL: Paging Dr. House

This past Tuesday, August 30 to be exact, the New York Times ran an article by Dave Itzkoff about the “new” DC reboot. It was called “Heroes Take Flight, Again.”

It’s an interesting article. And its tone is that of a penultimate eulogy. To quote Itzkoff, “Within the DC universe, this new status quo is the result of efforts by the fleet-footed Flash to alter the course of history. But in the real world it is a last-ditch plan to counteract years of declining sales throughout the comics business.”

It’s rather like an episode of House, isn’t it? He wants to try a risky, dangerous, could-kill-the-patient-instead-of-saving-him treatment and everybody around him either has an opinion or just wants to avoid the whole subject. Cuddy is worried about the lawyers and the reputation of Princeton-Plainsboro Medical Center. Wilson is busy psychoanalyzing his friend’s penchant for walking on the edge. Foreman objects mostly because he didn’t think of it first. Chase, having forsaken the medical principle of “first do no harm” a few seasons ago when he killed a dictator who was under his care, pretty much shrugs his shoulders. Cameron is too busy in the ER to get very involved, other than to shake her long blonde hair and hot tush in House’s face and say, “you’re just gonna do what you want anyway.” Taub is caught between his Torah – he who saves a single life, it is as if he has saved the whole world – and probably causing the patient even more suffering if the treatment is allowed, and “Thirteen,” facing eventual horrible death herself thanks to the Huntington’s Disease that stalks her, thinks House is right, because she sees herself in the patient, and she wants to live.

I remember when I first heard of Crisis on Infinite Earths. I was upset. I didn’t understand why DC had to go messing with my childhood. But under the able hands of Marv Wolfman and George Pérez, it was, frankly, a thrilling story. To me, when Marv and George killed Supergirl – and I’m still mightily pissed off about that! – that was it, man, I knew this was going to be a classic.

The only trouble was, it started off a wave of “mega-reboots” over at DC that sounded like “good business” at the time. And now, after some 30 years, only seems to make me, and everybody else, yawn.

Infinite Crisis. Final Crisis. Crisis, My Ass. Yeah, yeah, yeah. Tell me something I don’t know.

‘Cause most of these reboots, start-overs, begin-agains are so obviously an attempt to “save the life of the patient” that it’s insulting to the reader. Jim Shooter is quoted in the Times article as saying “This whole attitude of, ‘Oh, go ahead, start over, reboot,’ people get tired of that…as storytellers, I don’t know where we wandered off to.” I totally agree with him.

S-T-O-R-Y. A narrative. An account. A tale, yarn, legend, fairy-tale, chronicle. Something that stays with you. That for whatever reason strikes a resonant chord within.

Was The Lord of the Rings a business decision? Was Grapes of Wrath? A Tale of Two Cities? The Three Musketeers? Alice in Wonderland? The Man in the Iron Mask? Peter Pan? If I keep on going this will be a column about the Book-of-the-Month club.

I’m hoping this works for DC. I’m hoping the company doesn’t stay alive just to feed the licensees. I’m hoping that I’m thrilled again.

I’m hoping that Dr. Gregory House can pull another miracle out of his misanthropic hat.

TUESDAY: Michael Davis

Twitter Updates for 2011-03-02

  • News
  • March 2, 2011
  • Where's The Tardis? BBC Doctor Who Tardis Building Contest http://ow.ly/45dgk #
  • Todd Klein Chooses Comics' Greatest Logos! http://ow.ly/45gLN #
  • Download New York’s Official Apocalypse Manual! http://ow.ly/45h74 Sadly, no mention of Morlocks, CHUDs, or Snake Plissken. #
  • Real-Life Superwomen Solve Crimes and Save Lives – Newsweek http://ow.ly/45gWt #
  • SF Writers Advise Homeland Security: http://ow.ly/45kR3 Puts that illegal alien probelm in a whole new light… #
  • Congressman From New Jersey to Save Human Race http://ow.ly/45PFH And if you think this gets him any respect in the House… #

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