Tagged: Justice Society

Ed Catto: Respect – for the Presidents and for Geek Culture

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As a kid, I had book called Our Country’s Presidents by Frank Burt Freidal. It was an important looking book published by the National Geographic Society. This heavy tome devoted a few pages to each president along with a handful of gorgeous, colorful pictures. In retrospect, the model they used was a precursor to today’s magazines, complete with sidebars and sections-within-sections.

freidals-presidents-book-2467823Way back when, the U.S. presidents were held in high regard.

I didn’t think I could ever read it all, but it was great fun to skim a few chapters now and then to get a perspective on all these great men and the times in which they lived.

During that same period, as you can imagine, I was also reading a fair amount of comic books. And in one comic series, The Justice League of America, each summer they’d have an adventure with their out-of-town “relatives,” the Justice Society of America.
This made all the sense in the world to me. As an Italian-American family, we were all about gathering the family together at wonderful events. One of the leading restaurants in my hometown was founded by a relative, so getting the invite to their enormous annual summer picnic was always such fun.

Our family would just eat a lot at these gatherings. But when the Justice League of America, essentially a super hero family, would meet annually with their older, wiser, mentor-ish counterparts, the Justice Society of America, there would always be a grand adventure. Oh, sure, they’d typically have one or two pages showing all the heroes enjoying hors d’oeuvres and chatting, but that wouldn’t be very interesting for the entire story.

To help readers identify and understand the visiting characters, the comic would typically devote a couple of pages to each Justice Society member and explain a little bit about their background. To me, it seemed exactly like that U.S. presidents book. The message I got was “These old heroes are important and you should really learn about them- just like you should learn about presidents.”

jsa-all-star-staton-72-6372959I dutifully obeyed and complied with this imagined directive. Chalk it up to the power of Geek Culture. Whenever there was an adventure with these Justice Society heroes, it was a treat for me and I took it seriously.

So with this background, you’ll understand how I was thrilled to find out that these “out of town” characters, the Justice Society, would return to star in their own comic. All-Star Comics #58 was published in 1976 and starred the JSA heroes.

There they were – these fantastic characters doing amazing things, presumably in the times between those family get-togethers.

For some odd distribution reason, this wasn’t available at my regular newsstand, the fabled Pauline’s News in Auburn, NY. I had to make a special trip to a specific drug store on the other side of town to get this comic. The extra effort was worth it.

There was a new character introduced in this series too. She was kind of like Supergirl, but not as demure and sweet. She was aggressive and always displayed her assertive personality.

She was also very attractive. One artist on the series was the legendary Wally Wood, who could draw anything but had a particular aptitude for rendering pretty blondes. To a 13-year-old boy, this was of great interest to me.

I’m writing about this because I’m thrilled to announce that I was given a great honor. Gemstone’s vice-president of publishing, J.C. Vaughn, asked me to contribute an article about the Justice Society revival series to this year’s Overstreet Comic Book Price Guide.
The Overstreet Guide is another of those grand summer traditions. It’s a detailed price guide to just about every comic book ever published, but it’s more than that. It’s an incredible reference detailing the history of American comics, and provides insightful historical articles and industry trends by the nation’s top comics experts.

overstreet-4295080The book also celebrates creators with the annual showcase of legendary talents providing special cover artwork. This year’s cover is really special, in fact, as J.C. has recruited Amanda Conner to create a two-part diptych cover, one of which features that “pretty blonde” from my youth – Power Girl.

The limited edition cover is by a true master as well. Russ Heath is a phenomenal artist, whose life story is as fascinating and fun as is his art. Heath has created a moody, moving piece evocative of the old war comics covers. As usual, the Overstreet team has designed a unique alternative logo that always thrills evokes the original 60s war comics.

J.C. Vaughn treats the annual publication like one big party. As is the tradition, the book debuts at San Diego Comic-Con and then is on sale nationwide at comic shops and traditional bookstores.

Writing my article for The Overstreet Comic Book Price Guide was such fun. I talked with creators of the series, young pups just starting out when the series was first published: Paul Levitz and Joe Staton. Each has gone on to establish incredible careers in the industry. I also spoke with Justice Society expert Roy Thomas. Although he wasn’t directly involved with this iteration of the JSA, he still had great insights and revealed a story or two I hadn’t heard.

David Spurlock is the wry, charming publisher of Vanguard Productions. You may enjoy Vanguard’s fantastic books spotlighting artists like Frank Frazetta, Paul Gulacy or Wally Wood. I sure do. On the other hand, my wife just likes talking to the guy because he’s charming and witty.

But he carries the torch for many artists, and Wallace (Wally) Wood is one of them. David pulled back the curtain and revealed some great stories (some of which I couldn’t publish) about Wood’s participation in this 70s Justice Society revival.

It was great fun to write and I think it will be great fun to read! Be on the lookout and don’t be shy about reserving your copy of The 46th Annual Overstreet Comic Book Price Guide.

And if anyone has a copy of Freidel’s book on the presidents …. I’ll trade you an extra copy of the Overstreet Guide for it. I’ve got to finish reading that one!

Dennis O’Neil: Legends of All Time!

legends-of-tomorrow-art-2590396In this metaphor, time is a liquid and so we find ourselves doing the breaststroke, swimming back, back until we surface until we surface and…

Where might we be? The air is crisp and clean, the ocean before us is deep blue, the whole world seems freshly minted… Oh, of course! We’re somewhere in the region that will come to be called Before the Common Era and we’re watching a group of alpha male-type gentlemen board a sailing ship. Ah, we have it now. The gents are Jason and his pals who will eventually be dubbed The Argonauts, which means that the ship is the Argo, built by a handy chap named Argus and protected by the goddess Hera. They’re preparing to voyage in quest of some golden fleece for reasons with which we need not bother. There we are – everything tied up in a neat package. Don’t you love it when that happens?

But while we were ogling the BCE version of celebrities, the metaphor morphed. What was liquid is now pages, some yellowed and curling, some clean and white and on those rapidly flipping pages… glimpses. There’s King Arthur and the roundtable bunch. (How do we know that this particular king is Arthur? Because we do, that’s how! Now hush.) And there’s Odysseus and his shipmates. And the four musketeers, who, for some reason, are hailed as the three musketeers. (Maybe the seventeenth century French dudes weren’t so good at counting?) And The Shadow with his helpers, and Doc Savage with his and – the pages are crisper and whiter – the Magnificent Seven and the Dirty Dozen and the Justice Society and the Justice League and the X-Men and DC’s Legends of Tomorrow

Whoa. That last one – it isn’t on a page (yet), it’s on a video screen and I saw it a few nights ago: the latest entry into what’s beginning to seem like television’s Superhero Sweepstakes. What we have here are a number of B-team heroes who, with one exception that I’m aware of, first appeared in DC Comics. (There’s those darn pages again.) They’re united under the leadership of Rip Hunter to combat a giant economy sized threat to the planet and, probably, to ass kick sundry lesser malcontents. They’re not all happy to be part of the team, but that’s okay – we know they’ll be on the front lines when they’re needed. And maybe a bit of bickering will brighten the dialogue – exposition, don’t you know, can be such a bore.

The structure of stories such characters populate is simple and reliable: something threatens the common good, something so formidable that it takes a team to quell it, preferably a team with diverse capabilities to allow for varied action.

Did I mention their… I don’t know what to call it, but let’s settle for “vehicle.” It seems to be a combination airliner, houseboat, taxi cab and time machine, and it is nifty. (Are the toy companies lining up?)

The show itself? Can’t wait for next episode…Well, actually I can, but I will be watching it.

Mike Gold: The All-Star Secretary

wonder-woman-for-president-1987115Here’s what gets me about Wonder Woman.

She is, rightfully, symbolic of strong women who can take care of themselves, stand up for themselves, and help others – men and women alike – do the same. These are very good things. She started out before America entered World War II, so you can’t really attribute “Rosie the Riveter” juju to her origins: she was created at a time when most strong women were to be found in movies, and by then almost always in front of the camera and not behind it.

To be sure, there were plenty of other women super-heroes in comics.  Some were spin-offs or sidekicks to male superheroes – Mary Marvel, Bulletgirl and the original Hawkgirl come to mind – but others were stand-alone creations: the original Black Widow (1940), Phantom Lady (1941), the original Black Cat (1942), Liberty Belle (1943), and my personal favorite, Miss Fury (1941), the only one of the bunch that was created, written and drawn by an actual woman. Wonder Woman thrived and was the principle reason DC Comics bought All-American Publications for the simplest and best of reasons: she was the most fully realized of them all.

But in lesser hands than those of her creators, she encountered her own glass ceiling.

Wonder Woman got her start in All-Star Comics #8, December 1941, as a nine-page feature backing up the usual Justice Society of America story. It was a bonus for the readers, as pages were added to the issue for the story. No mention was made of any of this on the cover. One month later, her series debuted in Sensation Comics #1 and she was so popular she was awarded her own title several months later.

She would return to All-Star Comics in 1942 when the Justice Society guys voted her in as their first female member, something long denied to Hawkgirl or Liberty Belle or even Merry, Girl of 1,000 Gimmicks (don’t ask). This was only a few months after the publication of Wonder Woman #1, and only 10 months after her debut appearance in All-Star.

Talk about the fast track. But, sadly, it was the fast track to that glass ceiling.

Wonder Woman joined the Justice Society not as a full-fledged member, but… wait for it… as the Society’s secretary.

No shit. While the readers’ moms were working at the defense plant, the phenomenally popular super-heroine was relegated to taking notes about the adventures enjoyed by the men. In fact, just like Rosie the Riveter her position was only guaranteed “for the duration of the war.”

Whereas she occasionally played an enhanced role in the story, Wonder Woman did not become a fully active member of the team until All-Star Comics #38, December 1947, six years after her debut in the same title. Coincidently, that story also offered a guest-shot from Black Canary, who was asked to deliver a message (“everybody else in the JSA is dead”) to Wonder Woman. In turn, WW picked up the bodies of her fellow JSA members – her fellow JSA fellows – and brought them back to life using the Amazon’s Purple Ray, a staple in the Wonder Woman series.

Amusingly, it was Black Canary who saved the JSA members at the end of the story. As a reward… no, she wasn’t made the new secretary… she was given the team’s thanks and a nice pat on the back and was made an honorary member. Three issues later, Black Canary finally was given full membership.

When the Justice League of America debuted in 1960, Wonder Woman was there as a fully involved member of the team. I’d say this represented progress, and I guess it did but those initial stories only had five fighting members of the team, Superman and Batman being “too busy” to join in the fun. That only left four other DC superheroes plus Wonder Woman. But there was no relegation to second-class status for the iconic heroine… and that does represent progress.

It would be a while until women were regularly involved in creating Wonder Woman’s stories, not to mention those of the other DC superheroes which were expanding like amoebas. But, hey, Eisenhower was president. The New Frontier didn’t start until the following year.

Dennis O’Neil: Justice Society – Forward Into The Past!

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Back from a mission, the particulars of which I am not at liberty to divulge though I can reveal that it involved a food store, and… Look! Someone has deposited a package on the front stoop. A friend? An enemy? One of those uniformed people who drive around the neighborhood in trucks? Make haste! Slit the tape, fold back the flaps, and…

Well, look at that. A book. We already have a lot of those, but hey, always room for another, especially if it’s a handsome hardcover titled Justice Society of America: A Celebration of 75 Years. Seventy-five years already? They grow up so fast…

It must have been a no-brainer, all those years ago. Superman was a success. Ditto Batman. The rest of Detective / All-American Comics’ cadre of costumed do-gooders were doing at least okay, if not better, and if those mysterious beings out there beyond the office walls – call them “readers” – like superdoers in single doses then they’ll go nuts for a bunch of such heroes in the same magazine and – here comes the challenge for the editorial department – all of them working on the same problem.

The added benefit, as Roy Thomas observes in his informative and lively introduction, was that a comic book like that could showcase less prominent characters, test whether they might be popular enough to warrant further use.

So get busy! Get that new comic book, dubbed The Justice Society, out of our collective imaginations and onto the newsstands!

And so they did. The JSA, at first a quarterly, was soon promoted to bi-monthly status and continued to grace the nation’s magazine venues until 1951, when comic books as both popular entertainment and profit centers entered their dark age, a period when they barely survived as publishing enterprises.

That tale, sad though it is, had a happy ending when comic books, and particularly superhero comic books, were reinvented and began flourishing. (You wouldn’t be reading this if that hadn’t happened.) The JSA came back somewhat altered and rechristened The Justice League of America.

The JLA was one of my first assignments when I went to work for what had, by then, become DC Comics. I don’t think I knew the size of the bite I’d taken when I took the job. It can be challenging to conjure up a worthy opponent for a single super person and thus provide conflict and drama and all that good stuff. Writing a book like JLA the writer has to provide woes for seven or eight or more. But, as the volume we’re discussing proves, writers and artists have been doing that, doing it entertainingly, for three quarters of a century.

Once a year, Julie Schwartz would revive the JSA, who, you will be happy to know, were living in another dimension, and team them with their modern counterparts. I did one of those stories, which is how I come to be represented in the volume we’re discussing and why I got copies of it, and there you go, full and unnecessary disclosure.

I’m glad to see my work in such righteous company.

 

Mike Gold: The Wonder Woman Sensation

Back in the 1970s during my first tenure as a DC Comics employee, I rhetorically asked the question “who was relaunched more often – Wonder Woman or Captain America?” For you young’uns, in today’s lingo “relaunched” means “rebooted.” Even as a rhetorical question, people’s heads exploded. This, of course, did not stop us fanboys from counting.

It turns out in order to get a fair count we needed to summon the spirit of Milton Sirotta. Oh, okay, check it out here. Yes, I’m asking you to Google Googol.

My advice, offered at the time and I continue to offer today, was to treat Wonder Woman as though she were a genuine superhero and have her do all the other stuff the other superheroes, almost exclusively male, could do. It’s amazing how often she was just… lame. I’m not saying the mythological approach, as best presented by George Pérez although the present team of Brian Azzarello and Cliff Chiang is absolutely first-rate, is in any way wrong. Not at all. They-all use mythology in a manner similar to Jack Kirby’s Thor, and that’s about the highest praise I’ve got.

Wonder Woman did not get her start in the All-American Comics’ anthology title, Sensation Comics. She got her start a month earlier, in the DC/All-American hybrid, All-Star Comics #8. But it was Sensation Comics that was her launchpad to superstardom.

Wonder Woman quickly earned her own title, as well as a regular slot in Comic Cavalcade and the job of – wait for it – secretary in the Justice Society. As time wounded all deals, only the eponymous title survived the “Golden Age,” one of only three superhero comics to do so. And that’s about all of WW’s really, really strange creation history that I’m going to share right now.

Last week, DC returned Sensation Comics to the world as part of its much celebrated (well, celebrated by me, often, in this chunk of the Ethersphere) Digital First line. That means it’ll be reprinted, I think today, in traditional comic book form and then ignored by too many retailers who think “digital” is a four-letter word. Woe onto them: Sensation Comics is a pure superhero title. It is Wonder Woman the Superhero. Which is what she was created to be.

You couldn’t put this first story in better hands. Gail Simone is no stranger to the character and no slouch as a writer – in fact, she’s one of the best practicing the craft today. Artist Ethan Van Sciver is a fan-fave as well, and for good reason: he is great at handling superhero stories. He should be cloned.

Together, Gail and Ethan give us … well, a Batman story, except Batman isn’t in it, Wonder Woman is. Instead of the ever-expanding Batman family, we’ve got WW’s sisters-in-arms. We’ve got The Joker, The Penguin, Two-Face, The Riddler et al, and Wonder Woman is taking them all on, as any great superhero would.

This is one of the best superhero comics I’ve read in quite a while. More important, it’s the superhero comic Wonder Woman deserves.

Check it out.

 

 

Legend Irwin Hasen Creates Graphic Novel

15927loverboy-lg-jpg1-5817004The legendary Irwin Hasen, co-creator of DC’s original Wildcat who is best known for his work on the classic newspaper comic strip Dondi, has written and drawn a 128-page graphic novel. Not bad for a guy 91 years old.

Loverboy, which purports to be something of a dramatized autobiography, will be released
by Vanguard Publishing in December. Joe Kubert and Neal Adams contributed cover blurbs; Irwin has been a teacher at the Kubert School.

In addition to Wildcat and Dondi, Hasen had been a regular
contributor to the golden age versions of Green
Hornet, Green Lantern, The Flash
and Justice Society of America, among many others.

Matthew Sturges Pens Sequel to ‘Midwinter’

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Matthew Sturges has spoken much of his comics work, including his new miniseries Run! and being named last week as co-write of Justice Society of America in the wake of Geoff Johns’ departure. But his prose work has gone little mentioned.

Over at his blog, he reports, “Since it’s been announced elsewhere, I guess it’s safe for me to announce that I’ve sold a sequel to Midwinter, which is tentatively titled The Office of Shadow. I pitched it as ‘a spy thriller set in Faerie’ and I think that’s actually one of the most accurate elevator pitches I’ve ever come up with. It follows directly from the events of Midwinter, and will hopefully be released sometime around early 2010.”

 

‘Ultimatum’ #1 #1 in November

ultimatum1-2-3640885The November numbers are in and ICv2 notes that sales of the top 300 titles fell 11% compared with a year ago.  They note that with DC Comics and Marvel Comics skipping issues of Secret Invasion, Final Crisis, New Avengers, Mighty Avengers, Astonishing X-Men, and Justice League of America, there’s little wonder.

Only two titles — Marvel’s Ultimatum #1 and DC’s Batman #681 – cracked the 100,000 unit marks based on numbers provided by Diamond Comics Distributors, the fewest since March.

Marvel had 14 of the top 25 titles, DC 10, and Dark Horse one. 

Looking over the list, it’s interesting to note that beyond events and new titles, several mainline books continue to bring in readers because the content seems to be consistently entertaining month after month as exemplified by Amazing Spider-Man and Captain America being in the Top 10. The most popular creators do seem to translate to best sales making it all the more important for creative team consistency month to month.

Here are ICv2’s estimates of the sales by Diamond Comic Distributors to comic stores on the top 25 comic titles in November:

114,230           Ultimatum #1
103,151           Batman #681 (RIP)
  90,776           Hulk #8
  88,910           Wolverine #69
  77,773           Uncanny X-Men #504
  76,625           Amazing Spider-Man #577
  75,493           Captain America #44
  74,202           Buffy the Vampire Slayer #19
  72,862           JSA: Kingdom Come Special Superman #1
  71,355           Justice Society of America #20
  69,522           Batman: Cacophony #1
  68,956           Amazing Spider-Man #576
  66,564           Amazing Spider-Man #578
  64,196           Detective Comics #850 (RIP)
  63,512           X-Men Legacy #218
  61,331           Fantastic Four #561
  58,547           Action Comics #871
  58,279           Dark Tower: Treachery #3
  57,241           X-Force #9
  57,205           JSA: Kingdom Come Special Kingdom #1
  56,931           Final Crisis: Resist #1
  56,224           Avengers / Invaders #6
  55,560           JSA: Kingdom Come Special Magog #1

Geoff Johns Leaves ‘JSA’ After #26

jsa-791037-2-2093207Geoff Johns announced his departure from Justice Society of America, after issue #26, at his forum at Comic Bloc.

He wrote:

There will always be a Justice Society of America book in the DC Universe.

I take a lot of pride in that fact because it wasn’t always true.

It’s hard to say this but officially, I will be leaving the title after Justice Society of America #26, which is a single-issue story entitled “Black Adam Ruined my Birthday.” Following the Black Adam arc with Jerry and I, #26 will be my last issue, Dale [Eaglesham]’s last and our fantastic editor Michael Siglain’s last. I think we’re going out on one of my favorite stories to date and I’m glad we are all going out on this together.

I’ve been writing JSA nearly my entire career. The book has steadily gained new and old fans and, with the re-launch two years ago, fixed itself as one of the staples of the DC Universe. Since then we’ve remained one of the top monthly books at DC alongside Justice League of America and Batman. A book starring characters like Jay Garrick, Stargirl, Mr. Terrific and Citizen Steel. Heroes that, I think, most people had written off. But not all of them did.

We got Dr. Mid-Nite from the talented Matt Wagner. And the new Mr. Terrific first appeared in The Spectre under the pen of one of my favorite writers John Ostrander. I brought in Stargirl, who will always be a character I write in one form or another – no matter if I’m on JSA or not. And, above all, I think James Robinson’s run on Starman opened the door for the JSA on a different level.

How’d I get involved in this? Peter Tomasi and David Goyer.

I was asked by them to come on and co-write JSA back in 1999 right when I got into comics. James had left the book after issue #2. David wrote #3 himself and I came in and wrote #4 with him, but without a credit. I got a special thanks to, but that was enough for me. David then wrote #5 and I came on officially with #6, which featured Black Adam way back when. Over the next two years, I worked with David on the book steadily until he left with #25 and returned later through #51.

The JSA to me represents everything good about life, work and superheroes. In life, generations past, present and future all provide different viewpoints. There can be something magical when it’s past from grandfather to father to son or from mother to daughter or son to grandfather. There’s nothing more important than family – and family means a lot more than just blood relatives. That’s what my very first book, Stars & S.T.R.I.P.E., was about and that’s what JSA, and life, is about.

So why am I leaving?

I have more stories to tell, and the characters are endless, but that’s also true for the DC Universe. I’m ready to move on to some other challenges like returning to The Flash and Superman: Secret Origin. And I am also obsessed with making sure that Green Lantern, Blackest Night and everything around it is the absolute best it can possibly be. …and that’s only part of 2009. There are some new projects on the horizon.

I have to thank Dale Eaglesham, Fernando Parasin, Alex Ross, Steve Sadowski, Leonard Kirk, Don Kramer, Jerry Ordway, Michael Bair, Alex Sinclair, Jon Kalisz, Michael Siglain, Steve Wacker, Harvey Richards, Eddie Berganza, Adam Schlagman, Peter Tomasi, David Goyer, James Robinson, Carlos Pacheco and the creators that inspired me – Paul Levitz, Grant Morrison and Marv Wolfman.

And although he’s never read the book, Roy Thomas. He held the torch for a long time and did a wonderful job. I wish we could’ve done a project together.

I’m sure I’ll return to the Justice Society in some form or another some day, but for now I’m passing them off a new creative team – one who is already working on the book (job’s taken, sorry guys – and it’s someone who’s never worked with these characters before). I really look forward to reading it.

Thanks for all your support and I’ll see you all soon!

New Gods Breakdown: An Illustrated Guide to Jack Kirby’s Creations

[EDITOR’S NOTE: Back in June, comic book historian Alan Kistler provided ComicMix readers with a Countdown Breakdown, an illustrated guide to the 52-part event that preceded the Final Crisis storyline currently unfolding in the DC Universe. This feature was so popular that we convinced him to flex his creative muscles once again, and provide an analysis of one of the key groups of characters receiving the spotlight in Final Crisis: the Jack Kirby-created New Gods. Where do they fit in and what should you know ng-kistler_new_god_breakdown-6890502about them in order to understand Final Crisis? Read on and find out! -RM]

Well, readers, some of you have no doubt been checking out DC’s crossover Final Crisis. Personally, I’ve been enjoying the heck out of it. But I can understand that some of it might not have as much impact if you’re relatively new to the DC Universe.

For instance, a major part of the crossover revolves around those Jack Kirby creations known as the "New Gods of the Fourth World."

So who are these New Gods? How are they related to the Greek gods who speak to Wonder Woman on a regular basis? What do they have to do with that powerful giant called Gog who’s been appearing in the pages of Justice Society of America? Why does Darkseid say he’s from the “Fourth World,” whereas Gog claims he’s from the “Third World?"

Well, look no further, faithful fans! ComixMix is here to oblige! So, because you folks requested it after seeing our illustrated Countdown Breakdown, here are the New Gods in a nutshell:

(more…)