Tagged: John Carter

Doing Double Duty?

  • Uncategorized
  • August 31, 2011

There’s an interesting article about shared properties like Flash Gordon, John Carter of Mars, and The Spider over at Robot 6. You can read it at http://robot6.comicbookresources.com/2011/08/the-middle-ground-67-double-duty/

What do you think? Is having the same license and multiple publishers simultaneously a good or bad thing? Tell us what you think in the comments.

The Shadow Returns!

  • News
  • August 17, 2011

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After sixteen years, The Shadow will once again be haunting the comic book shops. The classic character who starred in both pulp magazines and his popular radio show will be returning in the hands of Dynamite Entertainment. Dynamite currently publishes pulp-related properties The Green Hornet, The Phantom and John Carter of Mars. Dynamite’s President and Publisher were quoted in a press release, saying “pursuing The Shadow has been a lifetime quest.”

No creative teams have been announced thus far.

NEW REVIEW COLUMN AT ALL PULP- PULP CLASSIC!

  • News
  • August 4, 2011

PULP CLASSIC- Reviews by Joshua Pantalleresco
TARZAN OF THE APES by Edgar Rice Burroughs

Ask me to pick my all time Edgar Rice Burroughs creation, and I think most people would say John Carter.  To me, however, Tarzan was Burroughs at his most refined.  There is a level of sophistication in Tarzan that is unsurpassed with any other of Burroughs’ characters.  In fact, I’ll go so far to say that Tarzan of The Apes is probably Edgar Rice Burroughs’ most complex book in terms of character development, as the Tarzan that starts the novel is not the Tarzan that finishes it.  Part origin, part coming of age and part adventure,  I’m amazed with just how layered Tarzan really was, and it makes me realize just why this character is still so popular to this day.

Tarzan of the Apes begins with his parents arriving in to the harsh unforgiving jungle.  Alice and Clayton battle the jungle valiantly, yet ultimately succumb to the harsh terrain, leaving baby Tarzan alone in the jungle, where he is eventually adopted by apes.  The first half of the book is about Tarzan growing up in this environment.  This stuff is among my favorite writing of Burroughs period.  From covering the harsh realities of the jungle, to Tarzan discovering how to use tools, Burroughs does a great job separating Tarzan from a conventional savage and was able to show that Tarzan had a lot of cunning, reason and a little bit of a sense of humor.

One of my favorite scenes is Tarzan discovering his parent’s house and discovering the books in the library.   The fact that he spends his time learning how to read astounded me when I first read it as a kid and still astounds me now.  The thing I tend to hate with Tarzan in most of the television shows is that they make him out to be an above average ape man and nothing more.  I can’t think of anything cooler than the fact that he used a children’s book to teach himself how to read in English.  That’s an incredible feat and I’ve always thought that always having him be the simple ape man he is in most movies and television shows takes away a real important aspect of his character – his desire to become more than he is.

tarzanapes-6184294This facet of him is presented best when Jane enters the story.  He sees her and feels an instant attraction.  He starts communicating with her with the English he learns through letters.  He is sprung into action when one of his local enemies captures Jane, which leads to Tarzan rescuing her.  When he attempts to woo her with a very simplistic approach and is rebuked, he takes the first steps into becoming the gentleman English lord he is descended from.  When she leaves, Tarzan seeks her out, learning more how to communicate, act like a man, and all the while making some acute observations about the ways of men he doesn’t approve of.

In the end, he saves Jane from a marriage that would have made her miserable, yet doesn’t walk away with the girl.  All in all, it left me wanting more, just like it did when I first picked up the book years ago.   Tarzan is everything you want in a great story.  Despite the savage setting, there is something we can all relate to in Tarzan in this first book.  It’s one of my favorites.  I can’t recommend it enough.  It’s a solid five out of five stars.

Yeehaw! FORTIER GITS ALONG LITTLE DINOS IN HIS LATEST REVIEW!

REX RIDERS

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REX RIDERS
By J.P.Carlson
432 pages
Monstrostities Books
Available June 21, 2011
It was somewhere between the ages of twelve and thirteen that I discovered the classic pulp heroes of old through paperback reprints.  Here were 1930s urban heroes such as the Shadow and Doc Savage while primal, wilderness characters were represented by Robert E.Howard’s Conan the Barbarian.  I also discovered one of the greatest pulp authors of all time, Edgar Rice Burroughs. My entry into Burroughs fantastic worlds was through his Tarzan books like most of the readers of my generation.  Having already become familiar with the Ape Man via movies, it was both a treat and surprise to discover the actual character in Burrough’s purple prose.
Becoming addicted to his work, it was a logical next step to pick up his equally popular John Carter of Mars series starting with “A Princess of Mars.”  On the off chance there is someone reading this that has never had that pleasure, here is a quick recap.  The series tells of an ex Confederate officer named John Carter, who, while mining for gold in the Arizona badlands, is somehow magically transported through space to the red planet Mars. There he finds it inhabited by all manner of beings and monstrous creatures that refer to their world as Barsoom. Carter has one glorious adventure after another, finds his love, the beautiful princess Theja Thoris, and goes on to become the Warlord of Mars.
I devoured those books.  I’d never encountered anything else so filled with action, exotic characters and unabashed imagination as displayed in that amazing series.  Of course the popularity of Burroughs alien tales inspired hundreds of writers to follow in his footsteps, many attempting to duplicate the verve and grandeur of his Barsoom titles.  None ever came close, until now.
From the first chapter of J.P. Carlson’s book, “Rex Riders” that same magical what-if that Burroughs so effortlessly created is evident here.  Set in the sleepy Texas town of Dos Locus, post Civil War, what Carlson brilliantly does is turn the tables on the Carter device and brings an alien romantic hero to Earth in the form of the Rex Rider. 
The book’s protagonist is fifteen year old orphan, Zeke Calhoun, who is being raised on his Uncle Jesse McCain’s ranch.  His two best friends are Bull, McCain’s loyal ranch hand and Stumpy, the old cantankerous and wise ranch cook.  Growing up to be a cowboy is not an easy life and Zeke is constantly butting heads with his uncle, their ability to communicate strained by their ages.  Having never married or had children, McCain finds bringing up a rambunctious teenage boy much more complicated than herding cattle. 
Then one day a live triceratops comes charging down Dos Locos’ main street attacking the arriving stagecoach.  After toppling the coach, the confused, armored beast then goes on a rampage and destroys several of the town’s stores before it is shot by McCain.  Before anyone can even attempt to explain the creature’s presence, let alone existence, the area’s most powerful landowner, Dante D’Allesandro comes along, offers to pay for  the damages and whisks the carcass away. No one gives the incident a second thought.  I give much credit to Carlson’s depiction of good, decent and simple people who would react exactly as he writes them.
Months later, while riding through a nearby valley, Zeke and Stumpy come across a truly bizarre scene.  An alien humanoid lying comatose on the ground, having been shot, and standing over him protectively is a baby Tyrannosaurs Rex with a saddle strapped to its back. With much effort, the two manage to haul the eight foot rider onto the back of his dangerous looking mount and get them back safely to McCain’s ranch.  After the town doctor removes half a dozen bullets from the purple hued alien and he recovers, he relates a fantastic tale to McCain and his crew.
Slim, the name Stumpy gives the alien rider, is from a planet called Ismalis where millions of years ago his ancestors, using amazing transporters, rescued large numbers of the Earth’s dinosaurs when they saw they were in danger of becoming extinct.  Now they thrive on Ismalis and as a Rex Rider, it is Slim’s duty to see they continue to do so.  Unfortunately D’Allesandro has learned that it was via one these transporter platforms, hidden in a nearby mountain cave, that the runaway tryke traveled from Ismalis to Earth.   D’Allesandro then begins to transport a group of cowboys to that alien world to build a  camp from which they can rustle hundreds of trykes and bring them back to our world.  When Slim attempts to stop him, warning that his scheme can only end in disaster for all involved, D’Allesandro’s hired gun, Caleb Cooper, attempts to kill him and his T-rex mount, called Hellfire.
McCain immediately sees the folly of D’Allesandro’s plan and offers his support to the Rex Rider, along with Zeke, Bull & Stumpy.  Together these new allies have to travel to that strange and dangerous world and set things right.  “The Rex Riders” is a deft blend of action, humor and wall-to-wall adventure in a truly original setting.  Reading it was nothing short pure joy, easily recapturing the fun I’d had when first discovering the John Carter of Mars books.  And if that isn’t a cause for celebration amongst today’s pulp readers, I don’t know what is.  In fact, I love this book so much, I’m giving it to my grandson, Alex, assured it will set him on a path I first walked over fifty years ago.  Thanks, J.P. Carlson.  With your first book, you’ve made a loyal fan that is very, very anxious for the sequels. 

Disney Consumer Products Projects Profitble Future

At an online press conference preceding this month’s Licensing Show, Walt Disney outlined their plans for 2011 and the future. Andy Mooney, president of Disney Consumer Products, hosted the event and emphasized that the company’s properties were all being evaluated for exploitation in all forms, using the phrase “newness” to cover technology and “value” to explain multi-figure packaging.

Obviously, the company expects to reap huge profits from this month’s 3-D release of Toy Story 3. Mooney anticipates $2.4 billion of global sales of merchandise for this franchise alone.

After that, Mooney felt Tron: Legacy, coming in December, will appeal to boys and has partnered with Mattel for toys based on the movie starring Jeff Bridges and Olivia Wilde.

For 2011, the company will be flogging Pixar’s next sequel, Cars 2, due in June, following a month later with the next animated Winnie the Pooh movie. For the younger set, there will also be the first new Muppets feature film in nearly a decade. The Disney Princess brand will continue to be pushed, accompanied by the recently launched Fairies line of product which already has grown into a $1.3 billion business.

Little was said about the fourth Pirates of the Caribbean film, On Stranger Tides, which takes the action to America. Similarly, nothing was mentioned about the next big action film, 2012’s live-action John Carter of Mars.

Disney is also exploring a sequel to 3 Men and a Baby, the 1987 film, directed by Leonard Nimoy and starting Tom Selleck, Steve Guttenberg, and Ted Danson. The charming comedy led to a less charming sequel 3 Men and a Little Lady in 1990 and now the studio appears interested in seeing a later chapter in their lives. Selleck confirmed for MTV that  “It is true that Disney checked my availability,” he said. 3 Men and a Bride is the likely title and plotline, with Selleck adding, “I hope it’s a good script, and if it is a good script I hope they do it, because it would be really fun to get back with Ted and Steve. The strongest of the two movies I think is the first one. It had more heart, and that’s what I hope this third one would have if we do it.”

(more…)

Stanton Reimagines ‘John Carter of Mars’

  • News
  • September 27, 2008

Pixar’s Andrew Stanton said that he and Mark Andrews are spending the rest of this year on the script adaptation to Edgar Rice Burroughs’ John Carter of Mars. The director told Sci FI Wire that their approach is more about taking what they recalled best from the epic science fiction tale rather than a literal translation.

"I’m going to do what I remember more than what they exactly do," Stanton told a group interview yesterday.

Pixar’s General Manager, Jim Morris, commented, "Everything that’s been out there has been an attempt to kind of capture this Deco-esque [Frank] Frazetta vision of John Carter, which I think feels old and stale. And where Stanton is going — from what we’ve seen so far — is very different than that. And I think that the people who really love the essence of the books will really dig it, but so will audiences in general."

As for the new look, Morris said, "John Carter is in its very early stages and there is much to figure out about that so we’d be premature. We are looking at a variety of different approaches and techniques for that … We’re kind of a bit early in the development of that.

"I’m sure I speak for all of the science fiction geeks, fans and aficionados when I say it’s finally time to see that movie. And I, for one, am delighted that Andrew Stanton is the guy that’s making the movie, because he’s a story-driven guy."

Despite an abandoned attempt by Disney to animate the story of a Civil War soldier somehow transported to Mars, the film has been repeatedly option for film but never getting in front of the cameras.  The stories have been adapted for comic books throughout the years with interpretations from both DC Comics and Marvel Comics.
 

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