Tagged: IDW

Review: Locke & Key #1

You can understand why Joe Hill waited so long to publicly acknowledge that his father is famed writer Stephen King. For several years, Hill used that shortened version of his name (Joseph Hillstrom King in full) so that he could test himself in the fantasy/horror writing world without the spectre of his father lurking about.

Now jumping into comics for the first time with the new series Locke & Key ($3.99), Hill saw that experience affected by the elder King even before Locke & Key #1 hit shelves. While publisher IDW didn’t promote the famous father angle, it didn’t stop some such as Rich Johnston from playing up that lineage as a bit of comics speculating.

Those who actually read the book and didn’t just seal it away in plastic to put up on eBay at a later date were treated to a very good first issue that succeeds in areas a lot of novelists-cum-comics writers fail. That is, Hill clearly understands the medium. He knows when to rein in the verbiage and let artist Gabriel Rodriguez drive the story. 

The narrative is split in three parts: the teenaged protagonist Ty witnessing his father’s murder, sobbing through the funeral and relocating to a spooky house in the ominously named town of Lovecraft, Mass. Aside from a few awkward transitions, the story runs seamlessly.

First issues, of course, are incredibly difficult to do well, making it all the more surprising that in his first 32 pages of comics, Hill establishes a great deal of depth to his characters and lays out a handful of intriguing plotlines to follow. The last few pages are particularly effective, as Hill takes what was previously a down-to-earth story and shifts to a more supernatural paradigm.

It’s a series to watch, even if you aren’t just looking to make a buck.

Fan Comics Celebrate ‘Doctor Who’, ‘Torchwood’

Pia Guerra may have her work cut out for her.  While Guerra’s first issue of IDW’s Doctor Who comic book series is scheduled to come out in July, fan-drawn strips about the British sci-fi phenomenon and its spinoffs are already well underway.

Pseudonymous LiveJournal bloggers calling themselves spastasmagoria and jigglykat have created Torchwood Babiez, which is so unbearably adorable it could give Cute Overload a run for its money.  So far the ladies are up to Page 10, and they’re just getting rolling.

Meanwhile, Rich Morris is currently up to Page 81 of his wonderful strip The Ten Doctors, which can be enjoyed by casual viewers of the show but is really designed for the more fanatic trivia buff who remembers over a quarter century of Doctors, companions, villains and planets.  Only three of the story pages have been inked and colored so far, but Rich’s art is worthwhile even in pencil form.

Doubtless there are a ton of other fan-based comics making the rounds; we’d be especially interested to see any paying tribute to the kid-friendly "Sarah Jane Chronicles."

Inside the ‘Y: The Last Man’ Party

We told you about this event before and now Kevin Kelly at i09 let’s us in on the highlights of Friday night’s "Y: The Last Party" in L.A., celebrating the conclusion of Y: The Last Man, Brian K. Vaughan’s hugely popular tale of the last man on Earth.

The party, which took place at Meltdown Comics on Sunset Blvd., featured guests such as Vaughan himself, comic co-creator and artist Pia Guerra, Grant Morrison, Drew Goddard, Mark Waid and Joss Whedon.

Among the highlights of the event, whose proceeds went to the Comic Book Legal Defense Fund, were many revelations regarding the creation and inspiration of the comic as well as some tidbits about who might play the comic’s title character, Yorick Brown, in the oft-discussed, big-screen version and what co-creator Guerra’s next project will be.

According to the report:

[Vaughan] originally came up with the concept for Y as a project called Boyson, "The Last Boy On Earth" for Penthouse Comics full of "women built like robot fuck machines" and one boy remaining on the planet. After they folded, he replaced the robots with a Gloria Steinem quote and sent it over to Vertigo.

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Megatron in New IDW Transformers Promo

Chris Ryall, IDW Publisher and Editor-in-Chief, recently posted this new, untitled promo art by Nick Roche for an upcoming Transformers project.

That’s about all there is to say about it, other than the fact that it’s now my new desktop background.

Capt. Marvel and Serial Retro-Mania, by Michael H. Price

 

515n0admfrl-_aa240_-6397917Apart from some chronic bouts of concentrated cliffhanger enthusiasm in visits with the pioneering Texas cartoonist-turned-fine artist Frank Stack, I haven’t paid a great deal of attention in recent years to the extinct form of Hollywood filmmaking known as serials, or chapter-plays.
 
I’ve overcome that neglectful tendency lately with an assignment to deliver a foreword for IDW Publishing’s The Complete Chester Gould’s Dick Tracy, Vol. 4 (due in print by March 25), which covers a stretch of 1936–1937 and thus coincides with the early-1937 release of the first Dick Tracy serial by Republic Pictures Corp. George E. Turner and I had covered the Republic Tracy in our initial volume of the Forgotten Horrors books – but a great deal of information has come to light during the nine years since that book’s last expanded edition.
 
The transplanting of Tracy from the newspapers’ comics pages to the big screen figures in an earlier installment of this ComicMix column. So no point in re-hashing all that here, or in spilling any fresher insights that will appear in the IDW Tracy edition.
 
Anyhow, I had expected that these strictly-research refresher screenings of Republic’s Dick Tracy and Dick Tracy Returns and so forth would bring on an attack of Serial Burnout Syndrome – but no such. If anything, the resurrected Tracy cliffhangers have stoked a level of interest that I hadn’t experienced since I had been granted my first looks at the Republic serials via teevee in 1966. (Those attractions were feature-lengther condensations, roughly half or less the running time of a theatrical serial, prepared expressly for broadcast syndication, and re-titled to compound the confusion: 1936’s The Undersea Kingdom, for example, hit the tube as Sharad of Atlantis.)
 
I had wondered aloud while comparing notes recently with Frank Stack, whose lifelong fondness for the serials influences his own approach to storytelling, as to how Dick Tracy in particular could have adapted so brightly to movie-serial form – given that Republic’s adaptation had altered many key elements of Chester Gould’s comic strip. Frank’s lucid reply:
 

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Larry Hama joins G.I. Joe Film, Devils Due loses license

Sure, there have been a lot of recent announcements regarding the live-action G.I. Joe feature film, but they all pale in comparison to this one, folks: Larry Hama, the architect of much of the G.I. Joe mythology for several decades now, will be joining the G.I. Joe film in some capacity!

According to The Latino Review, an announcement is expected later today, but it’s believed that Hama will be a creative consultant for the film.

Hama is well-known for writing the Marvel Comics’ G.I. Joe series that ran for 155 issues (1984-1992). He also wrote the "file cards" on the G.I. Joe action figures produced during that period, and many of the characters are named after Hama’s friends, family and favorite historical figures.

In other G.I. Joe news of note, Devils Due Publishing will not have their contract renewed with Hasbro, owners of the G.I. Joe license.

First reported over at IESB, it’s speculated that Marvel or IDW will receive the license, with IDW the more likely recipient due to their current contract with Hasbro for the Transformers license.

Devils Due was widely regarded as a savior of the G.I. Joe property when they acquired the license in 2001, publishing numerous critically praised stories under the G.I. Joe banner, including the 2006 Snake Eyes: Declassified miniseries.

With the G.I. Joe feature film scheduled for a 2009 release, it appears as if Hasbro is looking to consolidate its film properties with a single publisher, much to the disappointment of G.I. Joe comics fans.

 

Hate, by Dennis O’Neil

Calling movie actors “stars” was appropriate when I was a midwestern lad, long ago, because they seemed as distant and unattainable as those celestial twinklers that speckled the summer sky. None of my friends or relatives were movie stars — they were butchers or clerks or drivers or printers — and what the stars did, acting, wasn’t a real job and so those who did it weren’t real people. They were…stars. But if you knew someone who knew, or at least had spoken to, one of these distant beings who lived in places you never expected to visit, the stars became somehow real — or maybe realer, anyway. They were, if not people, then some sort of demi-people.

Clark Gable was a star. But Rock Hudson was both more and less than a star because I knew a girl who had worked as an extra on one of his films. Julia Adams…heck, she was a person, because she did a personal appearance at the grocery co-op my father belonged to when she was co-starring with Tyrone Power in Mississippi Gambler and people I knew actually saw her in the flesh. And didn’t that make Power a demi-person, too, by association?

Which brings us to Heath Ledger. I was never in a room with him, never saw him on the street, spoke to him on the phone, none of that. But when a heard about his death a few days ago, I felt just a tiny bit worse than I usually feel when someone whose work I admire passes. Why? Mr. Ledger and I lived in two of the same neighborhoods, one in Brooklyn and one in Manhattan, though not at the same time, and my big 2007 project was writing a novel based on the script of a movie Mr. Ledger performs in. Somehow, all this makes me feel a dim and distant connection to him.

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Transformers, Star Trek and Doctor Who: Talking IDW in ’08

How did we love IDW in 2007? Let us count the ways:

  1. The kickoff of their new Star Trek comics

  2. The first collection of Terry and the Pirates strips

  3. The big-screen debut of 30 Days of Night

  4. The announcement that they would be publishing comics based on the BBC series Doctor Who

  5. Transformers, Transformers, Transformers

You know what? We’re probably better off just pointing you to this interview with IDW Publisher Chris Ryall over at ComicBookResources.com, explaining the company’s editorial philosophy and what they have in store for ’08.

Teen Titans’ Jamal Igle Speaks!

teentitans52-3524076Who’s your hero?

Starting today, that’s a question ComicMix is posing to a number of folks inside the comics industry and then sharing the results with you.

DC mainstay Jamal Igle steps up for the first crack at the query with some interesting results. Here’s a hint – his fave isn’t on this Teen Titans cover, but he is INSIDE.

Plus:

  • IDW unleashes their Second Stage for Star Trek!
  • Archie upgrades their web presence in a big way!
  • What comics were big sellers for the holidays? We’ve got your list!

All that and more is just a Button Press away!

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The Happy Optimist, by Mike Gold

 

As I write these words on the final Friday of 2007, I’m already tired of all the “best of” lists on all the media, so I’m going to go in the other direction and point my antennae towards the future. Chipper li’l guy that I am, here’s some of the reasons why I’m looking forward to 2008.
 
• Robert Downey Jr. as Tony Stark in the Iron Man movie. I can’t think of a better casting choice, except maybe for Howard Chaykin – and I’m not sure Chaykin could pull off the moustache thing. Downey’s got the right look, the right attitude… we’ll see if he gets the right screenplay.
 
• The inauguration of ComicMix: Phase Three and ComicMix: Phase Four. Actually, Brian tells us Phase Four might be ready before Phase Three. If so, we’ll probably rename Phase Four Phase Three. I went to school for this, you know.
 
• The end of Campaign 2008. Maybe we’ll get somebody worthy of the job. There’s a better chance of that if we all go out and vote at least once. I suspect I’ll be voting twice, as I once registered in Chicago.
 
• The most amazing and astonishing Munden’s Bar story ever told. With luck, we’ll have it done in 2008. It’ll be worth the wait.
 

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