Tagged: Iron Man

Dark Knight Rules Fourth!

The Dark Knight continues to rule the box office as it takes the number one position for the fourth weekend in a row, the first time any 2008 release has achieved this.  Its estimated haul of $26,030,000 pushes its domestic take to $441,541,000, faster than any movie in history.

 

Next week, the movie should surpass Star Wars’ $461,000,000 and become the second highest grossing film in American box office history.  Titanic remains on top of the world with its $600 million record and Warner Bros. suspects Batman will not beat the fabled steamliner.  Instead, they now estimate the film will earn $520 million.

 

Now, adjust everything for inflation and The Dark Knight will wind up not second but 49th while Gone With the Wind remains the biggest film of all with $1.4 billion in 2008 dollars.

 

The stoner comedy Pineapple Express opened in second place with a healthy $22,400,000. Counting ticket sales from Wednesday’s opening, the film already has taken in $40.5 million.

 

In its second weekend Universal’s The Mummy: Tomb of the Dragon Emperor dropped 60.2%, taking in just $16,113,000.  With a total of $70,671,000, it chugs along although there has to be some concern that bad word of mouth, poor reviews and steep drop off may mean the franchise is running out of steam despite director Rob Cohen already talking a fourth film.

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Hey! Where is our ‘Dark Knight’ Video Game?

Since the birth of Tim Burton’s movie Batman in 1989, there has been a video game tie-in with every incarnation of the Batman film franchise. So why is it that we haven’t seen one for one of the most popular (and profitable) films for the character, if not for comic book films in general? It’s not as if there wasn’t a plan for a digitized Batman during the film’s production. Game publisher Electronic Arts had the rights to make a game for the Dark Knight film, according to an unnamed developer for the EA-owned Pandemic Studios. Speculation says that the lack of a game caused up to $100 million in missing sales, and would be the first time that the caped crusader didn’t have a game.

 
Speculation ranges from missing deadlines to Heath Ledger’s death, and even to the fear of success due to the poor quality of the last tie-in game with Batman Begins. Sales of movie-based games often parallel their box-office brethren. Last year’s Transformers games sold 2.6 million copies while the Spider-Man III games sold 2.1 million, according to sales data from NPD Group market research analyst Anita Frazier. Even the Iron Man games have sold 697,000 units following their release at the same time as the film in May.
 
If a Dark Knight game is still in the works, Batman could take a cue from Superman. Because of delays, the EA console games based on 2006’s Superman Returns didn’t take flight until the DVD release — and only then sold 705,000 copies. However, a Dark Knight game isn’t on EA’s release slate through March 2009, according an EA press release.
 
This is all not to say that there will be a shortage of Batman and his foes in the world of video games. You can catch them all on your console in September for Warner’s Lego Batman: The Video Game, then in November for Midway’s Mortal Kombat vs DC Universe, and finally later this year for Sony’s DC Universe Online.

The Iron Man Ultimate DVD Commeth!

If you’ve grown tired of watching that bootleg copy of Iron Man that you’ve crammed onto your iPod/iPhone, then you will be happy to know that details of the Iron Man DVD release are now available for you to drool over.

First off, you can get your hands on the movie on DVD and Blu Ray September 30th, and rather than aim for the wallet and release seven versions over a period of two years, Paramount is putting out the two-disc "Ultimate Edition" first. This doesn’t mean that there won’t be a Super Deluxe Buy Me Now Edition with a piece of Robert Downy Jr.’s hair.
 
One of the coolest features announced is that the Blu-ray disc will include an exclusive "Iron Man IQ", which will allow you to create quizzes based on clips from the film and share them with your friends. This probably won’t enhance your movie-watching experience, but will allow you to educate your friends on "how many buttons Tony Stark’s suit has." Here are the rest of the details.
 

Disc 1:
 
– Feature film
– Deleted and Extended Scenes
 
Disc 2:
 
– I Am Iron Man Documentary Series
          o The Journey Begins
          o The Suit that makes the Iron Man
          o The Walk of Destruction
          o Grounded In Reality
          o Beneath the Armor
          o It’s All in the Details
          o A Good Story, Well Told
 
– The Invincible Iron Man
          o Origins
          o Friends & Foes
          o The Definitive Iron Man
          o Demon in a Bottle
          o Extremis and Beyond
          o Ultimate Iron Man
 
– Wired: The Visual Effects of Iron Man
– Robert Downey Jr. Screen Test
– The Actor’s Process (scene rehearsal with cast)
– The Onion “Wildly Popular Iron Man Trailer to be Adapted into Full Length Film”
– Image Galleries

ComicMix Quick Picks: 8/7/08

The collection of posts that may not warrant a full entry of their own. Excelsio — er, onward and upward:

When I saw this bit about Franklin turning 40, I have to admit that wasn’t the Franklin I was thinking of… yes, Franklin Richards is 40 years old too. And people complain about Bart Simpson never aging?

The Skiffy Channel’s top 10 brilliant but cancelled sci-fi shows. Also known as their regular line-up.

Lost in all the San Diego shuffle, MTV of all people have started a comics/movies blog called Splash Page, and have gone so far as to hire former Wizard and DC Comics staffer Casey Seijas. We welcome them to the blogosphere, but would like to remind them that hiring ex-DC and Wizard employees to run a weblog is our shtick.

Paul Levitz interviewed in the Wall Street Journal. Surprise note: yes, he’s another alumni of Frank McCourt’s english classes. I always wondered where Paul picked up the Irish brogue.

Robert Downey Jr. trying to keep his ego in check for Iron Man II:

"Suddenly, for a minute, I felt like everyone needed to take a knee and listen to what I had to say, because I f–kin’ made it, and my way works and all this stuff. Then I go home and I go, ‘Oh my God, what’s happening to me? I gotta get grounded here.’ "

Downey got Tropic cowriter and actor Justin Theroux the gig writing Iron Man 2. Theroux is just crawling out from under the pile of Iron Man comics as we speak.

"I’ve just stopped marinating in all the Iron Man lore that I didn’t know, and I’m sort of firing up the chainsaw and ready to attack it," said Theroux. "You’re writing for Robert Downey Jr., so, at the end of the day, that’s an enormous amount of fun."

Watchmen: Inside the Owlship and Owl Weapons

On the heels of the latest trailer, a new Watchmen production journal was released with an inside look at Nite Owl II’s ship. You can check out the video here, but don’t ask me why nobody ever refers to it as "Archie."

 
 
 
And over at prop master Rick Gamez’s (Iron Man, Indiana Jones 4) personal site, he has posted pictures of the new Nite Owl weapons that he had a hand in designing for the new film, which may not be from the book, but are still pretty cool. 
 
UPDATE: Looks like the powers that be at WB didn’t like that Gamez had posted pics of the props, so you can check out the pics for yourself here. Enjoy!

A Billion Dollars Worth Of Respect, by Dennis O’Neil

You saw the story, posted here on our own beloved website a couple of days ago: comic book movies have earned over a billion United States dollars this summer, despite an iffy economy that may or may not have something to do with those loveable funsters who frolick near the Potomac.

(I’m writing this Sunday evening. A hundred and sixty nine days. Tickticktick… And please excuse the digression.)

So the aspirations of those folk we mentioned last week – to be respectable and accepted and part of the mainstream – has been realized, though only a few of them are still around to enjoy whatever perks this brings.

Check it out. A billion-with-a-B-dollars! Oh sure, we comics guys have not had to hide our shame for quite a while now. There are the postage stamps and gigs at places like the Library of Congress and the Smithsonian and classes taught at major universities and whole sections of bookstores devoted to comics material and if you donate the graphic novels you won’t read again to your local library, they’ll probably be accepted, maybe even with a smile. But in our world, and in most others that I know about, material goods are the emblems of what the citizenry considers success. And that bil will buy a lot of material goods.

Someone – I have no idea who – observed that one of the ways to discern a society’s values is to look at its architecture: in the middle ages, in Europe, the cathedral was the biggest building in the burg. Now? Well, about a mile from where I’m sitting is the biggest, and some would say ugliest, structure in Rockland County and it ain’t a church, amigos, it’s a shopping mall.

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Comic Book Movies Hit $1 Billion

hellboy2poster5-2863943Comic book movies have finally been unseated from the top of the box office mountain, as the latest Mummy movie displaced The Dark Knight.

But there’s still no debating this being the summer of the superhero, as comic book movies hit one HUH-YUGE milestone: $1 billion in ticket sales, according to boxofficemojo.com.

That includes Chris Nolan’s Batman sequel (which is up to $363 million), Hellboy 2, Iron Man and The Incredible Hulk. Am I forgetting any?

Dark Knight was also the fastest movie to hit $350 million in sales, doing so in a scant 14 days. That’s nine days faster than the previous best, set by Pirates of the Caribbean: Dead Man’s Chest.

UPDATE — More official numbers now indicate Dark Knight is No. 1 again at the Box Office, pulling in $43.8 million to $42.5 for the Mummy. It’s also poised to hit $400 million by early this week, now only $5.1 million short of that marker.

Speaking Up, by Dennis O’Neil

The comic book veteran was smiling as he leaned forward to read the lettering on the button fastened to my lapel: Let’s Legalize Pot. His mood changed instantly, to one of anger. He snatched the pin off my jacket, flung it into a wastebasket, and stalked from the room.

That was in 1965 and before I relate another incident from the same era, let me offer a quick clarification. I don’t like marijuana. Never have. The circumstances of my rather bumpy life have, at times, put me close to it and of course, like William Jefferson Clinton and maybe just one or two other pols, I sampled it and found it usually did little for me. Which is not to say I didn’t have addiction problems. No siree. My love of alcohol cost me a marriage and a job and a lot of dignity and some trips to the hospital. But pot? Usually just made me cough. That button? Well, although the evil reefer was not my drug of choice, I thought that if booze and nicotine were legal, evil reefer should be, too.

This was not conventional wisdom in 1965 (and still isn’t) and, although, as we discussed last week, comics guys like the man I outraged were outsiders, they were not rebels. No, they were outsiders by birth and circumstance, not choice, and their values were pretty much those of mainstream America. They wore suits and ties to work, they paid taxes and owned homes, went to church or temple, voted, behaved themselves. Many had served honorably in the war. They were patriots, they were good citizens. They knew, because they had not learned otherwise, that our nation was menaced by godless Communism, that elected officials were as honorable as they themselves were, that what was good for General Motors was, in fact, good for America, that the atomic bomb was an invaluable part of Liberty’s Arsenal and, oh yeah, that the Devil’s Weed would likely corrupt any youth who got a whiff of it. They were my parents, my relatives, and the folks in my old neighborhood.

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Shiny, Shiny Superheroes, by Mike Gold

Despite the graphic to the right, this week’s column isn’t another screed against “everything you know is wrong and will be wrong again” superhero plotting. We’ve pretty well strip-mined that topic, and unless I get inspired by original thought I’ll wait for DC and/or Marvel to make the next move.

This column is in the wake of a lengthy and continuing series of conversations I had with my ol’ pal John Ostrander. Having such conversations is the best part of the job; really, if you like talking with knowledgeable and highly creative people, I strongly recommend you become a comic book editor. I can’t quote from these conversations – for one thing, you’ll be seeing some of the results right here on ComicMix, and for another, I understand the Wi-Fi reception down at Gitmo isn’t so good. But I can give you the gist.

We were talking about doing superheroes in 2008. John does a lot of ‘em; depending upon your view of GrimJack and Jon Sable, I don’t do all that much in the genre. But I like it. I’m an American comic book fan and I proudly admit I enjoy a good superhero story. But there’s that “relevance-to-our-times” thing.

Brand-new superheroes were created in two waves: the build-up to World War II (Superman, Batman, Sub-Mariner, Captain America, Captain Marvel) and the cold war build-up to Vietnam (Spider-Man, The Hulk, Iron Man, The Question). There wasn’t a truly successful superhero created in the ten years following World War II, and the only totally original superhero created in the post-Vietnam years that comes to mind is Len Wein and Herb Trimpe’s Wolverine.

It’s easy to understand the element common to each of these two fertile periods: the reader had an overwhelming need for security. In the early “Golden Age” we were in a devastating economic depression with unemployment hovering around 25% and surrounded by massive international inflation. Japan had invaded China, Germany was beginning to engulf its neighbors and nations historically friendly to us were looking to us for war material. We had a lot of unemployed people who could aid their, and later our, war effort. (more…)

SDCC: Marvel Adapts ‘Ender’s Game’

Marvel continues to expand on its comic adaptations of literary properties with the news out of Comic-Con that a six-issue miniseries of Ender’s Game is on the way.

The famed sci fi series was written by Orson Scott Card, who also has written Ultimate Iron Man for Marvel. The artist on that book, Pasqual Ferry, has signed on for this new Card project, which is scripted by Christopher Yost.

"I’m a fan, a big fan. So talking with him was one of the best experiences that I have had working on comics so far," Ferry told CBR News. "When talk of the adaptation started, Orson sent a lot of explanations and details about environments, outfits ships. It was a nice work of discovery and creativity between [Editor] Nick [Lowe], Orson and me."

Ferry said "Ender’s Game" is rich with quality ideas and concepts, giving the artist plenty to explore and develop when bringing the book to life visually. He gushed, "The human feelings of the characters and his interrelatedness of the work, the incredible quality of the story, the Battle Room action sequences…"