Tagged: IDW

FORTIER TAKES ON TRASH ‘N’ TREASURES!

ALL PULP REVIEWS- by Ron Fortier

ANTIQUES DISPOSAL
A Trash ‘n’ Treasures Mystery
Barbara Allan
Kensington Books
230 pages

Vivian Borne is an eccentric antiques dealer who lives in Serenity, a small Midwestern  town situated on the banks of the Mississippi river.  She lives with her daughters, Peggy Sue and Brandy.  Together Vivian and Brandy solve murders that in one way or another deal with the business of antiquing.  Which is the simplest way to describe this series, of which this book is the sixth and has been described by other reviewers as being a “cozy” series if anyone really knows exactly what that means.
As a fan of hardboiled detective fiction, I’m assuming “cozy” refers to those mysteries wherein the protagonist is a little old lady ala Agatha Christie’s popular Miss Marple books or the old Angela Landsbury TV show, “Murder She Wrote.”  In other words, not my particular brand of tea; I prefer a headier beverage literature.  Still, every now and then one desires to try something different.  I decided I’d take a chance with “Antiques Disposal.”
It is probably one of the smartest things I’ve done in a while.  Why?  Well simply because the book is so damn funny, I honestly couldn’t put it down.  And the characters!  Oh, my God, is there a more dysfunctional group then the Borne girls?  Remember I said Brandy was Vivian’s youngest daughter?  Well she’s actually Peggy Sue’s daughter.  Yup.  Echoes of “Chinatown.”  You see Peggy Sue got herself “in trouble” as a young, unmarried girl and left her baby with her mother to raise figuring it was best for the child.  Did I mention Vivian suffers from a bi-polar disorder and is on medication?  Never mind that Brandy herself has a daughter….oh, forget it.  Its way too complicated for me to keep track of after only one visit with this eclectic bunch.  The thing is the writing is so clean and precise, even though you haven’t read those first five books  (something I hope to one day correct) the reader just goes with the flow.  There is a charm and decency to these characters that immediately grabbed me and had me caring for them from page one. 
Look, here’s what every true mystery fan knows as a fact, series fail or succeed not on how brilliant the crimes are staged and then solved, but on how appealing and original the heroes are.  Don’t believe me, give this some thought.   Early fans of Sherlock Holmes and Dr. Watson came to demand more stories from Arthur Conan Doyle to read more about them and not the mysteries they dealt with, those became incidental.  The same can be said of every solid mystery series from Sam Spade, to Nero Wolfe and Nate Heller.  In fact one of those famous shamus plays a huge part in this book’s climatic dénouement finale in such a hilarious way, I will not spoil it for you.  It’s just too damn funny.
Okay, if you really need to know the plot, here it is.  Vivian and Brandy go to a storage unit auction, wherein the person who owned the unit stopped paying rental fees on it and the manager is legally free to sell its contents to recoup his or her loses.  These auctions have become very common among antique dealers and I believe there is even a reality show based on the practice.  So our two ladies end up winning the bid, begin transporting the boxed contents to their home and cataloguing them; everything perfectly normal and routine.  Until they return to the storage facility for their second trip and find the manager dead in the now empty unit.  The very next night someone breaks into Vivian’s home, attacks Peggy Sue leaving her unconscious and nearly kill’s Brandy’s loveable little blind poodle, Sushi.
From this point forward, both Vivian and Brandy are on the hunt for the killer and how they go about it so entertaining, pages simply fly by.  Sure, I was playing along and looking for clues too, but honestly, it was the ride I was enjoying to the max.  Bottom line, if all of the Trash ‘n’ Treasures Mysteries are as wonderful as “Antiques Disposal,” then sign me up for the long haul.
Hey, even if you end up not liking the book, did I mention there are recipes for chocolate brownies in it?  Now how can you go wrong with that? 

REVIEW: “Bloom County: The Complete Library, Volume One: 1980-1982” by Berkley Breathed

bloom-county-vol-1-300x231-5139803The erstwhile “Berke” Breathed, who at some point in the last two decades learned what a “berk” was in British slang and decided to extend his professional name, presents one of the most interesting and stark success stories in the history of modern American strip comics: he lept to fame with Bloom County, almost from the moment it launched in 1980. [1] And then he ended that strip in mid-1989 (cementing its role as the quintessentially ’80s strip, for anyone with an axe to grind about that decade), partly for creative reasons and partly for overwork issues, to work on a spin-off, Outland, that never had the wide appeal or impact of its parent, even as it got more Bloom County-ish as it went along.

Every other major strip cartoonist before Breathed had a different reaction to success, creative unrest, and pressures of work: they all corporatized, bringing on gagmen and inkers and ghost pencilers to one degree or another, from the light end of G.B. Trudeau’s Doonesbury (inked by Don Carlton) to the high end of Jim Davis’s Paws, Inc. Garfield empire. But Breathed wanted to do it all all himself, and, if he couldn’t, he didn’t want anyone else to do do anything. So Bloom County remains entirely a product of the ’80s and of Breathed’s youth: exuberant, frenzied, full of more ideas and gags than it quite knows what to do with. (more…)

THE SPIDER GOES EBOOK! ALL OF ALTUS NOW AVAILABLE! DRAMA AND THE GREEN LAMA AND MORE!

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January 27, 2012
 
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NEW Radio Set: Claudia, Volume 7
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Soap Operas in the heyday of Radio were very similar to one another. For the most part, their content was predictable, but deeply engrossing. Soap operas played on the apparent human need for intrigue, insider knowledge, gossip, and the satisfaction that comes from knowing that, no matter how tedious or dull or awful your life is, someone out there has it much worse than you do.
 
But, in 1947, a new soap opera debuted that was far different – far more quiet and gentle and down-to-earth – than its strife-ridden forbears. This show brought listeners more than the ‘tune in tomorrow’ hooks its peers produced. Listeners tuned in day after day for the interesting, fully developed characters, the light-hearted banter between them, and the familiarity of their day-to-day situations. This soap opera, probably more of a light drama in modern terms, is “Claudia.”

“Claudia” told the tale of Claudia and David Naughton, newlyweds, just beginning their married life. Young, enthusiastic, and very much in love, they weren’t suffering from any medical maladies or suspicions of infidelity. Instead, they were simply facing the many challenges of any new marriage – finding an apartment, getting used to each other’s quirks, and learning to live together on a daily basis. Claudia, a bit younger than her years, is often impulsive, sometimes irresponsible, usually perky, and just a bit flighty. As she matures, she becomes a unique mixture of enthusiasm, incompetence and over-confidence — deeply in love with her somewhat older husband David but frequently naive and too likely to trust her insecurities rather than her instincts.
Heard today, “Claudia” remains wonderful entertainment, notable for both its lighthearted tone and the believable interplay between its characters. In a feat that is rare where old time radio is concerned, Radio Archives has been able to locate and preserve the entire eighteen-month run of “Claudia” – 390 episodes in all – with no missing shows, allowing you to enjoy the complete series on a day-by-day basis. This collection offers 24 episodes of “Claudia” and marks the midway point of the remaining volumes. Claudia, Volume 7 and the series as a whole are a real treasure for radio enthusiasts to enjoy for many years to come and are available today from Radio Archives! Six hours on Audio CDs for $17.98.

by Tommy Hancock
 

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Old Time Radio is responsible for at least the longevity of so many character types that the public have enjoyed for decades and still today. One of those is the brassy Brooklyn dame who while seeming ditzy to some, actually brings a bit of her own wisdom of the world to every predicament she finds herself in, of which there are many. If you haven’t guessed it, I’ve just described one Maisie Revere, often out of work entertainer and just as often consistent entertainment as the heroine of The Adventures of Maisie.
 
Portrayed by Ann Sothern, MGM starlet and the originator of the Maisie role in a series of high grade B movies for the studio, Maisie came to life on the radio waves in 1949. Although this is actually the second series to feature the character, it’s the only series of which any episodes are known to exist.
 
From the cracker jack opening of Maisie’s heels clicking, a man asking her “Hiya babe! Say, how ’bout-“ and a slap and Maisie saying, “Does that answer your question, buddy?” the stage is set in each episode for Sothern to play brassy and funny to the hilt. And she does this with a style and a sort of rough grace that adds credence to the character. Maisie sounds and moves within each episode as you would expect a girl from Brooklyn who finds herself in non-Brooklyn type situations constantly to sound and move. And although, by her own account, Maisie may not be the highest limb on the tree intellectually, her view of the world around her and how those she encounters mistakenly see things is simultaneously hilarious, refreshing, and enlightening.
 
On so many levels, “The Adventures of Maisie” is most definitely a comedy, leaning heavily toward screwball in a few of the episodes on this collection. But something else manifests from the crucible of mixing Sothern’s acting and dead on voice with the skill of the writers and the quirky plots of this show. Whether Maisie is having to work off rent as a hotel clerk and mistakenly rents a room to phony royalty or pretends to be a lady herself and almost nabs her a Lord all her own or rooks a snobby diva out of her stylish clothes by convincing her she’s a near dowager, there is something that comes out of each episode more than guffaws and giggles.
 
Played with that street rough, yet simplistic delivery Sothern brings to the role, Maisie Revere delivers quite a bit of Brooklyn spun philosophy as she stumbles in and out of trouble. You don’t have to listen hard to hear her ideas on rich people, authority, and even her own place in the crazy world she lives in. This adds a distinct appeal to the show as a whole, making it not only a solid old time radio comedy, but also something with a bit of insightful veritas to it as well.
 
The Adventures of Maisie, Volume 1 is definitely a comedy worth having in your collection and one that is one step above the ‘lighter fare’ of its audio peers. Available today from Radio Archives, 10 hours of Maisie on Audio CDs for $29.98.
 
 
Radio Archives always strives to be the best and continually improve our products. We embarked on a massive project two years ago to update the artwork for the 200 Old Time Radio CD sets available.
 
This project is now complete and all orders are now shipping with the newest artwork. Take a look at the Covers which we upgraded this week.
 
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Radio Archives wants to share its excitement with YOU! From now until February 29th, 2012, you can add any of the new artwork for Radio Archives sets you already own to your collection for absolutely FREE with your next order! Add to the experience of the programs you already enjoy with these creative pieces of art!
 
The process to upgrade your Radio Archives covers is simple! First, search the Radio Archives website to find the set you own. Then copy the Product Description. As an example, the Product Description would look like this:
Mystery Is My Hobby – 10 hours [Audio CDs] #RA132
 
You then paste the Product Descriptions of all the sets you want updated into the comments section of your next order. The artwork will be sent free of charge along with your order!
 
This offer expires on February 29th and artwork can only be provided for products currently offered on RadioArchives.com. Radio Archives appreciates your business and wants you to have the newest Cover Artwork so that you have the best quality product, both inside and out!
 
 
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A more unlikely multi-media success than the jade-robed Buddhist monk who fought crime under the nom de guerre of The Green Lama would be hard to imagine.
 
Conceived in 1939 at the behest of the editors of Munsey Publications to compete with the juggernaut that The Shadow had become in print, on radio and in film, The Green Lama was the creation of writer Kendall Foster Crossen, who was asked to think up a hero who could lure mystery-minded readers away from The Shadow’s loyal legion of followers. Inspired by a Columbia University student named Theos Casimir Barnard, who had journeyed to far-off Tibet to plumb the occult mysteries of Lamaism, Crossen concocted millionaire Jethro Dumont, who did the same.
 
It was an outlandish concept. While The Shadow possessed the power to cloud men’s minds after his time in the East, The Green Lama relied on other, even weirder, powers—including the ability to become radioactive and electrically shock opponents into submission! He carried a traditional scarf, which he employed to bind and befuddle opponents and possessed a knowledge of vulnerable nerve centers which he put to good use in hand-and-hand combat. Being a practicing Buddhist, it would not do to pack a pair of .45 automatics a la The Shadow!
 
Writing as Richard Foster, Crossen produced The Case of the Crimson Hand, which was published in the April, 1940 Double Detective under the equally colorful title, The Green Lama. That first installment raised the magazine’s circulation several notches. Amazingly, the Lama was a hit. Thirteen additional stories followed over the next four years, with provocative titles like The Case of the Hollywood Ghost and Babies for Sale. Assistants ranging from ordinary Manhattanites to a professional magician came and went with every adventure, which often involved emerging super-criminals and Fifth Column menaces.
 
RadioArchives.com has selected The Green Lama to be the first 2012 release in its acclaimed Will Murray Pulp Classics line of audiobooks. His first case and its sequel, Croesus of Murder, are presented in one set, voiced by the talented Michael McConnohie. Thus, the hero of a dozen different incarnations has found a new world to conquer! You’ll never encounter another hero anything like him. Om Mani Padme Hum! The Green Lama knows! Will Murray’s Audio Pulp Classics #5 The Green Lama is available now!
 
The Green Lama, by Kendell Foster Crossen, first appeared in the April 1940 issue of Double-Detective magazine. Copyright © 1940 by The Red Star News Company. Copyright renewed © 1968 and assigned to Argosy Communications, Inc. All Rights Reserved. “The Green Lama” is a trademark controlled by Argosy Communications, Inc. Produced by arrangement with Argosy Communications, Inc.
 
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Being both a Doc Savage fan from way back (I bought my first Doc Savage Bantam paperback back in the 1970’s) as well as a fan of Old Time Radio I was more than eager to check out the audiobook PYTHON ISLE. And I was not disappointed. Channeling the spirit of Lester Dent/Kenneth Robeson, Will Murray wonderfully captures the relentless sprint of headlong excitement that I feel is essential to a Doc Savage adventure.
 
PYTHON ISLE is based on an actual outline written by Lester Dent back in the 1930’s but rejected for reasons that are explained by Will Murray himself in one of two extra interviews where he explains how he found the outline and turned it into a finished novel. It’s an added bonus to an already entertaining package.
 
Like the best of any Doc Savage adventure, PYTHON ISLE begins with a situation that immediately promises this is going to be a humdinger of a supersaga. A gang of ruthless diamond smugglers catches sight of a plane crash landing into the water near their ship. At first fearing it’s the law, they quickly mount a rescue upon seeing that the plane has been repaired with gold plating. There are only two passengers aboard. A man carrying a bamboo tube sealed at both ends and an astoundingly beautiful woman who speaks no language anybody can understand. Both are dressed in clothes that haven’t been worn since Biblical times. The man has but a single objective in mind: find Doc Savage. And we need no more to get the adventure started.
 
As always, my opinion of an audiobook depends mainly on the voice I’m listening to. If the voice is boring and puts me to sleep, what difference does it make how terrific the story is? I’m delighted to say the voice of Michael McConnohie is anything but boring. He doesn’t just read the story, he performs it and I’m simply flabbergasted by the diversity and range of his voice. In passages where there are two or three different characters talking it actually sounds as if there are distinct and separate voices talking to each other. In addition, his straight reading of description sounds more like the narration of a genuine old time radio drama than just a reading of the text. It’s wonderful to listen to.
 
So should you listen to PYTHON ISLE? Absolutely. If you’re a Doc Savage fan there’s no way that you cannot have this in your collection. And if you have a friend you want to turn onto Doc Savage, pulp adventure or audiobooks, this is an excellent way to do so.
 
 
 
NEW Product Line: Pulp eBooks
 

A growing leader in providing Pulp Fiction in a variety of forms to modern fans, Radio Archives adds one more line to its ever growing number of Pulp Products! Will Murray’s Pulp Classics, already known for fantastic audio book versions of Classic Pulp tales now also features eBooks! Will Murray’s Pulp Classic eBook line will spotlight original Pulp characters in their original tales from the Golden Age of Pulp Fiction! This exciting new line debuts with four stories of Norvell Page’s Master of Men himself – The Spider!
 
Thanks to the modern technology of digital publishing and eBooks, collectors and fans can experience stories from the original Pulps of the early 20th Century in an easy, affordable fashion. Referred to by some as ‘today’s pulp,’ eBooks are similar to Pulp magazines in the sense that digital eBooks, like their Pulp counterparts were, can be easily and inexpensively produced and sold to customers! Add to that the absolute top quality production that Radio Archives brings to this project and Will Murray’s Pulp Classic eBooks are a must have for every fan from the novice to the hardcore Pulp Collector!
 
Will Murray’s Pulp Classic eBooks are available now for only $2.99! And not only do you get the eBook for that fantastic price, but you get it in THREE different formats. With the ever evolving technology of today, Radio Archives recognizes that readers may have different devices that read different eBook files and may change devices as well. To this end, each Will Murray Pulp Classic eBook will be delivered to you as a .mobi file, an .epub file, and a PDF, making the eBook readable on The Kindle, iPad, The Nook, and most e-readers, computers, and smart phones!
 

The four titles kicking off the eBook line feature The Spider, the vengeful vigilante from the past that lives as a Pulp icon today! Each eBook contains the tale as originally written when it appeared as well as an introduction from Will Murray to acquaint readers with the character they’re going to encounter as well as original cover art!
 
 

 
New Spider titles will be released every two weeks, as well as surprises yet to come!
 
With the addition of The Spider eBooks, The Pulp Book Store is quickly becoming the best place to find everything Spider. From audio books by Radio Archives to exquisite Pulp reprints and replicas from Girasol Collectables and new tales of the Spider from Moonstone Books, The Master of Men is alive and well in The Pulp Book Store!
 
Stay tuned, Pulp fans, for the best in Pulp eBooks from Will Murray’s Pulp Classics and Radio Archives!
 
 
 
 
 
 
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Horror in Gold, a brand new Doc Savage novel written by prolific pulp veteran Will Murray, has been released by Altus Press. Set in 1936 Manhattan, the story opens with an inexplicable wave of human detonations that brings legendary scientist-adventurer Doc Savage into the investigation to confront a strange new type of terrorism.
 
Murray, who won acclaim for his tenure ghostwriting Warren Murphy and Richard Sapir’s Destroyer action-adventure series and his works of original fiction and pop culture history, knows his subject well.
 
The Wild Adventures of Doc Savage is a continuation of the well-received novels he wrote for Bantam Books back in the 1990s, which he worked on with Doc Savage’s creator and original writer, the late Lester Dent.
 
These new posthumous collaborations will be published under the familiar pen name of Kenneth Robeson.
 
“Horror in Gold is a CSI-style Doc Savage story,” Murray said. “Most of the action takes place in and around Doc’s skyscraper headquarters, which we see in more detail than ever before. With ordinary Gothamites falling victim to the most grisly murder method ever recorded, Doc spends a lot of time in the city morgue and in his super-scientific laboratory assembling the pieces of the puzzle. In between, the action never stops, as Doc and his men race to prevent an escalating tragedy—culminating in an explosive climax around a dormant Alaskan volcano which shouldn’t be rumbling to life, but is!”
 
The author hasn’t strayed far from Dent for the basis of this new tale.
 
“This story is based on an unused Doc Savage plot Lester Dent wrote in 1935, but was considered too visceral to be published in the pages of Doc Savage Magazine back then. To live up to its potential, I wrote the most jaw-dropping opening chapter of my 50-novel career. I introduce one of the most vicious super-criminals in pulp history, The Alchemist, and a half-forgotten member of the original Doc Savage cast returns after an absence of almost 80 years,” he said. Buy this NEW 330 page Doc Savage novel in trade paperback today for only $24.95. The cover is a beautiful Doc Savage oil painting by the talented Joe DeVito.
 
 
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With the addition of 31 new titles from Altus Press, the prolific Pulp reprint publisher’s entire catalogue is now available from the Pulp Book Store.
 
One of the leaders in Pulp today, Altus Press provides the reading public with top of the line reprints as well as professionally designed collections, comprehensive Pulp academic works, and new material, including The Wild Adventures of Doc Savage written by author Will Murray.
 
From new adventures of Doc Savage to reprints of classic Pulp characters like the Black Bat and even more obscure creations such as Armless O’Neill and Senorita Scorpion, Altus Press has something to offer every Pulp reader!
 
Altus Press answers the needs of a growing fan base for Pulp, readers finding something in these classic stories that appeal to modern sensibilities. The company takes its overall mission very seriously-to produce the best quality product possible. And every single title, close to 100 top of the line collections, novels, and other works, from Altus Press is now featured in the Pulp Book Store!
 

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The Knight of Darkness battles evil supercriminals in two action-packed pulp novels by Walter Gibson writing as “Maxwell Grant.” First, in a never-reprinted 1932 epic, The Shadow seeks to unmask The Five Chameleons, master villains whose uncanny ability to blend with their surroundings rivals his own. Then, the Dark Avenger feels the savage sting of The Wasp in his first confrontation with one of his deadliest foes. This double-novel reprints the classic cover paintings by George Rozen and Graves Gladney and the original interior illustrations by Tom Lovell and Earl Mayan, with historical articles by Will Murray. Get it now for $14.95!
 
The pulp era’s greatest superman returns in two classic pulp thrillers by Lester Dent writing as “Kenneth Robeson.” First, Doc and Patricia Savage enter an Arctic abyss where dinosaurs and prehistoric humans survive, and race against Japanese agents to uncover the secret of The Time Terror that could change the outcome of the war. Then, a series of crimes committed by “graduates” of the Man of Bronze’s Crime College threaten to destroy Doc’s reputation. What is the sinister secret of The Talking Devil? This special collectors edition showcases both color pulp covers by Emery Clarke, Paul Orban’s classic interior illustrations and historical commentary by Will Murray, writer of eight Doc Savage novels. Yours for only $14.95!
 
 
The double life of Police Commissioner James Gordon is explored in a pair of two-fisted thrillers that inspired classic Batman stories! First, The Whisperer goes undercover to close down a “School for Murder” that prepares teenagers for criminal careers! Then, Wildcat Gordon investigates corruption in the trucking industry in “Murder on the Line.” BONUS: an adventure of Norgil the Magician by The Shadow’s Maxwell Grant! This historic collector’s item showcases both original color pulp covers by Spider artist John Newton Howitt, classic interior illustrations by Paul Orban and golden-age great Creig Flessel, and historical commentary by Will Murray and Anthony Tollin. Now at Radio Archives for $14.95!

Pulp fiction’s legendary Master of Men returns in two classic novels from the Golden Age of Pulp Fiction, written by Norvell Page under the pseudonym of Grant Stockbridge. First, in “Overlord of the Damned” (October 1935), the Boss unleashes horrible death with his demonic acid guns… with a vat of the same deadly corrosive reserved for those who talk too much! With his beloved Nita van Sloan a hostage to a terrible doom, the Spider faces the soul-tearing prospect of planting the Spider seal on his friend Stanley Kirkpatrick, Commissioner of Police! Then, in “Dictator’s Death Merchants!” (July 1940), The jaws of death gape open when El Crocodilo feasts! With uncanny skill, he forestalls even the Spider’s best attempts to trap him. Striking without mercy, this menace from the past rises anew by demolishing a banking institution each night, in a mad scheme to take control of nothing less than all of America’s finances! This volume is available in two editions and features the original artwork from the October 1935 or the July 1940 edition of “The Spider” magazine. Both versions feature reformatted text and original interior illustrations to accompany each story. Available now for $14.95!
 
 
 
 

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On the hunt for quality Pulp Fiction, both classic and new? In search of great prices? Then dig into the Treasure Chest, exclusively featuring products for the Pulp Book Store! Just click on the Treasure Chest on the Pulp Book Store Page and you’ll find fantastic monthly discounts on an everchanging variety of items from our various stores! From everyone from the avid Pulp Fan to the casual reader, the Treasure Chest offers great deals on wonderful products from The Pulp Book Store!
artsippo-2836781Review of “Brand of the Werewolf” from Doc Savage, Volume 13

By Dr Art Sippo

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Doc Savage and his crew travel to Canada to visit his only known living relatives: his Uncle Alex Savage and his cousin Patricia.
 
On the train, Doc receives a message from his uncle telling him to stay away. He leaves the cabin to investigate leaving his crew there. While he is gone, his men are stricken with unexplained unconsciousness. When Doc returns to the cabin he finds them and emblazoned on the wall is a hideous face that is a cross between a man and a wolf. The Brand of the Werewolf!
 
When they arrive at the Savage ranch they discover that Alex Savage has been murdered after the alleged message had been sent. The ranch is under attack by local thugs and mysterious forces that the local people attribute to the loup-garou a half-man/half-wolf monster. He moves among the inhabitance with impunity using his powers to subdue them and then kill them at will.
 
Meanwhile Patricia Savage has taken charge of the ranch. She is also guarding a mysterious Ivory cube that belonged to her father which the thugs have been trying to steal from her father and now from her. Pat is a tall striking woman with bronze colored hair like her cousin’s, who is mentally and physically strong enough to fight to defend her property. But as her superstitious ranch hands desert her, she cannot hold out against the enemies ranged against her.
 
Enter Doc Savage and his crew of adventurers. Now the odds are more even, but can even they defy the power of the Werewolf? With his entire physical and mental prowess, can Doc Savage defeat a supernatural monster?
 
This was the story that introduced Patricia Savage as a recurring character in the Doc Savage series. It was the most popular story in the original Bantam reprints form the 1960s and remains a fan favorite. This is a classic story from the golden age of the 1930s. And it along with another Doc Savage classic can be yours in Doc Savage Volume 13 for $12.95 from Radio Archives!
 

Comments From Our Customers!
 
Joseph (Joe) Cierniak

I have ordered from RadioArchives in the past and have nothing but praise the for merchandise’s quality and great customer service response. Ah, you guys do business just as it was done in my younger days. It was called trust. I’m not against (positive ) change but how many companies out there today would ship an item(s) and trust the purchaser to pay the bill. Not many. Thanks again. Received my order in today’s mail for Volume 2 of Suspense. Wow, what service!
 
Jim McCuaig:
Great quality, folks – a pleasure to be able to hear these shows like they sounded when they were new.
 
Tom C. Miller:
Just wanted to thank you for the prompt shipping of my last order. Your record time in attempting to ship same day as ordered is much appreciated..
 
If you’d like to share a comment with us or if you have a question or a suggestion send an email to Service@RadioArchives.com. We’d love to hear from you!
 

The products you’ve read about in this newsletter are just a small fraction of what you’ll find waiting for you at RadioArchives.com. Whether it’s the sparkling audio fidelity of our classic radio collections, the excitement of our new line of audiobooks, or the timeless novels of the pulp heroes, you’ll find hundreds of intriguing items at RadioArchives.com.
 
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Martheus Wade on Ninjas, Fate and Free Will

I fell in love with Martheus Wade’s work when I visited his website.  The series Jetta:  Tales of the Toshigawa at first glance just looks like superhot ninja babes battling, which while in itself is a fun guilty pleasure, the book is deep
Shianndrea Toshigawa, codenamed Jetta is the chosen one.  She is the one that has to beat Terminus and his demonic horde.  To make matters interesting, Terminus is her father but perhaps the clincher for me is that the last thing Jetta and she doesn’t want to be that person. 
Questions of free will and fate, the natural conflicts of wanting to be your own person over being a person you’re supposed to be is just an intriguing story to tell.  There is a depth and sophistication to the graphic novel that engages in ways few stories dare to tread. 
Martheus Wade has written a tale nearly as engaging as he is.  We discuss Jetta, and his other series Turra – Gun Angel as well as some of life’s great questions.
All Pulp:   How did you get into comics? Who were your influences?
Martheus Wade:  I got into comics when I was really young. Comics were my gateway into reading when I was a kid. It was also my gateway into art itself.   George Perez, Masamune Shirow, Jim Lee, Marc Silvestri, Adam Hughes and Adam Warren were all huge influences on me. But also early on, animation really guided my artistic eye. Anime was a heavy influence on me. Speed Racer, Voltron, Robotech. Tranzor Z. It all made me stop and take real notice.

AP: Tell me a little about Jetta: Tales of the Toshigawa. What’s it all about?
MW:  Jetta: Tales of the Toshighawa is my creator owned graphic novel series that centers on Shianndrea Toshigawa. Code named “Jetta”, she is the chosen one of the Toshigawa ninja clan who is meant to defend the world from the demonic army known as the Knave. The leader of the Knave is the godlike Terminus, Emperor of Japan and the father of Jetta. In order to defeat this demon army, Jetta has been forced to leave her family and friends in order to train for the day she will be forced to face her father in combat. However, she only wants to lead a normal life away from the clan and far from any prophesied destiny.
But, she is always forced back into a fight that she does not want; fight where friends die and her hope for happiness continues to slip away.
The story is full of martial arts action. Jetta is a super powered  ninja that learns to use new and exciting powers almost every volume. She also has to deal with her on-again off-again relationship with her fellow ninja, Kim Shibata. The two of them have polar opposite ideas of what they should hold important in their lives. Kim is very much into his duty and believes in fate while Jetta believes in free will.
Even though they love each other deeply, their butting heads has dire consequences. The story also revolves around Turra Shibata, Jetta’s best friend and Kim’s sister.
Turra has rejected the ways of the Toshigawa and has gone off on her own. As the “Black sheep” of the clan, Turra is happy living her own life away from her duty. However, things take a turn when she is
forced back into action. The theme of fate verse free will runs throughout the series.
AP: To date, what is your favorite scene in Jetta?
MW: There are a couple of scenes. One scene is in Jetta: Tales of the Toshigawa – Revelations when Jetta confronts her father, Terminus for the first time in the bullet train station. This is the first time that Terminus is seen as the all powerful character that he is. Another of my favorites is a slower scene from Jetta: Tales of the Toshigawa – Defiance where Jetta is on a date with her new boyfriend, Dan, and the two are talking about their outlook on life and what they want out of it. Still another scene in Jetta: Tales of the Toshigawa – Rain is when Turra sees her father for the first time in over a year just before he dies. There are so many great moments in this series. It’s really hard to try to pick only a few.
AP:  What is it about fate and free will that fascinate you?

MW: That battle between fate verses free will has always been a very real conflict in my own head. As a creative person, there have been moments in my career (as well as personal life) where I found myself working upstream. When I let go and went with the flow, things seemed to work out with less of a struggle. However, doing so meant that I had to let go of preconceived notions of where I should be or what I should be doing. My life and career took turns that I hadn’t thought of before and I ended up a completely different person than I thought I would be.
Is that “fate”? I would think so. I don’t have all of the answers to that. However, in realizing that it could be fate, I also realized that the life I wanted to lead when I was younger was not the life I was supposed to lead. That’s a hard pill to swallow and (whether it’s right or wrong) I still struggle with that concept on many different things. I want to believe in free will. I want the ability to say that, “If I walk out this door and put my best foot forward, I will get to where I’m intending to go”. But, as we know, that’s not always the case.

This is the basic idea of Jetta: Tales of the Toshigawa. Through all of the attractive women, the martial arts action and scifi, the story is about Fate verses Free will.

AP:  Would you have been happy with the life you wanted?  They that the grass is always greener on the other side…
MW: That’s a good question. I don’t know. There would have been so many things that would be vastly different. Not better, just different. There are a lot of things that would change like my family that I could not envision living without now. Knowing me, if things did go exactly as I planned, I would still feel like something was missing.

 AP: Is it too early to ask you about Turra: Gun Angel?

MW: Absolutely not. Turra: Gun Angel – Bombs and Betrayal is a spin-off graphic novel that takes place in the Toshigawa universe. The lead character is Turra Shibata. She is the sword sister to Jetta and fellow Toshigawa ninja.
In Jetta: Tales of the Toshigawa – Rain (The second book in the Toshigawa series), Turra gets her own assignment and is ordered to return to Japan in order to help organize the splintered ninja clan. But when she gets home, she quickly finds that she on the most wanted lists of, not only the Knave, but the police, the Yakuza and a rival ninja clan. All of this and she still has to deal with her boyfriend, Cyan, and his wandering eyes.

Bombs and Betrayal is a bit lighter than the main Jetta series. Turra, as a character, is a lot more relaxed than her sword sister. She is a lot more comfortable with being an attractive ninja bad ass. In the
main Toshigawa story, she was a bit of a wildcard and this story has more tongue in cheek comedy because of the interaction of the characters involved. Cat (one of the main characters of the series and
this spin-off story) is an African American kickboxer who finds himself faced with culture shock when he makes it to Japan. Cyan is a charismatic pyrotechnic who flirts with other women just to get under
Turra’s skin. And Nica, is a young Toshigawa ninja who is just learning the ropes and idolizes the “legend” that Turra has become.

However, the story is still a serious one and Turra finds herself faced with the difficult task of being called upon by duty to lead this ragtag group in hopes of saving the Toshigawa clan from certain death. It’s a fun read and ties perfectly into the main graphic novels.

AP: Anything else forthcoming we can look forward to?
MW: There is a HUGE announcement and a sort of partnership that will be revealed coming up really soon that I wish I could spill the beans on. That will be hitting in the next month or so. I am also working with Sean Taylor (writer for IDW) on the further adventures of Turra Shibata. The first issue of the miniseries will be out later in 2012. The next Jetta GN will be out at the end of 2012 and marks the end of this story arc. It also closes this chapter on Jetta’s life so I’m excited (and a little saddened) to see what readers think of the close of our story.
AP:  You get the final say here.  Plug your books.  Where can I find them.
MW: All of our books are found at www.toshigawa.com. That is where we have every book on sale as well as art prints and specialty items. Right now, we have two new books that are available, Turra: Bombs and Betrayal and Jetta: Tales of the Toshigawa -Full Circle. These books intertwine these two beautiful ninja into two halfs of the same coin! Seamlessly follow Turra’s adventures and see where and how they effect the greater Toshigawa Universe in Full Circle. We are offering these two books together in one pack. For a limited time only ( as an added added bonus ) if you grab Jetta: Tales of the Toshigawa – Full Circle and Turra: Bombs and Betrayal together in this Ultimate Combo pack, I provide a free sketch of one of the characters in the series. That’s over 150 pages of action packed content plus a free sketch. I invite everyone to try these books and I can assure you that you will not be disappointed.
Also you can follow us on facebook under MAW Productions. Join our page and every friday at 9:00 pm, we have a live chat where the other creators and myself get together and talk about the Toshigawa Universe of characters, the comic book industry, and entertainment in general. It’s a lot of fun and I hope you join us!
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NYCC PULP PANEL TAKES CENTER STAGE!

FOR IMMEDIATE RELEASE
Pulp Panel at New York Comic Con
Leading voices of Pulp Fiction Gather

New York, NY (October 4, 2011) The leading voices of Pulp Fiction will gather at New York Comic Con for an examination of a unique American genre; Pulp Fiction. This Panel will explore the roots of pulp and look forward to the exciting efforts of today and tomorrow in comics, prose, e-books, audiobooks and recorded drama.

Panelists include: Nick Barrucci, Publisher of Dynamite Comics (The Shadow, The Spider), Greg Goldstein, COO of IDW (The Rocketeer), author and historian Will Murray (Doc Savage’s Wild Adventures), historian Anthony Tollin (Reprinting classics via Nostalgia Ventures), Mark Tepper (CEO Radio Spirits), Wade Hosth (Pulp Historian) Mark Halegua (Pulp1st), author Jim Beard (Fourteen Miles to Gotham City) and author Adam Garcia (Green Lama).

Bonfire Agency’s Ed Catto will moderate the panel.

“We’re expecting a robust discussion celebrating everything new and fresh about this unique genre. And we’re also planning on giving away a plethora of free prizes to panel attendees,” said Ed Catto.

The Panel is scheduled for Sunday, October 16, 2011 from 1:30 to 2:30 in Room 1A02 of the Jacob K. Javits Convention Center at 655 West 34th Street in Midtown Manhattan.

The event is open to all registered attendees of the New York Comic Con, space permitting, and has been made possible by special arrangement with Ghost Light Films, Inc., Reed POP and Bonfire Agency, LLC.

# # #

About Bonfire Agency LLC
Bonfire Agency LLC is the marketing community’s first advertising and promotional agency specializing in helping brands reach and deepen connections with highly influential, but difficult to engage, pop culture consumers. This demo, labeled by some as geek or comic culture, is comprised of incredibly passionate, tribe-wired fans of everything from comic books, video games and action films to underground music, sci-fi inspired television and cutting edge adult comedy. Bonfire’s mission is to find ways to build relevant bridges between brands and a diverse audience of consumers that just might become their most effective advocates. The agency was founded in January 2011 by marketing veterans and pop culture specialists Steve Rotterdam (former Senior Vice President of Sales & Marketing at TimeWarner’s DC Comics) and Ed Catto (former Senior Vice President at Ogilvy and Reed Exhibitions). For more information, visit www.BonfireAgency.com.

About ReedPop
ReedPOP is a boutique group within Reed Exhibitions that is exclusively devoted to organizing events, launching and acquiring new shows, and partnering with premium brands in the pop culture arena. ReedPOP is dedicated to producing celebrations of popular culture throughout the world that transcend ordinary events by providing unique access and dynamic personal experiences for consumers and fans. The ReedPOP portfolio includes: New York Comic Con (NYCC), Chicago Comic and Entertainment Expo (C2E2), Penny Arcade Expo (PAX) East & West, Star Wars Celebration V, New York Anime Festival (NYAF), and UFC Fan Expo. The staff at ReedPOP is a fan based group of professionals producing shows for other fans, thus making them uniquely qualified to service those with whom they share a common passion. ReedPOP is focused on bringing its expertise and knowledge to world communities in North America, South America, Asia and Europe.

Here are your 2011 Harvey Award nominees

harvey_winner_logo-300x294-4733029Well, we know who we’re voting for and ComicMix will be on hand, covering events and news happening at next month’s Baltimore Comic-Con.

BALTIMORE, MD (July 5, 2011) — The 2011 Harvey Awards Nominees have been announced with the release of the final ballot, presented by the Executive Committees of the Harvey Awards and the Baltimore Comic-Con.  Named in honor of the late Harvey Kurtzman, one of the industry’s most innovative talents, the Harvey Awards recognize outstanding work in comics and sequential art. They will be presented August 20, 2011 in Baltimore, MD, in conjunction with the Baltimore Comic-Con.

Nominations for the Harvey Awards are selected exclusively by creators – those who write, draw, ink, letter, color, design, edit or are otherwise involved in a creative capacity in the comics field.  They are the only industry awards both nominated and selected by the full body of comic book professionals.  Thank you to all that have already participated by submitting a nomination ballot.

Final ballots are due to the Harvey Awards by Saturday, August 6, 2011.  Full details for submission of completed ballots can be found on the final ballot.  Voting is open to anyone professionally involved in a creative capacity within the comics field.  Final ballots are available for download at www.harveyawards.org.  Those without Internet access may request that paper ballots be sent to them via mail or fax by calling the Baltimore Comic-Con (410-526-7410) or e-mailing baltimorecomiccon@yahoo.com.

This will be the sixth year for the Harvey Awards in Baltimore, MD.  Our Master of Ceremonies this year for the 3rd year in a row will be Scott Kurtz (www.pvponline.com).

This year’s Baltimore Comic-Con will be held August 20-21, 2011.  The ceremony and banquet for the 2011 Harvey Awards will be held Saturday night, August 20.

Without further delay, the 2011 Harvey Award Nominees: (more…)

MOONSTONE MONDAY-CLIFFHANGER FICTION, CHICKS IN CAPE PART TWO!

MOONSTONE CLIFFHANGER FICTION

This week we bring you the second half of a SUPER HEROINE story appearing in the recently released Moonstone collection, CHICKS IN CAPES!  The staff behind this project, from editors through the writers, artists, and all others involved are women and put together not only super hero fiction from a feminine perspective, but also produce some of the best action, drama, and adventure you’ve read anywhere in a long time!  Enjoy Elaine Lee’s tale, MISCHIEF, this week on CLIFFHANGER FICTION!

PART TWO
“The road to hell is paved with good intentions,” Mischief mumbled, thinking mainly, but not entirely, of the vow she’d made to confess all to Theo.
Now the SUV was weaving in and out of the oncoming lane, as though thinking about passing, then thinking better of it. There were too many curves in the road, hills and dense foliage, so the occasional car appeared from the fog, seemingly out of nowhere, making the prospect of passing on a double-yellow line a daunting prospect even for this guy.
But the jerk kept thinking about it.
She fantasized allowing herself to die in a fiery crash. Who would even miss her?
Okay, maybe the tabloids would miss her. The fat photo taken at the Empire State Building that was splashed across the cover of the National Pursuer under the clever headline MUCHO MISCHIEF should have taken the all-time record for embarrassing moments. Should have. But that was not the worst of it. And it did get worse. Lots worse.
“Where am I?” Wendy asked, coming to in her own bed.
“You don’t know?” Theo said, answering a question with a question, though it sounded as though he were being rhetorical, so she didn’t bother to answer.
Instead, she felt gingerly for the source of her monster headache. It was a lump the size of an eggplant just behind her left temple. Closing her eyes and engaging Mischief’s power, Wendy slightly reduced the swelling in the lump, and the throbbing calmed a bit.
“How… how did I get here?”
“Two weird guys brought you here,” Theo said. “One of them was glowing purple all over and the other one needs to call his doctor, because he’s definitely had an erection for more than four hours. And, oh yeah, he said he was your ex-boyfriend and, oh yeah, so did the purple guy. But I don’t think that could possibly be true because you’ve never said a word about the fact you were involved with two different guys who run around in Spandex fighting crime.”
Here Theo stopped and made the same face he made whenever she’d drunk the last beer; eyes very large, lips very thin, disappointment strained through a filter of disapproval.
“Is there anything else you’d like to tell me?” he asked, sounding not at all rhetorical.
“I was going to tell you,” Wendy started.
“When?” Theo said. “After I had moved in?”
“I guess so, since you’re, you know…” Wendy fumbled, “… pretty much in already.”
“What does that mean?”
“Awww, come on Theo!”
“No, what is that supposed to mean?”
“Your clothes are here, your bicycle’s here, your toothbrush is here…”
“I have a lot more stuff than that.”
“Are you talking about that box of records at Zach’s place? Because, once that box makes the trip here, that’s pretty much it.”
After a long pause for drama, Theo said quietly, “I’m not the one with a secret identity that I kept secret from you, so how did all of this become about me?”
Wendy took a deep breath and tried not to say what she was thinking, which was “It’s always about you.” Instead, she sat up in bed and realized, for the first time, that she was naked.
“Crap,” Wendy said, beginning to remember.
“Tell me about it,” Theo said.
He stood up and, holding his laptop, walked over to the bed.
“Here. You may want to look at these,” he said, handing her the computer.
“They started appearing online just before your friends showed up.”
The pictures were truly shudder-worthy: Mischief and a visibly excited Amp on the rooftop, Mischief falling through the air in what appeared to be an embrace with Amp, incredibly fat Mischief in a tangle with Amp, Mischief pointing her breasts at The Vibe in a provocative manner, and, finally, a series of at least eighteen photos of Mischief transforming into naked Wendy while seeming to writhe on the ground in some sort of ecstatic state, breasts large, then small, the really large, then tiny. Even more shudder-worthy was the fact that Theo had collected, arranged and rearranged these images into a photo story, then posted it in an album on his Facebook page labeled: “50 Things You’d Never Expect to See Your Girlfriend Do.”
“I guess I should say thanks for covering the, um… naughty bits with little black bars,” Wendy offered.
“I didn’t want to get kicked off Facebook,” Theo replied.
“So, I guess this means we’re breaking up,” Wendy said.
“Oh, no!” Theo said. “You don’t get to break up with me!”
Mischief had slowed way down and was hugging the right edge of the road, hoping beyond hope that the SUV would pass. He pulled into the oncoming lane, sped up, beeped his horn and…
Headlights appeared out of nowhere, as a Ford pickup topped a hill on a curve and broke through the curtain of fog. Horns blared and rubber burned. The Civic’s right-hand tires were halfway in a ditch, making the car impossible to steer. Mischief focused her power on the left side of the car, greatly increasing it’s weight. The right wheels lifted and she jerked back into the road. The SUV was still behind her.
She was starting to hate this guy as much as she hated camera phones.
Theo had taken the whole lies-and-secrets thing really badly. She’d been unable to convince him that she’d planned all along to tell him the truth. It was like some bad soap opera in which the errant wife cheated on the faithful husband. But she hadn’t cheated. Had she? It hadn’t felt like cheating at the time.
Of course, she had found the perfect way to make things even worse.
It had, after all, been her idea to go into couples counseling.
The therapist removed her trendy glasses, leaned across the polished mahogany desk, rested her chin on her perfectly manicured fingertips, and addressed Theo.
“How does that make you feel?”
She looked like she could eat him with a spoon.
Mischief glanced down at her own half-gnawed nails then slid her hands into her sleeves, surreptitiously repairing them with her matter-altering ability.
“I guess I feel betrayed,” Theo said, doing his best impression of Tobey Maguire in anything starring Tobey Maguire. “I guess I feel…you know, betrayed.”
He looked self-consciously downward now, his thick lashes casting a shadow over the tops of his cheekbones. Did he practice that in a mirror?
Mischief sighed.
“Is that sigh a way of showing your contempt for Theo?” the therapist asked.
“No!”
“It felt like contempt,” Theo said.
“Perhaps the contempt is for me then, or for therapy in general.”
“No! It was my idea!”
Theo shrugged and rolled his eyes toward the therapist, as if to say, See? What did I tell you?
“I’m just frustrated!” Mischief said, trying very hard not to scream.
“I can’t just run around telling everybody about my secret identity. I…
“Everybody? Everybody!”
“I had to be sure we were going somewhere before I took thechance.”
“You had me opening cans, for Chrissakes! I was opening cans for you!”
“What does that mean to you, opening cans?” the therapist asked.
Before he could answer, Mischief interrupted, saying, “Actually, it was jars, I was going to open a jar, and he took the jar and opened it for me. I didn’t know what to do. Of course I could open the jar. I could melt the jar. But maybe that’s something boyfriends are supposed to do for you, and, if I didn’t let him, that would open up a whole can of worms.”
“Jar of worms…” Theo muttered under his breath, which certainly sounded contemptuous to Mischief, but the therapist remained silent.
Mischief took a deep breath, swallowed her witty retort, and continued, “It’s not like I have any experience with this keeping a secret identity…um… secret. Before Theo, I only dated superheroes, so it nevercame up.”
“Oh, okay! Here it comes!”
“What?”
“Here’s where I get compared to guys who can leap over buildings and blow up planets with their heat vision. How do I compete with that?”
The therapist looked at Mischief, as though waiting for an answer, but Theo continued…
“It makes me feel…” and here Theo stopped for a moment, as though searching for the right word. “It makes me feel impotent.”
Mischief tried hard not to sigh again. “I didn’t notice you having that problem with Natalie Portman.”
The twin suns went nova, collapsed into themselves, went nova, and collapsed again.
The SUV was blinking its lights now, turning her mirrors into strobes. Pain shot through Mischief’s head. Was this a seizure coming on?  She vaguely remembered something about seizures and blinking
lights. Theo had told her something about that.
Why was she obsessing about Theo? Had he ever given a damn about her? They had seen that damned therapist for seventeen weeks and sixteen of those weeks had been spent talking about Natalie Portman.
“It wasn’t always Natalie Portman. At first, he just wanted me to change into Mischief.”
“But aren’t you Mischief?” the therapist asked, tucking a strand of auburn hair behind her shell-like ear.
Mischief, or Wendy, or whomever she was supposed to be at the moment, suppressed yet another sigh. How many weeks had they been in therapy? Seventeen? It felt like eons.
“Well, yes and no. I guess it would be more correct to say that I create Mischief out of Wendy-stuff. So maybe Mischief is Wendy, but Wendy isn’t Mischief.”
“How is using your power to enhance your appearance any different from putting on make-up or dying your hair?”
“Hmm… yeah. Well, it’s…Ookay. I’m going to give you Mischief, even though it was pretty disheartening to realize that I hadn’t…Wendy hadn’t…been getting Theo’s…” She stopped here, trying to think how to phrase this.
“Had not been getting Theo’s full attention.”
“That’s not true!” Theo said.
“C’mon!” Mischief said, “Are you really trying to tell me that your response to Wendy was as ‘energetic’ as your response to…”
Suddenly realizing she was talking about both of her identities in third person, Mischief, or maybe it was Wendy, buried her face in her hands.
“I think I’m going crazy,” she murmured.
“How do you think I felt?” Theo asked.
It now dawned on Wendy/Mischief/Wendy that Theo didn’t give a rat’s ass what she thought about his feelings, or felt about his thoughts, or felt and/or thought about anything, for that matter. She cleared her throat.
“I think you felt like screwing Mischief, then felt like screwing Scarlet Johanssen, then felt like screwing Kate Beckinsale, then felt like
screwing…”
“Hey!”
“…the ever-popular Natalie Portman, over and over and over again!”
“You lied to me. You let me make a fool of myself by opening cans,” Theo said, sounding like one of his skipping vinyl records. “I thought what we had was real.”
“So, opening jars unnecessarily is betrayal. Me as Natalie Portman, tied up and helpless, pretending you can ravish me against my will is real?”
“…I really like Natalie Portman.”
Here the therapist interrupted. “I think what Theo is trying to say is that his ego had been bruised and Natalie Portman was his way of putting the relationship back on what felt like equal footing.”
“Wow! Is that what Theo said?”
“Yes,” Theo said.
Wendy/Mischief took a deep breath to calm herself and decided to change tacks.
“You know what?” she began. “We’ve spent so much time on my failings, why don’t we talk about something else? Let’s see. We could talk about the fact that Theo has never made a living, that he pretends not to live with me while living with me in order to not pay rent, that he thinks he’s a musician, when he really answers phones at a music studio, part-time. We could talk about the fact that his name is really Tommy, or that I’ve paid for every date we’ve ever had and half of his crappy vinyl records.”
“Maybe we should talk about your anger,” the therapist said.
“I’m not angry!” Mischief screamed.
Mischief (for Wendy was gone now) only realized what had happened when her head cracked the ceiling.
“Oww!” she said, as a new lump began to rise. “Sorry…I, umm… seem to have lost control of my…umm…size?”
She looked down past her own giant knees, to see their two small, white faces staring up at her in horror.
Mischief giggled oddly, “Guess this was my way of putting the relationship back on equal footing.”
It was true. She had been angry. And things had only gotten worse.
Theo had left her, was living with the therapist, and had written a best selling tell-all book about his painful relationship with a female superhero.  Currently making the rounds of all the talk shows, he had finally found a way to make a living—at Mischief’s expense.
Her life, in the meantime, had become a living hell. Between Theo’s book and the embarrassing photos on the Internet, neither Mischief nor Wendy could walk down the street without being noticed. Men stared,women whispered, and little kids moved closer to their moms. Everywhere she went, cells phones clicked and the pictures—never flattering—shot around the globe.
Like the gunslinger in an old western, she began to be challenged by upstart superpunks, out to make reps for themselves. Fending them off without doing them permanent damage had become an exhausting enterprise.
What if she got careless and killed one of these kids? She’d be dodging a murder rap, instead of cell phone paparazzi. At this point, the thought of a public trial was almost worse than the thought of twenty-five to life.
The civil suits were bad enough. She’d been slapped with three separate lawsuits by the City of New York for damage to the Brooklyn Bridge, damage to the Empire State Building, and there was that big battle during the World Series that demolished the new Yankee Stadium. Taxpayers were up in arms. Sports fans were homicidal.
And all this had happened because she’d wanted something normal.
God, how she now hated normal! All the super villains she’d defeated, all the superheroes she’d dated, and the one who’d finally done her in was a normal, human guy. She cursed herself for a chump.
What was it that man-filching therapist had said?
“You don’t really like people, do you?”
She’d denied it at the time, but was it true? In the seven years she’d been Mischief, had she stopped caring about her fellow human beings?
The fog kept getting thicker and the SUV was still behind her, blinking its dreadful lights. One hand on the steering wheel, the other distractedly twisting her hair, Mischief briefly considered stomping on the brakes and letting the SOB plow into her, then decided that was crazy.  Could she have seen her reflection in the Civic’s blazing mirrors, she would’ve seen a multicolored tangle sprouting from her head. Yes, crazy.
Then the guy in the SUV honked his 200-decibel horn, laid on it really, and Mischief lost her mind.
Yanking the wheel sharply with her left hand, she swerved across the narrow road, pushing the fingers of her right through the glass of the windshield, so that the cool night air ran over them. Changing its nature at her command, the air became a field of force that surrounded the Civic, just as the SUV hit her left rear end.
The Civic spun forward, bounced off a roadside tree, hit the guardrail on the opposite side, and ended sitting sideways across the double yellow line.  Hand glued to horn, the SOB in the SUV had swerved in the opposite direction, smashing both the guardrail and his monster car.
Mischief rolled down the window, touched her fingers to the outside of her door and smiled, as the color of the Civic changed from violet-gray to red and the exterior of the car crumpled, giving it that “totaled” look.
The SUV’s driver was outside the car now, waving his hands and yelling obscenities. Focused on the damage to his own vehicle, he had not even glanced at Mischief.
“There was a deer,” said Mischief said, stepping out of the car. “Didn’t you see the deer?”
As she slammed the door and turned to face the behemoth embedded in the guardrail, she allowed her left hand to slide along the dented surface of the Civic’s body and felt the black numbers on the white license plates rearrange themselves into another configuration.
The driver didn’t see the numbers change. He was too busy staring at Natalie Portman, mouth hanging open.
“Aren’t you…? No! Why would…? What would…?”
“To answer your questions,” said Mischief, as she walked toward the stunned driver’s ruined SUV, “Yes. Oh, yes! Visiting a friend upstate. And, as to what I would be doing here, I would be crushing your car.”
“I don’t suppose you would consider going out with me?” asked the driver asked.
She placed her hands on the SUV and, though keeping its shape and color, it instantly organized its structure into something resembling tinfoil. Closing her fingers, Mischief began to scrunch and rumple and crease, while the shocked driver stared in amazement, as his car was crushed and rolled into a wrinkled ball by none other than Natalie Portman.
“No, I wouldn’t,” said Mischief, returning the car’s fabric to its former weight so that it hit the road with a resounding thwunk.
She turned to face the driver only to see him lifting his cell phone into camera position.
“Give me that!” she demanded, grabbing the phone from his hand. The phone melted, oozing between her fingers to drip onto the asphalt. Mischief looked at the silvery goop covering her hand, glanced around for something to clean it, and quickly settled on the driver’s white shirt. She took three steps toward him, wiped her hand down the front of his shirt, and then grabbed his tie to clean between her fingers.
The driver just stood there.
“Look what you did,” said Mischief said, “You made me crush your car and now you’ve got phone all over your tie.”
As she sped away in her dented red Civic, leaving the driver staring dumbly at a ball of car, Mischief felt almost happy. This had been much better therapy than couples counseling. Shedding Natalie Portman like an outgrown skin, she checked her reflection in the rearview mirror and spied, for the first time, her crazy multi-colored hair. Deciding she liked it, she morphed her car into a green VW and sped toward the turnoff to the thruway north.
Montreal was a straight five-hour shot up I-87. She’d always wanted to live in a city where people spoke French, and Canada had national healthcare. Getting a Canadian ID would be no problem for someone who could alter matter with the power of her mind.
As she entered the traffic circle and picked up her ticket at the tollbooth, she made a silent decision that things were going to change. No more dysfunctional relationships, no giving her power away for free, in fact, no more Ms. Nice Gal.
“I wonder what death rays are going for on eBay?”
She laughed at her own joke. Perhaps “Mischief” would prove to be the right name after all!
Elaine Lee
Elaine Lee is an EMMY nominated actress turned comic book, animation
and game writer. As a comics writer, she is best known for her
sexy vampire series, Vamps, and her science fiction series, Starstruck,
which is being reprinted in 2009-2010 by IDW.

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Twitter Updates for 2011-03-26

ALL PULP PRESENTS-A BOOK A DAY!!! RESEARCH SPOTLIGHT!

This is the day for new ALL PULP features!!  A BOOK A DAY will cover a title that pulp writers and creators may find useful as a reference tool or for research.  These books can also add to the knowledge base of pulp fans, making their enjoyment of pulp even better!   If you have books that need to be here, then email to allpulp@yahoo.com with a title, description, and if possible, an image of the book and ALL PULP will make sure its A BOOK A DAY!!  Now, for our first book guaranteed to improve knowledge/provide great information/be a rollickin’ good time!!

From Bear Manor Media- http://www.bearmanormedia.com/

Chicago Jazz and Then Some:
as told by one of the original Chicagoans, Jess Stacy
by Jean Porter Dmytryk

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       Jess Stacy was the kindest, sweetest, most generous man to grace this Earth. It was my lucky day when I decided to buy a house in Laurel Canyon, and my husband felt the same. After years of living in Los Angeles and working the Hollywood studios, circumstances took us all over the world and we had sold our Bel Aire home. Children gone, it was just the two of us. Lookout Mountain Ave. was the street we fell in love with, and the neighbors were a bonus! Jess and his darling wife, Patricia were our closest. Jess was a regular guest (their star) in all of the best and biggest jazz festivals. Eddie and I tagged along.
           
What a great part of our lives!

We celebrated Jess’ 90th birthday together and we could see that he was losing strength… but he still have that twinkle in his eyes…’til the very end… and then some.
Jean Porter Dmytryk

“The world of jazz has created a community all of its own. “Chicago Jazz and Then Some, as told by one of the original Chicagoans, Jess Stacy” looks into the history of Chicago Jazz through the eyes of Jess Stacy. Writer Jean Porter Dmytryk tells Stacy’s stories of the old days of Jazz and gives readers an exciting and thought provoking history of the music’s scene over the decades. “Chicago Jazz and Then Some” is a must for any Jazz fan or Chicago music fan”
– Midwest Book Review

INTERVIEW WITH ‘WEEK IN HELL’ AUTHOR J. WALT LAYNE!

J WALT LAYNE-Author
 
AP: Thanks for being with us! Can you tell us a little about yourself and how you became a writer?
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JWL: First thank you for the review and the interview. It is difficult for the novice to learn marketing and you guys are great to work with.
Y’know everyone says they started writing as a kid, and I know that’s true for me. I started telling and then writing stories as soon as I could hold a pencil. I learned to read and to write very early, and was reading a lot of classic literature late in elementary school. I used to drive my English teacher crazy with this very literary stuff when all she wanted was a theme about my weekend adventures. I wrote my first screenplay in Sixth grade, it was an episode of The A Team, it was terrible… Through High School I wrote a lot of Sci-Fi and combat stuff, war fiction and the super soldier stuff was big in the late 1980s. I didn’t write much when I was in the Army, but I did put on a lot of mileage.
By maybe 1999 or 2000 I was looking at taking it to the next level but I wasn’t quite sure what that was… I was writing a lot of very over the top stuff, but you don’t really know how to write anything beyond a few thousand words until you do it. My first real book project was an editing and rewriting gig with an old friend who was into mythos fiction. After that I was cranking out a lot of flash fictions and short stories over at www.zoetrope.com. It was one of those flash fiction contests that prompted my first novel.

AP: Who were some of the early influences on your writing style?

JWL: Good question, because I believe in a lot of ways you are what you read. I wasn’t allowed to play sports as a kid, so I spent a lot of time in my books and in my head. I read everybody from Judy Blume to Emile Zola. I loved comics, particularly horror and detective stuff. I read my way through Burroughs, Tarzan was my favorite. Robert Heinlein was and is a favorite, matter of fact I’m reading Glory Road right now. I discovered pulp in a box of comics and detective magazines bought for a dollar at a garage sale in the mid 1980s. It was racy stuff compared to David Copperfield. I still remember reading Paul Cain’s One, Two, Three for the first time. Wow.

When you’re a kid though, there’s a certain pressure to have an eye on what’s popular at the time, even if you’re not particularly concerned, and so I got into the fictional accounts and history of the Vietnam War. I read Platoon, Hamburger Hill, and Deadly Green, but the one that hit me hardest and still resonates is Body Count, by William Turner Huggett. He was writing a contemporary, gritty, war novel, but it was graphic in both its language, and depiction. He was a year out of Vietnam when he wrote it, the war hadn’t sat on his shelf long enough to mellow and age. In the service I read a ton of biographies about military people, all the bigger than life generals anyhow.
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In the last 10 years or so it has been a mixed bag, Spider Robinson, pulp anthologies, Becky Benston, Bobby Nash, and the dystopian stuff like Fahrenheit 451.

AP: Your first book, Frank Testimony, was released in 2006. Can you tell us a bit about what it’s about and how readers can get ahold of it?

JWL: Frank Testimony is a legal thriller set in 1950s Mississippi. I didn’t even know that book was inside me until it sort of exploded. It was about this time (December 29, 2005) when I was gearing up for the weekly flash over at Zoetrope. As it turned out there was no regular contest because of the holiday weekend. Another regular poster who hosted a site called The Redrum Tavern, posted a prompt, ‘Death’. The very second I started writing I knew something was up because it was just pouring out on the page. 40 days and 144,000 words later I had something that I had a sense was very special, to me at least. It wasn’t until I started getting reader feedback that I realized that I’d turned a corner as a writer.

Frank Testimony is the story of jealousy gone bad. Frank Burchill is implicated in the murders of his would be sweetheart Mae Whitaker and her father. If it was up to Sheriff Cobb, the prosecutor and other good ol’ boys Frank would have a one way ticket to the gas chamber. But Judge Hull smells a rat, a big one named Bobby Lee Russell who is almost genealogically predisposed to criminal mischief, Klan violence, and just being generally hateful and nasty.
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It is a big story, big characters, with a pretty good recipe for pulled pork and gatorbacks. Available at www.createspace.com/3352654

AP: A Week in Hell is your newest release and is the first in the Champion City series. What led to the development of this novel and how will future books carry the story forward?

JWL: Spade, Marlowe, and Hammer are all detectives in big cities, Gothams, Metropolises, everyone knows those places are dens of scum. Thurman Dicke is a big Slavic/German cop in a dying Midwestern blue collar city. Champion City is a big bowl of the low parts of Americana. It has a Tammany-esque political machine, restrictive ethnicity in neighborhoods, both Irish and Italian organized crime, dying industry, and dirty business. There are varying degrees of justice and as the top cop says: There’s a right way, a wrong way and the CCPD way.

The series will chronicle Thurman’s rise to glory, his fall from grace, and his redemption. Thurman won’t always be a beat cop, he won’t always work for CCPD, and there will be points when his white hat turns a very dark gray. He’s a bigger than life guy, and thus his highs are higher and his lows will be catastrophic. He isn’t a one man army, but he does what he has to do to get things done. I hesitate to say that each book builds on the last building up steam for the big finish, but the last book is already written, not set in stone… But I pretty well have it.

AP: The language and situations in A Week in Hell are pretty mature — was there ever a point when you were writing the story where you felt you were pushing the envelope too far?

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JWL: It is a bit more than edgy. I count the book as a victory, but in the future my narrative can be accomplished with much more ferocity with less explicit display. I don’t think it oversteps its bounds much more than any of the so called Neo-Pulp, but I’m trying to do something more traditional that loosing a hedonistic gorilla on an idyllic hamlet. The masters of the style got it there without the use of such devices and I should endeavor to do so.

AP: What do you think about the modern pulp revival? What role do you think the hardboiled genre has to play in its resurgence?

JWL: I think it’s about time. There was so much great stuff written that laid the ground work for people who are writing now. I think the best stuff is yet to come, and there’s some guy or gal out there writing right now, something that will get passed on by a big house that will turn the pulp community on its ear, just like pulp did to so called polite society 70 years ago.

I think that when a lot of people think of pulp they think of the hardboiled genre. They don’t consider that it was ever about Heroes, Villains, or Characters other than those considered on the fringe. I guess I fall in that camp also because I equate the hardboiled style to a language and landscape painted in shades of noir with the good guys and the bad guys being varying shades of gray, and evil being true black.
I think that hardboiled stories are going to be an introduction to pulp for a lot of people. A resurgence or renaissance of traditional pulp is a great thing, and opened the genre for a brand new generation of readers and writers, ushering in a new era. I think that there are also some negatives, depraved things that masquerade as pulp that aren’t are where warning labels and censorship will come into play.

AP: What’s next for you?

JWL: Rewriting and editing the second book in the Champion City Series. Then I have a WWII story that I am very interested in, that came to me first as an April Fools shaggy dog in a small town newspaper. I’m a history nerd, and the story of Operation Pastorius is an excellent foil for plausible deniability, gets good mileage for the war effort, and makes great conspiracy… Fiction with firm foundations in real history make for very gripping stories…
There’s also an opportunity to write another pulp horror story. A hardboiled mythos thing. Not sure of a lot of detail about that at this point its still written ona napkin with a coffee ring…

AP: If readers want to find out more about you and your work, where can they do so?

JWL:I’m easy to find, Author J Walt Layne on facebook. I’m being pushed to relaunch my blog at www.championcityontheweb.blogspot.com but I don’t know that I have enough going on to devote an entire blog to it.