Tagged: John Ostrander

ComicMix Columns for the Week Ending April 28, 2008

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  • April 27, 2008

Last weekend’s New York Comic Con affected ComicMix columnists in different ways, with Michael, Martha and myself all musing about the con experience (and Dennis and John discussing other events of note from that same weekend).  Here’s what we’ve written for you this past week:

Michael’s column totally wins for "best byline" this week..  He probably wins for  "best comment thread," too.

59, by John Ostrander

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  • April 24, 2008

Numbers represent. They don’t really mean.

Any meaning associated with numbers – or words for that matter – are what we assign to them. My social security number identifies me to the government but it’s not who I am. It has importance, yes, and if unscrupulous people get a hold of it, it can have a terrible impact on my life. It is not, however, my life. The finger pointing at the moon is not the moon. The road map is not itself the road.

I turned 59 last Sunday and I’ve asked myself “What does that mean? Am I different in any essential way than I was on Saturday?” No. “Do birthdays have meanings?” If we give them some – yes. I like to celebrate the birthdays of those close to me more than I like to celebrate my own. I celebrate the fact that they were born, that they entered this world, and I get to be a part of their lives. I don’t dislike my birthday; I don’t have a problem with having one. I am thankful for the thoughts and good wishes expressed and any excuse to have a double chocolate cake is a good one.

The real use to me of my birthday these days is a bit more meditative. The number 59 has meaning in context with numbers 1 to 58. They are mileposts in my journey thus far. Milepost thirty-three – my first published comic book work. I remember that because I was pleased to be a rookie at anything at 33. Milepost thirty-eight – I married Kim Yale. Talk about being a rookie! Milepost forty-seven – Kim died and the world collapsed only to begin again a few mileposts later with Mary Mitchell. Life goes on. Death gives way to new life. (more…)

Happy Birthday: John Ostrander

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  • April 20, 2008

Born in 1949, ComicMix creator/columnist John Ostrander loved comics from early on but initially followed a different love: religion. Raised Roman Catholic, Ostrander wanted to become a priest and attended a year of seminary before deciding it wasn’t right for him. Instead he turned to acting.

Ostrander was part of a Chicago theater company in the early ’80s, and in addition to acting he co-wrote a play called Bloody Bess with William J. Norris. ComicMix Editor-in-Chief Mike Gold was starting First Comics at the time and had seen and liked the play—he knew Ostrander was a big comics fan and invited him to try his hand at writing comics. Ostrander wrote several stories for First’s Warp series before creating the character of GrimJack.

By the time First Comics closed in 1991, Ostrander was working for other comic companies as well, and he continued to do so. He has written The Spectre, Firestorm, Justice League of America, and Wasteland for DC, X-Men, Heroes for Hire, and The Punisher for Marvel, Lady Death for Chaos!, Eternal Warrior for Valiant, Star Wars: Republic for Dark Horse, and many many others. Ostrander has also written audio plays and short stories, and he currently writes for ComicMix, producing both a regular column and new issues of  GrimJack and Munden’s Bar.

Other Than Myself, by John Ostrander

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  • April 17, 2008

I remember the morning after the primary election where Harold Washington won the Democratic nomination for Mayor of Chicago, becoming the first African-American man to do so. It was February 22, 1983 – 25 years ago. The white voters were split between then incumbent mayor Jane Byrne and Richard M. Daley, son of long-time mayor Richard J. Daley and who is currently mayor of Chicago.

Whoever wins the Democratic mayoral primary is de facto mayor of Chicago. That’s a given. The last Republican mayor, William Hale Thompson, left that office in 1931.

There is no two-party system in Chicago. At best, it’s a party and a half. As a result, Washington was going to be the new mayor of Chicago and, oh, how the white establishment cried! One white Democratic politician actually considered switching parties to oppose Washington in the mayoral election rather than have Chicago face the terrible possibility of a Negro mayor. The fact that he didn’t simply means that he realized that the habit of voting Democratic was too ingrained.

I learned exactly what it meant on my way to work that day. I used the “L” at that time – Chicago’s rail transit line. My neighborhood was “iffy” – right on the borderline between an okay area and a slum and was gradually slipping downwards. That meant you walked around with your ‘spider-sense” definitely on. That was especially true of the L station.

I paid my fare and walk up the stairs to wait for the train. There was only one other person up there – a “Negro.” (more…)

ComicMix Columns for the Week Ending April 14, 2008

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  • April 13, 2008

I’ve printed out the NYCC panel schedule but I don’t feel nearly ready for this coming weekend.  Stay tuned to these pages to find out where you can locate your favorite ComicMix people, including the ones who wrote these columns this past week:

So, it’s going to be a weekend of questions like "why did they schedule the Black Panel opposite Bryan Hitch’s spotlight and the Jenna Jameson ‘kick ass’ fiasco," isn’t it?

GrimJack: Hoodoo Vs. Chaos

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  • April 11, 2008

What happens when you throw the Miller Medallion at a giant demon cat?  FInd out in today’s brand new episode of GrimJack: The Manx Cat, by John Ostrander and Timothy Truman.

John Gaunt thinks the big kitty is afraid of the amulet’s hoodoo.  Is she?

Credits: John Ostrander (Writer), John Workman (Letterer), Lovern Kindzierski (Colorist), Mike Gold (Editor), Timothy Truman (Artist)

More: GrimJack: The Manx Cat

 

 

 

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Things That Suck, by John Ostrander

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  • April 10, 2008

I’m growing older, approaching cranky-old-manhood, and there are increasing number of small petty things that simply annoy me, dagnab it. Since I can write whatever I durn well please in this here column, I’m just going to indulge myself with a couple of rants on different topics and nothing unites them beyond the fact that I’m a cranky old fart. Yessir.

Grocery stores. The grocery stores I use have self-checkout lanes. These are new contraptions and, as such, on general principles I’m agin ‘em. However, in theory, they get me out of the store faster and that’s a boon so I use them most of the time. What I hate is that the damn things nag ya! They have this voice that keeps walking me through the process. I know how to use it. I don’t need it to keep telling me. It has the same disapproving female voice as Sister Mary Water Closet back in the third grade. I don’t need to hear that voice again, thank you very much!

It would be nice if you could refuse its help but you can’t! Screaming at it to “shut the fuck up!” only gets you stares from your fellow shoppers. Telling it that, “If I wanted to be nagged I’d dig up my mother!” is ineffective and sets small children to weeping, bringing store security. They and the IRS are not well equipped in the sense of humor department.
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ComicMix Columns for the Week Ending April 6, 2008

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  • April 6, 2008

Hollywood icon Charlton Heston is no longer with us.  Cineleet has a nice overview of his roles in three classic sf movies, but of course he was so much more, both on the screen and in real life.  Whatever one might think of  his politics, the fact that he and his now-widow Lydia were married for 64 years is enough to earn my respect and admiration.  As April is National Poetry Month, feel free to add your poetic thoughts about Heston in the comments section, and don’t forget to check out this past week’s ComicMix columns:

Godspeed, Chuck – not that you need it, you probably have the inside track after all those Biblical epics…

GrimJack: At the Crossroads

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  • April 4, 2008

In today’s brand-new episode of GrimJack: The Manx Cat, by John Ostrander and Timothy Truman, Ben Marsh faces his inner demon. And his inner demon is John Gaunt.  

Will they fight?  Will they win?

Credits:John Ostrander (Writer), John Workman (Letterer), Lovern Kindzierski (Colorist), Mike Gold (Editor), Timothy Truman (Artist)

More: GrimJack: The Manx Cat

 

 

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Finishing Therapy, by John Ostrander

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  • April 3, 2008

Spoiler Alert: This column will be reviewing HBO’s In Therapy series and more than a few of its secrets are bound to get spilled along the way. If you have the show TiVoed for future viewing, you may want to delay reading this week’s installment.

I’ve just finished watching HBO’s nine week, 43 half hour episode series In Therapy wherein we follow a bunch of patients as they have sessions with their therapist. Each day, Monday through Friday, is devoted         to a different client/patient with Friday devoted to the therapist’s sessions with his own therapist. In theory, you could watch just one patient’s sessions, such as X on Wednesday, and wind up with a complete narrative. The show is also designed, however, to have an over-all über-narrative that emerges if you watch all the episodes. It is itself based on an Israeli show, Be Tipul, and the episodes of In Therapy are adapted from specific scripts in the Israeli series.

The series boasts some fine – in some cases, superb – acting with a topnotch cast. At the center of it is Gabriel Byrne as therapist Paul Weston. Weston’s office is a room in his own home that has separate entrances and exits from the rest of the house. He’s about 50, very respected and successful in his profession but things are starting to crack. His marriage to his wife, Kate, played by the always incredible Michelle Forbes, is cracking. He barely knows his children anymore. One of his patients has fallen in love with him and he may be falling in love with her as well.

It was a demanding series, not the last for its length. 43 episodes is a major commitment to ask of viewers. Also, the bulk of the series happens in Paul’s office as we sit in on the sessions. That means a lot of talk with folks sitting. Perhaps better suited for a play, one might think, or a book, or a radio play. For television? Doesn’t that call for something that is more visual?

For myself, the length didn’t put me off. In the theatre, I’ve watched both parts of the staged production of Nicholas Nickelby in one day and a staging of all seven plays in Shakespeare’s War of the Roses cycle in one weekend. At the dame time, both had more movement, more spectacle, than did In Therapy. Perhaps the more important question is – did each individual story require the episodes devoted to it? Did each one add up? Did the whole series, all of the stories together, itself add up to something that was, frankly, worth the time and commitment to watching it? Do I regret spending the four hours or so with each character?

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