Tagged: Jack Kirby

Dennis O’Neil: Comic Book Career Day

oneil-column-art-120517-4417872I leaned across the desk and shook his hand.

“Congratulations, young man,” I said. “You scored in the ninety seventh percentile on the comic book writing aptitude exam and so you’re my new Batman writer. I’ll need twenty-two pages by the end of the week.”

He smiled and left my office. A moment later, I glanced through the open door and saw him waiting for the elevator, straightening his tie. From forty feet away I could admire the gleam on his shoes.

Okay, it didn’t happen that way, or any way like that. It couldn’t, because there is no aptitude exam for aspiring comics writers. There is, as a matter of woeful fact, no defined career path, and if there were one, it would probably be changing about now.

But the god of full disclosure, if such there be, compels me to admit that, matter of fact, once there was a test for comics writing wannabes and I took it and I passed and that explains my life from about age 25 on. Roy Thomas, who had recently joined Stan Lee at Marvel Comics, sent the test to me at the office of the small newspaper where I was working and pissing people off. It consisted of four pages drawn by, I’m pretty sure, Jack Kirby, a piece of a comic book that was lacking words. The task was to add word balloons and maybe captions. Well, wouldn’t you have done it? Simple, easy, kind of fun. I typed something or other and sent it to Roy and late one evening a week or so later, he called offering me a job. I got into my battered station wagon and started trekking east…

I can’t say that I began a career in comics because I don’t consider what I’ve done a “career.” That term – career – implies planning and goals and maybe a timetable.  None of that for me, thank you. It was catch-as-catch-can, a series of jobs, meeting the right people at the right time, screwing up, being given second chances, getting fired, getting hired, finally settling into a position that was everything a butcher’s kid from north St. Louis could ask for and retiring still young enough to get angry at politicians.

So I am not the guy you come to for advice on how to become the next Neil Gaiman or Frank Miller or pick your personal favorite comic book success story. I didn’t do what those guys did and maybe I couldn’t do what those guys did. But will that stop me from pontificating on the subject? Who you talking to?

Ergo: next week I’ll share with you the paltry few strategies I employed when my various editorial gigs required me to hire staff members or freelance creative types.

The thrills just keep coming…

FRIDAY: Martha Thomases is Whedon Out Women

 

Happy 94th Birthday, Jack Kirby!

Jack Kirby Portrait

Image by J Garrattley via Flickr

And for his birthday, the co-creator of the Fantastic Four, the X-Men, Captain America, Thor, and the Hulk is trying to blow out Marvel’s corporate headquarters.

Derrick Ferguson Ducks The Mighty Shield of CAPTAIN AMERICA

2011
Marvel Studios/Paramount Pictures
Directed by Joe Johnston
Produced by Kevin Feige
Screenplay by Christopher Markus and Stephen McFeely
Based on “Captain America” created by Joe Simon and Jack Kirby
Before we get into the review, please indulge me for a minute…hit it:
I had hopes that when Jon Favreau snuck in the 1960’s Iron Man theme song, they’d find a way to do it in other movies based on Marvel superheroes.  Such was not the case.  “Star-Spangled Man” was okay, but it can’t beat this song.  Maybe in the sequel.  And I have no doubt that there will be a sequel as CAPTAIN AMERICA is in my head, fighting “Iron Man” and “Thor” as the best Marvel superhero movie made to date.  Joe Johnston doesn’t get a single thing wrong in this movie which is actually two movies in one: it’s not only a superhero movie but it’s a World War II movie as well and never to the two elements clash with each other. 
4F Steve Rogers (Chris Evans) tries time and time again to enlist in the U.S. Army as he desperately wants to do his part and fight the Nazis.  But his list of physical aliments prevents that until chance puts him in the path of Professor Erskine (Stanley Tucci).  The professor left Germany to willingly work for the United States on his greatest experiment: The Super Soldier Serum which can transform a man into the perfect human.  Erskine wants to try his serum on Steve as he is impressed with the man’s heart and compassion.
Colonel Phillips (Tommy Lee Jones) the head of the Super Soldier Project isn’t so sure this scrawny specimen is the right man.  But Agent Peggy Carter (Hayley Atwell) of the Strategic Scientific Reserve agrees with Erskine and the experiment goes ahead.  Steve is endowed with enhanced strength, reflexes, heightened senses and a metabolism that heals him at a faster rate than normal.  Tragedy dims the success of the project and as a result Steve is regulated to being used a mere publicity tool to sell war bonds, going on USO tours as ‘Captain America’ dressed in a gaudy red, white and blue costume.
But over in Europe, the war isn’t waiting for Steve.  Johann Schmidt (Hugo Weaving) is the head of HYDRA, a separate organization within the Nazi party dedicated to developing advanced weaponry for its own purposes.  Schmidt is also known as The Red Skull, due to an unfortunate side effect of Erskine’s Super Soldier Serum which he took himself.  Along with his chief scientist Arnim Zola (Toby Jones) The Red Skull has his own plan of world domination that doesn’t involve Hitler.
Things really kick into high gear when Steve, fed up with being treated as a joke, goes on a one-man rescue mission behind enemies lines to rescue his best friend James Buchanan ‘Bucky’ Barnes (Sebastian Stan) and over four hundred prisoners of war, including a bunch of fightin’ fools known as The Howling Commandos (Neil McDonough, Derek Luke, Kenneth Choi, Bruno Ricci and J.J. Field).
Captain America, now a front line soldier with Bucky and The Howling Commandos backing him up as well as a new protective uniform and shield developed by genius inventor/industrialist/futurist Howard Stark (Dominic Cooper) is regarded as a genuine real American hero.  His battles are rapidly becoming the stuff of legend.  But it’s a legend that may be cut short when he finally confronts The Red Skull…
There are so many things that CAPTAIN AMERICA gets right I could easily take about an hour listing them.  Elements of the origin are moved around but the spirit of the character is intact.  Chris Evans finds exactly the right note for Steve Rogers/Captain America and never strays from it.  Just like when he played Johnny Storm/The Human Torch in the two “Fantastic Four” movies, I get the impression that he took the time to read the comics.
The only problem I have with Tommy Lee Jones is that his character wasn’t named “Happy Sam” Sawyer since to me that’s who he’s playing.  Neil McDonough is absolutely scary in how much he looks like “Dum Dum” Dugan.  And he sounds exactly like I always heard Dugan’s voice in my head while reading those “Sgt. Fury” comic books.  The changes in the relationship between Steve Rogers and Bucky Barnes is one I thought made that relationship even stronger.  I really liked how Tony Stark’s dad got in on a lot of the action and we get to see a lot of where Tony gets his swagger from.  Hugo Weaving and Toby Jones make for an effective pair of bad guys and Hayley Atwell steals every scene she’s in as Peggy Carter, a woman definitely ahead of her time.
But the star behind the scenes is Joe Johnston who I’ve been telling you folks for years now is a genius.  Hopefully the success of CAPTAIN AMERICA will cause people to finally acknowledge “The Rocketeer” as the masterpiece it is.  And “Jurassic Park III” and “The Wolfman” ain’t bad either.
So should you see CAPTAIN AMERICA?  Are you kidding me?  What are you waiting for?  

Behind the New Yorker’s Jack Kirby Cartoon Ripoff

You’ve likely heard a bit about a recent cartoon in the New Yorker’s cartoon caption contest (seen at right) that was a pretty direct ripoff of an old Jack Kirby cover. The New York Post, among others, called it plagiarism.

This doesn’t delve too much into that debate, but Patrick House, the man who won that caption contest, gives an explainer at Slate.com about the formula he used to win, and what it says about the New Yorker.

His winning caption, by the way, was: "O.K. I’m at the window. To the right? Your right or my right?"

He also touched on the differences between this cartoon and the Kirby original:

And what better archetype of urban ennui could there be than a man in a cardigan holding a drink, yapping on his cell phone while blissfully unaware of looming dangers? A very similar cartoon by Jack Kirby from 1962 — similar enough to lead the New York Post to shout plagiarism — has the person inside the window frightened and cowering, sans drink, glasses, or phone. But that was 50 years ago, and drudge and complacency have settled on the urban landscape sometime between now and then. You must look for these themes in your cartoon and pounce.

Reviewing Jack Kirby and Stan Lee’s ‘Essential Thor’

I don’t normally post links to reviews on other comics news sites, since we have so many of our own hitting the site here every day, but I had to make an exception for Tom Spurgeon’s recent review of the third volume of Marvel’s Mighty Thor "Essential" collection.

Thor has never been a favorite character of mine, as his dialogue always seemed a bit hokey and he’s pretty much the definition of a deus ex machina. But Spurgeon’s review of the collection, which features Stan Lee and Jack Kirby doing exactly what made them legends in the industry, has me contemplating a change of heart.

He describes the collected stories’ overall tone as "verily, there are asses over yon we doth must beat" repeated ad infinitum — which is a big selling point for me.

Spurgeon goes on to summarize the collection as follows:

It’s quite fun. The panels where Thor is not punching people so hard their light source changes are stuffed to the brim with either a) cool-looking Kirbyana almost always in the form of monsters and machinery, b) Volstagg, a fat coward who can bench press a bus, providing J. Wellington Wimpy-style comedy relief, or c) Thor screaming at someone about how awesome he is in preparation of punching them so hard their light source changes.

I love a well-written review, and this is certainly a great example of one. Head over to The Comics Reporter to read the rest of it.

Silver Surfer and Fantastic Four in ‘Not Brand Echh’ #1

Over on the online home of ASIFA-Hollywood, a full, scanned story from the inaugural issue of Marvel’s parody series Not Brand Echh is posted in all of its old-school, self-effacing fun.

The story, titled "The Silver Burper" is a spoof on a Fantastic Four storyline by Stan Lee and Jack Kirby that ran through issues #57-60. ASIFA-Hollywood Director Stephen Worth, who posted the scan, does a good job of summing up the attraction of Not Brand Echh:

Current superhero comics (now referred to self-importantly as "graphic novels") take themselves VERY seriously. It’s rare for a publisher to allow a parody of its own characters… and unheard of for the creator himself to get the opportunity to make fun of his own creation. But back in the silver age of comics, cartoonists didn’t take themselves quite so seriously. Here we have the unthinkable… Jack Kirby and Stan Lee doing a parody of their own Fantastic Four and Silver Surfer comics for Marvel’s Not Brand Echh!

 

(via boingboing)

Atomika power, and Angel after the fall

That comic shop you visit every week probably has a few secrets – books you walk right by and never notice. ComicMix Radio is taking it on ourselves to ferret out these gems and share each one. Who knows what we might find – starting today with the story of a creator who took his love of Jack Kirby and created a bigger than life series which has already reached eight issues. Get ready for the world of Atomika, plus:

  • How a cancelled TV show became a red hot new comic series
  • More Zombie sell outs at Marvel
  • Even though Elvis is dead, Tom Swift is alive and well (he said expressley)

Stop staring at the pretty picture and Press The Button!

 

 

Jack Kirby gets his due

61tigqfq5ol-_ss500_-4905996Few people had the privilege of knowing comics legend Jack Kirby the way Mark Evanier did. Therefore, it is only fitting that Mark was the man selected to pen Jack’s definitive biography.

stuntman1-3577896Kirby: King of Comics will be released this October in a 224 page hardcover edition, complete with a pull-out poster designed by Alex Ross, at a price a lot lower than that of any of Kirby’s Masterworks or Archives editions, a mere $40.00 retail. Normally, I’d be writing up the bit about who Jack Kirby was in case you don’t know the way I was taught in journalism school, but I can’t imagine anybody reading something called ComicMix who isn’t familiar with The King of Comics. But in case you want to brush up, Mark did an excellent job on his own website.

Tons of art and inside information and produced with the full cooperation of the Kirby estate, Mark Evanier’s Kirby: King of Comics is going to be an early Christmas for comic fans old and young.

Artwork copyright by their respective holders.

Stan Lee, Jack Kirby speak on ComicMix Podcast #21

April Fool’s weekend, and we offer nothing but the truth from Sushi Based Super Heroes to a Close Encounter From Jean Luc & Q to the Secret Origin Of How Stan Lee’s Secretary Got Me Through Puberty. We’ve got the low down on the new Spider-Man animated series AND the new Santo animated show (our editor-in-chief is a big Santo fan).

All this, Timeline, e-mailbag, and Vanessa Williams on ComicMix Podcast #21 – available by clicking right here: