Tagged: Image Comics

Interview: Elizabeth Genco of ‘Comic Book Tattoo’ and ‘Blue’

cbt_coverjasonlevesque-3160861The past few months have brought a swell of attention to indie comics writer Elizabeth Genco, who scored a coup by having a story included in the Tori Amos Comic Book Tattoo collection from Image Comics, and then her graphic novel Blue — a modernization of the Bluebeard legend — sold well in part thanks to a plug from Brian Wood.

Genco took the time out of her busy schedule to chat with ComicMix about her music-infused projects and what it was like to work with an idol in Amos.

ComicMix: Let’s talk about the Tori Amos project first, since it’s the book of the moment. How did you get connected to that gig? Were you a fan of Amos previously?

Elizabeth Genco: I’ve been a fan of Tori’s for almost 15 years. Both she and her music have been hugely influential, especially in my creative life. Tori is very smart about how to create a creative career while staying true to your vision, and I learn from her. Of course, like many of her fans, her music has helped me through some dark times.

As for how I got involved, a few years ago, editor Rantz Hoseley and I got acquainted via Warren Ellis’ old board, The Enginge; he and I have been pals ever since. When he extended the invitation, I jumped onboard immediately.

CMix: How did you approach the assignment? Comics is such a visual medium, it’s not that common to hear creators be inspired by sound.

EG: I want to say that I’m not inspired by sound so much as I am by words — that is, lyrics. But the interesting thing about lyrics, of course, is that they take on a completely different meaning when you add the music. I would even go as far to say that 99 percent of the time, song lyrics are incomplete without the music. (Music is a huge influence on me, and I’ve aspired to be professional musician at several points in my life, especially when I was very young. So I’ve thought about this a lot, actually.)

Music inspires my writing quite often, and the process is usually the same. A line will capture my attention, and I’ll start noodling — following the thread, seeing where it goes. In this case, I decidedon the song and then went looking for that line.

As for the song itself ("Here. In My Head"), well, I spent all this time going through Tori’s catalog trying to find the right one before going, "Duh!" It’s been my favorite Tori song for years, so it wasthe obvious choice.

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Robert Kirkman’s Creator-Owned Call-Out?

Reaction to Robert Kirkman’s recent "mission statement" video has been creating quite the buzz around the comics industry lately, and rather than surfing every message board, column and blog in the comics world to find out what everyone’s saying, there are a few good places to go for roundups.

First off, here’s the video that started all of the hub-bub:

 

 

 

While the banjo music used in the video has actually prompted a discussion of its own on some sites, JK Parkin over at Blog@ has put together an exceptionally comprehensive roundup of who’s saying what and where it’s being said around the ‘Tubes. Naturally, one of the busiest (and awesomely snarky) chats about the video is currently underway over at The Bendis Board, including this bit from Bendis himself: " … coming soon from image comics: MASSIVE GENERALIZATIONS!!" More can be found at the sites Parkin lists in the roundup, with others poppingup here and there on various other sites. (Or possibly, this one?)

The Comic Book Wedding Program

scan0001-1-7536806Artist Dusty Higgins recently sent over what is pretty much the coolest thing since the wheel made of sliced bread: a wedding program drawn as a comic book.

Did I mention the bride and groom fight ninjas?

In addition to being an editorial cartoonist and illustrator, Dusty draws some comics. So, naturally, when his wedding was coming up this summer he asked his bride-to-be if he could draw their wedding program.

She agreed, surprisingly enough.

What you see at right is the result, the cover image as Dusty and his now-wife fend off attackers on their way up the aisle.

From what I’ve heard, the wedding went off without a hitch, or a ninja attack.

A larger image and inside pages after the jump.

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SDCC: EW’s “Visionaries” Panel

jim_lee-00-4662950When Entertainment Weekly assembles seven of the most powerful men (and woman) in all of comics, obviously some massive news bombs are going to get dropped.

“Yes, I read comic books in the bath,” Grant Morrison announced, shocking the assembled fans and setting the blogosphere ablaze.

Okay, so there was little in the way of truly newsworthy information disseminated by the esteemed panel of Jim Lee, John Cassaday, Matt Fraction, Mike Mignola, Robert Kirkman, Colleen Doran, and Grant Morrison. However, there’s something immensely satisfying about sharing an hour of time with some of the most creative individuals in the comic book world (and frankly, beyond). It’s the kind of panel that reminds a guy why he reads comics in the first place, because these guys work their hardest and embody the philosophy John Cassaday put forth, “There’ll be limitations in whatever you do, so you might as well go for it.”

Also, these people are really, really funny.

A topic that is nearly omnipresent at this year’s ‘Con, the specter of the film industry looming large over the conference, was addressed by the panel, with many attendees asking questions about the increasingly symbiotic relationship between film and comics.

“I see a lot of storytelling techniques in TV being effected by comics,” Lee commented, pointing out that the comic book has become so successful that mainstream has no choice but to adapt some of its devices. However, not everyone on the panel was as excited by the increasingly close relationship between comics and movies,

“I see people applying film rules to comic book visuals, let’s do the comic and then let someone else do the film,” Mike Mignola said, keenly aware of the difference between comics and film. Human quote machine Grant Morrison added, “Hollywood is more formulaic, comics allow you to break those rules.”

All of the panelists expressed some dread at the lure of comic to film adaptations limiting the ambitions of up-and-coming creators. However they all reasserted that this is a life they pursued not for money, but because its the only calling they ever felt, “I really can’t imagine doing anything else… everyone up here ha a compulsion,” Colleen Doran said.

Following the theme of creative expression, Jim Lee and newly minted partner at Image Comics Robert Kirkman were asked how that will effect their craft, “Once you’ve done all that stuff, it’s kind of hard to just go back to a table and just sit there drawing,” Lee said. Adding that there’s a liberation that comes with his executive status. As for Kirkman, “So far, it’s just making a few extra phone calls.”

Big Changes at Image Comics

The summer of change continues for Image Comics. Earlier, Erik Larsen stepped down as publisher, turning the reins over to Eric Stephenson. And now Robert Kirkman has signed on as a partner at the company.

The New York Times has a story on this latest development in today’s Books section.

And this week at Comic-Con International in San Diego, Image Comics will announce that Mr. Kirkman is becoming its newest partner. Under the company’s structure, partners profit mainly from their own work but also have a say in what will be published.

“This is kind of a big deal for me,” Mr. Kirkman, 29, said by phone from his base in Richmond, Ky. “Image Comics as a company was founded by comic book creators for comic book creators.”

This was rumored yesterday in Rich Johnston’s Lying in the Gutters, and Johnston also mentioned other big changes that could be afoot at Image, including offering page rates on certain projects by star creators.

Expect to hear more out of Comic-Con.

The Origin of Image Comics?

Part of me really just wants to post the image here and leave it at that, but there probably should be some explanation. Over at the San Diego Reader, former Rock n’ Roll Comics co-creator Jay Allen Sanford has put together an illustrated history of the "The Birth of Image Comics" as part of a recurring feature spotlighting some of the local comics talent in the run-up to San Diego Comic-Con. Seen below is Sanford’s interpretation of the reaction from Stan Lee when Rob Liefeld decided to break from Marvel.

See? The explanation wasn’t nearly as entertaining as the illustration now, was it?

Also in this edition of the Reader’s "Local Comic Publishers History" lesson:

  • The Birth of Image Comics
  • Pacific Comics: The inside story of a legendary local comic book company (including a history of indie comics and the Creator’s Rights revolution)
  • RIP Dave Stevens, famous former neighbor who created the Rocketeer
  • Don’t Fear the Funnies: A history of censorship in comics
  • The New Kids On The Block VS Revolutionary Comics – illustrated by Superman/Supergirl artist Stuart Immonen

New ‘Conan’ Poster Muscles Up

conan_teaser-2943753There’s a new Conan movie on the way, supposedly headed to theaters next year.

Granted, there’s no director, no cast and no crew (so far as IMDB knows), but there is the image at right.

IMP Awards has the first poster for the film, and it looks about exactly like what you’d expect it to look like. Big, muscly guy with a sword.

Maybe it’ll be a shot-for-shot remake, like the Gus van Sant Psycho.

Since we’re on the topic already, what actors would you like to see cast as the sword-wielding Cimmerian?

Happy Birthday: Al Gordon

Born in San Francisco in 1953, Alan “Al” Gordon is actually the second comic book artist by that name—the first, who is no relation, was active in the 1950s and worked for Atlas Comics, Lev Gleason Publications, Toby Comics, and Trojan Comics.

The second Alan Gordon started out in the mid-1970s, working as a penciler and inker for independent publisher Star Reach. He began inking for Marvel in 1978, first freelancing on Captain America and then becoming the regular inker on Spider-Woman. In 1982 Gordon left Marvel for DC and began working on Captain Carrot and His Amazing Zoo Crew.

He worked for Eclipse Comics next before going back to Marvel and inking Fantastic Four and other books. In 1987 Gordon began working on Justice League of America with Kevin Maguire and Keith Giffen.

A few years later he followed Giffen to Legion of Super Heroes, and even wrote four issues of the series. In 1992 Gordon created WildStar for Image Comics—Jerry Ordway penciled it and Gordon wrote, inked, edited, and produced it.

More recently he worked with Alan Moore at America’s Best Comics. In 2000 Gordon won two Eisner Awards, one for Tom Strong #1 and one for Tom Strong #4-7.

Leaked ‘Iron Man’ Photo Now Subject of Lawsuit

When movie site IESB.net posted one of the first images of the Iron Man suit last May, to say that the leaked photo from the set of Iron Man created a bit of a buzz might be the understatement of the year.

It didn’t take long, however, for the studios involved with the film to direct their full legal attention to the movie news site, forcing it to shut down for a period of time and generating an entirely different kind of buzz.

Well, it seems like the legal tussle over the photo will have yet another chapter, as attentive members of the Iron Man audience might have noticed a familiar image on the front page of a newspaper Tony Stark (Robert Downey Jr.) is reading in a scene near the end of the film. Photographer Ronnie Adams, who shot the initial "leaked" Iron Man photo that started all of the hub-bub, is now alledging that the movie studios used his infamous photo in a "pivotal scene" during Iron Man, and is asking for unspecified monetary damages.

Adams filed a lawsuit regarding the photo last week against Paramount Pictures and Marvel Entertainment, and also asked that the photo be removed from any future DVDs or videogames related to Iron Man.

Full-size versions of the original, "leaked" image and the offending Iron Man scene (according to Adams’ lawsuit) are posted after the jump for comparison.

(via pdnonline) (more…)

Happy Birthday: Hilary Barta

Born in 1957, Hilary Barta began his comic book career in 1982 when he was hired at Marvel to help ink The Defenders #108. In 1984 he moved to First Comics to ink Warp, and slowly graduated to penciling as well. In 1988, after work for Eclipse, Marvel, and First, Barta launched both Marvel’s What The—?! and DC’s Plastic Man.

He has penciled and inked many other books for Marvel, DC, Malibu Comics, Image Comics, Bongo Comics, Dark Horse, and others. He’s best known for his slightly surreal, humorous style, which you’ll be seeing on several upcoming Munden’s Bar stories!