Tagged: Iron Man

Spam Diego, by John Ostrander

So – today is the first official day of the 2008 San Diego Comic Con International Clam Bake and Fish Fry Harvest Moon Festival. Or, as I like to call it, Spam Diego. Where different unspecified cuts of meat are jammed together into one can until it becomes a single mass wrapped in a gelatinous type goo.

I suppose I should get right down to my first Con report.

I woke up this morning, got my newspaper, fed the cats, fed myself while I read the comics, came in here and turned on my computer. That’s right; I’m here at home, not there amidst the teeming multitudes lined up to gain entry. Wished I could say I wished I was there, but I really don’t. The last time I was there, my hotel was about a twenty minute trolley car ride north of the Convention Center. If it had been as far south, my hotel would have been in Tijuana. This year, I think I heard that people are having to commute in from Chicago.

When I go to a Con, I have certain criteria. I want to meet the fans and, if they want, sign their books. Fans are the ones who have enabled me to make my living at what I love doing for about twenty-five years. I want to say thank you, give back some of the love. I want to get new fans, if I can. I want those who have read and are reading my books to have a good experience of me.

At Spam Diego, unless you have a table of your own – too expensive for a writer type like me – or you’re being sponsored by one of the publishing houses, it’s hard for the fans to know where you are and when. Plus there’s a lot of competition. Lots of stuff going on. I mean. Brian Michael Bendis could get lost in this shuffle.

I want to meet some friends in the business that I haven’t seen for awhile; maybe make one or two new ones as well. Get to meet some who I’ve only known via e-mail. There are people I have worked with whom I have never met face to face. It used to be I’d run into people I hadn’t met in a while at SDCC and that’s always been a big draw for me. Now? I don’t know if I’d accidentally run into anyone unless I was driving the Batmobile. (more…)

How the Superheroes Saved Movies

hellboy2poster5-7914902We’ve heard plenty about the dominance of the superhero in Hollywood, but a new story in the UK Telegraph puts some numbers together and shows just how much movies are benefitting from the comics influx.

After a huge run of successful comics films, The Dark Knight (which happened to open with a record $158 million weekend) was just the cherry on the ice cream:

It becomes the fifth film with a comic book or graphic novel theme to dominate the box office in recent weeks following Universal’s blockbuster Iron Man, as well as Hellboy II, The Incredible Hulk and Wanted. Together they have generated more than $500 million (£250 million) in US takings alone.

Sequels to this year’s hits are already planned and dozens more offerings based on comic books are in the pipeline.

"They have become Hollywood’s safety net," said Jeff Bock, of Exhibitor Relations, the box-office analyst.

It would be interesting to see a breakdown of how much of that gigantic sum is actually coming back to comics publishers.

‘Iron Man’ as Reading Instructor?

ironman-2686376Slate posted a slideshow/essay this morning about "early reader books," the works aimed at young kids with the idea of encouraging them to start reading (think Dr. Seuss).

That literary tradition has been taken up by adaptations of superhero movies, like Iron Man and Incredible Hulk, the essay notes, before questioning whether such works are good brain food.

There’s no denying that kids, especially little boys, love their superheroes, and the whole point of early readers is to get kids excited about reading. But do you really want the Hulk teaching your kid to read?

To which Hulk responded:

HULK READ GOOD!!!

(Oh, c’mon. I had to make that joke.)

Getting Respect, by Dennis O’Neil

dark_knight_onesheet-795949-7861483Well, it is certainly a superheroic weekend here in New York, and maybe where you are, too. The latest Batman flick has already set one box office record and who knows what others it may yet conquer? The second Hellboy movie is still kicking box office butt. And a while ago, I was paging through the Arts and Leisure section of my Sunday New York Times when I saw a familiar face staring up at me from a photo: my old colleague Frank Miller, grim and determined looking. The accompanying story was about Frank’s writing and directing of The Spirit movie, based on work by yet another old friend, the late Will Eisner, produced by yet another old friend, Michael Uslan. (Good heavens! Whom don’t I know?)

Last week, the loyalists among you, if any, will remember that I strongly recommended a book titled The Ten Cent Plague, by David Hajdu. Since then, I’ve recommended it in conversation a couple of times, and may do so again. Damn good book. One of the points Hajdu makes is that comics were the outsider’s medium: the first bunch of creators and promoters were primarily Jewish, guys who had trouble getting work elsewhere. This is one of the reasons the Establishment may have felt threatened by the four-color trash sprouting from the newsstands like crab grass on a lawn; these were not their kind of people and who knows what kind of anarchy these grubbies might promote, given the opportunity? Decent folk practically had an obligation to put them in their place!

When I entered comics, about a quarter century into their history, the field was still dominated by outsiders, or anyway at least ex-outsiders. As for my cohorts… maybe one of the writers who came into comics at about the same time after I slithered in may have been destined for a respectable career in respectable institutions among respectable citizens, but the rest of us were hippie-rebel, anti-establishment types. If that hadn’t been true, why were we there? Comics publishing didn’t have an established career path, there didn’t seem to be really serious money to be made, at least at the editorial level, and Lord knows we weren’t reputable; only a decade or so earlier, our chosen endeavor had been crucified in magazines and on editorial pages and even in congressional hearings. We weren’t exactly bracketed with axe murderers, but you probably wouldn’t want your daughter marrying one of us.

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‘Dark Knight’ Sets Midnight Record

dark_knight_joker-8165829Extimators are already guessing at Dark Knight‘s opening take, figuring on an opening north of Iron Man‘s $100 million-plus first weekend in May. Variety reports:

Based on the enormity of tracking and advance ticket sales, "Dark Knight" has a shot at opening as high as "Dead Man’s Chest," although anything over $100 million would be a big win. "Dead Man’s Chest" presently sports the second-best opening on record after that of "Spider-Man 3," which nabbed $151.1 million over the May 4-6 weekend last year.

It’s off to an excellent start after the Thursday midnight opening. According to the main story on CNN.com, the film set a record for midnight openings.

The film already has the biggest midnight debut ever, with tracking firm Media By Numbers reporting "Dark Knight" made $18.5 million at its midnight showings alone. That breaks the record of $16.9 million held by "Star Wars Episode III: The Revenge of the Sith."

During a survey of people who buy tickets through Fandango.com, 38 percent of those who are working said they would be taking either some time or the day off to see the movie.

The movie was expected to be shown on 9,400 screens in a record-breaking 4,366 theaters for its opening, according to its studio, Warner Bros.

 

‘Iron Man 2’ Has a Writer

ironman-3105980Fans of David Lynch’s Mulholland Drive might be surprised to learn the actor who played Adam Kesher will be writing the next Iron Man movie.

Writer/actor Justin Theroux has been signed on by Marvel to script the sequel, according to Variety. He’s had quite a varied Hollywood career already.

Theroux, a thesp-scribe best known for roles in "Charlie’s Angels: Full Throttle" and HBO’s "Six Feet Under" and miniseries "John Adams," most recently wrote the DreamWorks comedy "Tropic Thunder," which Paramount will unspool next month.

In addition to writing and appearing in "Tropic Thunder," Theroux also exec produced the laffer, which stars Ben Stiller, Downey and Jack Black. He recently made his directing debut on "Dedication," which the Weinstein Co. distribbed.

"Iron Man," released in May, has earned more than $314 million at the domestic box office and collected another $252 million overseas.

The article also indicates deals are close to being finalized for Robert Downey Jr. and director Jon Favreau to return for Iron Man 2, which is supposed to make a 2010 release date.

The Knows Have It, by Dennis O’Neil

stanlee_t-3780122Right up front this week, let’s publish our (forgive me for shouting) RECOMMENDED READING: Danny Fingeroth’s Write Now Magazine from TwoMorrows.

The issue I’m touting, number 18, dated Summer, 2008, is devoted to Stan Lee on his eighty-fifth birthday and it’s full of tributes and reminiscences about the Smilin’ One, who is without doubt the most influential guy in comics. After dozens of pages by others, writers and artists mostly, there is a special treat, headlined: Stan Lee’s Top Ten Tips For Writers. Well, who among us is going to pass that up?

I won’t presume to reproduce all ten of Stan’s tips, but I will give you a condensed version of the first. Herewith:

Write about things you know. If you don’t know, Google the stuff and start learning. Or else be so vague that no one can pin you down…So, to summarize – be totally factual or else be so vague that you can get away with knowing nothing about your subject.

Okay, we can all accord that an amen. It hearkens back to a subject we explored a few weeks ago, that of the uses of science in science fiction. We agreed, I think, that if a writer is using factual science in a story, said writer should bother to get it right. If the science is not factual, why slow down your pacing by explaining something that doesn’t exist anyway?

Don’t lie – Google! Or hold your peace.

Now, allow me to add a modest postscript to Mr. Lee’s wisdom.

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Animated ‘Iron Man’ Trailer

The first trailer for the upcoming Iron Man: Armored Adventures cartoon is now online. The show, which appears to be somewhere between Ultimate Iron Man and the Iron Man movie, will show up on Nicktoons next year. 

‘X-Files’ Comic Preview at EW

9999_400x600-6040641The new X-Files movie comes out July 25, and that week also sees the debut of a tie-in comic book series from WildStorm.

Entertainment Weekly has a preview of X-Files #0, from series co-producer and co-writer Frank Spotnitz. Check that out right here.

The truth? It’ll be out there in theaters when The X-Files: I Want to Believe opens July 25. But thanks to Frank Spotnitz, the franchise’s coproducer and cowriter, it’ll also be available in comic-book form two days earlier, when DC’s The X-Files #0 hits stores. While the film takes place after the TV series’ end, Spotnitz’s title (illustrated by Iron Man: Hypervelocity‘s Brian Denham) is fully ensconced in buzzy season 5, with Special Agent Dana Scully’s cancer in attack mode, and her FBI partner, Fox Mulder, initially on the lam, probing Scully’s illness as well as surreptitious alien types.

Issue #0 is a story Spotnitz always wanted to tell, but never had a chance to. And it will, in fact, springboard into a few original comics miniseries set throughout seasons 2 and 5 of the show. Also, these tales will feature a familiar evil force. But we’re getting ahead of ourselves. To jump-start the X-Files’ long-awaited resurrection, DC and Spotnitz have given EW.com this exclusive first look at pages from The X-Files #0.

A funny little side note: DC posted a news item about this on its home page, right here. But if you click the link, you’re taken to this wholly unrelated site.

Looks like Grant Morrison’s insiduous usurpation of DC is much farther along than we’d thought.

DC and Warner Talk Movies

Warner Bros. is apparently looking to emulate the success Marvel has had making its own movies, such as Iron Man and Incredible Hulk.

Variety is reporting some Warner honchos held meetings with people at DC Comics to try to develop a better pipeline from page to screen.

Warners has never had such a strategy, and there have long been complaints the studio has been slow to exploit a potential treasure trove of franchises. And while the studio is basking in critical love for “The Dark Knight,” it has watched studio rivals rake in big bucks from Marvel Comics characters, and Marvel itself get into the tentpole business.

While it’s assumed there will be another Batman pic, there’s been no formal announcement. And Warners has no movies based on the classic DC universe to preview at this year’s Comic-Con.

Few details are coming out, aside from this official statement: "We’re constantly looking at how best to exploit the DC Comics characters and properties." Exploit?

Now, if only someone from Warners would talk to DC about straightening out their comic book line.